Anonymous - Vase of Flowers

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

This artist's pictorial language relies primarily on the expressive qualities of color. The drawn structure and perspective grid are completely dismantled to make way for the force of the brushstrokes. Indeed, the vigor with which the work was created is such that it borders on the gesturality typical of Abstract Expressionism. However, the artist holds firmly to phenomenal reality because even with his colorful, highly textured brushstrokes, he manages to delineate the essence of the flower vase, imbuing it with expressive vigor. In this work, however, we note an accentuation of color synthesis. The rendering of the object is even more abstract, determined by large, contrasting brushstrokes. In this Expressionist context, color takes on aggressive, Fauvist tones, generating the violent contrasts sought by the painter. The meaning of color, in fact, goes far beyond naturalism and takes on a highly symbolic, evocative, and spiritual significance.

The artist behind this painting clearly shows a deep influence from gestural and expressionist painting styles. His language is extremely concise and grounded in the expressive power of color.

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