Aligi Sassu - Spanish

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.

In this silkscreen, Aligi Sassu creates a thoroughly classical work, both in form and spirit. Formally, there is a certain mimetic intent as the artist creates a depiction of calm and lyrical naturalism. This is reflected in the subject's physiognomic details and the softness of his expression. Despite this, Aligi Sassu does not forgo the expressive vigor of the work, and he does so primarily through his brushstrokes. The hatching makes the composition extremely dynamic, especially in the surrounding figures, which also exhibit a high degree of formal synthesis.

Aligi Sassu, born in Milan in 1912 and died in 2000, was a painter and sculptor. His painting efforts focused primarily on the representation of movement and physical strength, which is why the subject of the horse or man on horseback was always congenial to him. In the late 1970s, he and Bruno Munari drafted the pictorial manifesto "Dynamism and Muscular Reform," which called for a return to anti-naturalistic forms in a dynamic sense. Much of his painting, moreover, is inspired by Delacroix and his battles.

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