Unknown Author - Untitled

The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.

In this work, the artist reveals an artistic language based on an informal aesthetic, yet filtered through a personal reworking. The work has two constituent elements: first, the bold, bold stroke that becomes structure and generates the painting's main content with its instinctive movement. Then, the color that determines the space in which the painter's gesture itself comes to life, as an autonomous and vital entity. The resulting structure references a simultaneously biomorphic and brutal poetics, indicating a strong personality on the part of the artist.

As we can see from the analysis of this work, the artist who performed it draws on informal movements with his own personal aesthetic.

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