{"title":"Umberto Pettinicchio","description":"\u003cp\u003eOpere di Umberto Pettinicchio in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Umberto Pettinicchio? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"umberto-pettinicchio-senza-titolo-2","title":"Umberto Pettinicchio - Untitled","description":"","brand":"Massaron Massimo","offers":[{"title":"Default Title","offer_id":56210500125058,"sku":"MMAS","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DSC_2180-1.jpg?v=1768390685"},{"product_id":"umberto-pettinicchio-senza-titolo-3","title":"Umberto Pettinicchio - Untitled","description":"","brand":"Massaron Massimo","offers":[{"title":"Default Title","offer_id":56210500157826,"sku":"MMAS","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DSC_2183-2.jpg?v=1768390685"},{"product_id":"umberto-pettinicchio-senza-titolo","title":"Umberto Pettinicchio - Untitled","description":"","brand":"Massaron Massimo","offers":[{"title":"Default Title","offer_id":56210500190594,"sku":"MMAS","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DSC_2196-4.jpg?v=1768390687"},{"product_id":"umberto-pettinicchio-senza-titolo-4","title":"Umberto Pettinicchio - Untitled","description":"","brand":"Massaron Massimo","offers":[{"title":"Default Title","offer_id":56210500223362,"sku":"MMAS","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DSC_2189-3.jpg?v=1768390687"},{"product_id":"umberto-pettinicchio-configurato","title":"Umberto Pettinicchio - Configured","description":"\u003cp\u003eThe work drew on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that, in the visual arts, also manifested as an inability to communicate. For some artists, this problem resulted in a total rejection of any visual language, leading to the birth of Informel. The various Informel movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in their rejection of any figurative element, even geometric ones. Their research is directed instead towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio often dealt with the human figure in his pictorial research, which initially led him to acquire an Expressionist style. Later, his painting became increasingly abstract until he definitively arrived at Informel. Only a vaguely perceptible semblance of the figure remains, while, from a formal point of view, everything is transformed by the artist's pictorial gesture. Pettinicchio's gesture breaks down the dimensional planes and transforms the human figure into an amorphous material marked by large black strokes. This approach seems to be a kind of brutalist operation along the lines of Dubuffet, but while the Frenchman gave much greater emphasis to material, our artist instead resolves everything through the application of paint.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He trained in Milan at the Brera Academy and began exhibiting in his first solo shows in 1969. Among these stand out his appearances at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977, at Trittico, Rome, 1974, at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976 he opened his studio in via Bolzano, where important series of paintings would be created. In the 1980s, he regularly exhibited (at Salotto, Como, 1980, at Il Castello, Milan, 1981, at Il Mercante, Milan, 1982), also enriching his career with important Spanish exhibitions (Sargadelos, Barcelona, 1982, Piquio, Santander, 1982, at the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Sarnataro Andrea Luigi","offers":[{"title":"Default Title","offer_id":56215818731906,"sku":"ASAR00","price":4050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201022_135327_p-copia-scaled.jpg?v=1768429407"},{"product_id":"umberto-pettinicchio-senza-titolo-5","title":"Umberto Pettinicchio - Untitled","description":"\u003cp\u003eThe work draws on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that, in the visual arts, also manifested as an inability to communicate. For some artists, this problem resulted in a total rejection of any visual language, leading to the birth of Informalism. The various informal currents are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in their rejection of any figurative element, even geometric ones. Their research is instead directed towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio often dealt with the human figure in his pictorial research, which initially led him to acquire an Expressionist style. Later, his painting became increasingly abstract until he definitively arrived at Informalism, which takes precedence in this work. In fact, not even that vague human appearance found in other paintings by Pettinicchio remains, and the subject of the work is completely formless. However, the brutal aesthetic remains consistently that of the artist from Torremaggiore, in a fragmented material marked by large black strokes that is entirely resolved in the painterly gesture.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He trained in Milan at the Brera Academy and began exhibiting in his first solo shows in 1969. Among these stand out his appearances at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977, at Trittico, Rome, 1974, at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976, he opened his studio in via Bolzano, where important series of paintings would see the light of day. In the 1980s, his exhibition schedule was always regular (at Salotto, Como, 1980, at Il Castello, Milan, 1981, at Il Mercante, Milan, 1982), also enriched by important Spanish exhibitions (Sargadelos, Barcelona, 1982, Piquio, Santander, 1982, at the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Sarnataro Andrea Luigi","offers":[{"title":"Default Title","offer_id":56215819026818,"sku":"ASAR002","price":4050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201022_135643_p-copia-scaled.jpg?v=1768429408"},{"product_id":"umberto-pettinicchio-testa-nera","title":"Umberto Pettinicchio - Black Head","description":"\u003cp\u003eThe work drew on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that in the visual arts also resulted in an inability to communicate. For some artists, this problem led to a total rejection of any visual language, which translated into the birth of Informel. The various informal movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in terms of the rejection of any figurative element, even geometric. Their research is instead directed towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio has often dealt with the human figure in his pictorial research, which led him, initially, to acquire an expressionist style. Later, his painting becomes increasingly abstract until finally arriving at Informel. Only a vaguely perceptible semblance of the figure remains, while, from a formal point of view, everything is transformed by the artist's gestural painting. Pettinicchio's gesture breaks down the dimensional planes and transforms the human figure into an amorphous material marked by large black strokes. What Pettinicchio does seems like a kind of brutalist operation along the lines of a Dubuffet, but while the Frenchman gave much greater emphasis to the material, our artist instead resolves everything through the application of paint.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He trained in Milan at the Brera Academy and from 1969 began exhibiting in his first solo shows. Among these stand out his appearances at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977, at Trittico, Rome, 1974, at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976 he opened his studio in via Bolzano, where important series of paintings would see the light of day. In the 1980s, exhibitions were always regular (at Salotto, Como, 1980, at Il Castello, Milan, 1981, at Il Mercante, Milan, 1982), also enriched by important Spanish exhibitions (Sargadelos, Barcelona, 1982, Piquio, Santander, 1982, at the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Sarnataro Andrea Luigi","offers":[{"title":"Default Title","offer_id":56215819125122,"sku":"ASAR003","price":4050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201022_140127-copia-scaled.jpg?v=1768429409"},{"product_id":"umberto-pettinicchio-cotone","title":"Umberto Pettinicchio - Cotton","description":"\u003cp\u003eThe work drew on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that in the visual arts also resulted in an inability to communicate. For some artists, this problem led to a total rejection of any visual language, which translated into the birth of Informel. The various informal movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in terms of the rejection of any figurative element, even geometric. Their research is instead directed towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio has often dealt with the human figure in his pictorial research, which led him, initially, to acquire an expressionist style. Later, his painting becomes increasingly abstract until finally arriving at Informel. Only a vaguely perceptible semblance of the figure remains, while, from a formal point of view, everything is transformed by the artist's gestural painting. Pettinicchio's gesture breaks down the dimensional planes and transforms the human figure into an amorphous material marked by large black strokes. What Pettinicchio does seems like a kind of brutalist operation along the lines of a Dubuffet, but while the Frenchman gave much greater emphasis to the material, our artist instead resolves everything through the application of paint.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He trained in Milan at the Brera Academy and from 1969 began exhibiting in his first solo shows. Among these stand out his appearances at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977, at Trittico, Rome, 1974, at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976 he opened his studio in via Bolzano, where important series of paintings would see the light of day. In the 1980s, exhibitions were always regular (at Salotto, Como, 1980, at Il Castello, Milan, 1981, at Il Mercante, Milan, 1982), also enriched by important Spanish exhibitions (Sargadelos, Barcelona, 1982, Piquio, Santander, 1982, at the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Sarnataro Andrea Luigi","offers":[{"title":"Default Title","offer_id":56215819256194,"sku":"ASAR004","price":4050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201022_140424-copia-scaled.jpg?v=1768429410"},{"product_id":"umberto-pettinicchio-ascensione","title":"Umberto Pettinicchio - Ascension","description":"\u003cp\u003eThe work drew on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that, in the visual arts, also manifested as an inability to communicate. For some artists, this problem resulted in a total rejection of any visual language, leading to the birth of Informel. The various Informel movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in their rejection of any figurative element, even geometric ones. Their research is instead directed towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio often explored the human figure in his pictorial research, which initially led him to adopt an Expressionist style. Later, his painting became increasingly abstract until he definitively arrived at Informel. Only a vaguely perceptible trace of the figure remains, while, from a formal point of view, everything is transformed by the artist's gestural painting. Pettinicchio's gesture breaks down the dimensional planes and transforms the human figure into an amorphous material marked by thick black strokes. What Pettinicchio does seems like a kind of brutalist operation along the lines of Dubuffet, but while the Frenchman gave much greater emphasis to material, our artist instead resolves everything through the application of paint.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He studied in Milan at the Brera Academy and began exhibiting in his first solo shows in 1969. Among these, his appearances stand out at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977; at Trittico, Rome, 1974; and at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976, he opened his studio in via Bolzano, where important series of paintings would be created. In the 1980s, he regularly exhibited (at Salotto, Como, 1980; at Il Castello, Milan, 1981; and at Il Mercante, Milan, 1982), while also participating in important Spanish exhibitions (Sargadelos, Barcelona, 1982; Piquio, Santander, 1982; and the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Sarnataro Andrea Luigi","offers":[{"title":"Default Title","offer_id":56215819288962,"sku":"ASAR005","price":4050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201022_140702_p-copia-1-scaled.jpg?v=1768429411"},{"product_id":"umberto-pettinicchio-testa-bianca","title":"Umberto Pettinicchio - White Head","description":"\u003cp\u003eThe work drew on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that, in the visual arts, also manifested as an inability to communicate. For some artists, this problem resulted in a total rejection of any visual language, leading to the birth of Informel. The various Informel movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in their rejection of any figurative element, even geometric ones. Their research is instead directed towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio often dealt with the human figure in his painterly research, which initially led him to acquire an Expressionist style. Later, his painting became increasingly abstract until he definitively arrived at Informel. Only a vaguely perceptible semblance of the figure remains, while, from a formal point of view, everything is transformed by the artist's painterly gesture. Pettinicchio's gesture breaks down the dimensional planes and transforms the human figure into an amorphous material marked by large black strokes. What Pettinicchio does seems like a kind of brutalist operation along the lines of Dubuffet, but while the Frenchman gave much greater emphasis to material, our artist instead resolves everything through the application of paint.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He trained in Milan at the Brera Academy and began exhibiting in his first solo shows in 1969. Among these, his appearances stand out at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977, at Trittico, Rome, 1974, at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976, he opened his studio in via Bolzano, where important series of paintings would be created. In the 1980s, he regularly exhibited (at Salotto, Como, 1980, at Il Castello, Milan, 1981, at Il Mercante, Milan, 1982), also enriching his career with important Spanish exhibitions (Sargadelos, Barcelona, 1982, Piquio, Santander, 1982, at the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Sarnataro Andrea Luigi","offers":[{"title":"Default Title","offer_id":56215819321730,"sku":"ASAR00","price":4050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201022_140852_p-copia-scaled.jpg?v=1768429412"},{"product_id":"umberto-pettinicchio-serie-aggressioni","title":"Umberto Pettinicchio - Series of assaults","description":"\u003cp\u003eThe work drew on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization that in the visual arts also resulted in an inability to communicate. For some artists, this problem culminated in a total rejection of any visual language, which translated into the birth of Informel. The various informal movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in terms of the rejection of any figurative element, even geometric. Their research is instead directed towards gesture and the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nThe artist Umberto Pettinicchio has often dealt with the human figure in his pictorial research, which led him, initially, to acquire an expressionist style. Later, his painting became increasingly abstract until finally arriving at Informel. Only a vaguely perceptible semblance of the figure remains, while, from a formal point of view, everything is transformed by the artist's pictorial gesture. Pettinicchio's gesture breaks down the dimensional planes and transforms the human figure into an amorphous material marked by large black strokes. What Pettinicchio does seems like a kind of brutalist operation along the lines of a Dubuffet, but while the Frenchman gave much greater emphasis to the material, our artist instead resolves everything through the application of paint.\u003c\/p\u003e\n\n\u003cp\u003eUmberto Pettinicchio was born in Torremaggiore in 1943. He trained in Milan at the Brera Academy and from 1969 began exhibiting in his first solo shows. Among these stand out his presences at Nuova Sfera, Milan, 1973 (introduced by Carlo Munari) and 1977, at Trittico, Rome, 1974, at Il Castello, Milan, 1975 (introduced by Raffaele De Grada). In 1976 he opened his studio in via Bolzano, where important series of paintings would see the light of day. In the 1980s, the course of exhibitions was always regular (at Salotto, Como, 1980, at Il Castello, Milan, 1981, at Il Mercante, Milan, 1982), also enriched by important Spanish exhibitions (Sargadelos, Barcelona, 1982, Piquio, Santander, 1982, at the VIII Madrid Biennale, 1983).\u003c\/p\u003e","brand":"Poletti Laura","offers":[{"title":"Default Title","offer_id":56218630390146,"sku":"LPOL001","price":4400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20230412_154545-scaled.jpg?v=1768474973"},{"product_id":"umberto-pettinicchio-senza-titolo-6","title":"Umberto Pettinicchio - Untitled","description":"\u003cp class=\"p1\"\u003eThe work before us draws on the language of the Informal art movement. This developed as a reaction to the devastation wrought by the Second World War. The profound impact it left on Western civilization led to communication difficulties, which were expressed through a dense application of color that transcended the figurative and communicative. In terms of the emphasis placed on instinctive gestures, Informal art approaches Abstract Expressionism, seeking a primarily gestural and material whole that draws on the subconscious. In the work presented here, this style approaches a return to the figurative; we see a mass of human figures juxtaposed and overlapping.\u003c\/p\u003e\n\n \u003cp class=\"p3\"\u003eUmberto Pettinicchio's primary focus is the human figure. His art develops from an expressionist style, then progresses toward a continuous abstraction that eventually leads to Informalism. Only a vaguely discernible semblance of the figure remains, while, formally, everything is transformed in the artist's \u003cspan class=\"s1\"\u003epictorial\u003c\/span\u003e gesture. Pettinicchio's gesture obliterates dimensional planes and achieves a two-dimensionality with figures outlined by thick, animated lines. Pettinicchio's work seems like a sort of brutalist approach along the lines of Dubuffet, but while the Frenchman \u003cspan class=\"s1\"\u003eemphasized\u003c\/span\u003e the material, our artist resolves everything through the painterly application.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eUmberto Pettinicchio was born in Torremaggiore, in the province of Foggia, in 1943. He studied at the Brera Academy of Fine Arts, where he graduated in painting and sculpture. He began exhibiting his first works in 1967, subsequently participating in solo shows in Italy, Switzerland, Germany, Spain, and Florida. In 1975, he held a solo show in Milan, which was introduced by Raffaele de Grada, one of the most renowned critics of the twentieth century. The following year, thanks to the patronage of Luigi Fissati, he was able to move into his own studio, marking his definitive success. His works are still held in important museums throughout Europe. His last solo exhibition took place in 2011, when he exhibited in Lausanne alongside photographer Steve McCurry.\u003c\/p\u003e","brand":"Trifone Luca (8500)","offers":[{"title":"Default Title","offer_id":56219241054594,"sku":"LTRI001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/pettinicchio-fronte.jpg?v=1768479157"}],"url":"https:\/\/venderequadri.it\/en\/collections\/umberto-pettinicchio.oembed","provider":"Venderequadri","version":"1.0","type":"link"}