ABSTRACT

In some cases more meditative, almost close to Mark Rothko's Color Field, in others more impulsive through a Dripping in which the stick acts rapidly, uncontrollably, almost as if it were an extension of the artist's creative impetus as he undertakes an introspective journey on his path, which by extension is that of contemporary man, on the circumstances that follow one another and on the situations that have been part of his life as well as that of anyone else.

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