{"title":"Tonino Caputo","description":"\u003cp\u003eOpere di Tonino Caputo in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Tonino Caputo? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"tonino-caputo-senza-titolo","title":"Tonino Caputo - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eTonino Caputo is a devotee of the urban landscape, which always plays a central role in his work. Caputo particularly favors New York views, where old late-nineteenth-century structures still mingle with the skyline of more modern skyscrapers. What unites them all is the absolute formal and compositional purity that distinguishes this artist's work. The depiction of buildings generates, on the surface of the work, a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Caputo's works are rational grids whose beauty lies in their perfection. This same perfection is also found on a formal level, given the hyperrealist language, of remarkable technical prowess, that characterizes Tonino Caputo's style.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Frulla Alessandro abbassata a 2000€","offers":[{"title":"Default Title","offer_id":56212875936130,"sku":"AFRU003","price":3200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1200-08-12-18-09-14.jpg?v=1768407273"},{"product_id":"tonino-caputo-senza-titolo-2","title":"Tonino Caputo - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eTonino Caputo is a devotee of the urban landscape, which always plays a central role in his work. Caputo particularly favors New York views, where old late-nineteenth-century structures still mingle with the skyline of more modern skyscrapers. What unites them all is the absolute formal and compositional purity that distinguishes this artist's work. The depiction of buildings generates, on the surface of the work, a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Caputo's works are rational grids whose beauty lies in their perfection. This same perfection is also found on a formal level, given the hyperrealist language, of remarkable technical prowess, that characterizes Tonino Caputo's style.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Frulla Alessandro abbassata a 2000€","offers":[{"title":"Default Title","offer_id":56212876657026,"sku":"AFRU004","price":3200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1199-08-12-18-09-14.jpg?v=1768407276"},{"product_id":"tonino-caputo-senza-titolo-3","title":"Tonino Caputo - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eTonino Caputo is a devotee of the urban landscape, which always plays a central role in his work. Caputo particularly favors New York views, where old late-nineteenth-century structures still mingle with the skyline of more modern skyscrapers. What unites them all is the absolute formal and compositional purity that distinguishes this artist's work. The depiction of buildings generates, on the surface of the work, a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Caputo's works are rational grids whose beauty lies in their perfection. This same perfection is also found on a formal level, given the hyperrealist language, of remarkable technical prowess, that characterizes Tonino Caputo's style.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Frulla Alessandro abbassata da 3900 a 2000€","offers":[{"title":"Default Title","offer_id":56212877083010,"sku":"AFRU005","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1202-08-12-18-09-14.jpg?v=1768407277"},{"product_id":"tonino-caputo-sky-port-manhattan","title":"Tonino Caputo - Skyport Manhattan 920","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. The urban landscape in Tonino Caputo's paintings, however, has specifically American connotations. This can be seen not only in the choice of subjects, but also, and above all, in the manner in which they are depicted, according to a realism tinged with subtle metaphysical overtones, a distinctly American style, inspired by a master like Edward Hopper.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo is a devotee of the urban landscape, which always plays a central role in his work. Caputo particularly favors views of New York, where old structures from the late 19th century still mingle with the skyline of more modern skyscrapers. What unites them all is the absolute formal and compositional purity that distinguishes this artist's work. The depiction of buildings generates, on the surface of the work, a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Caputo's works are rational grids whose beauty lies in their perfection. This same perfection is also found on the formal level, given the hyperrealist language, of notable technical prowess, that characterizes Tonino Caputo's style. However, despite this perfection, the artist indulges in a certain atmosphericism, derived from the quality of the metropolitan air and detectable in the surfaces of the objects. Thus, the pictorial layering achieves a highly controlled disintegration of forms that makes the representation more vibrant with existentialism, consistent with the American realist tradition.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Viannei Antonio","offers":[{"title":"Default Title","offer_id":56215828103554,"sku":"AVIA001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2020-11-25-at-18.10.57.jpg?v=1768429564"},{"product_id":"tonino-caputo-venerando-il-monolite","title":"Tonino Caputo - Venerating the Monolith","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, crowds, traffic, and typically bourgeois settings. The urban landscape in Tonino Caputo's paintings, however, has specifically American connotations. This can be seen not only in the choice of subjects, but also, and above all, in the manner in which they are depicted, according to a realism tinged with subtle metaphysical overtones, a distinctly American style, inspired by a master like Edward Hopper.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo is a devotee of the urban landscape, which always plays a central role in his work. Caputo particularly favors views of New York, where old structures from the late 19th century still mingle with the skyline of more modern skyscrapers. What unites them all is the absolute formal and compositional purity that distinguishes this artist's work. The depiction of buildings generates, on the surface of the work, a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Caputo's works are rational grids whose beauty lies in their perfection. This same perfection is also found on the formal level, given the hyperrealist language, of notable technical prowess, that characterizes Tonino Caputo's style. However, despite this perfection, the artist indulges in a certain atmosphericism, derived from the quality of the metropolitan air and detectable in the surfaces of the objects. Thus, the pictorial layering achieves a highly controlled disintegration of forms that makes the representation more vibrant with existentialism, consistent with the American realist tradition.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Liggi Giuseppe abbassata da 5000 a 2000\/2500€","offers":[{"title":"Default Title","offer_id":56218313916802,"sku":"GLIG001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Tonino-Caputo-Venerando-il-Monolite.jpg?v=1768472698"},{"product_id":"tonino-caputo-slums-ii","title":"Tonino Caputo - Slums II","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, crowds, traffic, and typically bourgeois settings. The urban landscape in Tonino Caputo's paintings, however, has specifically American connotations. This can be seen not only in the choice of subjects, but also, and above all, in the manner in which they are depicted, according to a realism tinged with subtle metaphysical overtones, a distinctly American style, inspired by a master like Edward Hopper.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo is a devotee of the urban landscape, which always plays a central role in his work. Caputo particularly favors views of New York, where old structures from the late 19th century still mingle with the skyline of more modern skyscrapers. What unites them all is the absolute formal and compositional purity that distinguishes this artist's work. The depiction of buildings generates, on the surface of the work, a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Caputo's works are rational grids whose beauty lies in their perfection. This same perfection is also found on the formal level, given the hyperrealist language, of notable technical prowess, that characterizes Tonino Caputo's style. However, despite this perfection, the artist indulges in a certain atmosphericism, derived from the quality of the metropolitan air and detectable in the surfaces of the objects. Thus, the pictorial layering achieves a highly controlled disintegration of forms that makes the representation more vibrant with existentialism, consistent with the American realist tradition.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Bettoni Benedetta Corinna Bianca 113000","offers":[{"title":"Default Title","offer_id":56218345505154,"sku":"BBET001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/caputo.jpg?v=1768472917"},{"product_id":"tonino-caputo-lattesa","title":"Tonino Caputo - The Wait","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the 16th century; and finally with the depiction of every single vibration of light on objects in Impressionism. The work in question presents a highly distinctive composition in which, alongside objects in the foreground reminiscent of a still life, the landscape merges in a harmonious fusion, reproducing reality in the artist's signature style.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work reflects, both in its choice of subject and its style, the most rationalist phase of Tonino Caputo's pictorial career. Compared to his hyperrealist urban landscapes, we find a common ground in the pursuit of absolute formal and compositional purity. But whereas the New York landscapes are rendered with photographic precision, in works like this one, Caputo achieves a greater degree of abstraction. Thus, Caputo's perception is always aimed at transfiguring reality into lines and geometric shapes, but in this pictorial phase, this operation is conducted through a totally objective and dry language that borders on the metaphysical. A clear black line identifies both the elementary volumes of the objects and the shading, created in a deliberately stereotyped manner. Consistent with this rationalist perspective, the application of color is achieved through compact areas, leaving no room for any type of pictorialism.\u003c\/p\u003e\n\n\n \u003cp\u003eTonino Caputo was born in Lecce in 1933. He is a painter as well as a set designer. He graduated in Architecture in Rome and initially gravitated towards Informal Art, exhibiting in 1958 with Mimmo Rotella, Carla Accardi, and Corrado Cagli. In the late 1960s, he worked as a set designer for Carmelo Bene's performances. In 1972, he participated in the theater section of the Venice Biennale with the sets for Franco Cuomo's \"Egloga.\" His works are held in public and private collections in Italy, France, Belgium, the Netherlands, Germany, Switzerland, England, Sweden, Denmark, Israel, the United States, Argentina, and Australia.\u003c\/p\u003e","brand":"Vaselli Marina","offers":[{"title":"Default Title","offer_id":56218660241794,"sku":"MVAS001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9523.jpg?v=1768475434"}],"url":"https:\/\/venderequadri.it\/en\/collections\/tonino-caputo.oembed","provider":"Venderequadri","version":"1.0","type":"link"}