{"title":"Sebastiano Milluzzo","description":"\u003cp\u003eOpere di Sebastiano Milluzzo in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Sebastiano Milluzzo? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"sebastiano-milluzzo-senza-titolo","title":"Sebastiano Milluzzo - Untitled","description":"\u003cp\u003e The iconography of motherhood is closely linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). It is quite common for contemporary artists to treat the iconography of motherhood without directly linking it to the Christian religion.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work is part of a series of etchings in which artist Sebastiano Milluzzo demonstrates his openness to an abstract language, reconstructing phenomenal reality through elegant stylization. Thus, the mother and child group becomes a dynamic system of lines, clearly revealing the artist's gesture. Despite the figure's exaltation of volume, the work's symbolic nature and the immediacy of its execution prevail.\u003c\/p\u003e\n\n\n \u003cp\u003eSebastiano Milluzzo (Catania, 1915 – Catania, 2011). His intense artistic activity brought him to public attention as early as the 1930s; in the 1940s, he combined painting with teaching, until 1982. He was also a graphic designer and set designer, creating installations for both theater and opera. At the height of his career, he took part in several contemporary art exhibitions: he participated in the National Exhibition of Fine Arts in Milan in 1941 and the Venice Biennale in 1948. He was also invited to participate in two consecutive editions of the National Quadrennial of Art in Rome, in 1948 and 1951 (the fifth and sixth editions, respectively). In 1956, he opened the Galleria Sicilia Arte in Catania, where, in addition to his own works, he exhibited the works of young emerging artists. Two years later he founded the magazine Sicilia Arte, which was published until 1964, when it ceased publication due to lack of funds.\u003c\/p\u003e","brand":"Mandolfo Ornella Maria","offers":[{"title":"Default Title","offer_id":56218578551170,"sku":"OMAN001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/LITO-MILLUZZO67X49.jpg?v=1768474470"},{"product_id":"sebastiano-milluzzo-piazza-duomo-con-il-liotro","title":"Sebastiano Milluzzo - Piazza Duomo with the liotro","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. In Sergio Manfredi's city views, however, the everyday aspect prevails, the frank and sincere realism of everyday life in a city setting.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this view of Catania, Sebastiano Milluzzo presents a perfect fusion of realism and a delicate impressionistic rendering of sensory details achieved through lithography. On the one hand, the artist precisely describes the view in all its details, with a strong sense of the city's reality and the everyday life of simple life. On the other, his refined painting technique and diluted color allow him to convey a sense of immediacy to the panel, thanks to rapid brushstrokes charged with atmospheric vibrations. Light thus reverberates on the objects, but without interfering with the precise description of reality. The entire view is thus characterized by a luminosity that is revealed, by contrast, in the play of shadows.\u003c\/p\u003e\n\n\n \u003cp\u003eSebastiano Milluzzo (Catania, 1915 – Catania, 2011). His intense artistic activity brought him to public attention as early as the 1930s; in the 1940s, he combined painting with teaching, until 1982. He was also a graphic designer and set designer, creating installations for both theater and opera. At the height of his career, he took part in several contemporary art exhibitions: he participated in the National Exhibition of Fine Arts in Milan in 1941 and the Venice Biennale in 1948. He was also invited to participate in two consecutive editions of the National Quadrennial of Art in Rome, in 1948 and 1951 (the fifth and sixth editions, respectively). In 1956, he opened the Galleria Sicilia Arte in Catania, where, in addition to his own works, he exhibited the works of young emerging artists. Two years later he founded the magazine Sicilia Arte, which was published until 1964, when it ceased publication due to lack of funds.\u003c\/p\u003e","brand":"Mandolfo Ornella Maria","offers":[{"title":"Default Title","offer_id":56218578616706,"sku":"OMAN002","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/LITO-MILLUZZOPIAZZA-DUOMO.jpg?v=1768474471"},{"product_id":"sebastiano-milluzzo-ritratto-figlia-marisa","title":"Sebastiano Milluzzo - Portrait of his daughter Marisa","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this portrait, as in many of his other works, Sebastiano Milluzzo implements a process of progressively stripping away plasticity. The subject is defined exclusively by drawing and color. The drawing consists of a very light stroke, almost a rough sketch of the figure to be portrayed, but it serves to delineate a personal aesthetic canon, with slightly elongated forms that further accentuate a certain evanescence. This is reinforced by the color, with its subtle tones, which contributes to the creation of an indistinct and nuanced entity. This process of stripping away, rather than seeking a synthesis of the subject, is directed instead at exploring the intimacy of the person portrayed. What remains is what lies beyond the form: their own sensitivity and human fragility.\u003c\/p\u003e\n\n\n \u003cp\u003eSebastiano Milluzzo (Catania, 1915 – Catania, 2011). His intense artistic activity brought him to public attention as early as the 1930s; in the 1940s, he combined painting with teaching, until 1982. He was also a graphic designer and set designer, creating installations for both theater and opera. At the height of his career, he took part in several contemporary art exhibitions: he participated in the National Exhibition of Fine Arts in Milan in 1941 and the Venice Biennale in 1948. He was also invited to participate in two consecutive editions of the National Quadrennial of Art in Rome, in 1948 and 1951 (the fifth and sixth editions, respectively). In 1956, he opened the Galleria Sicilia Arte in Catania, where, in addition to his own works, he exhibited the works of young emerging artists. Two years later he founded the magazine Sicilia Arte, which was published until 1964, when it ceased publication due to lack of funds.\u003c\/p\u003e","brand":"Mandolfo Ornella Maria","offers":[{"title":"Default Title","offer_id":56218578682242,"sku":"OMAN003","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/MILLUZZORITRATTO-FIGLIA-MARISAACQUERELLO-SU-CARTA.jpg?v=1768474471"},{"product_id":"sebastiano-milluzzo-il-riposo","title":"Sebastiano Milluzzo - The Rest","description":"","brand":"GUIDO GIANNI","offers":[{"title":"Default Title","offer_id":56321986756994,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Milluzzo.jpg?v=1770402072"}],"url":"https:\/\/venderequadri.it\/en\/collections\/sebastiano-milluzzo.oembed","provider":"Venderequadri","version":"1.0","type":"link"}