Antonio Manzoni - The Vase

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

The painter Antonio Manzoni developed a highly complex and personal artistic language. His style undoubtedly draws on Expressionism, drawing particular reference to the German movement Die Brucke, from which he borrows the brutal synthesis of the subject matter and the prevalence of figures with broken, angular forms. Manzoni's figures are perfectly in tune with an Expressionist aesthetic, traversed by taut lines and rigid contours that, through figuration, allow them to express intense states of mind. Antonio Manzoni also stands out for the complexity of his highly elaborate painted surface. The artist has developed a remarkable technique that allows him to lay down a dense, textured color on the support. On this layer, the painter can then intervene with more calligraphic interventions, using less vigorous gestures. All this to make the work even more expressive.

Antonio Manzoni is a painter who has developed his own personal style. He has successfully combined an expressionist-inspired language with a complex process of pictorial application.

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