{"title":"Salvatore Emblema","description":"\u003cp\u003eOpere di Salvatore Emblema in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Salvatore Emblema? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"salvatore-emblema-senza-titolo-19","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003e\u003cem\u003e\"True painting is found in Nature\"\u003c\/em\u003e — Salvatore Emblema\u003c\/p\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) was one of the most original masters of Italian informal art. Trained at the Naples Academy of Fine Arts, he lived in New York between 1956 and 1958, where his encounters with Pollock and Rothko strengthened his exploration of materiality. Back in Italy, he developed his unique language: \u003cstrong\u003eunwoven canvases\u003c\/strong\u003e, \u003cstrong\u003eraw jute\u003c\/strong\u003e, and \u003cstrong\u003ecolored earths\u003c\/strong\u003e used as both pigment and living matter.\u003c\/p\u003e\u003cp\u003eIn this work, nature is not a subject to be reproduced but a generative force: the canvas itself becomes a landscape, the loosening thread becomes a gesture, and the color penetrating the fiber becomes light. A work that embodies Emblema's poetic vision in its purest essence.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Materiality\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a historically recognized master of twentieth-century Italian art.\u003c\/p\u003e","brand":"FERRETTI IOLANDA","offers":[{"title":"Default Title","offer_id":56210222219650,"sku":"IOFERR001","price":12000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/emblema.jpg?v=1768387586"},{"product_id":"salvatore-emblema-senza-titolo-20","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) developed a completely original pictorial language over sixty years of research, founded on matter as truth. His works do not represent reality: \u003cem\u003ethey are\u003c\/em\u003e reality. Jute, volcanic earths, threads removed from the canvas — every element is chosen for its ability to hold light, time, memory.\u003c\/p\u003e\u003cp\u003eThis work belongs to the master's mature period, when the gesture became essential and the matter speaks for itself, without mediation. A silent and powerful work that grows with the viewer.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Materic\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collector's piece by a canonical master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Bartimmo Roberto 23000","offers":[{"title":"Default Title","offer_id":56210229789058,"sku":"ROBAR002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/salvatore-emblema.jpg?v=1768387620"},{"product_id":"salvatore-emblema-senza-titolo-11","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eIn the works of Salvatore Emblema (Terzigno 1929 – 2006), the title is always \u003cem\u003eUntitled\u003c\/em\u003e: a philosophical choice, not an omission. The master refused to name his works because any name would have limited the freedom of the gaze. The woven canvas, the colored earth, the jute — these are the true titles, written in the material itself.\u003c\/p\u003e\u003cp\u003eEmblema exhibited at the Venice Biennale and his works are present in the most important international public and private collections. Owning one of his works means coming into contact with one of the highest moments of twentieth-century Italian art.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Materic\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eCollectible work by a historically recognized master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Vita Roberto","offers":[{"title":"Default Title","offer_id":56210291917186,"sku":"RVIT001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/emblema_532cc760-f828-4593-be2b-22c8831471cf.jpg?v=1768388453"},{"product_id":"salvatore-emblema-rosso-vesuviano","title":"Salvatore Emblema - Vesuvian Red","description":"\u003ch2\u003eSalvatore Emblema — Vesuvian Red\u003c\/h2\u003e\u003cp\u003eMount Vesuvius as origin, as a primordial force, as color. In \u003cem\u003eVesuvian Red\u003c\/em\u003e, Salvatore Emblema (Terzigno 1929 – 2006) returns to the roots of his land — born at the foot of the volcano, the master always felt the lava, the ash, the volcanic lands as living materials, not as metaphors. Red here is not a chosen color: it is a geographical and biographical necessity.\u003c\/p\u003e\u003cp\u003eA work that carries with it the telluric energy of Vesuvius and the material poetics of one of the greatest Italian artists of the twentieth century.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Screen printing\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Material\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eCollectible work by a canonical master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Santarelli Gioacchino","offers":[{"title":"Default Title","offer_id":56210335302018,"sku":"GSAN012","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/rosso-vesuviano-salvatore-emblema.jpg?v=1768389163"},{"product_id":"salvatore-emblema-senza-titolo-13","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) navigated the seasons of twentieth-century Italian art with rare consistency: from the \u003cem\u003efullography\u003c\/em\u003e of the 1940s — collages of dried leaves — to the stones and volcanic earths of the 1950s, and finally to the famous \u003cem\u003eunwoven canvases\u003c\/em\u003e that made him renowned worldwide. In this mixed-media work, matter is layered and revealed in a continuous dialogue between surface and depth.\u003c\/p\u003e\u003cp\u003eA work that bears witness to the exploration of a master who made matter his universal language.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Mixed media\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Materic\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a historically significant master of twentieth-century Italian art.\u003c\/p\u003e","brand":"D'Andrea Pietro 14000","offers":[{"title":"Default Title","offer_id":56210394710402,"sku":"PDAN001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2016_09_2414_58_440141.jpg?v=1768389835"},{"product_id":"salvatore-emblema-senza-titolo-26","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) is the artist who transformed canvas into landscape and thread into gesture. His \u003cem\u003ebare canvases\u003c\/em\u003e — framed by bands of color — and his \u003cem\u003eunwoven canvases\u003c\/em\u003e revolutionized the very concept of painting: no longer color applied to a support, but a support that becomes color, a structure that becomes light.\u003c\/p\u003e\u003cp\u003eAs Palma Bucarelli, director of the National Gallery of Modern Art in Rome, wrote: \u003cem\u003e\"Emblema is one of the few artists who has managed to find a completely personal path in the art of our time.\"\u003c\/em\u003e This mixed-media work is a direct testament to this.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Materic\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a master recognized in the history of twentieth-century Italian art.\u003c\/p\u003e","brand":"D'Andrea Pietro 18000","offers":[{"title":"Default Title","offer_id":56210394808706,"sku":"PDAN002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2016_09_2414_59_400143.jpg?v=1768389835"},{"product_id":"salvatore-emblema-senza-titolo-27","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eIn the poetry of Salvatore Emblema (Terzigno 1929 – 2006), every work is an act of listening: listening to the material, to the light, to time. Raw jute, colored earths, threads loosening from the weave — everything speaks of a nature that cannot be tamed but can be inhabited. Emblema does not paint \u003cem\u003eon\u003c\/em\u003e the canvas: he paints \u003cem\u003ewith\u003c\/em\u003e the canvas, in a dialogue that lasts a lifetime.\u003c\/p\u003e\u003cp\u003eThis mixed-media work belongs to a research that spanned decades without ever losing its radicality and its depth.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Material\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eCollectible work by a master recognized in the history of twentieth-century Italian art.\u003c\/p\u003e","brand":"Lancia Tiziana","offers":[{"title":"Default Title","offer_id":56210479645058,"sku":"TLAN001","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20161223_180736.jpg?v=1768390521"},{"product_id":"salvatore-emblema-senza-titolo-28","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) lived and worked in Naples, Rome, and New York, bringing his material-focused language to the most avant-garde contexts of international art. Yet he always remained faithful to his origins: the volcanic soils of Mount Vesuvius, the light of the South, the physicality of raw matter. His works are at once local and universal, rooted and free.\u003c\/p\u003e\u003cp\u003eThis work is a fragment of that exploration: a surface that breathes, that changes with the light, that never ceases to reveal itself.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Material-focused\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a historically recognized master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Capponi Agostino","offers":[{"title":"Default Title","offer_id":56210561302914,"sku":"ACAPP001","price":10000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20170322_112029.jpg?v=1768391191"},{"product_id":"salvatore-emblema-senza-titolo-29","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eRare tempera work by Salvatore Emblema (Terzigno 1929–2006): a technique the master explored during certain phases of his artistic inquiry, while always maintaining the same focus on materiality and light that characterizes his entire body of work. Tempera, with its velvety opacity and ability to absorb light, lends itself perfectly to Emblema’s poetic treatment of color as earth, as sediment, as memory.\u003c\/p\u003e\u003cp\u003eA work that enriches any collection with the silent and powerful presence of a great master.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Tempera\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Material-focused\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a historically significant master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Chieregatti Giorgio","offers":[{"title":"Default Title","offer_id":56210574606722,"sku":"GCHI043","price":35000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/EMBLEMA.png?v=1768391335"},{"product_id":"salvatore-emblema-senza-titolo-30","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) dedicated his life to a fundamental question: what is painting when it strips itself of everything? The answer lies in his works: the raw canvas, the loosening thread, the earth that colors without covering. A painting that hides nothing, that reveals its own structure, that makes transparency its highest value.\u003c\/p\u003e\u003cp\u003eThis mixed-media work is a visual answer to that question: essential, powerful, inexhaustible.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Textured\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eCollectible work by a master whose place in the history of twentieth-century Italian art is firmly established.\u003c\/p\u003e","brand":"Liati Francesco","offers":[{"title":"Default Title","offer_id":56210592989570,"sku":"FLIA004","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2295.jpg?v=1768391461"},{"product_id":"salvatore-emblema-senza-titolo-31","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eThe works of Salvatore Emblema (Terzigno 1929 – 2006) are not merely looked at: they are inhabited. The surface — jute, raw canvas, colored earth — is a landscape that changes with the daylight, with the seasons, with the gaze of those who observe it. Emblema taught that painting is not a fixed image but a living process, in constant transformation.\u003c\/p\u003e\u003cp\u003eThis work carries that vitality: a discreet and inexhaustible presence, capable of enriching any space with its silent depth.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Textured\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eCollectible work by a historically recognized master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Casamassima Magda","offers":[{"title":"Default Title","offer_id":56210648400258,"sku":"MCAS005","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/emblema_0da94c63-11af-4c03-8129-1324156c5e01.jpg?v=1768391824"},{"product_id":"salvatore-emblema-senza-titolo-21","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) was one of the leading figures of Italian Informal Art, following an entirely original path that led him to develop unique techniques: the \u003cem\u003efullographies\u003c\/em\u003e of the 1940s, the volcanic earths of the 1950s, and the \u003cem\u003eunwoven canvases\u003c\/em\u003e from the 1960s onward. Each phase is a response to the same question: how to make the material speak without imposing a form upon it?\u003c\/p\u003e\u003cp\u003eThis work is a visual response to that question: the surface lives, breathes, and transforms with the light.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal Art — Textured\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a historically recognized master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Venturi Andrea","offers":[{"title":"Default Title","offer_id":56211423527298,"sku":"AVEN001","price":25300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7686-copia.jpg?v=1768399826"},{"product_id":"salvatore-emblema-senza-titolo-21-2","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eNo two works by Salvatore Emblema are ever identical, even when they share the same technique and format. Jute is a living material: every weave is different, every loose thread creates a unique void, and every colored earth penetrates in an unrepeatable way. It is this unrepeatability that makes every work by Emblema (Terzigno 1929–2006) an absolute one-of-a-kind piece, even within his vast body of work.\u003c\/p\u003e\u003cp\u003eThis work is his own, unique, unrepeatable expression of a language that changed the history of Italian art.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Materic\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a master whose place in the history of twentieth-century Italian art is firmly established.\u003c\/p\u003e","brand":"Venturi Andrea","offers":[{"title":"Default Title","offer_id":56211423789442,"sku":"AVEN002","price":25300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7692-copia.jpg?v=1768399828"},{"product_id":"salvatore-emblema-senza-titolo-32","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eSalvatore Emblema (Terzigno 1929 – 2006) lived his art as a meditative practice: slow, repetitive, profound. Removing the threads from the jute one by one, spreading the colored earth with his hands, letting the light pass through the weave — these are gestures that require time and attention, and that produce works capable of restoring that same quality of presence to those who look at them.\u003c\/p\u003e\u003cp\u003eA work by Emblema is not consumed: it grows over time, with the changing light, with the maturing gaze.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Textured\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eCollectible work by a historically recognized master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Rinaldi Giancarlo","offers":[{"title":"Default Title","offer_id":56211525304706,"sku":"GRIN001","price":15000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2568-copia.jpg?v=1768400257"},{"product_id":"salvatore-emblema-senza-titolo-33","title":"Salvatore Emblema - Untitled","description":"\u003ch2\u003eSalvatore Emblema — Untitled\u003c\/h2\u003e\u003cp\u003eTrained at the Accademia di Belle Arti in Naples and deeply influenced by Fontana’s Spatialism, Salvatore Emblema (Terzigno 1929–2006) developed a pictorial language that extends beyond the canvas: raw jute, colored earth, and threads removed from the weave create works that are simultaneously painting, sculpture, and architecture of light. His American experience—New York, 1956–58, and his encounters with Pollock and Rothko—reinforced his conviction that matter is the true subject of art.\u003c\/p\u003e\u003cp\u003eThis work is a synthesis of that exploration: essential, radical, inexhaustible.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Mixed media on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art—Matter painting\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA collectible work by a major master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Ferrara Mario","offers":[{"title":"Default Title","offer_id":56211536216450,"sku":"MFER004","price":25300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3273-copia-e1523888189456.jpg?v=1768400332"},{"product_id":"salvatore-emblema-gm1b","title":"Salvatore Emblema - GM1B","description":"\u003ch2\u003eSalvatore Emblema — GM1B\u003c\/h2\u003e\u003cp\u003eAn unusual title for Emblema: \u003cem\u003eGM1B\u003c\/em\u003e is one of the rare graphic works by the Terzigno master (1929–2006), who devoted his career primarily to textured painting on jute. Emblema's graphic works are particularly rare and sought after by collectors, as they demonstrate his ability to translate the language of texture into a different medium while maintaining the same essentiality and expressive power.\u003c\/p\u003e\u003cp\u003eA rare work from the production of an established master: a unique opportunity for the most discerning collectors.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Salvatore Emblema (1929–2006)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Graphic art\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStyle:\u003c\/strong\u003e Informal art — Textured\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate of authenticity:\u003c\/strong\u003e included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eA rare graphic work by an established master of twentieth-century Italian art.\u003c\/p\u003e","brand":"Marinelli Mario","offers":[{"title":"Default Title","offer_id":56211547390338,"sku":"MMAR004","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8391.jpg?v=1768400493"},{"product_id":"salvatore-emblema-senza-titolo-36","title":"Salvatore Emblema - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eBeginning in the 1960s, artistic languages ​​led, not only in Italy, to the abandonment of traditional media such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new conception of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct connection with reality. Hence the use of discarded materials, or those derived from the world of technology, assembled into compositions and installations.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work clearly demonstrates the different components of Salvatore Emblema's artistic language. On the one hand, the use of a support like raw canvas, a significant element of mechanical production, leads to the rejection of traditional media in favor of an object evocative of contemporary society. On top of the support, the artist applies two additional pieces of even rawer fabric, thus demonstrating his interest in elevating the simple object, the waste, to a work of art. Finally, a third element is added: the material, the colored earth, which gestural reshapes the canvas and imbues it with a new poetics that can be traced back to the aesthetics of Informal Art.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, in the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential components to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Audi Antonella abbassata da 17000 a 12000\/15000€","offers":[{"title":"Default Title","offer_id":56211779944834,"sku":"AAUD002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-e1548764241841.jpg?v=1768401622"},{"product_id":"salvatore-emblema-senza-titolo-37","title":"Salvatore Emblema - Untitled","description":"","brand":"Pagliuchi Giorgio","offers":[{"title":"Default Title","offer_id":56212023378306,"sku":"GPAG001","price":3420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4951_fe83af98-9e19-4014-ae48-b051761fc779.jpg?v=1768403005"},{"product_id":"salvatore-emblema-dentro-le-radici","title":"Salvatore Emblema - As inside the roots","description":"\u003cp style=\"text-align: justify;\"\u003e The lot consists of 5 works.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e The work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis series of works clearly demonstrates the various components of Salvatore Emblema's artistic language. For this artist, the use of a medium like raw canvas is crucial, a key element of mechanical production, which leads to the rejection of traditional support in favor of an object evocative of contemporary society. In the case of these etchings, printed on paper, raw canvas is referenced, its irregular and coarse texture also being reproduced in the print, an essential element of Salvatore Emblema's artistic practice. This texture is overlaid with a pictorial gesture that can be traced back to the aesthetics of Informal Art.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, which focused on the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential elements to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"D'eliseo Michele","offers":[{"title":"Default Title","offer_id":56212749910402,"sku":"MDELI001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Senza-titolo-1-3_7bbc5cb4-9ceb-4041-9e6b-80969661a290.jpg?v=1768406799"},{"product_id":"salvatore-emblema-senza-titolo-23","title":"Salvatore Emblema - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eBeginning in the 1960s, artistic languages ​​led, not only in Italy, to the abandonment of traditional media such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new conception of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct connection with reality. Hence the use of discarded materials, or those derived from the world of technology, assembled into compositions and installations.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work clearly demonstrates the various components of Salvatore Emblema's artistic language. On the one hand, the use of raw canvas, a significant element of mechanical production, leads to the rejection of traditional support in favor of an object evocative of contemporary society. On the support, the artist applies even rougher pieces of jute thread, in an informal composition, thus demonstrating his interest in elevating the simple object, the waste, to a work of art. Finally, the third element, the material, the colored earth, is superimposed, which gestural reshapes the canvas and gives it a new poetics that can still be traced back to an abstract expressionist aesthetic.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, which focused on the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential elements to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Remedi Luigi","offers":[{"title":"Default Title","offer_id":56212933542274,"sku":"LREM001","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1223.jpg?v=1768407693"},{"product_id":"salvatore-emblema-senza-titolo-34","title":"Salvatore Emblema - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eBeginning in the 1960s, artistic languages ​​led, not only in Italy, to the abandonment of traditional media such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new conception of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct connection with reality. Hence the use of discarded materials, or those derived from the world of technology, assembled into compositions and installations.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work clearly demonstrates the different components of Salvatore Emblema's artistic language. On the one hand, the use of a support like raw canvas, a significant element of mechanical production, leads to the rejection of traditional media in favor of an object evocative of contemporary society. On top of this support, the artist applies two additional pieces of even rawer fabric, thus demonstrating his interest in elevating a simple object, a waste product, to a work of art. Finally, a third element is added: the material, the colored earth, which gesturally reconfigures the canvas and imbues it with a new poetics that can be traced back to the aesthetics of Informal Art.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, which focused on the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential elements to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e\n\n The work in question was exhibited at the Venice Biennale and appears in the catalogue \"Salvatore Emblema\" edited by Gabriele Boni, published by Maretti Editore in 2009.","brand":"Trincherini Piero Renato","offers":[{"title":"Default Title","offer_id":56213228061058,"sku":"PTRI001","price":25000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8239-copia.jpg?v=1768408923"},{"product_id":"salvatore-emblema-senza-titolo-2","title":"Salvatore Emblema - Untitled","description":"\u003cp\u003eThe work draws on an informal aesthetic language. The devastation brought by the Second World War left a deep mark on Western civilization, which in the visual arts also manifested as an inability to communicate. For some artists, this problem resulted in a total rejection of any visual language, leading to the birth of Informalism. The various informal movements are certainly linked to American Abstract Expressionism, especially regarding the gestural component, but they go further in their rejection of any figurative element, even geometric ones. Their research is instead directed toward the material with which they compose their works.\u003cbr\u003e\n\u003cbr\u003e\nFrom the 1960s onward, artistic languages led not only in Italy but also elsewhere to the abandonment of traditional supports such as canvases for painting or materials for sculpting. The artists' intention was to start with a clean slate and begin anew with a new conception of artistic creation, one that was open to new materials capable of including different perceptual stimuli (such as the tactile) and having a more direct connection with reality. This led to the use of waste materials, or those originating from the world of technology, assembled in compositions and installations. This work clearly shows the different components of the artistic language developed by Salvatore Emblema. Fundamental for this artist is the use of a support such as raw canvas, a significant element of mechanical production, which determines the rejection of the traditional support in favor of an object evocative of contemporary society. On the support, the artist applies other pieces of even rawer fabric in a geometric arrangement, thus demonstrating his interest in elevating the simple object, the waste product, to the status of a work of art. Finally, a third element is superimposed: the material, the colored earth, which gesturally reconfigures the canvas and gives it a new poetics that can be traced back to the aesthetics of Informalism.\u003c\/p\u003e\n\n\u003cp\u003eSalvatore Emblema (1929-2006). He studied at the Academy of Fine Arts in Naples. His artistic research was influenced by Spazialismo, in the intervention of reality on the work of art and the use of raw materials such as earth and canvas. His experience in the United States was fundamental, adding two other essential components to his style: Pollock's freedom in creative gesture and Rothko's balance and color gradations.\u003c\/p\u003e","brand":"Bonadonna Claudio","offers":[{"title":"Default Title","offer_id":56215772987778,"sku":"CBON001","price":7200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20200804-WA0002.jpg?v=1768428997"},{"product_id":"salvatore-emblema-senza-titolo-38","title":"Salvatore Emblema - Untitled","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eBeginning in the 1960s, artistic languages, not only in Italy, led to the elimination of traditional supports such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new concept of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct contact with reality. Hence the use of discarded materials, or those from the world of technology, assembled into compositions and installations. This work clearly demonstrates the different components of the artistic language developed by Salvatore Emblema. Fundamental to this artist is the use of a support such as raw canvas, a significant element of mechanical production, which leads to the rejection of traditional support in favor of an object evocative of contemporary society. The artist's gesture is then superimposed on the material of colored earth, reconfiguring the canvas and giving it a new poetics that can be traced back to the aesthetics of informal art.\u003c\/p\u003e\n\n\n \u003cp\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, in the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential components to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Esposito Giuseppe","offers":[{"title":"Default Title","offer_id":56218011697538,"sku":"GESP00","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7329.jpg?v=1768470187"},{"product_id":"salvatore-emblema-senza-titolo","title":"Salvatore Emblema - Untitled","description":"\u003cp\u003eThe work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this work, artist Salvatore Emblema demonstrates a different language than his usual chromatic balances on raw materials, opting for an abstract composition in which the circular form predominates. However, Emblema's artistic approach remains consistent, even in his interpretation of abstraction. The circle is defined in a crude manner, following an almost Brutalist aesthetic. Within the circle, the artist's gestures prevail, denser and more animated than Emblema's usual calligraphic interventions. The importance of material remains constant, in the use of earth, and of color, distributed according to carefully studied balances.\u003c\/p\u003e\n\n\n \u003cp\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, in the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential components to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Esposito Giuseppe","offers":[{"title":"Default Title","offer_id":56218011730306,"sku":"GESP00","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7334.png?v=1768470187"},{"product_id":"salvatore-emblema-senza-titolo-39","title":"Salvatore Emblema - Untitled","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eBeginning in the 1960s, artistic languages, not only in Italy, led to the elimination of traditional supports such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new concept of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct contact with reality. Hence the use of discarded materials, or those from the world of technology, assembled into compositions and installations. This work clearly demonstrates the different components of the artistic language developed by Salvatore Emblema. Fundamental to this artist is the use of a support such as raw canvas, a significant element of mechanical production, which leads to the rejection of traditional support in favor of an object evocative of contemporary society. The artist's gesture is then superimposed on the material of colored earth, reconfiguring the canvas and giving it a new poetics that can be traced back to the aesthetics of informal art.\u003c\/p\u003e\n\n\n \u003cp\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, in the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential components to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Sergio Puddu","offers":[{"title":"Default Title","offer_id":56218031718786,"sku":"Spud001","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Emblema_4b0fd868-69ca-4478-bfa6-9dd8f2d59d90.jpg?v=1768470350"},{"product_id":"salvatore-emblema-senza-titolo-3","title":"Salvatore Emblema - Untitled","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eBeginning in the 1960s, artistic languages, not only in Italy, led to the elimination of traditional supports such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new concept of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct contact with reality. Hence the use of discarded materials, or those from the world of technology, assembled into compositions and installations. This work clearly demonstrates the different components of the artistic language developed by Salvatore Emblema. Fundamental to this artist is the use of a support such as raw canvas, a significant element of mechanical production, which leads to the rejection of traditional support in favor of an object evocative of contemporary society. The artist's gesture is then superimposed on the material of colored earth, reconfiguring the canvas and giving it a new poetics that can be traced back to the aesthetics of informal art. In this case, the emblem's gesture takes on two forms: on the one hand, a veritable explosion of color; on the other, the symbolic hermeticism of what appears to be an incomprehensible alphabet. All of this always falls within the perfect compositional and chromatic harmony that distinguishes Emblema's works.\u003c\/p\u003e\n\n\n \u003cp\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, in the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential components to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Mircko Dal Vecchio 35000","offers":[{"title":"Default Title","offer_id":56218105872770,"sku":"mdal001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/b19e72b4-c5cc-4c1a-b1bc-41c04dc09858.jpg?v=1768471199"},{"product_id":"salvatore-emblema-senza-titolo-4","title":"Salvatore Emblema - Untitled","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eBeginning in the 1960s, artistic languages, not only in Italy, led to the elimination of traditional supports such as canvas for painting or materials for sculpting. Artists' desire was to make a clean sweep and start from scratch with a new concept of artistic practice, open to new materials that could incorporate different perceptual stimuli (such as tactile sensation) and have a more direct contact with reality. Hence the use of discarded materials, or those from the world of technology, assembled into compositions and installations. This work clearly demonstrates the different components of the artistic language developed by Salvatore Emblema. Fundamental to this artist is the use of a support such as raw canvas, a significant element of mechanical production, which leads to the rejection of traditional support in favor of an object evocative of contemporary society. The artist's gesture is then superimposed on the material of colored earth, reconfiguring the canvas and giving it a new poetics that can be traced back to the aesthetics of informal art.\u003c\/p\u003e\n\n\n \u003cp\u003eSalvatore Emblema (1929-2006). He trained at the Academy of Fine Arts in Naples. His artistic research was influenced by Spatialism, in the intervention of reality into the artwork and the use of raw materials such as clay and canvas. His experience in the United States was crucial, adding two other essential components to his style: Pollock's freedom of creative gestures and Rothko's balance and chromatic fades.\u003c\/p\u003e","brand":"Turati Rosangela (5000)","offers":[{"title":"Default Title","offer_id":56218529268098,"sku":"RTUR001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/EMBLEMA_f6ad3c15-accf-4565-8f1d-dc6501a1f098.jpg?v=1768473934"},{"product_id":"salvatore-emblema-senza-titolo-5","title":"Salvatore Emblema - Untitled","description":"","brand":"Promutico Maurizio","offers":[{"title":"Default Title","offer_id":56218975535490,"sku":"MPRO002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Salvatore-Emblema_7f8ffcb6-d093-4c8a-a688-45fb7112ea1c.jpg?v=1768477472"},{"product_id":"salvatore-emblema-senza-titolo-6","title":"Salvatore Emblema - Untitled","description":"","brand":"Scarpati Rosario (24000)","offers":[{"title":"Default Title","offer_id":56219200225666,"sku":"RSCA001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/emblema_004012dc-5668-4f39-a71e-4090ac14b57d.jpg?v=1768478774"}],"url":"https:\/\/venderequadri.it\/en\/collections\/salvatore-emblema.oembed?page=2","provider":"Venderequadri","version":"1.0","type":"link"}