Anonymous - Flowers

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

The most notable peculiarity of this work lies in the perfect balance between mimesis and lyricism. Indeed, the artist's essentially figurative language undoubtedly stems from a flawless naturalistic rendering of flowers. The painter stands out for his flawless reproduction of each individual petal, with a certain sculptural consistency and a consequent determination of space within the painting. At the same time, however, the expressive power of his style lies essentially in his pictorial interventions. The brushstrokes are lively, impressionistic in inspiration, ready to capture every single vibration of light and atmosphere on the flowers and the vase.

As we can see from this print with textural interventions, the artist is a painter with a solid academic background who, thanks to an excellent technique, manages to maintain a perfect balance between naturalism and a fresh impressionist flavour.

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