{"title":"Roberto Pelagatti","description":"\u003cp\u003eOpere di Roberto Pelagatti in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Roberto Pelagatti? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"roberto-pelagatti-allo-zoo","title":"Roberto Pelagatti - At the Zoo","description":"\u003cp style=\"text-align: justify;\"\u003e The subject depicted and the artist's interpretation suggest a satirical intent against bourgeois society and its hypocrisies. The composition has a highly ironic and mocking tone.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work clearly intends to ridicule the hypocritical morality of our society's ruling classes. It's no coincidence that representatives of religious, political, and military power appear contemplating the undressed woman. There's also a clear critique of the use of the woman's body as an object to be exhibited. Pelagatti's pictorial language is entirely geared toward biting irony: the composition is deliberately childish and flat, the subjects are caricatured, and their dull expressions inspire a sense of emptiness.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e The language used in this painting by Pelagatti has strong connections with the German New Objectivity movement. It displays the same simplified and childlike interpretation of a realism based on a marked plasticity. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony.\u003c\/p\u003e","brand":"Barelli Marco","offers":[{"title":"Default Title","offer_id":56211515736450,"sku":"MBAR001","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7996-copia.jpg?v=1768400218"},{"product_id":"roberto-pellegatti-giocatori","title":"Roberto Pelagatti - Players","description":"\u003cp\u003e The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Indeed, with the development of 19th-century realism, everyday subjects were considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. In this work by Roberto Pelagatti, the subject depicted and the artist's interpretation suggest a satirical intent against bourgeois society and its hypocrisies. The composition has a highly ironic and cynical tone, as is typical of many of Roberto Pelagatti's works with bourgeois settings.\u003c\/p\u003e\n\n\n \u003cp\u003eRoberto Pelagatti's language, characterized by his art as an ironic critique of bourgeois society, has strong connections with the German New Objectivity movement. It embodies the same simplified and infantile interpretation of a realism based on a marked plasticity. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. For this reason, formally, his characters appear like automatons, with their stereotyped faces and blank expressions. The composition is also handled in a deliberately simplistic manner, with the subjects clearly arranged instinctively according to basic rules of symmetry and overlapping planes. In this way, everything acquires a strong expressive value that points precisely towards a caricatured yet refined representation. This is where Roberto Pelagatti's elaborate style comes into play, constructing his subjects through large, square volumes that fit into a multi-perspective space, of Cubist origin. The lines are sharp, and the plasticity is further highlighted by an elaborate pictorial layering. The palette also has a very pronounced expressionistic quality, featuring bright shades of purple contrasting with the whites and blues of the clothing.\u003c\/p\u003e\n\n\n \u003cp\u003eRoberto Pelagatti is a renowned 20th-century artist whose work largely draws inspiration from an ironic and cynical vision of bourgeois society. His artistic language is therefore inspired by a distorted, expressionistic realism, both in form and content, according to a deliberately simplified and stereotyped vision of the world. In this vision, he draws inspiration from the German New Objectivity movement and shows signs of being inspired by artists such as Otto Dix and George Grosz.\u003c\/p\u003e","brand":"Lucchini Monica","offers":[{"title":"Default Title","offer_id":56215749624194,"sku":"MLUC001","price":2100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/4-R.-Pelagatti-1-scaled.jpg?v=1768428760"},{"product_id":"roberto-pellegatti-fiori","title":"Roberto Pelagatti - Flowers","description":"\u003cp\u003eFlowers as an independent subject begin to appear in “still lifes,” a genre that sees the light of day at the beginning of the 17th century. Painters’ interest in the floral world subsequently grows, especially among the Impressionists, who saw it as an extraordinary opportunity to capture chromatic and luminous vibrations. Thus, flowers are depicted not only in vases but also immersed in their natural landscape. While at the beginning of its history it provided painters with a pretext for attempting a photographic reproduction of reality, in contemporary art the subject of flowers also becomes a way of interpreting reality.\u003cbr\u003e\n\u003cbr\u003e\nEven in this work, in which Roberto Pelagatti departs from his scathing vision of society to devote himself to a more classical and traditional genre such as the flower vase, he maintains his artistic language, inspired by a simplified realism and a fascinatingly objective vision. In this way, lacking a sociological component and focusing the work on a simple object, his style takes on the form of a refined magical realism. The characteristics are those peculiar to Roberto Pelagatti’s artistic approach: space is constructed through an overlapping of planes that does not develop in depth, but whose complexity derives from a multiplicity of cubist-inspired viewpoints. Within this space, the artist can unfold the subject’s crisp surfaces, with their marked contours and blocky volumes. The application of paint is always complex, alternating between flat, compact areas of color and more dynamic renderings created with a palette knife technique. The palette also remains true to Pelagatti’s signature style, ablaze with bright and precious tones.\u003c\/p\u003e\n\n\u003cp\u003eRoberto Pelagatti is a renowned 20th-century artist whose artistic output is largely inspired by an ironic and cynical vision of bourgeois society. For this reason, his artistic language is based on a realism distorted in an expressionistic manner, both in form and content, according to a deliberately simplified and stereotyped view of the world. In this vision, he draws on the New Objectivity movement and shows his inspiration from artists such as Otto Dix and George Grosz.\u003c\/p\u003e","brand":"Lucchini Monica","offers":[{"title":"Default Title","offer_id":56215749689730,"sku":"MLUC002","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/3-R.-Pelagatti-2-scaled.jpg?v=1768428761"}],"url":"https:\/\/venderequadri.it\/en\/collections\/roberto-pelagatti.oembed","provider":"Venderequadri","version":"1.0","type":"link"}