{"title":"Oil on Canvas - Abstract","description":"\u003ch2\u003eDipinti Astratti a Olio su Tela\u003c\/h2\u003e\u003cp\u003eScopri la nostra selezione di dipinti astratti a olio su tela: opere originali che esplorano colore, forma e materia con libertà espressiva e tecnica pittorica raffinata. Ogni quadro è un pezzo unico, ideale per chi cerca arte contemporanea autentica.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOpere originali di artisti selezionati\u003c\/li\u003e\n\u003cli\u003eTecnica ad olio su tela di alta qualità\u003c\/li\u003e\n\u003cli\u003eStili astratti: informale, gestuale, materico\u003c\/li\u003e\n\u003cli\u003ePerfetti per arredare con personalità e stile\u003c\/li\u003e\n\u003c\/ul\u003e","products":[{"product_id":"vincenzo-balsamo-senza-titolo","title":"Vincenzo Balsamo - Untitled","description":"\u003cp\u003eVincenzo Balsamo has gone through several artistic phases, beginning with figurative works in the 1950s and 1960s and continuing with geometric and informal abstraction in the 1970s. His \"Decompositions\" and \"Nebulae\" express a strong contrast between line and color, while his \"Evocations\" evoke surreal elements. In the early 1980s, his second phase of abstraction marked the conclusion of the \"Analysis and Experimentation\" period. From 1987, Balsamo reached his peak with \"Lyrical Abstraction,\" an evolution of Italian Divisionism, in which line, color, and light combine to explore the human interior. Today, he is considered one of the leading exponents of abstraction.\u003c\/p\u003e","brand":"Carcano Claudia 4500","offers":[{"title":"Default Title","offer_id":56210435768706,"sku":"CCAR001","price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_6505-e1490774693911.jpg?v=1768390173"},{"product_id":"artista-sconosciuto-astratto","title":"Unknown Artist - Abstract","description":"","brand":"Ceccoli Ambra","offers":[{"title":"Default Title","offer_id":56210447434114,"sku":"ACEC002","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20161125_164034.jpg?v=1768390287"},{"product_id":"carlo-miliucci","title":"Carlo Miliucci - The Attack","description":"\u003cp style=\"text-align: justify;\"\u003eCarlo Miliucci was born in Aprilia in 1940. A self-taught painter, he has exhibited in solo and group shows throughout his career in various Italian cities, including Palermo, Udine, Milan, Rome, and Florence.\n He has received significant awards and recognitions in important exhibitions: among the many, the 2006 \u003ca href=\"http:\/\/www.albadeorum.com\/premio-arte-e-gusto\/\" target=\"_blank\"\u003eAlba Prize\u003c\/a\u003e in Ferrara and the 2007 \u003ca href=\"http:\/\/aiam.it\/wp2\/bando-medusa-aurea-arti-figurative\/\" target=\"_blank\"\u003eMedusa Aurea Trophy\u003c\/a\u003e in Rome (30th edition) are worthy of mention.\n Critics Dino Marasà, Sandro Serradifalco, Alfonso Confalone, Nadine Giove, Vito Cracas, and others have written about him in newspapers, magazines, and art books.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e \u003cem\u003e\u003cstrong\u003e“Carlo Miliucci's painting falls within that sphere of abstract art that is usually defined as “informal”.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAn art characterized by an energetic and explosive use of color, where the chromatic intervention is the bearer of a dramatic and expressive force, through broad and incisive brushstrokes, without concern for formal adjustments of classic balance.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Carlo Miliucci combines a vibrant creativity with a pronounced use of gesture, making each painting the fruit of immediate action—instinctive, certainly, but at the same time refined and deliberate, supported by significant moments of concrete experiences and inner reflections.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e The chromatic contrast is always held at a high emotional level: dazzling flashes of white, red, and blue rise from deep blacks, recreating unprecedented color alchemies of mesmerizing beauty. The material merges in a magmatic flow of intense and highly rhythmic paint, drawing the viewer into a captivating emotional journey.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eWith his ever-new and compelling creations, Miliucci reveals himself as a painter whose aesthetic experience does not confine itself solely to an ideal, intimate, and personal sphere, but is instead captivated by his own personal involvement in the events and issues of contemporary existence, which he addresses with active commitment and highlights with an original language.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e However, he goes beyond the representation of reality, of which only a few traces remain in the pictorial dimension, aiming instead at a direct and immediate transposition of the perceptions and sensations experienced when he enters into relationship with things, people, ideas, recreated by his imagination in such a way as to become light, color, sign, tracing on the painted surface the complex moths of the soul's itineraries.\u003c\/p\u003e","brand":"Miliucci Carlo","offers":[{"title":"Default Title","offer_id":56210487181698,"sku":"CMIL001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/lattentato.jpg?v=1768390584"},{"product_id":"loris-bortolin-4","title":"Loris Bortolin - Abstract Explosion","description":"\u003cb\u003eLoris Bortolin\u003c\/b\u003e is a self-taught painter. In the early 1970s, he began experimenting with creating some master copies, inspired in particular by Giorgio Morandi's still lifes. He then put down his canvases and brushes for a long time. In the early 2000s, he finally rediscovered the pleasure of painting, favoring oil on canvas. Loris is drawn to landscapes, particularly the mountains with their pristine nature and the tranquility of the woods. He loves to express the atmosphere of the four seasons on canvas with plays of light and shadow, making tangible the sensations and emotions felt in close contact with the elements. He particularly loves playing with the warm colors of autumn, recreating a dreamlike atmosphere, tranquility, and anticipation. His interest lies in well-known painters such as Van Gogh and Monet, but also in lesser-known artists such as P. Lande. Loris also enjoys experimenting with abstract art, communicating emotions through the hidden and veiled effect of things. He creates \u003cb\u003ecommissioned paintings\u003c\/b\u003e .\r \n\nLoris participates in the art exhibition \u003cb\u003eFirst International PitturiAmo Prize (Brunelleschi International Prize),\u003c\/b\u003e held at \u003cb\u003ePalazzo Ximènes Panciatichi, Florence\u003c\/b\u003e , \u003cb\u003efrom January 19 to 21, 2018.\u003c\/b\u003e The work exhibited is \" \u003cb\u003eSentiero boschivo\u003c\/b\u003e \". \u003cb\u003eLimited edition personalized art catalogs edited by EA Editore. LORIS IS CHOSEN AS ONE OF THE TEN WINNERS. Loris is awarded the honor by means of a personalized plaque.\u003c\/b\u003e\n\n \u003cb\u003eCRITICAL PRESENTATION BY PAOLO LEVI (on the occasion of the First PitturiAmo International Prize):\u003c\/b\u003e For the compositional rhythm and graphic skill of his works, his innate artistic vocation, and his unparalleled commitment to culture. His presence at this important event once again confirms the importance of his stylistic journey on the international art scene. The artist is certainly a key figure in Italian art.\n\r \nLoris participated with the work \" \u003cb\u003eSentiero boschivo\u003c\/b\u003e \" at the \u003cb\u003eVenice Art Expo 2018 Biennale - Exhibition of Nations\u003c\/b\u003e , held at the Palazzo della \u003cb\u003eScuola Grande della Misericordia, Venice, from 16 to 19 March 2018. Award of the Venice Art Expo certificate. Award of the International Doge Award certificate to the artist Loris Bortolin for his artistic value.\u003c\/b\u003e\n\n \u003cb\u003eCRITICAL PRESENTATION BY EA EDITORE (on the occasion of the 2018 Venice Art Biennale):\u003c\/b\u003e For his skillful interpretation of art. His creativity, a perfect combination of harmony and light, possesses the ability to capture the sensitivity of the soul.","brand":"Bortolin Federica","offers":[{"title":"Default Title","offer_id":56210500026754,"sku":"FBOR009","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Esplosione-astratta-2010-olio-su-tela-cm-40x50-Loris.jpg?v=1768390683"},{"product_id":"franco-gentilini-senza-titolo-astratto-2","title":"Aldo Gentilini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAldo Gentilini's pictorial language aims to transfigure phenomenal reality into a system of pure lines and colors. The lines, in particular, dictate the compositional rhythm of the work, with their broken, mixed-linear progression. In this way, they leave a trace for understanding the work, a residual connection with the sensory world, and at the same time, divide the surface of the painting into zones. These zones are covered by solid color and bright, contrasting hues.\u003c\/p\u003e","brand":"Pintus Giovanna 6300","offers":[{"title":"Default Title","offer_id":56210536857986,"sku":"GPIN002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0428.jpg?v=1768390902"},{"product_id":"franco-gentilini-senza-titolo-astratto-2-2","title":"Aldo Gentilini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAldo Gentilini's pictorial language aims to transfigure phenomenal reality into a system of pure lines and colors. The lines, in particular, dictate the compositional rhythm of the work, with their broken, mixed-linear progression. In this way, they leave a trace for understanding the work, a residual connection with the sensory world, and at the same time, divide the surface of the painting into zones. These zones are covered by solid color and bright, contrasting hues.\u003c\/p\u003e","brand":"Pintus Giovanna 6300","offers":[{"title":"Default Title","offer_id":56210536890754,"sku":"GPIN002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0426.jpg?v=1768390902"},{"product_id":"philippe-artias-4","title":"Philippe Artias - Woman with a Hat","description":"\u003cp style=\"text-align: justify;\"\u003e Trained in Saint-Étienne, he developed an abstract and geometric style, later moving to a more figurative style of painting. In 1950, he met Picasso in Vallauris, embarking on a career in ceramics. From the 1960s, his dual career as a ceramist and painter led him to exhibit in numerous solo shows both in France and in the Marche region, where he moved in 1976 and collaborated with the Rossicone and Testa kilns.\u003c\/p\u003e","brand":"Maltoni Alberto","offers":[{"title":"Default Title","offer_id":56210604949890,"sku":"AMAL011","price":1720.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Donna-con-cappello.jpg?v=1768391556"},{"product_id":"philippe-artias-5","title":"Philippe Artias - Portrait","description":"\u003cp style=\"text-align: justify;\"\u003e Trained in Saint-Étienne, he developed an abstract and geometric style, later moving to a more figurative style of painting. In 1950, he met Picasso in Vallauris, embarking on a career in ceramics. From the 1960s, his dual career as a ceramist and painter led him to exhibit in numerous solo shows both in France and in the Marche region, where he moved in 1976 and collaborated with the Rossicone and Testa kilns.\u003c\/p\u003e","brand":"Maltoni Alberto","offers":[{"title":"Default Title","offer_id":56210605080962,"sku":"AMAL014","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Ritratto-1.png?v=1768391560"},{"product_id":"philippe-artias-7","title":"Philippe Artias - Portrait","description":"\u003cp style=\"text-align: justify;\"\u003e Trained in Saint-Étienne, he developed an abstract and geometric style, later moving to a more figurative style of painting. In 1950, he met Picasso in Vallauris, embarking on a career in ceramics. From the 1960s, his dual career as a ceramist and painter led him to exhibit in numerous solo shows both in France and in the Marche region, where he moved in 1976 and collaborated with the Rossicone and Testa kilns.\u003c\/p\u003e","brand":"Maltoni Alberto","offers":[{"title":"Default Title","offer_id":56210605146498,"sku":"AMAL016","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Ritratto-3.png?v=1768391562"},{"product_id":"philippe-artias-9","title":"Philippe Artias - Venice","description":"\u003cp style=\"text-align: justify;\"\u003e Trained in Saint-Étienne, he developed an abstract and geometric style, later moving to a more figurative style of painting. In 1950, he met Picasso in Vallauris, embarking on a career in ceramics. From the 1960s, his dual career as a ceramist and painter led him to exhibit in numerous solo shows both in France and in the Marche region, where he moved in 1976 and collaborated with the Rossicone and Testa kilns.\u003c\/p\u003e","brand":"Maltoni Alberto","offers":[{"title":"Default Title","offer_id":56210605244802,"sku":"AMAL018","price":1720.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Venezia.png?v=1768391564"},{"product_id":"philippe-artias","title":"Philippe Artias - Venice the Colleone","description":"\u003cp style=\"text-align: justify;\"\u003eTrained in Saint-Étienne, he developed an abstract and geometric style, later moving to a more figurative style of painting. In 1950, he met Picasso in Vallauris, embarking on a career in ceramics. From the 1960s, his dual career as a ceramist and painter led him to exhibit in numerous solo shows both in France and in the Marche region, where he moved in 1976 and collaborated with the Rossicone and Testa kilns.\u003c\/p\u003e","brand":"Maltoni Alberto","offers":[{"title":"Default Title","offer_id":56210605474178,"sku":"AMAL020","price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Venezia-il-colleone.png?v=1768391566"},{"product_id":"paolo-rocchi-paesaggio","title":"Paolo Rocchi - Landscape ","description":"\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Born in Milan in 1958\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eHe graduated in medicine and specialized in surgery. While practicing his profession, he met a patient who introduced him to painting (Maestro Franco Giuliano, the artist who has created public works, including at the San Raffaele Hospital in Milan). Giuliano taught him the rudiments of the profession and became his greatest friend. He thus began painting, never forgetting the medical profession that accompanies him every day. Throughout his artistic career, which began as a figurative art form, he has succeeded in combining both figurative and abstract art, which often expresses the artist's state of mind. He draws inspiration from Modigliani when he paints portraits and Van Gogh when he paints landscapes. In any case, he always strives to use bright colors, eschewing dark tones, although he has occasionally created black and white works that evoke the joy of snowfall.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e He has held solo exhibitions in Milan and its province.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eHe has exhibited at the Flyerart Gallery in Rome, the Area Contesa Arte Gallery in Rome, and the First Prize at the International Art Awards in Palermo 2018.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e 2 works have become part of the Sgarbi collection.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e He recognizes himself as an expressionist both in the figurative and in the informal\u003c\/p\u003e","brand":"Rocchi Paolo","offers":[{"title":"Default Title","offer_id":56210746442114,"sku":"PROC001","price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20170720_171642.jpg?v=1768392608"},{"product_id":"paolo-rocchi-mare-al-tramonto","title":"Paolo Rocchi - Sea at Sunset ","description":"\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Born in Milan in 1958\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eHe graduated in medicine and specialized in surgery. While practicing his profession, he met a patient who introduced him to painting (Maestro Franco Giuliano, the artist who has created public works, including at the San Raffaele Hospital in Milan). Giuliano taught him the rudiments of the profession and became his greatest friend. He thus began painting, never forgetting the medical profession that accompanies him every day. Throughout his artistic career, which began as a figurative art form, he has succeeded in combining both figurative and abstract art, which often expresses the artist's state of mind. He draws inspiration from Modigliani when he paints portraits and Van Gogh when he paints landscapes. In any case, he always strives to use bright colors, eschewing dark tones, although he has occasionally created black and white works that evoke the joy of snowfall.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e He has held solo exhibitions in Milan and its province.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eHe has exhibited at the Flyerart Gallery in Rome, the Area Contesa Arte Gallery in Rome, and the First Prize at the International Art Awards in Palermo 2018.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e 2 works have become part of the Sgarbi collection.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e He recognizes himself as an expressionist both in the figurative and in the informal\u003c\/p\u003e","brand":"Rocchi Paolo","offers":[{"title":"Default Title","offer_id":56210746605954,"sku":"PROC002","price":1450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20170720_171337.jpg?v=1768392609"},{"product_id":"paolo-rocchi-polittico","title":"Paolo Rocchi - Polyptych","description":"\u003cp style=\"text-align: justify;\"\u003e The works can hopefully be purchased for €900 CAD.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Born in Milan in 1958\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eHe graduated in medicine and specialized in surgery. While practicing his profession, he met a patient who introduced him to painting (Maestro Franco Giuliano, the artist who has created public works, including at the San Raffaele Hospital in Milan). Giuliano taught him the rudiments of the profession and became his greatest friend. He thus began painting, never forgetting the medical profession that accompanies him every day. Throughout his artistic career, which began as a figurative art form, he has succeeded in combining both figurative and abstract art, which often expresses the artist's state of mind. He draws inspiration from Modigliani when he paints portraits and Van Gogh when he paints landscapes. In any case, he always strives to use bright colors, eschewing dark tones, although he has occasionally created black and white works that evoke the joy of snowfall.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e He has held solo exhibitions in Milan and its province.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eHe has exhibited at the Flyerart Gallery in Rome, the Area Contesa Arte Gallery in Rome, and the First Prize at the International Art Awards in Palermo 2018.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e 2 works have become part of the Sgarbi collection.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e He recognizes himself as an expressionist both in the figurative and in the informal\u003c\/p\u003e","brand":"Rocchi Paolo","offers":[{"title":"Default Title","offer_id":56210746769794,"sku":"PROC004","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20170720_171058-copia.jpg?v=1768392612"},{"product_id":"marisa-grande-scissione-primordiale","title":"Marisa Grande - Primordial Split","description":"\u003cp style=\"text-align: justify;\"\u003e \u003cstrong\u003eMarisa Grande,\u003c\/strong\u003e a former teacher of Drawing and Art History at the \"De Giorgi\" Scientific High School in Lecce, has been active in the art scene since the 1970s. After an initial \"external collaboration\" in applied art as a jewelry designer at the renowned Italian goldsmith house UNO-A-ERRE, in parallel with teaching, she developed an original language that finds its full expression in the \"meta-realism\" of her artistic production.\r \nMarisa Grande has made synergy between various fields of knowledge her \u003cem\u003eway of life,\u003c\/em\u003e applying interdisciplinary thinking to both teaching and art. In 1990, she launched the \"Manifesto of the Synergetic-art Cultural Movement,\" whose goal is to build global knowledge by leveraging areas of empathy that allow rationality to be combined with creativity, science with art, and contribute to the creation of a new humanism, eliminating rigid sectoralism.\n His artistic activity is known nationally and internationally for having been disseminated through important art exhibitions and solo and group exhibitions held in national and international cities, such as:\u003c\/p\u003e\n\n\n\u003cul style=\"text-align: justify;\"\u003e\n\n\u003cli\u003e Rome (April 2016 - 1996 - 1995 - 1994 - 1992 -1991 - 1989 - 1986),\u003c\/li\u003e\n\n\u003cli\u003e Palermo (January 2016),\u003c\/li\u003e\n\n\u003cli\u003e Milan (December 2015 - 2014 - 1992 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Lecce (2015 - 2008 - 2007 - 2001 - 1997),\u003c\/li\u003e\n\n\u003cli\u003e Bologna (2014)\u003c\/li\u003e\n\n\u003cli\u003e Cesenatico (2013),\u003c\/li\u003e\n\n\u003cli\u003e Forlì (2013),\u003c\/li\u003e\n\n\u003cli\u003e Praise (2013),\u003c\/li\u003e\n\n\t \u003cli\u003eMonreale (2013),\u003c\/li\u003e\n\n\u003cli\u003e Venice (2013 -1991),\u003c\/li\u003e\n\n\u003cli\u003e Monte Carlo (2011),\u003c\/li\u003e\n\n\u003cli\u003e New York (2009),\u003c\/li\u003e\n\n\u003cli\u003e Casarano (2004),\u003c\/li\u003e\n\n\u003cli\u003e Joy of the Hill (2002),\u003c\/li\u003e\n\n\u003cli\u003e Mola di Bari (2001),\u003c\/li\u003e\n\n\u003cli\u003e Naples (2001 - 2000 - 1999 - 1992),\u003c\/li\u003e\n\n\u003cli\u003e Paris (1999 -1992 1991 - 1988),\u003c\/li\u003e\n\n\u003cli\u003e Livorno (1998 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Gallipoli (1998 -1972),\u003c\/li\u003e\n\n\u003cli\u003e Taranto (1996),\u003c\/li\u003e\n\n\u003cli\u003e Florence (1993),\u003c\/li\u003e\n\n\u003cli\u003e Athens (1992),\u003c\/li\u003e\n\n\u003cli\u003e Barcelona (1992),\u003c\/li\u003e\n\n\u003cli\u003e Figueras (1992),\u003c\/li\u003e\n\n\u003cli\u003e Madrid (1992),\u003c\/li\u003e\n\n\u003cli\u003e Seville (1992),\u003c\/li\u003e\n\n\u003cli\u003e Tunis (1992),\u003c\/li\u003e\n\n\u003cli\u003e Czestochowa (1991),\u003c\/li\u003e\n\n\u003cli\u003e London (1991),\u003c\/li\u003e\n\n\u003cli\u003e Sanremo (1991),\u003c\/li\u003e\n\n\u003cli\u003e Turin (1991)\u003c\/li\u003e\n\n\u003cli\u003e Vienna (1991),\u003c\/li\u003e\n\n\u003cli\u003e Amsterdam (1990),\u003c\/li\u003e\n\n\u003cli\u003e Stockholm (1990),\u003c\/li\u003e\n\n\u003cli\u003e Perugia (1990),\u003c\/li\u003e\n\n\u003cli\u003e Washington DC, (1989),\u003c\/li\u003e\n\n\u003cli\u003e Caracas (1989)\u003c\/li\u003e\n\n\u003cli\u003e Las Vegas (1989),\u003c\/li\u003e\n\n\u003cli\u003e Tokyo (1989),\u003c\/li\u003e\n\n\u003cli\u003e Hong Kong (1988),\u003c\/li\u003e\n\n\u003cli\u003e Seoul (1988),\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAmong the most prestigious awards he has received are numerous gold medals, gold plaques, cups, and world prizes, such as: two \u003cem\u003eOscars of the Arts,\u003c\/em\u003e two \u003cem\u003eGolden\u003c\/em\u003e \u003cem\u003eLions\u003c\/em\u003e of the Doges of Venice, the \u003cem\u003eGolden Pegasus,\u003c\/em\u003e the \u003cem\u003eDavide di Donatello\u003c\/em\u003e of the Arts, the \u003cem\u003eGolden Van Dick,\u003c\/em\u003e the \u003cem\u003eSalvador Dalì World Cup, and\u003c\/em\u003e the \u003cem\u003eGolden Rose of the Desert.\u003c\/em\u003e\n For her research and the high quality of the expression of her creative languages, national and international critics have also awarded her important \u003cem\u003epersonal\u003c\/em\u003e recognitions for her \"conceptual and moral rigor\", for her \"professionalism\" and for her \"application in the free sciences\".\r \nHonorary titles conferred include the appointment with a plaque and gold medal as \"member of the International Relations Commission\" of the Michelangelo Academy in Rome, the honor of \u003cem\u003eDoctor of Advanced Studies (TLC)\u003c\/em\u003e from the Italian Academy \"Gli Etruschi\" in Livorno, the Gold Plaque for \"professional painting\" and the \"Plac d'Or Europeen\" for free sciences in the new community from the Foundation of Poets, Writers, Painters and Journalists for World Peace Rome-Paris; the nomination as \"EA Artist of the Year - 2013,\" the inclusion of GIGART Finance among the \"Great Masters of the Twentieth Century\" - 2015, the EA Award for \"World Peace 2015\" and \"Artist of the Year 2015.\"\n His artistic production, having received the acclaim of national and international critics, is included in many prestigious publications; in particular, his works appear in art books, in national and international yearbooks and encyclopedias, in catalogues of exhibitions and in specialized magazines.\r \nHer works are present in art galleries such as ART\u0026amp;CO in Lecce and in virtual galleries such as \"Vetrinart\" and \"Selling paintings\". Italian art and literary critics have written about her, such as:\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Capellini, V. Cracas, S. Donno, C. Franza, G. Ianuale, P. Levi, A. Lupidi, A. Mancini, P. Mancini, R. Mangione, M. Monteverdi, G, Perciasepe, P. Rossini, M. Russo, S Serradifalco and foreigners, such as: M. Becher, MFL Gerbaud, T, Ho-Kit, C. Mannington, JL Rampant.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eOn a conceptual level, by rereading the History of Art from a cosmological perspective, Marisa Grande has also come to formulate personal theories of Paleo- and Archaeoastronomy, Geomythology and Seismic Dynamics expressed in the trilogy of essays on megalithism (“The cultural horizon of megalithism”, Besa 2008), On the seismology that precedes writing, starting from Paleolithic cave paintings and the pictograms of the Grotta dei Cervi in ​​Porto Badisco (From universal symbols to writing\", Besa 2010) and on Geomythology, morphology and telluric energies (“The precarious harmony of the cosmos”, Besa 2012), which, together with articles in sector journals and the proceedings of specific conferences, have contributed to the research of the Istituto Superiore di Ricerca Ambientale in Rome (ISPRA 2010) and of the Italian Society of Archaeoastronomy at the Brera Observatory in Milan (SIA 2001- 2015).\r \nHis cultural production also includes books on art, poetry and pedagogy, columns, articles and multimedia activities.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Marisa Grande, attentive to the local community, works with local associations and organizations to promote and implement projects to protect and enhance the local area and its tangible and intangible assets, both local and national, as well as its artistic heritage.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e \u003ca href=\"http:\/\/synergeticart.wordpress.com\/\"\u003ehttp:\/\/synergeticart.wordpress.com\/\u003c\/a\u003e\u003c\/p\u003e\n\n","brand":"Grande Marisa","offers":[{"title":"Default Title","offer_id":56211310248322,"sku":"MGRA001","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0679-copia.jpg?v=1768399033"},{"product_id":"marisa-grande-lorizzonte-degli-eventi","title":"Marisa Grande - The Event Horizon","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarisa Grande,\u003c\/strong\u003e a former teacher of Drawing and Art History at the \"De Giorgi\" Scientific High School in Lecce, has been active in the art scene since the 1970s. After an initial \"external collaboration\" in applied art as a jewelry designer at the renowned Italian goldsmith house UNO-A-ERRE, in parallel with teaching, she developed an original language that finds its full expression in the \"meta-realism\" of her artistic production.\r \nMarisa Grande has made synergy between various fields of knowledge her \u003cem\u003eway of life,\u003c\/em\u003e applying interdisciplinary thinking to both teaching and art. In 1990, she launched the \"Manifesto of the Synergetic-art Cultural Movement,\" whose goal is to build global knowledge by leveraging areas of empathy that allow rationality to be combined with creativity, science with art, and contribute to the creation of a new humanism, eliminating rigid sectoralism.\n His artistic activity is known nationally and internationally for having been disseminated through important art exhibitions and solo and group exhibitions held in national and international cities, such as:\u003c\/p\u003e\n\n\n\u003cul style=\"text-align: justify;\"\u003e\n\n\u003cli\u003e Rome (April 2016 - 1996 - 1995 - 1994 - 1992 -1991 - 1989 - 1986),\u003c\/li\u003e\n\n\u003cli\u003e Palermo (January 2016),\u003c\/li\u003e\n\n\u003cli\u003e Milan (December 2015 - 2014 - 1992 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Lecce (2015 - 2008 - 2007 - 2001 - 1997),\u003c\/li\u003e\n\n\u003cli\u003e Bologna (2014)\u003c\/li\u003e\n\n\u003cli\u003e Cesenatico (2013),\u003c\/li\u003e\n\n\u003cli\u003e Forlì (2013),\u003c\/li\u003e\n\n\u003cli\u003e Praise (2013),\u003c\/li\u003e\n\n\t \u003cli\u003eMonreale (2013),\u003c\/li\u003e\n\n\u003cli\u003e Venice (2013 -1991),\u003c\/li\u003e\n\n\u003cli\u003e Monte Carlo (2011),\u003c\/li\u003e\n\n\u003cli\u003e New York (2009),\u003c\/li\u003e\n\n\u003cli\u003e Casarano (2004),\u003c\/li\u003e\n\n\u003cli\u003e Joy of the Hill (2002),\u003c\/li\u003e\n\n\u003cli\u003e Mola di Bari (2001),\u003c\/li\u003e\n\n\u003cli\u003e Naples (2001 - 2000 - 1999 - 1992),\u003c\/li\u003e\n\n\u003cli\u003e Paris (1999 -1992 1991 - 1988),\u003c\/li\u003e\n\n\u003cli\u003e Livorno (1998 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Gallipoli (1998 -1972),\u003c\/li\u003e\n\n\u003cli\u003e Taranto (1996),\u003c\/li\u003e\n\n\u003cli\u003e Florence (1993),\u003c\/li\u003e\n\n\u003cli\u003e Athens (1992),\u003c\/li\u003e\n\n\u003cli\u003e Barcelona (1992),\u003c\/li\u003e\n\n\u003cli\u003e Figueras (1992),\u003c\/li\u003e\n\n\u003cli\u003e Madrid (1992),\u003c\/li\u003e\n\n\u003cli\u003e Seville (1992),\u003c\/li\u003e\n\n\u003cli\u003e Tunis (1992),\u003c\/li\u003e\n\n\u003cli\u003e Czestochowa (1991),\u003c\/li\u003e\n\n\u003cli\u003e London (1991),\u003c\/li\u003e\n\n\u003cli\u003e Sanremo (1991),\u003c\/li\u003e\n\n\u003cli\u003e Turin (1991)\u003c\/li\u003e\n\n\u003cli\u003e Vienna (1991),\u003c\/li\u003e\n\n\u003cli\u003e Amsterdam (1990),\u003c\/li\u003e\n\n\u003cli\u003e Stockholm (1990),\u003c\/li\u003e\n\n\u003cli\u003e Perugia (1990),\u003c\/li\u003e\n\n\u003cli\u003e Washington DC, (1989),\u003c\/li\u003e\n\n\u003cli\u003e Caracas (1989)\u003c\/li\u003e\n\n\u003cli\u003e Las Vegas (1989),\u003c\/li\u003e\n\n\u003cli\u003e Tokyo (1989),\u003c\/li\u003e\n\n\u003cli\u003e Hong Kong (1988),\u003c\/li\u003e\n\n\u003cli\u003e Seoul (1988),\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAmong the most prestigious awards he has received are numerous gold medals, gold plaques, cups, and world prizes, such as: two \u003cem\u003eOscars of the Arts,\u003c\/em\u003e two \u003cem\u003eGolden\u003c\/em\u003e \u003cem\u003eLions\u003c\/em\u003e of the Doges of Venice, the \u003cem\u003eGolden Pegasus,\u003c\/em\u003e the \u003cem\u003eDavide di Donatello\u003c\/em\u003e of the Arts, the \u003cem\u003eGolden Van Dick,\u003c\/em\u003e the \u003cem\u003eSalvador Dalì World Cup, and\u003c\/em\u003e the \u003cem\u003eGolden Rose of the Desert.\u003c\/em\u003e\n For her research and the high quality of the expression of her creative languages, national and international critics have also awarded her important \u003cem\u003epersonal\u003c\/em\u003e recognitions for her \"conceptual and moral rigor\", for her \"professionalism\" and for her \"application in the free sciences\".\r \nHonorary titles conferred include the appointment with a plaque and gold medal as \"member of the International Relations Commission\" of the Michelangelo Academy in Rome, the honor of \u003cem\u003eDoctor of Advanced Studies (TLC)\u003c\/em\u003e from the Italian Academy \"Gli Etruschi\" in Livorno, the Gold Plaque for \"professional painting\" and the \"Plac d'Or Europeen\" for free sciences in the new community from the Foundation of Poets, Writers, Painters and Journalists for World Peace Rome-Paris; the nomination as \"EA Artist of the Year - 2013,\" the inclusion of GIGART Finance among the \"Great Masters of the Twentieth Century\" - 2015, the EA Award for \"World Peace 2015\" and \"Artist of the Year 2015.\"\n His artistic production, having received the acclaim of national and international critics, is included in many prestigious publications; in particular, his works appear in art books, in national and international yearbooks and encyclopedias, in catalogues of exhibitions and in specialized magazines.\r \nHer works are present in art galleries such as ART\u0026amp;CO in Lecce and in virtual galleries such as \"Vetrinart\" and \"Selling paintings\". Italian art and literary critics have written about her, such as:\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Capellini, V. Cracas, S. Donno, C. Franza, G. Ianuale, P. Levi, A. Lupidi, A. Mancini, P. Mancini, R. Mangione, M. Monteverdi, G, Perciasepe, P. Rossini, M. Russo, S Serradifalco and foreigners, such as: M. Becher, MFL Gerbaud, T, Ho-Kit, C. Mannington, JL Rampant.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eOn a conceptual level, by rereading the History of Art from a cosmological perspective, Marisa Grande has also come to formulate personal theories of Paleo- and Archaeoastronomy, Geomythology and Seismic Dynamics expressed in the trilogy of essays on megalithism (“The cultural horizon of megalithism”, Besa 2008), On the seismology that precedes writing, starting from Paleolithic cave paintings and the pictograms of the Grotta dei Cervi in ​​Porto Badisco (From universal symbols to writing\", Besa 2010) and on Geomythology, morphology and telluric energies (“The precarious harmony of the cosmos”, Besa 2012), which, together with articles in sector journals and the proceedings of specific conferences, have contributed to the research of the Istituto Superiore di Ricerca Ambientale in Rome (ISPRA 2010) and of the Italian Society of Archaeoastronomy at the Brera Observatory in Milan (SIA 2001- 2015).\r \nHis cultural production also includes books on art, poetry and pedagogy, columns, articles and multimedia activities.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Marisa Grande, attentive to the local community, works with local associations and organizations to promote and implement projects to protect and enhance the local area and its tangible and intangible assets, both local and national, as well as its artistic heritage.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e \u003ca href=\"http:\/\/synergeticart.wordpress.com\/\"\u003ehttp:\/\/synergeticart.wordpress.com\/\u003c\/a\u003e\u003c\/p\u003e\n\n","brand":"Grande Marisa","offers":[{"title":"Default Title","offer_id":56211310281090,"sku":"MGRA003","price":7000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0683-copia.jpg?v=1768399034"},{"product_id":"marisa-grande-evoluzione-biologica","title":"Marisa Grande - Biological Evolution","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarisa Grande,\u003c\/strong\u003e a former teacher of Drawing and Art History at the \"De Giorgi\" Scientific High School in Lecce, has been active in the art scene since the 1970s. After an initial \"external collaboration\" in applied art as a jewelry designer at the renowned Italian goldsmith house UNO-A-ERRE, in parallel with teaching, she developed an original language that finds its full expression in the \"meta-realism\" of her artistic production.\r \nMarisa Grande has made synergy between various fields of knowledge her \u003cem\u003eway of life,\u003c\/em\u003e applying interdisciplinary thinking to both teaching and art. In 1990, she launched the \"Manifesto of the Synergetic-art Cultural Movement,\" whose goal is to build global knowledge by leveraging areas of empathy that allow rationality to be combined with creativity, science with art, and contribute to the creation of a new humanism, eliminating rigid sectoralism.\n His artistic activity is known nationally and internationally for having been disseminated through important art exhibitions and solo and group exhibitions held in national and international cities, such as:\u003c\/p\u003e\n\n\n\u003cul style=\"text-align: justify;\"\u003e\n\n\u003cli\u003e Rome (April 2016 - 1996 - 1995 - 1994 - 1992 -1991 - 1989 - 1986),\u003c\/li\u003e\n\n\u003cli\u003e Palermo (January 2016),\u003c\/li\u003e\n\n\u003cli\u003e Milan (December 2015 - 2014 - 1992 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Lecce (2015 - 2008 - 2007 - 2001 - 1997),\u003c\/li\u003e\n\n\u003cli\u003e Bologna (2014)\u003c\/li\u003e\n\n\u003cli\u003e Cesenatico (2013),\u003c\/li\u003e\n\n\u003cli\u003e Forlì (2013),\u003c\/li\u003e\n\n\u003cli\u003e Praise (2013),\u003c\/li\u003e\n\n\t \u003cli\u003eMonreale (2013),\u003c\/li\u003e\n\n\u003cli\u003e Venice (2013 -1991),\u003c\/li\u003e\n\n\u003cli\u003e Monte Carlo (2011),\u003c\/li\u003e\n\n\u003cli\u003e New York (2009),\u003c\/li\u003e\n\n\u003cli\u003e Casarano (2004),\u003c\/li\u003e\n\n\u003cli\u003e Joy of the Hill (2002),\u003c\/li\u003e\n\n\u003cli\u003e Mola di Bari (2001),\u003c\/li\u003e\n\n\u003cli\u003e Naples (2001 - 2000 - 1999 - 1992),\u003c\/li\u003e\n\n\u003cli\u003e Paris (1999 -1992 1991 - 1988),\u003c\/li\u003e\n\n\u003cli\u003e Livorno (1998 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Gallipoli (1998 -1972),\u003c\/li\u003e\n\n\u003cli\u003e Taranto (1996),\u003c\/li\u003e\n\n\u003cli\u003e Florence (1993),\u003c\/li\u003e\n\n\u003cli\u003e Athens (1992),\u003c\/li\u003e\n\n\u003cli\u003e Barcelona (1992),\u003c\/li\u003e\n\n\u003cli\u003e Figueras (1992),\u003c\/li\u003e\n\n\u003cli\u003e Madrid (1992),\u003c\/li\u003e\n\n\u003cli\u003e Seville (1992),\u003c\/li\u003e\n\n\u003cli\u003e Tunis (1992),\u003c\/li\u003e\n\n\u003cli\u003e Czestochowa (1991),\u003c\/li\u003e\n\n\u003cli\u003e London (1991),\u003c\/li\u003e\n\n\u003cli\u003e Sanremo (1991),\u003c\/li\u003e\n\n\u003cli\u003e Turin (1991)\u003c\/li\u003e\n\n\u003cli\u003e Vienna (1991),\u003c\/li\u003e\n\n\u003cli\u003e Amsterdam (1990),\u003c\/li\u003e\n\n\u003cli\u003e Stockholm (1990),\u003c\/li\u003e\n\n\u003cli\u003e Perugia (1990),\u003c\/li\u003e\n\n\u003cli\u003e Washington DC, (1989),\u003c\/li\u003e\n\n\u003cli\u003e Caracas (1989)\u003c\/li\u003e\n\n\u003cli\u003e Las Vegas (1989),\u003c\/li\u003e\n\n\u003cli\u003e Tokyo (1989),\u003c\/li\u003e\n\n\u003cli\u003e Hong Kong (1988),\u003c\/li\u003e\n\n\u003cli\u003e Seoul (1988),\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAmong the most prestigious awards he has received are numerous gold medals, gold plaques, cups, and world prizes, such as: two \u003cem\u003eOscars of the Arts,\u003c\/em\u003e two \u003cem\u003eGolden\u003c\/em\u003e \u003cem\u003eLions\u003c\/em\u003e of the Doges of Venice, the \u003cem\u003eGolden Pegasus,\u003c\/em\u003e the \u003cem\u003eDavide di Donatello\u003c\/em\u003e of the Arts, the \u003cem\u003eGolden Van Dick,\u003c\/em\u003e the \u003cem\u003eSalvador Dalì World Cup, and\u003c\/em\u003e the \u003cem\u003eGolden Rose of the Desert.\u003c\/em\u003e\n For her research and the high quality of the expression of her creative languages, national and international critics have also awarded her important \u003cem\u003epersonal\u003c\/em\u003e recognitions for her \"conceptual and moral rigor\", for her \"professionalism\" and for her \"application in the free sciences\".\r \nHonorary titles conferred include the appointment with a plaque and gold medal as \"member of the International Relations Commission\" of the Michelangelo Academy in Rome, the honor of \u003cem\u003eDoctor of Advanced Studies (TLC)\u003c\/em\u003e from the Italian Academy \"Gli Etruschi\" in Livorno, the Gold Plaque for \"professional painting\" and the \"Plac d'Or Europeen\" for free sciences in the new community from the Foundation of Poets, Writers, Painters and Journalists for World Peace Rome-Paris; the nomination as \"EA Artist of the Year - 2013,\" the inclusion of GIGART Finance among the \"Great Masters of the Twentieth Century\" - 2015, the EA Award for \"World Peace 2015\" and \"Artist of the Year 2015.\"\n His artistic production, having received the acclaim of national and international critics, is included in many prestigious publications; in particular, his works appear in art books, in national and international yearbooks and encyclopedias, in catalogues of exhibitions and in specialized magazines.\r \nHer works are present in art galleries such as ART\u0026amp;CO in Lecce and in virtual galleries such as \"Vetrinart\" and \"Selling paintings\". Italian art and literary critics have written about her, such as:\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Capellini, V. Cracas, S. Donno, C. Franza, G. Ianuale, P. Levi, A. Lupidi, A. Mancini, P. Mancini, R. Mangione, M. Monteverdi, G, Perciasepe, P. Rossini, M. Russo, S Serradifalco and foreigners, such as: M. Becher, MFL Gerbaud, T, Ho-Kit, C. Mannington, JL Rampant.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eOn a conceptual level, by rereading the History of Art from a cosmological perspective, Marisa Grande has also come to formulate personal theories of Paleo- and Archaeoastronomy, Geomythology and Seismic Dynamics expressed in the trilogy of essays on megalithism (“The cultural horizon of megalithism”, Besa 2008), On the seismology that precedes writing, starting from Paleolithic cave paintings and the pictograms of the Grotta dei Cervi in ​​Porto Badisco (From universal symbols to writing\", Besa 2010) and on Geomythology, morphology and telluric energies (“The precarious harmony of the cosmos”, Besa 2012), which, together with articles in sector journals and the proceedings of specific conferences, have contributed to the research of the Istituto Superiore di Ricerca Ambientale in Rome (ISPRA 2010) and of the Italian Society of Archaeoastronomy at the Brera Observatory in Milan (SIA 2001- 2015).\r \nHis cultural production also includes books on art, poetry and pedagogy, columns, articles and multimedia activities.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Marisa Grande, attentive to the local community, works with local associations and organizations to promote and implement projects to protect and enhance the local area and its tangible and intangible assets, both local and national, as well as its artistic heritage.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e \u003ca href=\"http:\/\/synergeticart.wordpress.com\/\"\u003ehttp:\/\/synergeticart.wordpress.com\/\u003c\/a\u003e\u003c\/p\u003e\n\n","brand":"Grande Marisa","offers":[{"title":"Default Title","offer_id":56211310346626,"sku":"MGRA002","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0682-copia.jpg?v=1768399037"},{"product_id":"marisa-grande-evoluzione-di-un-sistema-caotico","title":"Marisa Grande - Evolution of a Chaotic System","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarisa Grande,\u003c\/strong\u003e a former teacher of Drawing and Art History at the \"De Giorgi\" Scientific High School in Lecce, has been active in the art scene since the 1970s. After an initial \"external collaboration\" in applied art as a jewelry designer at the renowned Italian goldsmith house UNO-A-ERRE, in parallel with teaching, she developed an original language that finds its full expression in the \"meta-realism\" of her artistic production.\r \nMarisa Grande has made synergy between various fields of knowledge her \u003cem\u003eway of life,\u003c\/em\u003e applying interdisciplinary thinking to both teaching and art. In 1990, she launched the \"Manifesto of the Synergetic-art Cultural Movement,\" whose goal is to build global knowledge by leveraging areas of empathy that allow rationality to be combined with creativity, science with art, and contribute to the creation of a new humanism, eliminating rigid sectoralism.\n His artistic activity is known nationally and internationally for having been disseminated through important art exhibitions and solo and group exhibitions held in national and international cities, such as:\u003c\/p\u003e\n\n\n\u003cul style=\"text-align: justify;\"\u003e\n\n\u003cli\u003e Rome (April 2016 - 1996 - 1995 - 1994 - 1992 -1991 - 1989 - 1986),\u003c\/li\u003e\n\n\u003cli\u003e Palermo (January 2016),\u003c\/li\u003e\n\n\u003cli\u003e Milan (December 2015 - 2014 - 1992 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Lecce (2015 - 2008 - 2007 - 2001 - 1997),\u003c\/li\u003e\n\n\u003cli\u003e Bologna (2014)\u003c\/li\u003e\n\n\u003cli\u003e Cesenatico (2013),\u003c\/li\u003e\n\n\u003cli\u003e Forlì (2013),\u003c\/li\u003e\n\n\u003cli\u003e Praise (2013),\u003c\/li\u003e\n\n\t \u003cli\u003eMonreale (2013),\u003c\/li\u003e\n\n\u003cli\u003e Venice (2013 -1991),\u003c\/li\u003e\n\n\u003cli\u003e Monte Carlo (2011),\u003c\/li\u003e\n\n\u003cli\u003e New York (2009),\u003c\/li\u003e\n\n\u003cli\u003e Casarano (2004),\u003c\/li\u003e\n\n\u003cli\u003e Joy of the Hill (2002),\u003c\/li\u003e\n\n\u003cli\u003e Mola di Bari (2001),\u003c\/li\u003e\n\n\u003cli\u003e Naples (2001 - 2000 - 1999 - 1992),\u003c\/li\u003e\n\n\u003cli\u003e Paris (1999 -1992 1991 - 1988),\u003c\/li\u003e\n\n\u003cli\u003e Livorno (1998 - 1991),\u003c\/li\u003e\n\n\u003cli\u003e Gallipoli (1998 -1972),\u003c\/li\u003e\n\n\u003cli\u003e Taranto (1996),\u003c\/li\u003e\n\n\u003cli\u003e Florence (1993),\u003c\/li\u003e\n\n\u003cli\u003e Athens (1992),\u003c\/li\u003e\n\n\u003cli\u003e Barcelona (1992),\u003c\/li\u003e\n\n\u003cli\u003e Figueras (1992),\u003c\/li\u003e\n\n\u003cli\u003e Madrid (1992),\u003c\/li\u003e\n\n\u003cli\u003e Seville (1992),\u003c\/li\u003e\n\n\u003cli\u003e Tunis (1992),\u003c\/li\u003e\n\n\u003cli\u003e Czestochowa (1991),\u003c\/li\u003e\n\n\u003cli\u003e London (1991),\u003c\/li\u003e\n\n\u003cli\u003e Sanremo (1991),\u003c\/li\u003e\n\n\u003cli\u003e Turin (1991)\u003c\/li\u003e\n\n\u003cli\u003e Vienna (1991),\u003c\/li\u003e\n\n\u003cli\u003e Amsterdam (1990),\u003c\/li\u003e\n\n\u003cli\u003e Stockholm (1990),\u003c\/li\u003e\n\n\u003cli\u003e Perugia (1990),\u003c\/li\u003e\n\n\u003cli\u003e Washington DC, (1989),\u003c\/li\u003e\n\n\u003cli\u003e Caracas (1989)\u003c\/li\u003e\n\n\u003cli\u003e Las Vegas (1989),\u003c\/li\u003e\n\n\u003cli\u003e Tokyo (1989),\u003c\/li\u003e\n\n\u003cli\u003e Hong Kong (1988),\u003c\/li\u003e\n\n\u003cli\u003e Seoul (1988),\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAmong the most prestigious awards he has received are numerous gold medals, gold plaques, cups, and world prizes, such as: two \u003cem\u003eOscars of the Arts,\u003c\/em\u003e two \u003cem\u003eGolden\u003c\/em\u003e \u003cem\u003eLions\u003c\/em\u003e of the Doges of Venice, the \u003cem\u003eGolden Pegasus,\u003c\/em\u003e the \u003cem\u003eDavide di Donatello\u003c\/em\u003e of the Arts, the \u003cem\u003eGolden Van Dick,\u003c\/em\u003e the \u003cem\u003eSalvador Dalì World Cup, and\u003c\/em\u003e the \u003cem\u003eGolden Rose of the Desert.\u003c\/em\u003e\n For her research and the high quality of the expression of her creative languages, national and international critics have also awarded her important \u003cem\u003epersonal\u003c\/em\u003e recognitions for her \"conceptual and moral rigor\", for her \"professionalism\" and for her \"application in the free sciences\".\r \nHonorary titles conferred include the appointment with a plaque and gold medal as \"member of the International Relations Commission\" of the Michelangelo Academy in Rome, the honor of \u003cem\u003eDoctor of Advanced Studies (TLC)\u003c\/em\u003e from the Italian Academy \"Gli Etruschi\" in Livorno, the Gold Plaque for \"professional painting\" and the \"Plac d'Or Europeen\" for free sciences in the new community from the Foundation of Poets, Writers, Painters and Journalists for World Peace Rome-Paris; the nomination as \"EA Artist of the Year - 2013,\" the inclusion of GIGART Finance among the \"Great Masters of the Twentieth Century\" - 2015, the EA Award for \"World Peace 2015\" and \"Artist of the Year 2015.\"\n His artistic production, having received the acclaim of national and international critics, is included in many prestigious publications; in particular, his works appear in art books, in national and international yearbooks and encyclopedias, in catalogues of exhibitions and in specialized magazines.\r \nHer works are present in art galleries such as ART\u0026amp;CO in Lecce and in virtual galleries such as \"Vetrinart\" and \"Selling paintings\". Italian art and literary critics have written about her, such as:\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Capellini, V. Cracas, S. Donno, C. Franza, G. Ianuale, P. Levi, A. Lupidi, A. Mancini, P. Mancini, R. Mangione, M. Monteverdi, G, Perciasepe, P. Rossini, M. Russo, S Serradifalco and foreigners, such as: M. Becher, MFL Gerbaud, T, Ho-Kit, C. Mannington, JL Rampant.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eOn a conceptual level, by rereading the History of Art from a cosmological perspective, Marisa Grande has also come to formulate personal theories of Paleo- and Archaeoastronomy, Geomythology and Seismic Dynamics expressed in the trilogy of essays on megalithism (“The cultural horizon of megalithism”, Besa 2008), On the seismology that precedes writing, starting from Paleolithic cave paintings and the pictograms of the Grotta dei Cervi in ​​Porto Badisco (From universal symbols to writing\", Besa 2010) and on Geomythology, morphology and telluric energies (“The precarious harmony of the cosmos”, Besa 2012), which, together with articles in sector journals and the proceedings of specific conferences, have contributed to the research of the Istituto Superiore di Ricerca Ambientale in Rome (ISPRA 2010) and of the Italian Society of Archaeoastronomy at the Brera Observatory in Milan (SIA 2001- 2015).\r \nHis cultural production also includes books on art, poetry and pedagogy, columns, articles and multimedia activities.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Marisa Grande, attentive to the local community, works with local associations and organizations to promote and implement projects to protect and enhance the local area and its tangible and intangible assets, both local and national, as well as its artistic heritage.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e \u003ca href=\"http:\/\/synergeticart.wordpress.com\/\"\u003ehttp:\/\/synergeticart.wordpress.com\/\u003c\/a\u003e\u003c\/p\u003e","brand":"Grande Marisa","offers":[{"title":"Default Title","offer_id":56211310379394,"sku":"MGRA004","price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/FullSizeRender-copia.jpg?v=1768399037"},{"product_id":"angelo-turin-cavalli","title":"Angelo Turin - Horses","description":"\u003cp style=\"text-align: justify;\"\u003eAngelo Turin, born in Dresano in 1929, is a painter who lives and works in Melegnano. He has a career spanning over 45 years, featuring numerous solo exhibitions. Angelo Turin's paintings are populated by clowns, horses, and ballerinas, subjects he reiterates throughout his canvases to refine his expressive language. Indeed, one of the most salient features of Angelo Turin's work is his constant modulation of his strokes, yet within a perfectly recognizable style. The artist always moves within the framework of a marked formal synthesis, directly transforming sensory reality into pictorial gesture. In this way, the representation acquires remarkable expressive qualities, coinciding with the artist's touch and the movements of his hand. And this is the most important aspect, since Angelo Turin's brushstroke is extremely versatile and dynamic, as can be seen from an analysis of his works, especially those from the late 1970s, where, in the \"Abstract Compositions\" series, the concepts of matter and gesture prevail. In some works, such as \"Horses with Temple,\" however, the artist remains closer to a faithful representation of phenomenal reality, yet nature is nevertheless elaborated with a dense atmosphericism that corrodes the space and the subjects, fusing them into a coherent pictorial continuity. Furthermore, another peculiarity of Turin's style is already evident: his tendency toward a chromatic minimalism based on the use of a few cold tones. In other works, we can fully appreciate Turin's poetics (Pierrot, Cavalli): the references to the subject remain present, but the forms begin to expand and, at the same time, abstract through a gestural and densely coloured pictorial stroke. In other works, the artist's energy seems to prevail over representation, as in \"Figure of a Woman,\" \"Horse,\" \"Horse with Rider,\" and \"Face of a Boy.\" In these works, the composition comes to life primarily through nervous strokes, interacting in a powerful yet balanced expressive interplay because Turin's line manages to be both rough and calligraphic, depending on the compositional needs.\u003c\/p\u003e","brand":"Turin Marco 1200","offers":[{"title":"Default Title","offer_id":56211323453826,"sku":"MTUR001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1_cavalli-FILEminimizer-copia.jpg?v=1768399179"},{"product_id":"angelo-turin-figura-donna","title":"Angelo Turin - Figure of a Woman","description":"\u003cp style=\"text-align: right;\"\u003e\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAngelo Turin, born in Dresano in 1929, is a painter who lives and works in Melegnano. He has a career spanning over 45 years, featuring numerous solo exhibitions. Angelo Turin's paintings are populated by clowns, horses, and ballerinas, subjects he reiterates throughout his canvases to refine his expressive language. Indeed, one of the most salient features of Angelo Turin's work is his constant modulation of his strokes, yet within a perfectly recognizable style. The artist always moves within the framework of a marked formal synthesis, directly transforming sensory reality into pictorial gesture. In this way, the representation acquires remarkable expressive qualities, coinciding with the artist's touch and the movements of his hand. And this is the most important aspect, since Angelo Turin's brushstroke is extremely versatile and dynamic, as can be seen from an analysis of his works, especially those from the late 1970s, where, in the \"Abstract Compositions\" series, the concepts of matter and gesture prevail. In some works, such as \"Horses with Temple,\" however, the artist remains closer to a faithful representation of phenomenal reality, yet nature is nevertheless elaborated with a dense atmosphericism that corrodes the space and the subjects, fusing them into a coherent pictorial continuity. Furthermore, another peculiarity of Turin's style is already evident: his tendency toward a chromatic minimalism based on the use of a few cold tones. In other works, we can fully appreciate Turin's poetics (Pierrot, Cavalli): the references to the subject remain present, but the forms begin to expand and, at the same time, abstract through a gestural and densely coloured pictorial stroke. In other works, the artist's energy seems to prevail over representation, as in \"Figure of a Woman,\" \"Horse,\" \"Horse with Rider,\" and \"Face of a Boy.\" In these works, the composition comes to life primarily through nervous strokes, interacting in a powerful yet balanced expressive interplay because Turin's line manages to be both rough and calligraphic, depending on the compositional needs.\u003c\/p\u003e","brand":"Turin Marco 850","offers":[{"title":"Default Title","offer_id":56211323814274,"sku":"MTUR002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2_figura_di_donna-FILEminimizer-copia.jpg?v=1768399180"},{"product_id":"angelo-turin-composizione-astratta","title":"Angelo Turin - Abstract Composition","description":"\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAngelo Turin, born in Dresano in 1929, is a painter who lives and works in Melegnano. He has a career spanning over 45 years, featuring numerous solo exhibitions. Angelo Turin's paintings are populated by clowns, horses, and ballerinas, subjects he reiterates throughout his canvases to refine his expressive language. Indeed, one of the most salient features of Angelo Turin's work is his constant modulation of his strokes, yet within a perfectly recognizable style. The artist always moves within the framework of a marked formal synthesis, directly transforming sensory reality into pictorial gesture. In this way, the representation acquires remarkable expressive qualities, coinciding with the artist's touch and the movements of his hand. And this is the most important aspect, since Angelo Turin's brushstroke is extremely versatile and dynamic, as can be seen from an analysis of his works, especially those from the late 1970s, where, in the \"Abstract Compositions\" series, the concepts of matter and gesture prevail. In some works, such as \"Horses with Temple,\" however, the artist remains closer to a faithful representation of phenomenal reality, yet nature is nevertheless elaborated with a dense atmosphericism that corrodes the space and the subjects, fusing them into a coherent pictorial continuity. Furthermore, another peculiarity of Turin's style is already evident: his tendency toward a chromatic minimalism based on the use of a few cold tones. In other works, we can fully appreciate Turin's poetics (Pierrot, Cavalli): the references to the subject remain present, but the forms begin to expand and, at the same time, abstract through a gestural and densely coloured pictorial stroke. In other works, the artist's energy seems to prevail over representation, as in \"Figure of a Woman,\" \"Horse,\" \"Horse with Rider,\" and \"Face of a Boy.\" In these works, the composition comes to life primarily through nervous strokes, interacting in a powerful yet balanced expressive interplay because Turin's line manages to be both rough and calligraphic, depending on the compositional needs.\u003c\/p\u003e","brand":"Turin Marco 900","offers":[{"title":"Default Title","offer_id":56211324633474,"sku":"MTUR005","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/5_composizione_astratta_1-FILEminimizer-copia.jpg?v=1768399183"},{"product_id":"emma-azzi-rigle","title":"Emma Azzi - Rigle","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eEmma Azzi's Informal Art has its own stylistic connotation that makes it extremely recognizable. As we can see, this work exhibits a significant difference that marks its distance from historical Informal Art: an exploration of color, rather than material. The painted surface is resolved through a series of colored glazes that create a fluid space. And it is within this fluid environment that bioform-like organisms take shape, perhaps organic or inorganic substances adapted to aquatic life.\u003c\/p\u003e\n\n\n\u003cp\u003e Emma Azzi is a painter from Lodi whose artistic language draws inspiration from American Abstract Expressionism and Informal Art. Her research focuses on painting techniques and the use of color.\u003c\/p\u003e","brand":"Marchetto Daiana","offers":[{"title":"Default Title","offer_id":56211543753090,"sku":"DMAR005","price":15000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/rigle-copia.jpg?v=1768400447"},{"product_id":"antonello-capuozzi-note-oscure","title":"Antonello Capozzi - Dark Notes","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this work, Antonello Capozzi confirms his artistic language, based on an informal aesthetic, yet filtered through a personal reworking. Capozzo's informal style has two constitutive elements that we see recur in this canvas. First, the thick, textured brushstroke that becomes structure and generates the painting's main content with its instinctive movement. Then, the painter's gesture, in a sort of over-the-top Action Painting, allows a dense dripping pattern to flow across the canvas, undoing the previously created structure and reconfiguring it. The color palette is typical of Capozzi, featuring shades of blue and purple.\u003c\/p\u003e\n\n\n\u003cp\u003e Antonello Capozzi is a painter, sculptor, printmaker, and draftsman born in Pisticci, Basilicata, in 1972. He trained at the Academy of Fine Arts in Rome. Capozzi's canvases testify to new aesthetic codes. They are the product of a rapidly evolving reality in search of a new language.\u003c\/p\u003e","brand":"Allice Antonio","offers":[{"title":"Default Title","offer_id":56211551814018,"sku":"AALL001","price":7200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-copia_8873d720-d281-45b2-b54a-ae175467ba54.jpg?v=1768400562"},{"product_id":"aquilani-astratto","title":"Aquilani - Abstract","description":"\u003cp\u003eThe work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work seems to reflect the artist's desire to create an expressionist landscape. Reality is interpreted in an extremely synthetic manner, with an almost brutal reduction, resulting in an abstract composition. The surface is completely two-dimensional, with no regard for spatial depth; only the artist's marks hint at some intersection of planes. The brushstrokes delineate the forms in a very tormented and nervous manner. Color is used according to an emotional and spiritual interpretation, without any connection to reality.\u003c\/p\u003e\n\n\n\u003cp\u003e Aqulani is undoubtedly a painter influenced by the historical avant-garde and abstract movements. While he doesn't entirely renounce the figurative element in his compositions, his aesthetic is nonetheless based on a process of synthesising sensory data, taken to the extreme, transforming reality into an abstract composition of lines and colors.\u003c\/p\u003e","brand":"Montebello Vera","offers":[{"title":"Default Title","offer_id":56211560235394,"sku":"VMON003","price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1P_20180208_173308.jpg?v=1768400620"},{"product_id":"de-michele-farfalla","title":"De Michele - Butterfly","description":"\u003cp\u003e The work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is based on a mechanomorphic vision of reality, the product of a gaze that stores sensory reality and then breaks it down geometrically. In this case, however, it is the subject itself that triggers the geometric reconstruction. It is, in fact, the presence of the butterfly and its vital energy that determines the division of space into pure forms and pure colors.\u003c\/p\u003e\n\n\n\u003cp\u003e De Michele is undoubtedly a painter influenced by the historical avant-garde and abstract movements. While he doesn't entirely renounce the figurative element in his compositions, his aesthetic is nonetheless based on a deconstruction of perceptible reality and its subsequent reconstruction through pure forms and colors.\u003c\/p\u003e","brand":"Bettini Fernanda","offers":[{"title":"Default Title","offer_id":56211561939330,"sku":"FBET001","price":1950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20180215_140948-copia.jpg?v=1768400634"},{"product_id":"armando-de-stefano-senza-titolo","title":"Armando de Stefano - Untitled","description":"\u003cp\u003eThe work has a marked expressionist vocation, which tends to emphasize the expression of emotions. Expressionist art seeks to proclaim its moods to the world and flaunt them with passion. Formally, this translates into a summary rendering of the figures, through a very nervous and animated line, as well as the use of a violent color palette. These characteristics are found in the historical avant-garde movements of expressionism: Fauvism and the Die Brucke movement in Germany.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is a perfect example of the style adopted by Armando De Stefano during the 1950s. It is clearly a work with a marked expressionist influence, as can be seen from the remarkable process of synthesis applied to the subjects, which are reduced to essential forms to the point of verging on abstraction. Even the color palette, with its bright and violent, decidedly anti-naturalistic hues, was chosen based on the need to express an emotional situation. However, unlike the more traditional expressionist avant-gardes, in which the line and outline of the figures played a key role, in De Stefano's expressionism, this role is fulfilled by the material. The surface of the painting is, in fact, covered with a thick, rough layer of paint.\u003c\/p\u003e\n\n\n \u003cp\u003eArmando De Stefano was born in Naples in 1926. Early in his career, he and other Neapolitan artists founded the \"Gruppo Sud\" (Southern Group), adhering to a predominantly social-realistic style of painting. In the 1950s, his artistic research focused on abstract, material expressionism. From the 1960s onward, De Stefano returned to figurative painting, dedicating himself to major cycles inspired by the paintings of the past, such as The Inquisition, Masaniello, and The Neapolitan Revolution. He has participated several times in the Venice Biennale and the Rome Quadrennial, and has been featured in numerous exhibitions, including those at the MADRE museum and the Palazzo delle Arti in Naples.\u003c\/p\u003e","brand":"Sorrentino Giuseppe","offers":[{"title":"Default Title","offer_id":56211595788674,"sku":"GSOR001","price":11500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/casa-che-brucia.jpg?v=1768400925"},{"product_id":"luciano-sopelsa-senza-titolo","title":"Luciano Sopelsa - Untitled","description":"\u003cp\u003eThe work is a clear example of an expressionist landscape. Reality is interpreted in an extremely synthetic manner, with an almost brutal reduction. The surface is completely two-dimensional, with no concessions to spatial depth. Color is used according to an emotional and spiritual interpretation, without any connection to reality.\u003c\/p\u003e\n\n\n\u003cp\u003e The synthesis achieved by Sopelsa in this landscape has less to do with historical Expressionism than with a mechanomorphic reconstruction of reality, grounded in geometric rationality. The marked reduction in spatial depth, however, allows the composition to resolve itself as an interlocking and overlapping of planes, which are highlighted by a broad, highly textured paintbrush.\u003c\/p\u003e\n\n\n \u003cp\u003eLuciano Sopelsa is a Venetian artist born in 1921. He trained under Bruno Saetti, serving as his assistant for two years. From his master, he undoubtedly learned a taste for geometric compositions and the expressionist synthesis of phenomenal reality, although he often remained more attached to a figurative style. He frescoed several churches in the Veneto region.\u003c\/p\u003e","brand":"Sartori Carlo","offers":[{"title":"Default Title","offer_id":56211623084418,"sku":"CSAR001","price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3760_2c7f73a0-f53c-4a19-8e6c-83637b30d12b.jpg?v=1768401214"},{"product_id":"alfonso-corsaro-pesce","title":"Alfonso Corsaro - Fish","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro's style is a personal reworking of Surrealist aesthetics. Corsaro's journey undoubtedly begins with mechanical writing, which produces unusual juxtapositions of animate and non-animate subjects on his canvases. The alienating presence of these subjects consequently triggers a compositional process, sometimes geometric, sometimes biomorphic, which generates a dimension of lines and colors on the canvases that is distinct from reality. Corsaro's technique is essentially drawing, with no concessions to pictorial effects, demonstrating an affinity with the hyperrealism typical of the Surrealists. All this, combined with a brilliant, vibrant color palette, enlivens the works, making them more effective even on an expressionistic level.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro is a painter of extraordinary creativity and inventiveness, capable of creating works in which the alienation typical of Surrealism is expressed in elaborate compositions that tend toward a process of abstraction of pure forms and colors. For Corsaro, abstraction is the key to entering the dimension of surreality in which the subjects of his intricate iconographies, born from the subconscious, move.\u003c\/p\u003e","brand":"Medley Pamela","offers":[{"title":"Default Title","offer_id":56211626721666,"sku":"PMED001","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/pesce.jpg?v=1768401283"},{"product_id":"alfonso-corsaro-concetto-spaziale","title":"Alfonso Corsaro - Spatial Concept","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro's style is a personal reworking of Surrealist aesthetics. Corsaro's journey undoubtedly begins with mechanical writing, which produces unusual juxtapositions of animate and non-animate subjects on his canvases. The alienating presence of these subjects consequently triggers a compositional process, sometimes geometric, sometimes biomorphic, which generates a dimension of lines and colors on the canvases that is distinct from reality. Corsaro's technique is essentially drawing, with no concessions to pictorial effects, demonstrating an affinity with the hyperrealism typical of the Surrealists. All this, combined with a brilliant, vibrant color palette, enlivens the works, making them more effective even on an expressionistic level.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro is a painter of extraordinary creativity and inventiveness, capable of creating works in which the alienation typical of Surrealism is expressed in elaborate compositions that tend toward a process of abstraction of pure forms and colors. For Corsaro, abstraction is the key to entering the dimension of surreality in which the subjects of his intricate iconographies, born from the subconscious, move.\u003c\/p\u003e","brand":"Medley Pamela","offers":[{"title":"Default Title","offer_id":56211626754434,"sku":"PMED002","price":2950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/concetto.jpg?v=1768401284"},{"product_id":"alfonso-corsaro-frecce-rosse","title":"Alfonso Corsaro - Red Arrows","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro's style is a personal reworking of Surrealist aesthetics. Corsaro's journey undoubtedly begins with mechanical writing, which produces unusual juxtapositions of animate and non-animate subjects on his canvases. The alienating presence of these subjects consequently triggers a compositional process, sometimes geometric, sometimes biomorphic, which generates a dimension of lines and colors on the canvases that is distinct from reality. Corsaro's technique is essentially drawing, with no concessions to pictorial effects, demonstrating an affinity with the hyperrealism typical of the Surrealists. All this, combined with a brilliant, vibrant color palette, enlivens the works, making them more effective even on an expressionistic level.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro is a painter of extraordinary creativity and inventiveness, capable of creating works in which the alienation typical of Surrealism is expressed in elaborate compositions that tend toward a process of abstraction of pure forms and colors. For Corsaro, abstraction is the key to entering the dimension of surreality in which the subjects of his intricate iconographies, born from the subconscious, move.\u003c\/p\u003e","brand":"Medley Pamela","offers":[{"title":"Default Title","offer_id":56211626819970,"sku":"PMED003","price":2950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/frecce.jpg?v=1768401286"},{"product_id":"alfonso-corsaro-nudo","title":"Alfonso Corsaro - Nude","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro's style is a personal reworking of Surrealist aesthetics. Corsaro's journey undoubtedly begins with mechanical writing, which produces unusual juxtapositions of animate and non-animate subjects on his canvases. The alienating presence of these subjects consequently triggers a compositional process, sometimes geometric, sometimes biomorphic, which generates a dimension of lines and colors on the canvases that is distinct from reality. Corsaro's technique is essentially drawing, with no concessions to pictorial effects, demonstrating an affinity with the hyperrealism typical of the Surrealists. All this, combined with a brilliant, vibrant color palette, enlivens the works, making them more effective even on an expressionistic level.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro is a painter of extraordinary creativity and inventiveness, capable of creating works in which the alienation typical of Surrealism is expressed in elaborate compositions that tend toward a process of abstraction of pure forms and colors. For Corsaro, abstraction is the key to entering the dimension of surreality in which the subjects of his intricate iconographies, born from the subconscious, move.\u003c\/p\u003e","brand":"Medley Pamela","offers":[{"title":"Default Title","offer_id":56211626918274,"sku":"PMED004","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/nudo_cfdcf958-32ed-491f-aa43-388cec2114b4.jpg?v=1768401286"},{"product_id":"alfonso-corsaro-chiome-rosse","title":"Alfonso Corsaro - Red Hair","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro's style is a personal reworking of Surrealist aesthetics. Corsaro's journey undoubtedly begins with mechanical writing, which produces unusual juxtapositions of animate and non-animate subjects on his canvases. The alienating presence of these subjects consequently triggers a compositional process, sometimes geometric, sometimes biomorphic, which generates a dimension of lines and colors on the canvases that is distinct from reality. Corsaro's technique is essentially drawing, with no concessions to pictorial effects, demonstrating an affinity with the hyperrealism typical of the Surrealists. All this, combined with a brilliant, vibrant color palette, enlivens the works, making them more effective even on an expressionistic level.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro is a painter of extraordinary creativity and inventiveness, capable of creating works in which the alienation typical of Surrealism is expressed in elaborate compositions that tend toward a process of abstraction of pure forms and colors. For Corsaro, abstraction is the key to entering the dimension of surreality in which the subjects of his intricate iconographies, born from the subconscious, move.\u003c\/p\u003e","brand":"Medley Pamela","offers":[{"title":"Default Title","offer_id":56211626951042,"sku":"PMED005","price":2950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/chiome.jpg?v=1768401287"},{"product_id":"alfonso-corsaro-violino","title":"Alfonso Corsaro - Violin","description":"\u003cp\u003eSurrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro's style is a personal reworking of Surrealist aesthetics. Corsaro's journey undoubtedly begins with mechanical writing, which produces unusual juxtapositions of animate and non-animate subjects on his canvases. The alienating presence of these subjects consequently triggers a compositional process, sometimes geometric, sometimes biomorphic, which generates a dimension of lines and colors on the canvases that is distinct from reality. Corsaro's technique is essentially drawing, with no concessions to pictorial effects, demonstrating an affinity with the hyperrealism typical of the Surrealists. All this, combined with a brilliant, vibrant color palette, enlivens the works, making them more effective even on an expressionistic level.\u003c\/p\u003e\n\n\n \u003cp\u003eAlfonso Corsaro is a painter of extraordinary creativity and inventiveness, capable of creating works in which the alienation typical of Surrealism is expressed in elaborate compositions that tend toward a process of abstraction of pure forms and colors. For Corsaro, abstraction is the key to entering the dimension of surreality in which the subjects of his intricate iconographies, born from the subconscious, move.\u003c\/p\u003e","brand":"Medley Pamela","offers":[{"title":"Default Title","offer_id":56211627049346,"sku":"PMED006","price":2950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/violino.jpg?v=1768401288"},{"product_id":"armando-farina-mercato-dei-polli","title":"Armando Farina - The Chicken Market","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.\u003c\/p\u003e\n\n\n \u003cp\u003eArmando Farina's style is highly personal and recognizable. He tends to reconstruct phenomenal reality through a process of redefinition through color. The structure of his canvases, in fact, is not constituted by the drawing, but rather by the depth conveyed by a color that is simultaneously material and evanescent. Through the application of rough surfaces of color, Farina creates an interplay of planes that reconstructs reality almost plastically. The planes intersect, giving rise to a compositional complexity that renders the space conceived by Farina multifaceted.\u003c\/p\u003e\n\n\n\u003cp\u003e Armando Farina was born in Posillipo in 1928, but moved to Turin in 1956. He participated in numerous exhibitions both in Italy and abroad and received numerous awards. His training followed the footsteps of the Posillipo School (Pitloo, Gigante, and the Palizzis). Later, especially after moving to Turin, he explored other artistic experiences, ultimately embracing Abstraction and Informalism.\u003c\/p\u003e","brand":"Cavalazzi Bruna","offers":[{"title":"Default Title","offer_id":56211678724482,"sku":"BCAV001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/farina-70-100.jpg?v=1768401415"},{"product_id":"armando-farina-paesaggio","title":"Armando Farina - Landscape","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eArmando Farina's style is highly personal and recognizable. He tends to reconstruct phenomenal reality through a process of redefinition through color. The structure of his canvases, in fact, is not constituted by the drawing, but rather by the depth conveyed by a color that is simultaneously material and evanescent. Through the application of rough surfaces of color, Farina creates an interplay of planes that reconstructs reality almost plastically. The planes intersect, giving rise to a compositional complexity that renders the space conceived by Farina multifaceted.\u003c\/p\u003e\n\n\n\u003cp\u003e Armando Farina was born in Posillipo in 1928, but moved to Turin in 1956. He participated in numerous exhibitions both in Italy and abroad and received numerous awards. His training followed the footsteps of the Posillipo School (Pitloo, Gigante, and the Palizzis). Later, especially after moving to Turin, he explored other artistic experiences, ultimately embracing Abstraction and Informalism.\u003c\/p\u003e","brand":"Cavalazzi Bruna","offers":[{"title":"Default Title","offer_id":56211679117698,"sku":"BCAV003","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/farina-90-70.jpg?v=1768401416"},{"product_id":"orazio-giuliani-paradiso-dante","title":"Orazio Giuliani - Dante's Paradise","description":"\u003cp style=\"text-align: justify;\"\u003e In the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe otherworldly dimension of Dante's Paradise is perfectly suited to Orazio Giuliani's pictorial style, poised between figuration and expressionist abstraction. Compositionally, Giuliani's works are always structured around a circular space that extends in depth. This space is created by the artist with dense, richly colored paint in bright hues. The rest of the painting's surface adapts to this compositional rhythm. Thus, the subjects almost appear to be sucked into the vortex in the background, and all the surrounding objects acquire a rotating motion.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eOrazio Giuliani was born in Vico del Gargano in 1950. He trained in various artisan workshops in his area. He later settled in Milan, alternating between stays abroad in Paris and Switzerland. He has exhibited his work in numerous shows in Italy and Europe (including those held in Rome, Paris, and Wuppertal, Barmen, Germany), always receiving critical and public acclaim.\u003c\/p\u003e","brand":"Ludovici Gianfranco 10.000€","offers":[{"title":"Default Title","offer_id":56211794002306,"sku":"GLUD001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4410.jpg?v=1768401654"},{"product_id":"mondo-senza-titolo","title":"Edmondo Giuliani - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e The work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work likely begins with a glimpse of a landscape, a view conceptually distorted by the artist. Phenomenal reality is completely subjected to the painter's feelings and instincts, transformed into a gestural and chaotic application of color. The result is an informal aesthetic that leaves almost no figurative connection.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Edmondo Giuliani was a painter originally from Jesi, where he was born in 1915 and passed away in 2007. Essentially self-taught and a street painter, as he liked to call himself. A very popular figure in his hometown (of which he received honorary citizenship in 2000), he nevertheless exhibited his work in various shows in Italy and abroad. Only late in life did he attend painting courses at the Academy of Fine Arts in Macerata.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Sartini Assunta Maria","offers":[{"title":"Default Title","offer_id":56211901874562,"sku":"MSAR001","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20180518_192622.jpg?v=1768401981"},{"product_id":"alessandro-ghidini-senza-titolo-4","title":"Alessandro Ghidini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e The work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this 1970s work by Alessandro Ghidini, a minimalist aesthetic is echoed, and the artist seems to draw particular inspiration from the work of American artist Frank Stella. Indeed, we note a desire to stimulate perception with an ostentatious monochrome. The painting's surface is divided into areas of solid color. The composition follows a sharp, composite line, also hinting at an illusionistic effect of plasticity.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Alessandro Ghidini is a painter born in Bergamo in 1930. His artistic training has always focused on experimenting with new aesthetic languages. One subject he has particularly focused on is strings, which he has developed in various interpretations, including serially.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Marchi Alfonso 4300","offers":[{"title":"Default Title","offer_id":56211922846082,"sku":"AMAR001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/foto-3_e8cfd194-5461-4a47-b65c-19207b8cff10.jpg?v=1768402032"},{"product_id":"gianni-dova-fondo-del-mare","title":"Gianni Dova - Bottom of the Sea","description":"\u003cp style=\"text-align: justify;\"\u003e Waterscapes are an uncommon subject in the history of art. The earliest examples can be found in some Roman mosaics.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eStarting from the sensory data of a view of the seabed, Gianni Dova reworks the phenomenal world. This reworking is carried out through a material and gestural pictorialism that almost verges on the informal with its swirling layers of color. The intense color seems to engulf the entire surface of the painting. Yet Dova remains connected to the phenomenal reality, which remains perfectly legible even in his interpretation.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Gianni Dova was born in Rome in 1946, but his artistic career developed in Milan, where he moved with his family and where he attended the Brera Academy in 1942. He initially joined the group of artists known as \"Corrente\"—Renato Guttuso, Emilio Vedova, Renato Birolli, Ennio Morlotti, Bruno Cassinari, and Giuseppe Migneco. Through them, he encountered Guernica, Picasso's painting that became a symbol of art against barbarism. In 1946, he joined the Manifesto of Realism, Beyond Guernica, and in 1951, the Spatialism movement.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"D'eramo Anna 7000","offers":[{"title":"Default Title","offer_id":56211923173762,"sku":"ADER008","price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20180524_132630.jpg?v=1768402039"},{"product_id":"giuseppe-de-gregorio-volo-rapaci","title":"Giuseppe de Gregorio - Flight of Raptors","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAs can be seen in this work, Giuseppe De Gregorio's artistic language begins with nature. He isolates a single detail and magnifies it to a macroscopic scale. Thus, he conducts an investigation of nature that delves so deeply that it reveals realities unknown to us. Formally, this translates into a pronounced biomorphism that completely pervades the work, becoming autonomous and losing all connection with phenomenal reality. In this way, we almost arrive at a paradox whereby a subject that begins with nature becomes informal.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eGiuseppe De Gregorio was a painter originally from Spoleto, where he was born in 1920 and passed away in 2007. He trained in his hometown with the Gruppo dei Sei, where he began his exploration of informal art in the 1950s, winning several editions of the Spoleto Prize. It was the critic Francesco Arcangeli who brought him national recognition. From the 1970s, De Gregorio began to develop his distinctive style, which began with the depiction of enlarged details of natural elements, while remaining within the framework of an informal aesthetic. All this has established him as one of the most important representatives of Late Naturalism.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Faloci Federico","offers":[{"title":"Default Title","offer_id":56211929399682,"sku":"FFAL001","price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20180524_123935.jpg?v=1768402123"},{"product_id":"michelangelo-toffetti-desiderare","title":"Michelangelo Toffetti - Desire","description":"","brand":"Toffetti Michelangelo","offers":[{"title":"Default Title","offer_id":56211932447106,"sku":"MTOF002","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Desiderare-olio-su-tela-100x130-cm.jpg?v=1768402178"},{"product_id":"michelangelo-toffetti-shekleton","title":"Michelangelo Toffetti - Shekleton","description":"","brand":"Toffetti Michelangelo","offers":[{"title":"Default Title","offer_id":56211932873090,"sku":"MTOF010","price":840.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SHEKLETON-50-x-70-cm-olio-su-tela.jpg?v=1768402184"},{"product_id":"artista-sconosciuto-trionfo-colori","title":"Unknown Artist - Triumph of Colors","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe style of this painting can be firmly linked to the currents of American Abstract Expressionism and, in particular, to the work of Pollock. Technically, the execution is highly gestural, characterized by energetic and imaginative action painting. The dripping technique, or dripping paint onto the canvas, is extensively used. The vibrant hues of the color palette convey a burst of positive energy.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e From the analysis of this painting we can deduce that the author is inclined to use an artistic language based mainly on gestures, with a specific reference to Pollock and American Abstract Expressionism.\u003c\/p\u003e","brand":"Perego Domenico","offers":[{"title":"Default Title","offer_id":56211934642562,"sku":"DPER001","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-0949.jpg?v=1768402209"},{"product_id":"giuseppe-banfi-donna-metafisica","title":"Giuseppe Banfi - Metaphysical Woman","description":"\u003cp style=\"text-align: justify;\"\u003eThis type of subject can be classified within the metaphysical aesthetic. The artistic movement founded by Giorgio de Chirico reclaims images that already exist, familiar to the collective imagination. However, it creates an effect of alienation through the process of displacement, that is, the sudden appearance of an object outside its usual context, or through condensation, the fusion of multiple objects into a single entity. Metaphysical art is also distinguished by the ostentatiously illusory nature of its images.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this work by the painter Giuseppe Banfi, the reference to Metaphysical Art is explicitly made through the figure of the mannequin. Formally, however, the canvas differs significantly from Giorgio de Chirico's example. The sense of suspension and enigmatic anticipation remains, but Banfi achieves it through a naïve simplification, rather than the traditional illusory metaphysical objectivity. An expressionistic simplification that involves both drawing and color, in a desire to reclaim primordial values.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Giuseppe Banfi is an extremely eclectic painter. His personality is always open to experimenting with new languages ​​and styles. Banfi's paintings range from abstract, both biomorphic and mechanomorphic, to figurative, including portraits and genre scenes.\u003c\/p\u003e","brand":"Gazzonis Daniele","offers":[{"title":"Default Title","offer_id":56211935396226,"sku":"DGAZ002","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/donna-metafisica.jpg?v=1768402225"},{"product_id":"sante-monachesi-ricordo-del-1930-35","title":"Holy Monks - Remembrance of 1930-35","description":"\u003cp style=\"text-align: justify;\"\u003eThe work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this painting, Sante Monachesi reveals his connection to the historical French avant-garde. The overall structure of the painting shows strong similarities to Matisse and Fauvism, due to the extreme synthesis of the subject and the predominance of strong, aggressive color tones. On the other hand, the entire spatial organization exhibits a typically Cubist decomposition; the setting is deconstructed according to multiple directives, and a complex intersection of planes composes the painting's surface.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Sante Monachesi was born in Macerata in 1910 and died in Rome in 1991. Along with Bruno Tano, he was one of the leading proponents of Futurism in the Marche region, founding the \"Futurist Movement in the Marche\" and the group \"Umberto Boccioni, Futurists in the Marche.\" His first solo exhibition was in Recanati in 1934, marking the beginning of an intense exhibition program that led him to exhibit several times at the Venice Biennale and the Rome Quadrennial.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Venturini Luciano","offers":[{"title":"Default Title","offer_id":56211953549698,"sku":"LVEN004","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5657.jpg?v=1768402404"},{"product_id":"romolo-pontecorvi-senza-titolo","title":"Romolo Pontecorvi - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe painting is a perfect example of Romolo Pontecorvi's pictorial style. Indeed, we can see how, even in landscape painting, the artist tends to transfigure reality into an abstraction dominated by the color red. Pontecorvi leaves aside reference points to grasp reality: a landscape rendered synthetic by the painter's almost gestural brushstrokes. However, the entire composition is overturned by color, transforming the perceptible world into a sort of abstract expressionism.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Romolo Pontecorvi was a Roman artist. A monochrome painter on Via Margutta and a pupil of Guttuso, he studied at the Via Ripetta school. Known in Rome as the \"red painter,\" he died in 2002.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Giammattei Anna Maria","offers":[{"title":"Default Title","offer_id":56211956564354,"sku":"AGIA001","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3843.jpg?v=1768402422"},{"product_id":"elvira-leiten-senza-titolo-2","title":"Elvira Leiten - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePainter Elvira Leiten uses a unique technique, employing the index and middle fingers of her right hand instead of paintbrushes. This allows her to engage in a highly gestural and instinctive style, closely related to Art Informel and American Abstract Expressionism. The central focus of Elvira Leiten's work is color, which is laid out in various layers on the canvas. The overlapping layers of color create the harmony and balance of colors that characterize Elvira Leiten's work. Harmony and balance move from the formal to the conceptual and spiritual, in the expressive intent of the painter's canvases.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Elvira Leiten is a Norwegian painter born in 1945. She is a self-taught artist and follows an artistic path. She has been painting since 1991 and has participated in several exhibitions in Italy and Norway, always with great critical and public acclaim. Several of her works are held in private collections in Norway, Sweden, Germany, South Africa, the United States, and Canada.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Giannelli Virginia","offers":[{"title":"Default Title","offer_id":56211974717826,"sku":"VGIA001","price":6950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20180628_111416.jpg?v=1768402562"},{"product_id":"moreno-morelli-ascesa","title":"Moreno Morelli - Ascent","description":"\u003cp style=\"text-align: justify;\"\u003eIn the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis painting showcases Moreno Morelli's distinctive style, which is essentially based on color. The painter constructs the figures through a thick layer of paint. Broad brushstrokes lay down the color, bringing the subjects to life, who interact with the space they occupy. Indeed, the entire surface of the painting is composed of a seamless pictorial blend. Through this layering, of post-Impressionist origin, the subject undergoes a significant process of synthesis, yet gains in expressionistic vigor. A common feature of Morelli's artistic production are the palette of blues, pale blues, and violets.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Moreno Morelli was a Pisan painter born in 1930 and died in 1989. His artistic output focused primarily on landscapes, genre scenes, and still lifes. His pictorial style, highly synthetic and based on the application of dense, thick colors, shows a strong Post-Impressionist influence.\u003c\/p\u003e","brand":"Benedettini Elena","offers":[{"title":"Default Title","offer_id":56211992445314,"sku":"EBEN004","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ASCESA.jpg?v=1768402697"},{"product_id":"cinzio-cavallarin-senza-titolo","title":"Cinzio Cavallarin - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe work is an abstract composition. \"Abstract\" derives from the Latin term \"abstrahere,\" which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In this work, Cinzio Cavallarin subjects phenomenal reality to a remarkable process of abstraction. This process is pushed to the limit by the painter, to the point of verging on informalism. However, a certain desire for form is evident in this painting, where the black outlines define the volumes of the objects, filled with compact fields of color.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eCinzio Cavallarin was born in 1942 in Chioggia, but lives and works in Prato. His artistic production draws on various influences from the contemporary avant-garde, from Abstraction to Cubism, from Informalism to Expressionism.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Tinnirello Venanzio","offers":[{"title":"Default Title","offer_id":56212009976194,"sku":"VTIN002","price":2875.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9591.jpg?v=1768402835"},{"product_id":"cinzio-cavallarin-senza-titolo-2","title":"Cinzio Cavallarin - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e In the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this work, Cinzio Cavallarin seems to be in a middle ground, as he exerts a remarkable expressionist synthesis on reality. The perceptible world is brutally reduced, almost to its bare minimum. But this reduction is controlled by a geometric reconstruction inspired by Cubism. Thus, the composition becomes a rational arrangement of lines, marked by thick black strokes, and geometric volumes, whose fields are colored in a compact and uniform manner.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Cinzio Cavallarin was born in 1942 in Chioggia, but lives and works in Prato. His artistic production draws on various influences from the contemporary avant-garde, from Abstraction to Cubism, from Informalism to Expressionism.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Tinnirello Venanzio","offers":[{"title":"Default Title","offer_id":56212010074498,"sku":"VTIN003","price":3450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9593.jpg?v=1768402836"}],"url":"https:\/\/venderequadri.it\/en\/collections\/quadri-astratti-olio-su-tela.oembed?page=9","provider":"Venderequadri","version":"1.0","type":"link"}