{"title":"Tiziana Fantini","description":"\u003cp\u003eOpere di Tiziana Fantini in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Tiziana Fantini? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"tiziana-fantini-senza-titolo","title":"Tiziana Fantini - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout all eras. Portraiture is, first and foremost, a description of the represented subject, an attempt to faithfully and naturally capture their physiognomy and individual characteristics. As artistic exploration gradually evolved, the physiognomic description of the subject was accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective inquiry into the subject, their character, and their state of mind. The processes of abstraction introduced by contemporary art have further supported this type of inquiry.\u003cbr\u003e\n\u003cbr\u003e\nIn her pictorial production, the artist Tiziana Fantini stands out for her truly excellent formal quality. This can be seen in the many portraits she has created, in which, although the subjects differ, her highly developed sense of naturalistic rendering interpreted through a modern lens remains constant. Indeed, despite her impeccable, almost photographic recording of physiognomic details, Tiziana Fantini seeks to avoid any attempt to idealize the subject. For this reason, her figures are imbued with an aura of existential enigma, placing the artist's work within the realm of symbolism. Tiziana Fantini's brushwork also stands out for its great complexity and modern approach to naturalistic rendering. Her line is fluid and, in some cases, more concise, capturing a truly existential dimension of the human figure.\u003c\/p\u003e\n\n\u003cp\u003eTiziana Fantini was born in Merano in 1923. A painter, she studied at Brera under the guidance of Carrà, Carpi, and Funi. She began exhibiting in Milan in 1946. From the second half of the 1960s, she held a long series of solo exhibitions in many Italian cities; notable among them are the exhibitions held at the Galleria 32 in Milan in 1967, the Galleria Il Traghetto in Venice in 1973, and the Galleria Ponte Rosso, again in Milan, in 1991. She was awarded the Premio Suzzara in 1949 and 1951. She participated in various exhibitions in Italy and abroad. She also opened the Galleria Torbandena in Trieste, making a significant cultural and artistic contribution to the city. During her years in Milan, she became part of the group of painters centered around Roberto Crippa and Gianni Dova.\u003c\/p\u003e","brand":"Pichierri Franca","offers":[{"title":"Default Title","offer_id":56218581795202,"sku":"FPIC001","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/32x43-immagine-e-53x62-immaginecornice-Opera-con-vetro-antiriflesso-opaco-cornice-color-indaco-fatta-a-mano-da-artigiano-corniciaio.jpg?v=1768474520"},{"product_id":"tiziana-fantini-senza-titolo-2","title":"Tiziana Fantini - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eTiziana Fantini is an artist who has devoted much of her career to portraiture, offering a variety of interpretations, from the more formal to the more expressionistic. In this case, we find a synthesis of the two tendencies, captured in a series of face studies drawn on paper. In what can be considered a quick portrait, we find all of Tiziana Fantini's formal quality in the way the subject's head is drawn. It has full volume, and the facial features are clearly defined, thanks in part to a perfect interplay of light and shadow. However, the overall composition remains expressionistic; the subject is delineated with a few, effective and concise pencil strokes, lending freshness and immediacy to the work.\u003c\/p\u003e\n\n\n \u003cp\u003eTiziana Fantini was born in Merano in 1923. A painter, she studied at Brera, under the guidance of Carrà, Carpi, and Funi. She began exhibiting in Milan in 1946. From the second half of the 1960s, she held a long series of solo exhibitions in many Italian cities, including shows at Galleria 32 in Milan in 1967, Galleria Il Traghetto in Venice in 1973, and Galleria Ponte Rosso, also in Milan, in 1991. She won the Suzzara Prize in 1949 and 1951. She participated in various exhibitions in Italy and abroad. She also opened the Galleria Torbandena in Trieste, making a significant cultural and artistic contribution to the city. During her Milanese years, she joined the group of painters surrounding Roberto Crippa and Gianni Dova.\u003c\/p\u003e","brand":"Pichierri Franca (400)","offers":[{"title":"Default Title","offer_id":56218581827970,"sku":"FPIC002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Disegno-n.1-21x27-immagine.jpg?v=1768474521"},{"product_id":"tiziana-fantini-senza-titolo-2-2","title":"Tiziana Fantini - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eTiziana Fantini is an artist who has devoted much of her career to portraiture, offering a variety of interpretations, from the more formal to the more expressionistic. In this case, we find a synthesis of the two tendencies, captured in a series of face studies drawn on paper. In what can be considered a quick portrait, we find all of Tiziana Fantini's formal quality in the way the subject's head is drawn. It has full volume, and the facial features are clearly defined, thanks in part to a perfect interplay of light and shadow. However, the overall composition remains expressionistic; the subject is delineated with a few, effective and concise pencil strokes, lending freshness and immediacy to the work.\u003c\/p\u003e\n\n\n \u003cp\u003eTiziana Fantini was born in Merano in 1923. A painter, she studied at Brera, under the guidance of Carrà, Carpi, and Funi. She began exhibiting in Milan in 1946. From the second half of the 1960s, she held a long series of solo exhibitions in many Italian cities, including shows at Galleria 32 in Milan in 1967, Galleria Il Traghetto in Venice in 1973, and Galleria Ponte Rosso, also in Milan, in 1991. She won the Suzzara Prize in 1949 and 1951. She participated in various exhibitions in Italy and abroad. She also opened the Galleria Torbandena in Trieste, making a significant cultural and artistic contribution to the city. During her Milanese years, she joined the group of painters surrounding Roberto Crippa and Gianni Dova.\u003c\/p\u003e","brand":"Pichierri Franca (400)","offers":[{"title":"Default Title","offer_id":56218581860738,"sku":"FPIC003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Disegno-n.2-21x27-immagine.jpg?v=1768474523"},{"product_id":"tiziana-fantini-senza-titolo-2-2-2","title":"Tiziana Fantini - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eTiziana Fantini is an artist who has devoted much of her career to portraiture, offering a variety of interpretations, from the more formal to the more expressionistic. In this case, we find a synthesis of the two tendencies, captured in a series of face studies drawn on paper. In what can be considered a quick portrait, we find all of Tiziana Fantini's formal quality in the way the subject's head is drawn. It has full volume, and the facial features are clearly defined, thanks in part to a perfect interplay of light and shadow. However, the overall composition remains expressionistic; the subject is delineated with a few, effective and concise pencil strokes, lending freshness and immediacy to the work.\u003c\/p\u003e\n\n\n \u003cp\u003eTiziana Fantini was born in Merano in 1923. A painter, she studied at Brera, under the guidance of Carrà, Carpi, and Funi. She began exhibiting in Milan in 1946. From the second half of the 1960s, she held a long series of solo exhibitions in many Italian cities, including shows at Galleria 32 in Milan in 1967, Galleria Il Traghetto in Venice in 1973, and Galleria Ponte Rosso, also in Milan, in 1991. She won the Suzzara Prize in 1949 and 1951. She participated in various exhibitions in Italy and abroad. She also opened the Galleria Torbandena in Trieste, making a significant cultural and artistic contribution to the city. During her Milanese years, she joined the group of painters surrounding Roberto Crippa and Gianni Dova.\u003c\/p\u003e","brand":"Pichierri Franca (400)","offers":[{"title":"Default Title","offer_id":56218581926274,"sku":"FPIC004","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Disegno-n.3-21x27-immagine.jpg?v=1768474525"}],"url":"https:\/\/venderequadri.it\/en\/collections\/tiziana-fantini.oembed","provider":"Venderequadri","version":"1.0","type":"link"}