Abdul Rahem Tatari - Huts

The work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. Within the artist Abdul Tatari's work, picturesque subjects recur, expressing a curiosity for an exotic Mexican dimension and for ethnic and folkloric everyday life.

The stylistic approach to the subject can be likened to the Naïve movement. The Naïve artist is by definition self-taught, someone who hasn't attended an art school but has found inspiration within themselves. Stylistically, this translates into figurative painting that offers a simplified interpretation of reality, with infantile and unconsciously primitivist overtones. However, even the Naïve artist, in his or her spontaneity, possesses a self-awareness that leads him or her to develop a very specific aesthetic language, distinguishing it from amateurism.

Abdul Rahem Tatari is a Syrian-born painter whose art is primarily inspired by ethnic subjects, which he depicts with the spontaneity of a naive language. In some cases, he ventures into more abstract experimentation, based on colorful geometric compositions.

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