{"title":"Ugo Riva","description":"\u003cp\u003eOpere di Ugo Riva in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Ugo Riva? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"ugo-riva-langelo-dellannuncio-3","title":"Ugo Riva - The Angel of the Annunciation","description":"","brand":"Colafigli Simonetta","offers":[{"title":"Default Title","offer_id":56210238669186,"sku":"SICO001","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Angelo-dellannuncio.jpg?v=1768387715"},{"product_id":"ugo-riva-la-croce-della-speranza-3","title":"Ugo Riva - The Cross of Hope","description":"","brand":"Di Natale Antonio","offers":[{"title":"Default Title","offer_id":56210277400962,"sku":"ADIN001","price":12000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/114.jpg?v=1768388224"},{"product_id":"ugo-riva-la-costellazione-dellamore","title":"Ugo Riva - The Constellation of Love","description":"","brand":"Nobilia Grazia","offers":[{"title":"Default Title","offer_id":56210293391746,"sku":"GNOB001","price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2282.jpg?v=1768388481"},{"product_id":"ugo-riva-la-dolcezza-madre","title":"Ugo Riva - With the sweetness of a mother","description":"","brand":"Davoli Ileana abbassata da 3500 a 2000€","offers":[{"title":"Default Title","offer_id":56210302566786,"sku":"IDAV002","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/con-la-dolcezza-di-una-madre.jpg?v=1768388636"},{"product_id":"ugo-riva-la-croce-della-vita-3","title":"Ugo Riva - The Cross of Life","description":"","brand":"Minniti Giuliana","offers":[{"title":"Default Title","offer_id":56210326913410,"sku":"GMIN003","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/opera-Riva-titolo-LA-CROCE-della-VITA.jpg?v=1768389055"},{"product_id":"ugo-riva-allombra-piero","title":"Ugo Riva - In the Shadow of Piero","description":"","brand":"Ricci Marco 4900","offers":[{"title":"Default Title","offer_id":56210330550658,"sku":"MRIC009","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20160530_122954.jpg?v=1768389089"},{"product_id":"ugo-riva-allombra-piero-2","title":"Ugo Riva - In the Shadow of Piero","description":"","brand":"D'Andrea Duilio 5000","offers":[{"title":"Default Title","offer_id":56210617827714,"sku":"DDAN006","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20160530_122954_65a87f1a-e5ba-4c5f-a351-300b85328e4a.jpg?v=1768391689"},{"product_id":"ugo-riva-la-croce-della-speranza-6","title":"Ugo Riva - The Cross of Hope","description":"\u003cp style=\"text-align: justify;\"\u003eOriginal bronze sculpture, 36 x 19 x 4.5 cm, made using the lost-wax casting process in refractory ceramic by the Venturi Arte Foundry. Three hundred and fifty copies are numbered from 1\/350 to 350\/350, and twenty-five copies are numbered from I\/XXV to XXV\/XXV. Hand-chiseled finish and fire-polished patination in nuanced tones. Wooden base, 57 x 38 cm, with manual application of gold leaf. Original wooden lunette frame covered in antiqued silver leaf, exclusively designed. Special, out-of-print edition of the \u003cem\u003e“Letter to Artists.”\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003eof John Paul II. Each piece bears the engraved signature of Maestro Riva and the seals of the Venturi Arte Foundry and ART'E' and is accompanied by a Certificate of Authenticity and Provenance.\u003c\/p\u003e","brand":"De Angelis Valeria","offers":[{"title":"Default Title","offer_id":56210630607234,"sku":"VDEA002","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/La-croce-della-speranza-Ugo-Riva.jpg?v=1768391733"},{"product_id":"ugo-riva-allombra-piero-3","title":"Ugo Riva - In the Shadow of Piero","description":"","brand":"Bruno Gaetano 17000","offers":[{"title":"Default Title","offer_id":56210767741314,"sku":"GBRU001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20160530_122954_5bde2be0-386c-4d8c-b604-4f5d24c7c3b8.jpg?v=1768392770"},{"product_id":"ugo-riva-studio-crocefissione","title":"Ugo Riva - Study for Crucifixion","description":"\u003cp\u003e The sketch is a model of what will become a definitive work, on a smaller scale. In many cases, the sketch can also have very important critical value. It can be useful, in fact, to reveal a more authentic or spontaneous language on the part of the artists, or, in any case, poetics different from those of the definitive works, as in the case of Canova.\u003c\/p\u003e\n\n\n\u003cp\u003e The work reflects the rapidity and conciseness typical of a sketch, but also its spontaneity. The brushstrokes are rapid, sketching out the two versions of the Crucifixion, conveying a sense of temporariness. However, the artist's strong personality is evident; despite the sketch's summary, one can note the anatomical precision of the figures and their pronounced plasticity. The colors, with their strong chromatic range, are used expressively.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Pirollo Antonio","offers":[{"title":"Default Title","offer_id":56211539788162,"sku":"APIR001","price":12700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20180131_140200-copia.jpg?v=1768400388"},{"product_id":"ugo-riva-annunciazione","title":"Ugo Riva - Annunciation","description":"","brand":"Franceschelli Franco","offers":[{"title":"Default Title","offer_id":56211746390402,"sku":"FFRA007","price":2400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2021-07-20-at-14.03.43.jpg?v=1768401580"},{"product_id":"ugo-riva-allombra-piero-3-2","title":"Ugo Riva - In the Shadow of Piero","description":"","brand":"Messina Assunta abbassata da 5000 a 1000€","offers":[{"title":"Default Title","offer_id":56211785580930,"sku":"AMES001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20160530_122954_6ce4b468-e211-4d85-9304-133fa42da464.jpg?v=1768401631"},{"product_id":"ugo-riva-lannuncio","title":"Ugo Riva - The Announcement","description":"","brand":"Alaimo Antonella Daniela","offers":[{"title":"Default Title","offer_id":56211861143938,"sku":"AALA003","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0318.jpg?v=1768401884"},{"product_id":"ugo-riva-la-madre-2","title":"Ugo Riva - The Mother","description":"\u003cp style=\"text-align: justify;\"\u003eThe iconography of motherhood is closely linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). In this version by Riva, we are reminiscent of a Renaissance Madonna and Child in the variant that also includes the Infant Saint John.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThroughout his career, Ugo Riva's research has focused on recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always looked to classical art—Greek, Roman, and Renaissance—as a model, which he reinterprets here in an elegant, classicist-style bas-relief. The artist's language, however, is contemporary. The form is synthetic, expressionist, and even the conception of space transcends the laws of perspective. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the bas-relief's surface as if barely sketched.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Accardo Raffaella","offers":[{"title":"Default Title","offer_id":56212868530562,"sku":"RACC002","price":8500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1160-06-12-18-08-56.jpg?v=1768407227"},{"product_id":"ugo-riva-langelo-3","title":"Ugo Riva - The Angel","description":"\u003cp style=\"text-align: justify;\"\u003eThe work in question uses a figurative artistic language. One of the most important concepts in the history of artistic production has been that of \"mimesis,\" or the human need to imitate and reproduce nature, that which surrounds us. Nature refers to everything that can be grasped through the five senses—in short, phenomenal reality. Figurative art trends can be considered those that, in the representation of the world, adhere most closely to this objective and sensorial dimension, leaving little room for abstraction and subjective interpretation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThroughout his career, Ugo Riva's research has focused on recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical, Greek, and Roman art as a model. In this Angel, however, one can see how Riva's citationism has no pre-established boundaries and can also draw on medieval art. The statue in question, in fact, displays a certain Gothic sensibility, primarily in its slender and elegantly elongated proportions, but above all in the curvilinear tension that pervades its figure, reminiscent of the typical \"curly\" structure. Riva does not fail to reconfigure his model, applying his own personal poetics of the \"unfinished,\" leaving the statue's surface rough.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Romeo Paola abbassata a 1500€","offers":[{"title":"Default Title","offer_id":56212885111170,"sku":"VQAUR001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20160629101134_00003.jpg?v=1768407346"},{"product_id":"ugo-riva-piero-7","title":"Ugo Riva - To Piero","description":"\u003cp style=\"text-align: justify;\"\u003e The iconography of motherhood is closely linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced).\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical, Greek, Roman, and Renaissance art in mind. In this specific case, the title of the sculpture itself reveals a deliberate intent to reference Piero della Francesca and recontextualize it for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model by applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Bandinu Giuseppe","offers":[{"title":"Default Title","offer_id":56212960674178,"sku":"GBAN005","price":8900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/177.jpg?v=1768407882"},{"product_id":"ugo-riva-reliquia-omaggio-simone-martini","title":"Ugo Riva - Relic: Homage to Simone Martini","description":"\u003cp style=\"text-align: justify;\"\u003eThe iconography of this sculpture is inspired by the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval art and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). In this case, we have a typical Gothic-Renaissance interpretation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical Greek and Roman art as a model. In this Madonna and Child, however, one can see how Riva's citations have no pre-established boundaries and can also draw on medieval art. The statue in question, in fact, displays a certain Gothic sensibility (declared in the dedication to Simone Martini), especially in the shape of the cusped throne and the taut curvilinear movement that characterizes the sculptural group. However, the monumental proportions and the ample drapery also hark back to fifteenth-century Renaissance sculpture. Furthermore, Riva does not fail to reconfigure his model, applying his own personal poetics of the \"unfinished,\" leaving the statue's surface rough.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"D'Alpino Ernesto","offers":[{"title":"Default Title","offer_id":56213593162114,"sku":"EDAL003","price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/H4002-L157618501.jpg?v=1768410461"},{"product_id":"ugo-riva-croce-della-vita","title":"Ugo Riva - Cross of Life","description":"","brand":"D'Agostino Rosanna Maria (Euro 11.000) - RIDUZIONE A 8.000 18\/02- riduzione euro 6400 (25\/06)","offers":[{"title":"Default Title","offer_id":56213599453570,"sku":"RDAG003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/71cbe48c-859f-4e2c-b93c-74e713248dfb.jpg?v=1768410529"},{"product_id":"ugo-riva-tu-pensoso-2","title":"Ugo Riva - You thoughtful","description":"","brand":"Di Bernardo Antonio","offers":[{"title":"Default Title","offer_id":56215452352898,"sku":"ADIB001","price":4350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/canti_01ae1484-f603-4882-816a-dfb2281c266b.jpg?v=1768426776"},{"product_id":"ugo-riva-reliquia-omaggio-simone-martini-2","title":"UGO RIVA – RELIC: A TRIBUTE TO SIMONE MARTINI","description":"\u003cp style=\"text-align: justify;\"\u003e The iconography of this sculpture is inspired by the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval art and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). In this case, we have a typical Gothic-Renaissance interpretation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical Greek and Roman art as a model. In this Madonna and Child, however, one can see how Riva's citations have no pre-established boundaries and can also draw on medieval art. The statue in question, in fact, displays a certain Gothic sensibility (declared in the dedication to Simone Martini), especially in the shape of the cusped throne and the taut curvilinear movement that characterizes the sculptural group. However, the monumental proportions and the ample drapery also hark back to fifteenth-century Renaissance sculpture. Furthermore, Riva does not fail to reconfigure his model, applying his own personal poetics of the \"unfinished,\" leaving the statue's surface rough.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Tellini Paola","offers":[{"title":"Default Title","offer_id":56215470997890,"sku":"PTEL001","price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/H4002-L157618501_6e7cb538-2807-4ffa-b77d-07e11358408e.jpg?v=1768426939"},{"product_id":"ugo-riva-la-costellazione-dellamore-2","title":"Ugo Riva - The Constellation of Love","description":"","brand":"Biagioni Graziano","offers":[{"title":"Default Title","offer_id":56215529816450,"sku":"GBIA002","price":4030.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2282_06df6cff-5a21-45bc-93e5-f7de2fffe1e8.jpg?v=1768427406"},{"product_id":"ugo-riva-annunciazione-2","title":"Ugo Riva - Annunciation","description":"","brand":"Baiocchi Roberto","offers":[{"title":"Default Title","offer_id":56215605313922,"sku":"RBAI002","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20200130_132833_1.jpg?v=1768427780"},{"product_id":"ugo-riva-allombra-piero-4","title":"Ugo Riva - In the Shadow of Piero","description":"\u003cp\u003eThe iconography of motherhood is closely linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced).\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always taken classical, Greek, Roman, and Renaissance art as a model. In this specific case, the very title of the sculpture reveals a deliberate intent to reference Piero della Francesca and recontextualize it for our time. The artist consciously draws on the Renaissance model, particularly the harmonious conception of the subject and the pyramidal, geometric structure typical of Piero della Francesca. However, Ugo Riva's language is contemporary. The form is synthetic, expressionist, and even the conception of space transcends the laws of perspective and phenomenal reality. Riva also frequently reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always favored figurative art throughout his artistic career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Pieropan Anna abbassata da 5000 a 1500€","offers":[{"title":"Default Title","offer_id":56215709876610,"sku":"APIE004","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-1-copia.jpg?v=1768428435"},{"product_id":"ugo-riva-la-croce-della-vita-3-2","title":"Ugo Riva - The Cross of Life","description":"","brand":"Caputo Alberto (scende a 5000)","offers":[{"title":"Default Title","offer_id":56215710630274,"sku":"ACAP001","price":5500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/opera-Riva-titolo-LA-CROCE-della-VITA_403cfe98-9209-4cdf-98c2-dec530a84508.jpg?v=1768428448"},{"product_id":"ugo-riva-langelo-dellannuncio-3-2","title":"Ugo Riva - The Angel of the Annunciation","description":"\u003cp\u003eThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Romano Giovanni","offers":[{"title":"Default Title","offer_id":56215771873666,"sku":"GROM001","price":8500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Angelo-dellannuncio_50cfd2b4-ba65-41b6-b931-e6319ce6f206.jpg?v=1768428990"},{"product_id":"ugo-riva-lannuncio-2","title":"Ugo Riva - The Announcement","description":"\u003cp\u003eThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Romano Giovanni","offers":[{"title":"Default Title","offer_id":56215772299650,"sku":"GROM002","price":8500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0318_54f456ab-c62f-43e6-a617-b49fe3ffec78.jpg?v=1768428991"},{"product_id":"ugo-riva-la-maternita","title":"Ugo Riva - Motherhood","description":"\u003cp\u003eThe iconography of maternity is linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the entire history of art, both Western and Eastern. The Madonna and Child appears from the very beginnings of medieval painting and remains a constant subject as long as religious themes were prevalent in artistic production (that is, until the 19th century when themes inspired by everyday life began to be introduced). In this version by Ugo Riva, we have the reminiscence of a Renaissance Madonna and Child in the variant that also includes the Infant Saint John.\u003cbr\u003e\n\u003cbr\u003e\nUgo Riva's research has been directed, throughout his career, towards the recovery of the art of the past and its reworking according to a contemporary sensibility. In particular, Ugo Riva has always kept classical, Greek and Roman or Renaissance art in mind as a model, which he here re-presents in an elegant bas-relief of classicist taste. The language used by the artist, however, is contemporary. The form is synthetic, expressionist, and even the conception of space transcends the laws of perspective. Riva then does not fail to reconfigure his model by applying his own personal poetics of the \"unfinished\", leaving the surface of the bas-relief as if it were just sketched out.\u003c\/p\u003e\n\n\u003cp\u003eUgo Riva, a Bergamese sculptor born in 1951, in his artistic career has always focused his research towards a figurative production. Starting from the study of ancient classicism, he developed a great technique in the naturalistic rendering of subjects and anatomical precision. Later his attention shifted to contemporary sculptors such as Giacomo Manzù, Arturo Martini or Marino Marini, developing a research towards expressionist values and a poetics of the \"unfinished\".\u003c\/p\u003e","brand":"Iozzia Antonio Lucio","offers":[{"title":"Default Title","offer_id":56215779869058,"sku":"AIOZ002","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20200914_200219_p-copia.jpg?v=1768429069"},{"product_id":"ugo-riva-la-croce-della-vita-4","title":"Ugo Riva - The Cross of Life","description":"\u003cp\u003eA popular iconography throughout the history of Western art, the Crucifixion has its origins in the early Christian era and has developed over the centuries, culminating in the most recent expressions of contemporary art. The traditional iconography of Jesus on the cross has countless variations, from the simplest, featuring only the crucified Christ, to the version accompanied by the \"mourners,\" the Madonna and Saint John the Evangelist. In the Middle Ages, Crucifixion scenes began to become increasingly elaborate: thieves' crosses were added, and gradually more and more figures were added, until they became the subject of large choral scenes. It is often accompanied by symbolic elements, such as the presence of the sun and moon or Adam's skull beneath Christ's cross (which signifies the redemptive action of Christ's Passion in the face of original sin).\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has focused on recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always looked to classical art, whether Greek, Roman, or Renaissance, as a model, which he reinterprets here in an elegant, classicist-style bas-relief. The artist's language, however, is contemporary. The form is synthetic, expressionist; in particular, Christ's body is unnaturally elongated, lending the representation a strong verticality. Even the conception of space transcends the laws of perspective.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Giacomo Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Graziani Antonio","offers":[{"title":"Default Title","offer_id":56215839408514,"sku":"AGRA001","price":6300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/3d0d43be-801d-4ceb-bdd1-04f5965cb1f4.jpg?v=1768429747"},{"product_id":"ugo-riva-omaggio-a-simone-martini","title":"Ugo Riva - Homage to Simone Martini","description":"\u003cp\u003eThe iconography of this sculpture is inspired by the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval art and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). In this case, we have a typical Gothic-Renaissance interpretation.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical Greek and Roman art as a model. In this Madonna and Child, however, one can see how Riva's citations have no pre-established boundaries and can also draw on medieval art. The statue in question, in fact, displays a certain Gothic sensibility (declared in the dedication to Simone Martini), especially in the shape of the cusped throne and the taut curvilinear movement that characterizes the sculptural group. However, the monumental proportions and the ample drapery also hark back to fifteenth-century Renaissance sculpture. Furthermore, Riva does not fail to reconfigure his model, applying his own personal poetics of the \"unfinished,\" leaving the statue's surface rough.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Graziani Antonio","offers":[{"title":"Default Title","offer_id":56215839506818,"sku":"AGRA005","price":5400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1eecff37-9140-4d59-b761-3d5fdd6bc2bc.jpg?v=1768429748"},{"product_id":"ugo-riva-reliquia-omaggio-simone-martini-3","title":"Ugo Riva - Relic: Homage to Simone Martini","description":"\u003cp style=\"text-align: justify;\"\u003e The iconography of this sculpture is inspired by the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval art and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). In this case, we have a typical Gothic-Renaissance interpretation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical Greek and Roman art as a model. In this Madonna and Child, however, one can see how Riva's citations have no pre-established boundaries and can also draw on medieval art. The statue in question, in fact, displays a certain Gothic sensibility (declared in the dedication to Simone Martini), especially in the shape of the cusped throne and the taut curvilinear movement that characterizes the sculptural group. However, the monumental proportions and the ample drapery also hark back to fifteenth-century Renaissance sculpture. Furthermore, Riva does not fail to reconfigure his model, applying his own personal poetics of the \"unfinished,\" leaving the statue's surface rough.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eUgo Riva, a sculptor from Bergamo, has always favored figurative art throughout his career. Starting with a study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a quest for expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Tassi Mariano","offers":[{"title":"Default Title","offer_id":56215844880770,"sku":"MTAS001","price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/H4002-L157618501_0503fdf8-d69b-4a3d-b715-52435509a7e8.jpg?v=1768429835"},{"product_id":"ugo-riva-langelo-dellannuncio-3-2-2","title":"Ugo Riva - The Angel of the Annunciation","description":"\u003cp\u003eThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Pizzoni Simonetta","offers":[{"title":"Default Title","offer_id":56218026934658,"sku":"Spiz001","price":2970.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/angeloannuncio-scaled.jpg?v=1768470299"},{"product_id":"ugo-riva-la-croce-della-salvezza","title":"Ugo Riva - The Cross of Salvation","description":"","brand":"Marino Caramagno","offers":[{"title":"Default Title","offer_id":56218115473794,"sku":"mcar001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20220206_112014-copia-scaled.jpg?v=1768471313"},{"product_id":"ugo-riva-lannuncio-2-2","title":"Ugo Riva - The Announcement","description":"\u003cp\u003eThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Katia Di Donato","offers":[{"title":"Default Title","offer_id":56218139230594,"sku":"KDD001","price":6500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0318_9e067562-cfcc-4080-ab98-f0e1c3de599f.jpg?v=1768471421"},{"product_id":"lannuncio-ugo-riva","title":"THE ANNOUNCEMENT - UGO RIVA","description":"\u003ch3\u003e DESCRIPTION\u003c\/h3\u003e\r \nThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\n\r \nThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\r \n\nUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"","brand":"FALLETTA ONOFRIO SALVATORE","offers":[{"title":"Default Title","offer_id":56218220757378,"sku":"OSFAL002","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/LANNUNCIO-scaled.jpg?v=1768471992"},{"product_id":"ugo-riva-langelo-dellannuncio","title":"Ugo Riva - The Angel of the Annunciation","description":"\u003cp\u003eThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Ventura Rosa","offers":[{"title":"Default Title","offer_id":56218639073666,"sku":"RVEN009","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Cattura-12.jpg?v=1768475135"},{"product_id":"ugo-riva-langelo-dellannuncio-2","title":"Ugo Riva - The Angel of the Annunciation","description":"\u003cp\u003eThe Annunciation is a popular iconography throughout the history of Western art, as well as Byzantine art. It is recurrent in all historical periods from the Middle Ages to the 19th century. The Annunciation is narrated in the Gospels of Matthew and Mark. Iconographically, there are simple variations featuring only the Archangel Gabriel and the Virgin Mary, and more complex variations depicting the interior of the Madonna's home or even city views. The angel's most recurring iconographic attributes are the lily, a symbol of purity, and the gesture of blessing. The Virgin Mary is usually depicted reading a book, interrupted by the apparition of the angel. Another fundamental iconographic component in the Annunciation is the presence of the Holy Spirit in the form of a white dove.\u003c\/p\u003e\n\n\n \u003cp\u003eThroughout his career, Ugo Riva's research has been directed at recovering the art of the past and reinterpreting it with a contemporary sensibility. In particular, Riva has always held classical art, whether Greek, Roman, or Renaissance, as a model. In this specific case, we find ourselves faced with a bas-relief that is part of a series that reworks the theme of the Annunciation, evidently inspired by the panels that decorated church portals between the Late Gothic and Renaissance periods. How can we not think, for example, of the celebrated panels created by Lorenzo Ghiberti for the Baptistery in Florence? There is the same desire to organize the scene within the enclosed space of a square, and Ghiberti's use of diagonal lines that cut across the composition, as well as the agitated movement of the draperies, is similar. Everything, however, is recontextualized for our time. Ugo Riva's language, in fact, is contemporary. The form is synthetic, expressionist, and even the conception of space, ambiguous, transcends the laws of perspective and phenomenal reality. Riva also reconfigures his model, applying his own personal poetics of the \"unfinished,\" leaving the sculpture's surfaces as if barely rough-hewn.\u003c\/p\u003e\n\n\n \u003cp\u003eUgo Riva, a Bergamo-born sculptor born in 1951, has always focused his artistic career on figurative art. Starting from the study of ancient classicism, he developed a masterful technique in the naturalistic rendering of subjects and anatomical precision. His attention later shifted to contemporary sculptors such as Manzù, Arturo Martini, and Marino Marini, developing a pursuit of expressionist values ​​and a poetics of the \"unfinished.\"\u003c\/p\u003e","brand":"Irrera Gaetano 6300","offers":[{"title":"Default Title","offer_id":56218705133954,"sku":"GIRR002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-6_30f09ccb-f3f2-475b-a58c-5ec6b05c19ab.jpg?v=1768475861"},{"product_id":"ugo-riva-la-croce-della-speranza-4","title":"Ugo Riva - The Cross of Hope","description":"","brand":"Antoni Alessio (8000)","offers":[{"title":"Default Title","offer_id":56220314272130,"sku":"AANT001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/croce_567a0264-eeeb-4b1d-b4cb-a87942764b73.jpg?v=1768489985"}],"url":"https:\/\/venderequadri.it\/en\/collections\/ugo-riva.oembed?page=2","provider":"Venderequadri","version":"1.0","type":"link"}