{"title":"Silvia Idili","description":"\u003cp\u003eOpere di Silvia Idili in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Silvia Idili? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"silvia-idili-in-assoluta-sintonia","title":"Silvia Idili - In Absolute Harmony","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili's interest and her mysterious manipulations of reality sometimes extend to the animal world. Her favorite subjects are deer captured in the naturalness of their existence. But even in this case, the background is always the same, undefined and still, created by the two-tone black and green, and the scene is permeated by the usual disturbing element that completely changes the representation. In the present work, the sense of alienation is created by the geometric-metaphysical element, and thus the mere presence of the two animals gives rise to a complex prismatic solid (also reminiscent of certain works by Salvador Dalí). From a formal standpoint, these works by Silvia Idili exhibit a stylistic coherence, evident in a simplicity that, in the two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their fascinatingly antiquated clothing forms compact chromatic zones that create carefully studied color harmonies. In this context, Silvia Idili's brushstroke cannot help but be homogeneous, even if full of existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102104450,"sku":"gsav001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-54-05.jpg?v=1768471107"},{"product_id":"silvia-idili-visionariaa-2","title":"Silvia Idili - Visionary","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the \"Visionaria\" series, in which Silvia Idili has developed one of the most recurring themes in her painting: the female portrait, manipulated in an enigmatic and disturbing way. Even the choice of subjects contributes to this atmosphere of unease: Silvia Idili's women seem to have emerged from old photographs, forgotten in some drawer. Their poses are conventional, their hairstyles elaborate and outdated, their clothes elegant and old-fashioned. Against the space, always dark and decontextualized, these faces stand out, ashen in color, pervaded by bluish hues. But the most unsettling element in this series of paintings comes from Silvia Idili's reversal of the very meaning of portraiture. Portraiture, in fact, has always served to reveal the subject's personality, especially through the gaze (it is said that the eyes are \"the mirror of the soul\"). In these paintings, however, the artist chooses to conceal the gaze, resorting to the key themes of her aesthetic: heavy draperies and geometric prisms. Here, then, the sense of mystery and unease is once again realized, in the attempt to conceal some uncomfortable truth, in the construction of an insurmountable barrier of incommunicability between subject and viewer. Formally, in the portrait series, Silvia Idili displays a greater attention to formal values ​​and a more accentuated plasticity. The figures create their own space within the concreteness of the volumes. The pictorial layering always remains fairly homogeneous, conveying that sense of rarefied objectivity typical of Silvia Idili's painting style.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102169986,"sku":"gsav003","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-54-59.jpg?v=1768471108"},{"product_id":"silvia-idili-in-raccoglimento","title":"Silvia Idili - In Meditation","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the genre scenes Silvia Idili reworks in her surreal and symbolist aesthetic of anxiety and mystery. What is depicted is entirely plausible and part of a reality of simple gestures, small familiar scenes. But Silvia Idili transfers everything into her surreal dimension of enigma, starting from the very space she envisions. Nature practically disappears, giving way to a dark, essential, and desolate setting, constructed in a duotone of green and black. Silvia Idili's characters move within this undefined space, and as they perform their seemingly simple gestures, they are suddenly struck by some disturbing element. These elements often identify with two recurring themes in Silvia Idili's work: the heavy, decadent drapery intended to conceal some truth that must remain unspoken, or the geometric solid, metaphysical and alienating, mysterious in its very being. In this painting, however, existential unease is suggested by the subject itself. What appears to be an innocent game between friends transforms into a mysterious, esoteric ritual. The girls, gathered in a tight circle, do not show their faces; the sense of incommunicability and mystery is complete. Formally, Silvia Idili's works exhibit a stylistic coherence, evident in a simplicity that, in the two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their clothes, charmingly antiquated, form compact chromatic zones that give rise to studied color harmonies. In this context, Silvia Idili's brushstrokes cannot help but be homogeneous, even if rich in existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102202754,"sku":"gsav004","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-55-48.jpg?v=1768471110"},{"product_id":"silvia-idili-visionariaa-2-2","title":"Silvia Idili - Visionary","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the \"Visionaria\" series, in which Silvia Idili has developed one of the most recurring themes in her painting: the female portrait, manipulated in an enigmatic and disturbing way. Even the choice of subjects contributes to this atmosphere of unease: Silvia Idili's women seem to have emerged from old photographs, forgotten in some drawer. Their poses are conventional, their hairstyles elaborate and outdated, their clothes elegant and old-fashioned. Against the space, always dark and decontextualized, these faces stand out, ashen in color, pervaded by bluish hues. But the most unsettling element in this series of paintings comes from Silvia Idili's reversal of the very meaning of portraiture. Portraiture, in fact, has always served to reveal the subject's personality, especially through the gaze (it is said that the eyes are \"the mirror of the soul\"). In these paintings, however, the artist chooses to conceal the gaze, resorting to the key themes of her aesthetic: heavy draperies and geometric prisms. Here, then, the sense of mystery and unease is once again realized, in the attempt to conceal some uncomfortable truth, in the construction of an insurmountable barrier of incommunicability between subject and viewer. Formally, in the portrait series, Silvia Idili displays a greater attention to formal values ​​and a more accentuated plasticity. The figures create their own space within the concreteness of the volumes. The pictorial layering always remains fairly homogeneous, conveying that sense of rarefied objectivity typical of Silvia Idili's painting style.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102268290,"sku":"gsav005","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-56-16.jpg?v=1768471112"},{"product_id":"silvia-idili-visionariaa-3","title":"Silvia Idili - Visionary","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the \"Visionaria\" series, in which Silvia Idili has developed one of the most recurring themes in her painting: the female portrait, manipulated in an enigmatic and disturbing way. Even the choice of subjects contributes to this atmosphere of unease: Silvia Idili's women seem to have emerged from old photographs, forgotten in some drawer. Their poses are conventional, their hairstyles elaborate and outdated, their clothes elegant and old-fashioned. Against the space, always dark and decontextualized, these faces stand out, ashen in color, pervaded by bluish hues. But the most unsettling element in this series of paintings comes from Silvia Idili's reversal of the very meaning of portraiture. Portraiture, in fact, has always served to reveal the subject's personality, especially through the gaze (it is said that the eyes are \"the mirror of the soul\"). In these paintings, however, the artist chooses to conceal the gaze, resorting to the key themes of her aesthetic: heavy draperies and geometric prisms. Here, then, the sense of mystery and unease is once again realized, in the attempt to conceal some uncomfortable truth, in the construction of an insurmountable barrier of incommunicability between subject and viewer. Formally, in the portrait series, Silvia Idili displays a greater attention to formal values ​​and a more accentuated plasticity. The figures create their own space within the concreteness of the volumes. The pictorial layering always remains fairly homogeneous, conveying that sense of rarefied objectivity typical of Silvia Idili's painting style.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102333826,"sku":"gsav006","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-57-23.jpg?v=1768471112"},{"product_id":"silvia-idili-campo-dei-frutici-secchi","title":"Silvia Idili - Field of Dried Fruits","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the genre scenes Silvia Idili reworks in her surreal and symbolist aesthetic of anxiety and mystery. What is depicted is entirely plausible and part of a reality of simple gestures, small familiar scenes. But Silvia Idili transfers everything into her surreal dimension of enigma, starting from the very space she envisions. Nature practically disappears, giving way to a dark, essential, and desolate setting, constructed in a duotone of green and black. Silvia Idili's characters move within this undefined space, and as they perform their seemingly simple gestures, they are suddenly struck by some disturbing element. These elements often identify with two recurring themes in Silvia Idili's work: the heavy, decadent drapery intended to conceal some truth that must remain unspoken, or the geometric solid, metaphysical and alienating, mysterious in its very being. In this painting, however, existential unease is suggested by the subject itself. A simple gardening task becomes a distressing enigma when the two subjects lose their minds, almost swallowed up by the darkness behind them. The two women's outdated clothing and blind gestures contribute to a fascinatingly sinister aesthetic. Formally, Silvia Idili's works exhibit a stylistic coherence, evident in a simplicity that, in a two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their fascinatingly outdated clothing forms compact chromatic zones that give rise to studied color harmonies. In this context, Silvia Idili's brushstrokes cannot fail to be homogeneous, yet rich with existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102366594,"sku":"gsav007","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-59-31.jpg?v=1768471113"},{"product_id":"silvia-idili-senza-titolo","title":"Silvia Idili - Untitled","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the genre scenes that Silvia Idili reworks in her surreal and symbolist aesthetic of anxiety and mystery. What is depicted is entirely plausible and part of a reality of simple gestures, small familiar scenes. But Silvia Idili transfers everything into her surreal dimension of enigma, starting from the very space she envisions. Nature practically disappears, giving way to a dark, essential, and desolate setting, constructed in a duotone of green and black. Silvia Idili's characters move through this undefined space, and as they perform their seemingly simple gestures, they are suddenly struck by some disturbing element. These elements often identify with two recurring themes in Silvia Idili's work: the heavy, decadent drapery intended to conceal some truth that must remain unsaid, or the geometric solid, metaphysical and alienating, mysterious in its very being. In this painting, a play scene between a father and child is punctuated by the cone, which almost becomes a headdress on the man's head. Formally, Silvia Idili's works of this type exhibit a stylistic coherence, evident in a simplicity that, in the two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their clothes, charmingly antiquated, form compact chromatic zones that create carefully studied color harmonies. In this context, Silvia Idili's brushstrokes cannot fail to be homogeneous, even if rich in existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102399362,"sku":"gsav008","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-58-08.jpg?v=1768471114"},{"product_id":"silvia-idili-senza-titolo-2","title":"Silvia Idili - Untitled","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the genre scenes that Silvia Idili reworks in her surreal and symbolist aesthetic of anxiety and mystery. What is depicted is entirely plausible and part of a reality of simple gestures, small family scenes. But Silvia Idili transfers everything into her surreal dimension of enigma, starting from the very space she envisions. Nature practically disappears, giving way to a dark, essential, and desolate setting, constructed in a duotone of green and black. Silvia Idili's characters move within this undefined space, and as they perform their seemingly simple gestures, they are suddenly struck by some disturbing element. These elements often identify with two recurring themes in Silvia Idili's work: heavy, decadent drapery intended to conceal some truth that must remain unspoken, or the geometric solid, metaphysical and alienating, mysterious in its very being. In this painting, however, existential unease is suggested by the subject itself, a small family scene. The subjects, in their conventional poses and old-fashioned red and white clothing, already suggest a distressing sense of incommunicability. Formally, this type of work by Silvia Idili exhibits a stylistic coherence, evident in a simplicity that, in the two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their clothes, charmingly antiquated, form compact chromatic zones that give rise to studied color harmonies. In this context, Silvia Idili's brushstrokes cannot fail to be homogeneous, even if rich in existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102432130,"sku":"gsav009","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-59-311.jpg?v=1768471116"},{"product_id":"silvia-idili-senza-titolo-3","title":"Silvia Idili - Untitled","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work in question is part of the genre scenes that Silvia Idili reworks in her surreal and symbolist aesthetic of anxiety and mystery. What is depicted is entirely plausible and part of a reality of simple gestures, small family scenes. But Silvia Idili transfers everything into her surreal dimension of enigma, starting from the very space she envisions. Nature practically disappears, giving way to a dark, essential, and desolate setting, constructed in a duotone of green and black. Silvia Idili's characters move within this undefined space, and as they perform their seemingly simple gestures, they are suddenly struck by some disturbing element. These elements often identify with two recurring themes in Silvia Idili's work: the heavy, decadent drapery intended to conceal some truth that must remain unspoken, or the geometric solid, metaphysical and alienating, mysterious in its very being. The work in question also falls within those that, only apparently, represent ordinary family scenes. In this case, the portrait of the two girls conceals the literary and cinematic suggestion of a double, a rival, a self-other. Formally, Silvia Idili's works of this kind exhibit a stylistic coherence, evident in a simplicity that, in a two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their clothes, charmingly antiquated, form compact chromatic zones that create carefully studied color harmonies. In this context, Silvia Idili's brushstrokes cannot fail to be homogeneous, even if rich in existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102464898,"sku":"gsav010","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-59-312.jpg?v=1768471116"},{"product_id":"silvia-idili-senza-titolo-3-2","title":"Silvia Idili - Untitled","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Given the type of subjects she proposes, artist Silvia Idili can also be classified as a Surrealist aesthetic, but compared to the historical avant-garde, her work is entirely original, blending Symbolism and Metaphysics. The Sardinian-born painter develops this particular poetics of mystery and anxiety in two main types of subject matter. Choral scenes of everyday and family nature and portraits, mainly of women.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of the genre scenes that Silvia Idili reworks in her surreal and symbolist aesthetic of anxiety and mystery. What is depicted is entirely plausible and part of a reality of simple gestures, small familiar scenes. But Silvia Idili transfers everything into her surreal dimension of enigma, starting from the very space she envisions. Nature practically disappears, giving way to a dark, essential, and desolate setting, constructed in a duotone of green and black. Silvia Idili's characters move through this undefined space, and as they perform their seemingly simple gestures, they are suddenly struck by some disturbing element. These elements often identify with two recurring themes in Silvia Idili's work: the heavy, decadent drapery intended to conceal some truth that must remain unsaid, or the geometric solid, metaphysical and alienating, mysterious in its very being. In this painting, we encounter both elements, with the subjects attempting to enter beneath the heavy curtain, their heads replaced by prisms. From a formal perspective, Silvia Idili's works of this type exhibit a stylistic coherence, evident in a simplicity that, in the two-dimensional space, delineates the subjects with few details, making them even more enigmatic. Their clothes, charmingly antiquated, form compact chromatic zones that give rise to studied color harmonies. In this context, Silvia Idili's brushstrokes cannot fail to be homogeneous, even if rich in existential vibrations.\u003c\/p\u003e\n\n\n \u003cp\u003eSilvia Idili was born in Cagliari in 1982. She graduated from the Cagliari State Art School in 1999-2000 and lives and works in Milan. Silvia Idili works in painting and illustration. She approached oil painting almost by chance and has continued to use it ever since. Her dreamlike visions take shape within complex interior landscapes, composed of flat backgrounds and a few enigmatic elements that compel the viewer's gaze to linger on. Long established in the art world, Silvia Idili has exhibited her work in numerous shows both in Italy and abroad.\u003c\/p\u003e","brand":"Gianluigi Savini","offers":[{"title":"Default Title","offer_id":56218102497666,"sku":"gsav011","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-25-11-59-32.jpg?v=1768471117"}],"url":"https:\/\/venderequadri.it\/en\/collections\/silvia-idili.oembed","provider":"Venderequadri","version":"1.0","type":"link"}