Aldo Dorella - Dancer

The subjects painter Aldo Dorella observes are usually figures from the world of circus and dance. In this painting, Aldo Dorella ventures into the representation of the feminine world and its fragility. The anatomical study the artist employs fully reflects the aesthetic and cultural demands of various eras. The woman depicted by the painter, both through her pose and the colors surrounding her, possesses emotional and psychological strength. The theme reflects on human vulnerability by exploring different perspectives. From the Venus de Milo to Lucien Freud's psychological representation of the body, it offers a variety of meanings that still resonate in contemporary art today.

This mixed technique is highly indicative of the artist Aldo Dorella's style. Indeed, we can see how this painter tends to transfigure all perceived reality into an intense chromatic and pictorial vibration. He adopts a predominantly impressionistic style, but takes it to its extreme. His brushstrokes not only capture the effects of light on his subjects, but also convey the painter's own emotions, which are contained in that extremely lively and vibrant hatching. In this way, Aldo Dorella infuses life into his scenes, finding a sincere poetic inspiration even in the very everyday life that, at first glance, might seem banal.

Aldo Dorella was born in 1925. A self-taught artist, he began painting in the 1950s, eager to express and communicate his moral and aesthetic beliefs. In 1965, he opened a studio in Milan and frequented the Pinacoteca di Brera. His pictorial practice tends toward figurative art, particularly notable for his genre scenes and melancholic figures of clowns and acrobats. His style draws on Impressionism to imbue his subjects with intense vibrations of vitality and poetry.

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