Attr. to Francesco Privitera - Untitled

Realist and social themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions in various European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with realist themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso. Francesco Privitera's work also falls within this trend, and his favorite subjects are images related to the everyday lives of simple, working-class people. The places and activities of these people are depicted through his original and personal artistic language, which combines contemporaneity with an authentic and sincere description of a typical Sicilian reality.

Francesco Privitera's artistic production fits perfectly into a pictorial movement that combines realist themes with a predominantly expressionist language. Indeed, while the subject matter focuses on everyday life and the working classes, the style envisions a synthetic interpretation of reality. In a flattened space, everything is simplified by the application of color, transfiguring reality in an expressive and symbolic sense. The process of abstraction, therefore, is conducted by the painter to extract the essence from sensory data. The subject matter is thus resolved in a juxtaposition of chromatic zones, with predominantly cool hues, blue and green. In this way, Privitera creates an image charged with primary, immutable values, thanks to its expressive simplicity and chromatic strength. The compact application of colour, reminiscent of a Gauguinian à plat, occurs, however, in a dense brushstroke of material, which characterises the representation of intense vibrations.

As we can see from an analysis of his works, artist Francesco Privitera, born in Castellana Sicula in 1931, stands out for his pictorial production inspired by the values ​​of simplicity and everyday life. His Sicilian reality is depicted through an expressionist, compact, and densely textured canvas, where cool tones predominate.

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