{"title":"Quadri sotto 2000 euro","description":"\u003cp\u003eI quadri sotto 2000 euro rappresentano opere di alto valore artistico accessibili a un pubblico più ampio. In questa collezione trovi dipinti originali realizzati da artisti contemporanei, ideali per arredare casa, studio e ambienti professionali con eleganza. Questa selezione è perfetta per chi desidera investire in arte autentica mantenendo un budget definito, scegliendo tra opere di qualità e grande impatto visivo. Scopri anche i \u003cstrong\u003e\u003ca href=\"\/en\/collections\/quadri-astratti\"\u003equadri astratti\u003c\/a\u003e\u003c\/strong\u003e, i \u003cstrong\u003e\u003ca href=\"\/en\/collections\/quadri-figurativi\"\u003equadri figurativi\u003c\/a\u003e\u003c\/strong\u003e e i \u003cstrong\u003e\u003ca href=\"\/en\/collections\/quadri-paesaggi\"\u003equadri paesaggi\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\nScopri la guida dedicata a \n\u003ca href=\"\/en\/pages\/investire-in-arte\"\u003einvestire in arte contemporanea\u003c\/a\u003e","products":[{"product_id":"domenico-scolaro-villaggio","title":"Domenico Scolaro - Village","description":"","brand":"Rui Germano","offers":[{"title":"Default Title","offer_id":56211570557314,"sku":"GRUI001","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2018-02-13-PHOTO-000004888.jpg?v=1768400699"},{"product_id":"mara-barigelli-natura-morta","title":"Mara Barigelli - Still Life","description":"","brand":"Molinari Gianluca","offers":[{"title":"Default Title","offer_id":56211629179266,"sku":"GMOL002","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20180328-WA0004.jpg?v=1768401332"},{"product_id":"mara-barigelli-natura-morta-2","title":"Mara Barigelli - Still Life","description":"","brand":"Molinari Gianluca","offers":[{"title":"Default Title","offer_id":56211629375874,"sku":"GMOL003","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20180328-WA0005.jpg?v=1768401333"},{"product_id":"diana-lagattolla-2","title":"Diana Lagattolla - Magnetic Storm","description":"","brand":"Lagattolla Diana","offers":[{"title":"Default Title","offer_id":56212042023298,"sku":"DLAG001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3552.jpg?v=1768403095"},{"product_id":"diana-lagattolla-linnocenza","title":"Diana Lagattolla - Innocence","description":"","brand":"Lagattolla Diana","offers":[{"title":"Default Title","offer_id":56212514177410,"sku":"DLAG004","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/linnocenza.png?v=1768405938"},{"product_id":"diana-lagattolla-embrione","title":"Diana Lagattolla - Embryo","description":"","brand":"Lagattolla Diana","offers":[{"title":"Default Title","offer_id":56212934852994,"sku":"DLAG004","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Embrione-tela-80x60.jpg?v=1768407710"},{"product_id":"diana-lagattolla-linganno","title":"Diana Lagattolla - The Deception","description":"","brand":"Lagattolla Diana","offers":[{"title":"Default Title","offer_id":56212934885762,"sku":"DLAG005","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Linganno-pannello-in-legno-63x79.jpg?v=1768407710"},{"product_id":"maria-murgia-beyonce","title":"Maria Murgia - Beyoncé","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on a Pop aesthetic in its use of iconic images, linked to the worlds of fashion and entertainment. Pop Art emerged in the United States in the second half of the 20th century as a result of artists' interest in and critique of the contemporary \"consumer society.\" All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising language in the works and their serial reproduction through mechanical processes. Maria Murgia's work draws on a Pop aesthetic in its use of icons from mass culture and its reflection on the possibility of serial reproduction of artworks, developing innovative techniques based on her experience with digital technologies.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eMaria Murgia's research has resulted in the creation of an original, aesthetically relevant, and conceptually coherent artwork. Her portraits are composed of a mosaic of digital images. Symbolically, they are moments, fragments of life that shape a personality. In the age of digital photography, Maria Murgia recontextualizes the concepts of pop icon and its serial reproduction.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Maria Murgia is an artist originally from Ossi, Sardinia, where she was born in 1935. Since 1974, she has lived in La Spezia, where she was the director of a nursery school. It was during those years that her passion for art began. Her first exhibition was held in 1975 at \"Studio 13.\" The following year, it was at the \"Sagittarius\" gallery in Terni. She also participated several times in the Festival dei Due Mondi in Spoleto. In the 1980s, Maria Murgia participated in numerous art fairs in Italy and abroad.\u003c\/p\u003e","brand":"Gallina Marco","offers":[{"title":"Default Title","offer_id":56213174550914,"sku":"MGAL001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20190313_131427.jpg?v=1768408811"},{"product_id":"artista-sconosciuto-figura-santa","title":"Unknown artist - Figure of a saint","description":"\u003cp style=\"text-align: justify;\"\u003e The work depicts an unspecified figure of a saint, given the presence of a halo. The subject does not have any iconographic characteristics that would allow us to attribute it to a specific figure.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work displays excellent pictorial quality. The application of light washes renders the subject naturally, blending perfectly into the space of the work thanks to its nuanced forms. The figure, therefore, appears against a dark background, illuminated from our left. Compositionally, we note a certain archaic quality in the ostentatious elongation of the subject's proportions and a certain hardness in his features. This denotes a Flemish taste, also evident in the workmanship of the clothing.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e From an analysis of the work, the artist could be identified stylistically as Italian, due to the accentuated pictorialism, made of transparent glazes, while culturally similar to Flemish art due to the aesthetic choices we find.\u003c\/p\u003e","brand":"Vannucci Gian Carlo","offers":[{"title":"Default Title","offer_id":56213563867522,"sku":"GVAN002","price":1840.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0785_4f336e23-5e4a-4fa5-a2eb-2eb30d9b7357.jpg?v=1768410037"},{"product_id":"luciano-granati-beata-maria-gabriella-sagheddu","title":"Luciano Granati - Blessed Maria Gabriella Sagheddu","description":"","brand":"Conte Luigi","offers":[{"title":"Default Title","offer_id":56215406182786,"sku":"CONLUI001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-7141.jpg?v=1768426285"},{"product_id":"domenici-senza-titolo-2","title":"Carlo Domenici - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Carlo Domenici drew inspiration primarily from popular genre scenes set in rural settings.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Domenici is a prominent representative of the Labronica School, and his pictorial language is therefore distinguished by the prevalence of color over line and a synthetic style of application that represents a reinterpretation of the Tuscan Macchiaioli tradition. In his works, we can appreciate how his use of light, always through the tonal values ​​of color, is highly dramatic. As in Macchiaioli paintings, the light fills the entire scene, clear and crisp, while in the distance a more threatening sky looms, with heavy rain clouds.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Domenici was born in Livorno in 1897 and passed away in Portoferraio in 1981. He began his career with numerous small panels painted with macchia (macchia). In 1924, he participated in important exhibitions in Milan and then at the Rome Quadrennial. In 1926, he was present at the South American Exhibition and the Venice Biennale. Abroad, he exhibited his works in Tokyo and Manila. He frequently visited the island of Elba, where he found inspiration for his landscapes.\u003c\/p\u003e","brand":"Balducci Alessandro","offers":[{"title":"Default Title","offer_id":56217740181890,"sku":"ABAL001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1953-copia.jpg?v=1768468230"},{"product_id":"domenici-senza-titolo","title":"Carlo Domenici - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Carlo Domenici drew inspiration primarily from popular genre scenes set in rural settings.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Domenici is a prominent representative of the Labronica School, and his pictorial language is therefore distinguished by the prevalence of color over line and a synthetic style of application that represents a reinterpretation of the Tuscan Macchiaioli tradition. In his works, we can appreciate how his use of light, always through the tonal values ​​of color, is highly dramatic. As in Macchiaioli paintings, the light fills the entire scene, clear and crisp, while in the distance a more threatening sky looms, with heavy rain clouds.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Domenici was born in Livorno in 1897 and passed away in Portoferraio in 1981. He began his career with numerous small panels painted with macchia (macchia). In 1924, he participated in important exhibitions in Milan and then at the Rome Quadrennial. In 1926, he was present at the South American Exhibition and the Venice Biennale. Abroad, he exhibited his works in Tokyo and Manila. He frequently visited the island of Elba, where he found inspiration for his landscapes.\u003c\/p\u003e","brand":"Balducci Alessandro","offers":[{"title":"Default Title","offer_id":56217741984130,"sku":"ABAL002","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1960-copia.jpg?v=1768468231"},{"product_id":"piergiorgio-colautti-senza-titolo","title":"Piergiorgio Colautti - Untitled","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, which spans all eras and stylistic movements. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism. In this painting, the female figure, as is typical of Piergiorgio Colautti's artistic production, is interpreted according to surreal forms.\u003c\/p\u003e\n\n\n \u003cp\u003eArtist Piergiorgio Colautti's research is based on reworking reality into extravagant and surreal forms. He takes realistic elements, but modifies them primarily through an extremely objective formal structure. A very linear drawing, therefore, is crucial in constructing the image, which is thus determined in an illusory and almost caricatural manner. Colautti's subversion of spatial laws in his paintings contributes to this effect. The constructed space is not entirely plausible and responds to the painter's expressive needs rather than physical laws. The distribution of color reflects the overall objective nature of the work, with a compact application that avoids any pictorial effect.\u003c\/p\u003e\n\n\n \u003cp\u003ePiergiorgio Colautti was born in Rome, where he lives and works, in 1934. A painter and sculptor, he is known for his style known as Hyperfuturism, which blends elements of reality with technological images and symbols of the modern world. In addition to painting, Colautti creates murals, lithographs, and sculptures. Inspired by the works of his famous grandfather, Arturo Colautti, Piergiorgio also pursues a career in journalism. His articles on the rigors of a professional artist's life are still published by \"Inciucio,\" an Italian version of People Magazine. Furthermore, in 1982, his poems were published in the collection \"L'altra alternativa.\"\u003c\/p\u003e","brand":"Caponi Tommaso","offers":[{"title":"Default Title","offer_id":56217763971458,"sku":"TCAP001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20210203_110357-copia-scaled.jpg?v=1768468286"},{"product_id":"giovan-francesco-gonzaga-corsiere-di-ulisse","title":"Giovan Francesco Gonzaga - Ulysses' Steed","description":"\u003cp\u003eA noble animal, a symbol of beauty and harmony, the horse has repeatedly been a prominent subject in the history of art. Since the fourteenth century, its presence has been obligatory in battle scenes and equestrian monuments, and painters have always faced a challenge in depicting it with anatomical precision and naturalistic rendering. The painter Giovan Francesco Gonzaga focused his research precisely on the equestrian theme. In his work, both pictorial and graphic, he developed the figure of the man on horseback according to various historical influences and a variety of genre scenes. In this case, the subject of the work, as the title indicates, explicitly draws on the work of Giorgio De Chirico and his classicist references.\u003c\/p\u003e\n\n\n \u003cp\u003eEach work by Giovan Francesco Gonzaga is a testament to the Milanese artist's extensive research into the figure of the horse throughout his career, as well as his study of equestrian groups. A fundamental constant in his work is drawing, through which he achieves a complex synergy of composition and dynamism. The result he seeks to achieve is always the same: the expression of dynamic energy, unleashed by the horse's unstoppable strength. This dynamism is enhanced by a highly pictorial quality, which complements the highly technical drawing. Gonzaga's paint strokes, like the noble steed, are swift and charged with energy, seeming to shape the figure, almost deform it, in an expressionistic manner, to suggest the vigor of its movement.\u003c\/p\u003e\n\n\n \u003cp\u003eGiovan Francesco Gonzaga, born in Milan in 1921 and passed away in 2007, traces his origins to a younger branch of the Mantuan family. A primarily figurative painter, he dedicated much of his career to the study and research of equestrian subjects. Gonzaga's aim was to convey the nobility of both the horse and the rider, as well as their dynamic momentum and energy. For this reason, he interpreted his figurative style with more expressionistic elements.\u003c\/p\u003e","brand":"D'Aprile Guido","offers":[{"title":"Default Title","offer_id":56217984631170,"sku":"GDAP002","price":1120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2021-09-03-at-15.08.30.jpg?v=1768469975"},{"product_id":"luigi-centra-astrale-di-vetro","title":"Luigi Centra - Glass Astral","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAlways striving for original hybridizations between abstract and figurative, Luigi Centra's style in this work abandons all form to embrace a decidedly gestural approach. Here, the artist begins by acquiring sensory data and reworks it according to his highly personal sensibility. Thus, the representation of the world definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. Centra seeks to capture the impression of the world he senses, but this leads him to completely disintegrate form and translate his perception directly into pictorial gesture. This gesture is expressed in a series of broad brushstrokes that seem to move in a circle across the surface of the canvas. The usual polychromy of strong hues, typical of Centra, is balanced by the use of black.\u003c\/p\u003e\n\n\n \u003cp\u003eLuigi Centra was born in Carpineto Romano in 1934. From his earliest days, he was an exponent of Pop Art, which he imported from America along with artists such as Mario Schifano. However, throughout his career, he also expressed himself as an Impressionist. He has lived in Veroli for many years and travels across the world to participate in exhibitions of his work. A museum has been dedicated to him, and he participated in the Venice Biennale, where he was praised by Vittorio Sgarbi. His works are exhibited in the most important museums around the world, and the Municipality of Strà, in the province of Venice, named the International Great Artists Award after him, as well as the park where the award is held. But Luigi Centra did not dedicate himself exclusively to painting. He wrote and published 81 books. Furthermore, over the course of his life, he met internationally renowned figures in the worlds of art, film, entertainment, and fashion, and he also appeared as an actor in several films.\u003c\/p\u003e","brand":"Sergio Simone","offers":[{"title":"Default Title","offer_id":56218086539650,"sku":"sser003","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/03.-Luigi-Centra-Astrale-di-vetro-Fronte-scaled.jpg?v=1768471013"},{"product_id":"romano-mussolini-senza-titolo-20","title":"Romano Mussolini - Untitled","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, which spans all eras and stylistic movements. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism. This work is part of a series in which Romano Mussolini focuses his attention on the female face, placing it at the center of an expressionistic approach to color.\u003c\/p\u003e\n\n\n \u003cp\u003eRomano Mussolini's paintings have a highly recognizable artistic language, even when he abandons his favorite subject, the clown. The figures are delineated by a strong outline, while the color is always light, sometimes reaching a heightened painterly quality with highly expressionistic effects. Thus, the figures appear almost dematerialized within a two-dimensional surface, conveying a sense of extreme lightness. In this case, compared to his usual work, Mussolini demonstrates a more pronounced desire for abstraction, reducing the subject to a few symbolic facial features.\u003c\/p\u003e\n\n\n \u003cp\u003eRomano Mussolini was born in Forlì in 1927 and died in Rome in 2006. A primarily figurative painter, he focused primarily on genre subjects such as clowns, horses, and landscapes. His compositions display a simplicity of line and color. His passion for painting began in 1945 in Naples, where, under the guidance of the painters Corrura and Terraccini, he immediately achieved success. Romano Mussolini, in addition to his paintings, was also famous as a jazz musician and composer.\u003c\/p\u003e","brand":"Luciana Gaspari","offers":[{"title":"Default Title","offer_id":56218144375170,"sku":"LGAS001","price":1350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-ROMANO-MUSSOLINI.jpg?v=1768471460"},{"product_id":"beppe-serafini-senza-titolo-3","title":"Beppe Serafini - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eThe subjects chosen by Beppe Serafini and the manner of representation can be likened to the Naïve movement. The Naïve artist is by definition self-taught, someone who has not attended an academy but has found inspiration within himself. Stylistically, this translates into figurative painting that offers a simplified interpretation of reality, with infantile and unconsciously primitivist overtones. However, even the Naïve artist, in his spontaneity, possesses a self-awareness that leads him to develop a very specific aesthetic language, distinguishing it from amateurism. Beppe Serafini's Naïve simplification of reality, however, corresponds to a complexity of composition. As the space is emptied of depth and the subject of volume, expressive force comes from the complicated system of lines that constructs the design of this pair of portraits. This system creates a complex rhythm that characterizes the entire drawing. Color also plays its part, adopting hues that transcend the sensory to acquire a symbolic connotation.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Serafini (Montelupo Fiorentino 1915-1987), known as Beppe, was discovered by Antonio Possenti and included in the Naïve movement. He exhibited his works in numerous shows in Italy and abroad, the most important of which was at Palazzo Strozzi in 1976. His main themes draw on a simple world of poverty and traditional crafts. His characters are depicted with a spontaneous nature that imbues them with a folksy, earthy essence.\u003c\/p\u003e","brand":"Dallai Luciana","offers":[{"title":"Default Title","offer_id":56218201391490,"sku":"LDAL002","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1297.jpg?v=1768471844"},{"product_id":"francesco-guardi-copia-dautore-vista-sul-cannareggio","title":"Francesco Guardi (Author's Copy) - View of Cannareggio","description":"\u003cp\u003eThe subject of this painting is part of the Vedutismo movement. Vedutismo is a genre born in the 18th century and developed primarily in Venice. Vedutismo painters aimed to represent a landscape objectively and scientifically, placing it as the protagonist of the work. There are basically two types of vedute: the realistic one, taken exactly from reality, and the \"capriccio,\" a fanciful view invented by the painter.\u003c\/p\u003e\n\n\n \u003cp\u003eThe artist who copied this work by Francesco Guardi demonstrates excellent painting technique. He has indeed respected the key characteristics of Francesco Guardi's oeuvre. First and foremost, the solid spatial structure, based on perspective; the tonal unity of the entire work, which, through color alone, coherently conveys the clear atmospheric atmosphere of the entire scene; and the rapid brushstrokes, which delineate details with a few quick strokes, yet allow the image to cohere into a unified whole.\u003c\/p\u003e","brand":"Bassi Alex","offers":[{"title":"Default Title","offer_id":56218350846338,"sku":"ABAS001","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/COPIA-DAUTORE-GUARDI-BASSI.jpg?v=1768472963"},{"product_id":"enzo-gazzone-figura-di-giovane-donna","title":"Enzo Gazzone - Figure of a Young Woman","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eIn Enzo Gazzone's works, we can see how this painter, even within an academic conception, is attentive to the innovations proposed by contemporary art. Indeed, the naturalistic rendering of the body is achieved through an extraordinary technique that allows for the faithful recording of sensory data. Furthermore, the subject's full forms reveal a precise desire to exalt plasticity. It is in the pictorial application, however, that Gazzone's artistic innovation is fully discernible. His brushstrokes are always dynamic, making the subject's volumes quiver with atmospheric and luminous vibrations. The body's concreteness is further enhanced in a decontextualized, almost abstract space, rendered through the painter's gestural intervention.\u003c\/p\u003e\n\n\n \u003cp\u003eEnzo Gazzone was born in San Germano Vercellese in 1894. From 1911 to 1917 he attended the Accademia Albertina in Turin. In 1914 he won First Prize at the School of Figure Drawing, with an accompanying scholarship to the School of Nude Drawing in Venice. In 1929 he participated in the Melbourne International Exhibition with the engraving Decadence, receiving an honorable mention. The following year, 1930, he painted the portrait of the Archbishop of Vercelli, Msgr. Gamberoni. In July he entered the San Remo Painting Prize. In 1940 he organized an exhibition in Vercelli, at Palazzo Centori, where he exhibited with Francesco Giuseppe Rinone. In May 1944 he held a solo exhibition at the Dante Gallery in Milan, exhibiting 63 works, all of which were sold. In 1964 he was named Knight of the Order of Merit of the Italian Republic, and in 1967 he painted the portrait of Archbishop Msgr. Imberti, still in the Curia. He died on November 11, 1970, at his home in Vercelli.\u003c\/p\u003e","brand":"Leone Paolo","offers":[{"title":"Default Title","offer_id":56218392854914,"sku":"PLEO001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ENZO-GAZZONE-FIGURA-DI-GIOVANE-DONNA-59X90.jpg?v=1768473234"},{"product_id":"alfio-quintavalle-burano-prima-neve-chiesa-delle-cappuccine","title":"Alfio Quintavalle - Burano, First Snow - Church of the Capuchins","description":"","brand":"Maso Walter","offers":[{"title":"Default Title","offer_id":56218491093378,"sku":"WMAS001","price":1280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/chiesa_92f1c70b-a456-434a-8e37-637bc4617d34.jpg?v=1768473732"},{"product_id":"alfio-quintavalle-burano-sotto-la-neve-rio-della-giudecca","title":"Alfio Quintavalle - Burano under the snow, Giudecca Canal","description":"","brand":"Maso Walter","offers":[{"title":"Default Title","offer_id":56218491158914,"sku":"WMAS002","price":1550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PRIMA-NEVE.jpg?v=1768473733"},{"product_id":"alfio-quintavalle-veduta-di-mazzorbo","title":"Alfio Quintavalle - View of Mazzorbo","description":"","brand":"Maso Walter","offers":[{"title":"Default Title","offer_id":56218491224450,"sku":"WMAS003","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/veduta_518a6340-b914-4704-9a8f-52d8ef24990f.jpg?v=1768473734"},{"product_id":"alfio-quintavalle-paesaggio-soligo","title":"Alfio Quintavalle - Soligo Landscape","description":"","brand":"Maso Walter","offers":[{"title":"Default Title","offer_id":56218491289986,"sku":"WMAS004","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/soligo.jpg?v=1768473736"},{"product_id":"alfio-quintavalle-pescatori-in-barena","title":"Alfio Quintavalle - Fishermen in Barena","description":"","brand":"Maso Walter","offers":[{"title":"Default Title","offer_id":56218492174722,"sku":"WMAS005","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/barena.jpg?v=1768473738"},{"product_id":"g-negro-senza-titolo-scena-marittima-al-tramonto","title":"G. Negro - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been an artist's aspiration throughout the centuries. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eAs we can see from his landscapes, G. Negro is a painter who demonstrates a profound post-Impressionist maturity. The scenes are all created with color, which is applied with broad, dense strokes (in some cases even in relief). Objects are skillfully synthesized with a few touches in a two-dimensional space. It is therefore the dense, material color that takes center stage, creating a landscape that is more lyrical and expressive than naturalistic. Negro's use of a palette of saturated, highly expressive colors that almost transcend natural reality is typical.\u003c\/p\u003e\n\n\n\u003cp\u003e G. Negro shows a remarkable pictorial technique based on a synthetic but dense application of colour and a composition with broad brushstrokes of post-impressionist inspiration.\u003c\/p\u003e","brand":"Pisani Lionello","offers":[{"title":"Default Title","offer_id":56218568917378,"sku":"LPIS001","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2023-02-25-12-15-31-1.jpg?v=1768474393"},{"product_id":"g-negro-senza-titolo-paesaggio-lacustre","title":"G. Negro - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been an artist's aspiration throughout the centuries. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eAs we can see from his landscapes, G. Negro is a painter who demonstrates a profound post-Impressionist maturity. The scenes are all created with color, which is applied with broad, dense strokes (in some cases even in relief). Objects are skillfully synthesized with a few touches in a two-dimensional space. It is therefore the dense, material color that takes center stage, creating a landscape that is more lyrical and expressive than naturalistic. Negro's use of a palette of saturated, highly expressive colors that almost transcend natural reality is typical.\u003c\/p\u003e\n\n\n\u003cp\u003e G. Negro shows a remarkable pictorial technique based on a synthetic but dense application of colour and a composition with broad brushstrokes of post-impressionist inspiration.\u003c\/p\u003e","brand":"Pisani Lionello","offers":[{"title":"Default Title","offer_id":56218568950146,"sku":"LPIS002","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2023-02-28-15-56-03-1.jpg?v=1768474394"},{"product_id":"bruno-scaglia-senza-titolo","title":"Bruno Scaglia - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism. Mario Schifano took landscape painting to its extreme, which, consistent with his research, became a powerful gestural expression and was born from a profound reflection on the relationship between figuration and abstraction.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is a clear example of an expressionist and abstract landscape. Nature is interpreted in an extremely synthetic manner, with an almost brutal reduction. The surface is completely two-dimensional, with no allowance for spatial depth. The brushstrokes delineate the forms in a very tormented and nervous manner. Color is used according to an emotional and spiritual interpretation, without any connection to reality. The work is therefore highly indicative of the artist's conception of landscape painting.\u003c\/p\u003e\n\n\n\u003cp\u003e Bruno Scaglia (Brescia 1921-1996) painted for nearly half a century and exhibited in 40 shows (14 solo and 26 group); in 1999, the first posthumous exhibition was dedicated to him at Villa Glisenti, in Villa Carcina (Brescia). The second posthumous exhibition took place in Pontevico (Brescia) in the former Municipal Library building from March 19 to April 10, 2005.\u003c\/p\u003e","brand":"Brambilla Elisa Franca","offers":[{"title":"Default Title","offer_id":56218656833922,"sku":"EBRA001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Bruno-Scaglia-senza-titolo.jpg?v=1768475382"},{"product_id":"giacomo-ditano-fiori","title":"Giacomo Ditano - Flowers","description":"\u003cp\u003eFlowers, or plants in general, as independent subjects, began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the world of flowers and plants, as they offered an extraordinary opportunity to capture vibrant colors and light. Thus, flowers and plants were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers and plants also became a way of interpreting reality.\u003c\/p\u003e\n\n\n \u003cp\u003eGiacomo Ditano's work is inspired by an abstract expressionism inspired by Mario Schifano. Nature is interpreted in an extremely synthetic manner, with an almost brutal exercise in reduction. The surface is completely two-dimensional, with no regard for spatial depth. The brushstrokes delineate the forms in a very tormented and nervous manner. Color is used according to an emotional and spiritual interpretation, without any connection to reality. The work is therefore highly indicative of the artist's conception of landscape painting. As with Mario Schifano, the two-dimensionality of the painted surface is comparable to that of a television screen, a computer monitor. For this reason, Ditano's pictorial approach, linked to the gesturality of American Abstract Expressionism, can also be interpreted as interference, an electrical disturbance in a vision of the world filtered through technology.\u003c\/p\u003e\n\n\n \u003cp\u003eGiacomo Ditano is originally from Puglia, from Fasano to be precise, but he moved to Guarda Veneta (Rome) many years ago. Here, he runs a carpentry shop and has his own workshop. His passion for carpentry has never left him since he was a child. Despite serving in the State Police, he never stopped pursuing his natural inclination towards painting and sculpture, and once his career ended and he retired from the uniform, he was able to devote himself full-time to developing his artistic talents. Recipient of numerous awards, his work is appreciated by the public and critics, who praise his skillful use of discarded and salvaged objects, which he breathes new life into his work. Giacomo Ditano has exhibited in 65 solo shows and 72 group shows, both in Italy and abroad.\u003c\/p\u003e","brand":"Boccati Davide","offers":[{"title":"Default Title","offer_id":56218673119618,"sku":"DBOC002","price":1270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Ditano.jpg?v=1768475567"},{"product_id":"antonio-gagliardi-marina","title":"Antonio Gagliardi - Navy","description":"","brand":"Mastroberardini Cosima","offers":[{"title":"Default Title","offer_id":56218755137922,"sku":"CMAS001","price":1980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20230811-WA0006.jpg?v=1768476489"},{"product_id":"angelo-manini","title":"ANGELO MANINI","description":"\u003cp\u003eIn this work, painter Angelo Manini demonstrates his technical prowess, creating a painting with a dreamlike, almost surreal aura. The entire space, framed by an orderly perspective, is captivating and joyful, with the objects' clear volumes. Manini's textural approach contributes to the sense of warmth.\u003c\/p\u003e\n\n\n\u003cp\u003e Angelo Manini is a Roman painter with a remarkable technique for creating figurative paintings. He achieves an excellent naturalistic rendering in his works, thanks in part to the quality of his brushstrokes, charged with luminous and atmospheric vibrations.\u003c\/p\u003e","brand":"Andrea serratore","offers":[{"title":"Default Title","offer_id":56218769392002,"sku":"andser001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/manini-fronte-scaled.jpg?v=1768476561"},{"product_id":"claudio-ghillani-primavera","title":"Claudio Ghillani - Spring","description":"","brand":"Borio Elena","offers":[{"title":"Default Title","offer_id":56218808648066,"sku":"EBOR001","price":1296.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1696346120775.jpg?v=1768476916"},{"product_id":"antonio-pedretti-particolare","title":"Detail - Antonio Pedretti","description":"\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eHe was born on February 2, 1950, in Gavirate, in the province of Varese. He trained first at the Sforza Castle painting school and then at the Brera Academy, which he left in 1972. Meanwhile, at the age of sixteen, he had already held his first solo exhibition at the Galleria Ca' Vegia in Varese, with palette knife paintings depicting landscapes, farmhouses, flowers, trees, and stagnant water, with a certain sentimentality and remarkable, precocious technical skill.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eThis latter subject will remain a constant in the artist's career, born on the shores of the lake and therefore intimately linked to this type of natural landscape.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAfter participating in several group exhibitions, including the Premio Nazionale Varese Arte, in 1970 he commissioned a second solo show at the Galleria Ghiggini in Varese, showcasing several nudes reminiscent of the delicate gestures of De Pisis or Bonnard, and a series of landscapes dedicated to Sicily. Gian Franco Maffina wrote in the catalogue: \"Still with his eyes filled with the moist tenderness of this Lombard land, he must have been astonished by the violent beauty of our South, by the blinding light of its walls parched by a relentless sun and the saltiness of the sea, by its dazzling beaches, by its sea rippled by the hot African wind. One can sense his almost stunned agitation in these coastal villages where the silence is broken only by the clatter of a donkey or the oriental-like call of a street vendor.\" Two years later, he exhibited at the Galerie L'Angle aigu in Brussels, achieving flattering critical acclaim in the Belgian press. Renato Guttuso introduces him: \"Dear Pedretti, although you are very young, your work already offers some solid evidence for judging your uncommon talents. One cannot help but be struck by the confidence with which your lines, your touches of color, define a landscape, a figure, a whole in its essential features; by the ability with which your drawing penetrates form, investigating it with precision, without falling into meticulously academic analysis. Today your work is at a very serious stage, and it seems to me that your recent paintings contain new elements compared to the happiness and ease of your earlier works. There is an awareness of a new commitment and new difficulties. It is the premise of a leap forward.\"\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAt this point, after a summary exhibition at the Ghiggini Gallery, the artist began a period of reflection, a period of reconsideration during which he withdrew from public activity for a silent and thoughtful research project, reviewing his artistic experiences thus far and questioning them.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eThe first results of this secluded experimental phase were a series of imaginary landscapes composed solely of sea waves and drifting clouds, captured in suspended atmospheres bathed in vivid light. It is the gesture, in the manner of Pollock, that takes on importance in these works from the second half of the 1970s, a broad and expansive gesture that allows the pictorial material to expand and wrinkle, to shine in vivid colors and to create allusive textures. He painted these \"informal\" images on sheets of PVC or Plexiglas and enclosed them within them, layering the materials and even using resins. Viana Conti, in her presentation of the exhibition Ceneri a Resistenza, held in 1982 at the Luogo di Gauss in Milan, saw these choices as a starting point: \"The painter, after having unleashed himself on large scales and having demonstrated his ability to invade the world, reweaves a space of play and analysis and begins to speak again behind a veil. The threshold beyond which he repeats his pictorial gestures is the transparency of a sheet of plexiglass. But that sheet is there to create distance, to function as a window, a focal point of the gaze. The artist's freedom, in his recent works, is not sought in the maximum extension of his arms, in a full-throated scream, but in a succession of small gestures and modulations of the voice. The thought of limits, which previously seemed distressing, becomes practicable again for this artist, if not even a condition for the continuity of the artistic discourse. The idea of ​​the fragment, freeing itself of a ruinous connotation, recreates a starting point for the construction no longer of a monument to the past, but of a document of the present.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eIn Pedretti's work, a memory of informal origin can be recovered, which over time has been emptied of meanings and values, finding in the frequentation of matter and colors... magical and playful impulses.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eFor Marco Meneguzzo, however, with these works the artist places himself on the boundary beyond which painting invades other territories: \"There is no doubt that Pedretti's painting is landscape painting—and how much he owes to a certain Lombard naturalism is certainly not hidden; the surprising fact today is rather that this landscape aims to be a natural landscape and not, once again, an artistic landscape. It is therefore not his 'Mannerist' operation, however much one can escape Mannerism today—which derives its raison d'être only from art. A risky position to maintain, but a bold and, paradoxically, novel one: as if a positive confidence in oneself and in the means of painting could have the subversive power to overturn tendencies and directions, which indeed show some signs of fatigue, but which still seem to have no alternative.\" Not a traversal of images and art history, not an analysis and torment of painting's ultimate tools, but a reference both ancient and new, an attempt to revitalize and reconnect threads that may not have been completely severed within a certain tradition, especially a Romantic one. The transparencies that Pedretti achieves through repeated pours of resin and paint are transparencies that can even recall Tiepolo's skies, but also a Lombard sky 'so beautiful when it's beautiful'. Another naturalism? The question is as old as painting itself...' (introduction to the catalogue of the solo exhibition at Luogo di Gauss, Milan, 1983).\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAnd in fact the question of naturalism is central in Pedretti, as his further work demonstrates.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eIn fact, having abandoned, starting from the mid-1980s, the ambitions of the contemporary avant-gardes, he returned to a certain extent to that sense of nature of his origins, to lyrical landscape evocations, mindful however of the informal gestures and above all of the lesson of three great masters of the genre:\u003c\/span\u003e\r \nConstable, Segantini, and Morlotti. Of the first two, we find in Pedretti's images the skillful use of chromatic scansions and the great ability to structure the whole through chiaroscuro; of the third, the earthy relationship with the material is evident, as we might say, which increasingly tends to solidify and acquire depth. These are undoubtedly merely cultural references, the solid foundations on which Pedretti's pictorial constructions rest. He relies on visual sensations, but above all, he recreates in the studio, drawing on memory, visions that have been lodged in his imagination since childhood, which surface and accumulate with each experience. And, if at first he depicted broad panoramas of lake landscapes, marsh grasses, and reed beds, now he seems to immerse himself in them, in an almost symbolic ritual, to highlight a detail, to isolate a particular, to bring into focus a stem or a flower or an entire bush.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56219193966978,"sku":"AP156","price":1800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/AP156-70X80-PARTICOLARE-scaled.jpg?v=1768478710"},{"product_id":"mario-berrino-donna-con-fiori","title":"Mario Berrino - Woman with Flowers","description":"","brand":"Tavolieri Rolando","offers":[{"title":"Default Title","offer_id":56219208089986,"sku":"RTAV003","price":1170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/mario-berrino-fronte-rotated.jpg?v=1768478871"},{"product_id":"silvio-loffredo-senza-titolo-2","title":"Silvio Loffredo - Untitled","description":"","brand":"Fasciano Damiano","offers":[{"title":"Default Title","offer_id":56219277296002,"sku":"DFAS002","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2024-04-19-at-13.04.30.jpg?v=1768479616"},{"product_id":"fabio-bonzi-la-ritrosia-della-signorina-lawrence","title":"Fabio Bonzi - Miss Lawrence's Reluctance","description":"","brand":"Basile Maria Grazia (tratt fino a 2800 )","offers":[{"title":"Default Title","offer_id":56219277918594,"sku":"MBAS001","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/la-ritrosia-della-Signorina-Lawrence-ok-scaled.jpg?v=1768479637"},{"product_id":"elena-gubanova-spring","title":"Elena Gubanova - Spring","description":"","brand":"Puricelli Consuelo","offers":[{"title":"Default Title","offer_id":56219343356290,"sku":"CPUR001","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2024-05-18-at-21.31.21-2.jpg?v=1768480159"},{"product_id":"lucia-sarto-senza-titolo-4","title":"Lucia Sarto - Untitled","description":"","brand":"Riva Roveda Giovanni","offers":[{"title":"Default Title","offer_id":56219369308546,"sku":"GRIV001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Lucia-Sarto-senza-titolo-nudo-50x70-olio-su-tela.jpg?v=1768480431"},{"product_id":"lucia-sarto-senza-titolo-4-2","title":"Lucia Sarto - Untitled","description":"","brand":"Riva Roveda Giovanni","offers":[{"title":"Default Title","offer_id":56219369537922,"sku":"GRIV002","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Lucia-sarto-senza-titolo-donna-con-ombrellino-50x70-olio-su-tela.jpg?v=1768480432"},{"product_id":"g-vitali-venezia","title":"G. Vitali - Venice","description":"The Venice that G. Vitali invites us to gaze upon is not only a splendid view of the city, but also tells the story of the pictorial genre. Landscape works are still prized today, not only for their artistic value but also for the artist's detailed view of the world. This pictorial genre developed in the 17th century, when it became an autonomous and codified genre. In the 18th century, what would be called vedutism arrived, a genre dedicated to the faithful capture of urban views and landscapes, in keeping with the Enlightenment movement, in which the objective capture of reality became a key prerequisite for painting. In the work we are admiring, the painter sought to celebrate Venice, a city much loved by landscape painters, whose pictorial conception is punctuated by numerous naturalistic details, leaving nothing to chance.\n\r \nThe artist employs a shadowy palette, further enhanced by highly nuanced and suffused brushstrokes, giving the painting an evocative quality. The depiction of the city of Venice, with the body of water dividing the canvas, offers the painter the opportunity to create a good depth of field, emphasizing the beauty of the painting. The painter demonstrates a mastery of capturing the atmosphere of the moment, also finding, from a technical and design perspective, the grandeur of the city, which is emphasized by the barely sketched figures, proportionally smaller than the majesty of the church in the foreground—perhaps a technical device to metaphorically enhance the church in the foreground.\n\n Regarding the artistic life of the painter G. Vitali, we currently have no certain information. 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