{"title":"Pietro Annigoni","description":"\u003c!-- vq-scheda-web --\u003e\n\u003cp\u003ePietro Annigoni (Milano, 7 giugno 1910 – Firenze, 28 ottobre 1988) si trasferì a Firenze nel 1925. Qui studiò pittura e scultura all'Accademia di Belle Arti con Carena e Graziosi. Nel 1947, insieme a Gregorio Sciltian, stese il manifesto dei \"Pittori moderni della realtà\". Nel suo lavoro usò antiche tecniche pittoriche, tra cui la tempera grassa, già usate nel Rinascimento. Tra i suoi soggetti figurano temi religiosi, ritratti e incisioni.\u003c\/p\u003e\n\n\u003cp\u003eÈ noto soprattutto come ritrattista, in particolare dell'alta società e della corte d'Inghilterra. A Londra, nel 1955, eseguì il Ritratto della Regina Elisabetta II. A Londra espose da Wildenstein nel 1950 e nel 1954, da Agnew nel 1952 e nel 1956, e più volte alla Royal Academy. Nel 1953 tenne una mostra a Parigi e nel 1957-58 una a New York, da Wildenstein. La stampa lo definì \"il pittore delle regine\". Nel 2008 gli è stato dedicato a Firenze un museo, dove sono confluite circa 6000 sue opere.\u003c\/p\u003e\n\n\u003cp\u003eLe 68 opere presenti nel nostro catalogo, datate tra il 1959 e il 1991, sono in litografia, bassorilievo e grafica. I soggetti sono ritratti, nudi e figure. Se possiede un'opera di Pietro Annigoni, può richiedere una \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003evalutazione gratuita\u003c\/a\u003e: la risposta arriva entro 48 ore.\u003c\/p\u003e\n\u003c!-- fonti: https:\/\/www.museopietroannigoni.it\/pietro-annigoni\/ | https:\/\/www.treccani.it\/enciclopedia\/pietro-annigoni\/ | https:\/\/www.pisacanearte.it\/artisti\/a\/pietro-annigoni.html | https:\/\/www.libreriabocca.com\/mostre\/pietro-annigoni.html | https:\/\/www.artrenewal.org\/Artist\/Index\/191 | https:\/\/www.artericerca.com\/artisti_italiani_novecento\/Annigoni%20Pietro%20Biografia.html --\u003e","products":[{"product_id":"pietro-annigoni-senza-titolo-3","title":"Pietro Annigoni - Untitled","description":"","brand":"Rossi Manuel","offers":[{"title":"Default Title","offer_id":56210296013186,"sku":"MROS002","price":4800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni-seconda-foto.jpg?v=1768388532"},{"product_id":"pietro-annigoni-germoglio-2","title":"Pietro Annigoni - The Sprout","description":"","brand":"Marinangeli Silvana","offers":[{"title":"Default Title","offer_id":56210533974402,"sku":"SMAR001","price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20170206_133322.jpg?v=1768390877"},{"product_id":"pietro-annigoni-le-bagnanti","title":"Pietro Annigoni - The Bathers","description":"","brand":"Marinangeli Silvana","offers":[{"title":"Default Title","offer_id":56210534138242,"sku":"SMAR002","price":4200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20170206_133302.jpg?v=1768390879"},{"product_id":"pietro-annigoni-dittico-volti","title":"Pietro Annigoni - Diptych of Faces","description":"","brand":"Framondi Paola","offers":[{"title":"Default Title","offer_id":56210585977218,"sku":"PFRAM005","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20170328_150835.jpg?v=1768391370"},{"product_id":"pietro-annigoni-volto","title":"Pietro Annigoni - Face","description":"\u003cp style=\"text-align: justify;\"\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven in this exquisitely crafted print, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato effect that allows the subject to interact naturally with the space. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Bevilacqua Stefania","offers":[{"title":"Default Title","offer_id":56212010369410,"sku":"SBEV001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_6820.jpg?v=1768402839"},{"product_id":"pietro-annigoni-ritratto-donna","title":"Pietro Annigoni - Portrait of a Woman","description":"\u003cp style=\"text-align: justify;\"\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this exquisitely crafted lithograph, we can also admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato effect that allows the subject to interact naturally with the space. Even in the monochrome, we can also appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"D'eliseo Michele","offers":[{"title":"Default Title","offer_id":56212751679874,"sku":"MDELI013","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni.jpg?v=1768406810"},{"product_id":"pietro-annigoni-studio-di-nudo","title":"Pietro Annigoni - Nude Study","description":"\u003cp style=\"text-align: justify;\"\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the highest expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven in this exquisitely crafted bas-relief sculpture, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a supreme level of formal purity. The anatomical details are depicted with great truth in a soft, smooth form. The contours are undefined, thanks to a smoothness that allows the subject to interact naturally with the space. Even in the gilded surface, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"GAROFALO IGIONIO","offers":[{"title":"Default Title","offer_id":56212803223938,"sku":"GAIG001","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20190925-WA0019.jpg?v=1768406963"},{"product_id":"pietro-annigoni-trittico","title":"Pietro Annigoni - Triptych","description":"\u003cp style=\"text-align: justify;\"\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven in this exquisitely crafted sanguine, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato effect that allows the subject to interact naturally with the space. Even in the monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Pagliacci Roberto","offers":[{"title":"Default Title","offer_id":56212977484162,"sku":"RPAG004","price":5180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0296_2a9c4d67-60c6-4a18-9d66-13030a059e38.jpg?v=1768408053"},{"product_id":"pietro-annigoni-ritratto-donna-2","title":"Pietro Annigoni - Portrait of a Woman","description":"\u003cp style=\"text-align: justify;\"\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven in this exquisitely crafted graphic work, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato effect that allows the subject to interact naturally with the space. Even in the monochrome, we can appreciate the interplay of shadow and light that enhances the figure's volumetric consistency.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Prevosti Marco","offers":[{"title":"Default Title","offer_id":56212984988034,"sku":"MPRE003","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2951.jpg?v=1768408106"},{"product_id":"pietro-annigoni-abramo","title":"Pietro Annigoni - Abraham","description":"\u003cp style=\"text-align: justify;\"\u003e Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven in this exquisitely crafted lithograph, we can admire the technical prowess of painter Pietro Annigoni in his reproduction of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a very high level of formal purity. The facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato effect that allows the subject to interact naturally with the space. Even in the monochrome, we can also appreciate the interplay of shadow and light that enhances the figure's volumetric consistency.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Guidarelli Marco","offers":[{"title":"Default Title","offer_id":56213134901634,"sku":"MGUI006","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2181.jpg?v=1768408609"},{"product_id":"pietro-annigoni-senza-titolo-6","title":"Pietro Annigoni - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven in this exquisitely crafted graphic work, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato effect that allows the subject to interact naturally with the space. Even in the monochrome, we can also appreciate the interplay of shadow and light that enhances the figure's volumetric consistency.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003ePietro Annigoni (Milan 1910 - Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Nicetto Marina","offers":[{"title":"Default Title","offer_id":56213324497282,"sku":"MNIC003","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_6829.jpg?v=1768409135"},{"product_id":"pietro-annigoni-salome","title":"Pietro Annigoni - Salome","description":"","brand":"Pollero Elio","offers":[{"title":"Default Title","offer_id":56215372857730,"sku":"EPOL002","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20190901_141113.jpg?v=1768426131"},{"product_id":"pietro-annigoni-uomo-nudo","title":"Pietro Annigoni - Naked Man","description":"","brand":"Migani Giovanna","offers":[{"title":"Default Title","offer_id":56215596433794,"sku":"GMIG001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20200130-WA0002.jpg?v=1768427753"},{"product_id":"pietro-annigoni-casa","title":"Pietro Annigoni - House","description":"","brand":"Migani Giovanna","offers":[{"title":"Default Title","offer_id":56215596597634,"sku":"GMIG002","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20200130-WA0001.jpg?v=1768427754"},{"product_id":"pietro-annigoni-pescatore","title":"Pietro Annigoni - Fisherman","description":"","brand":"Migani Giovanna","offers":[{"title":"Default Title","offer_id":56215596630402,"sku":"GMIG003","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20200130-WA0000.jpg?v=1768427756"},{"product_id":"pietro-annigoni-senza-titolo-7","title":"Pietro Annigoni - Untitled","description":"","brand":"Gaspari Arcangelo","offers":[{"title":"Default Title","offer_id":56215657447810,"sku":"AGAS004","price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9700.jpg?v=1768428100"},{"product_id":"pietro-annigoni-albero","title":"Pietro Annigoni - Tree","description":"","brand":"Gaspari Arcangelo","offers":[{"title":"Default Title","offer_id":56215675896194,"sku":"GASAR003","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8279.jpg?v=1768428226"},{"product_id":"pietro-annigoni-senza-titolo-8","title":"Pietro Annigoni - Untitled","description":"\u003cstrong\u003ePietro Annigoni\u003c\/strong\u003e , one of the most famous Italian painters of the 20th century, was born in Milan on 7 June 1910, where he attended the \"G. Parini\" gymnasium and spent many hours at the Ambrosiana Library studying \u003ca title=\"Biography and works of Leonardo da Vinci\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_italiani\/leonardo_da_vinci.htm\" target=\"_self\"\u003eLeonardo\u003c\/a\u003e 's drawings. In 1925, the family moved to Florence, where his father, an engineer, was given the task of installing the city's automatic telephone network, and here he obtained his classical high school diploma at the Istituto degli Scolopi. When it was time to return to Milan, in 1928, Pietro Annigoni, who had already shown exceptional aptitude for drawing and attended the \u003cstrong\u003eScuola Libera del Nudo\u003c\/strong\u003e , obtained permission from his parents to remain in Florence to attend the Academy of Fine Arts. This was the most important period in his formation as a man and as an artist. \nDriven by a strong thirst for knowledge, Annigoni would become a man of vast culture, as well as an artist of genius. \nHe formed lasting friendships with promising young artists from the worlds of literature and art, and in the studio of the sculptor Mario Parri, he met Anna Maggini, then a student at the Conservatory, whom he married in 1937. In 1930, the young Pietro Annigoni exhibited for the first time in Florence in a group show with other painters, but two years later he presented his first solo exhibition at Palazzo Ferroni in the Bellini gallery to great success, winning the \"Trentacoste\" prize. He exhibited in Milan to exceptional public and critical acclaim in 1936, while cultivating a true passion for travel, he visited many European countries, including Germany, where he was particularly impressed by Northern Renaissance painting. The series of gouaches, created during his travels and walks in the countryside, shows a rare talent for capturing the most profound aspects of nature, which he was able to interpret with extreme sensitivity. In the 1930s Pietro Annigoni created a large number of drawings and works that reflect his world: portraits of friends, people he met in taverns or on the street, interiors, still lifes; his style reflects an eclectic attitude: there is a bit of \u003ca title=\"Biography and paintings of Salvador Dalí\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_europei\/salvador_dali_1904_1921.htm\" target=\"_self\"\u003eDalí\u003c\/a\u003e in his surreal backgrounds, a bit of \u003ca title=\"Caravaggio's biography and paintings\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_italiani\/michelangelo_merisi_caravaggio.htm\" target=\"_self\"\u003eCaravaggio\u003c\/a\u003e in the chiaroscuro of some works and even Maxfield Parrish in the lightness of his female faces. \nNonconformist, with liberal ideas, opposed to any form of totalitarianism, committed to the affirmation of his vision of painting in relation to society, in 1947 Pietro Annigoni signed, together with \u003ca title=\"Biography and paintings of Gregorio Sciltian\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_italiani\/gregorio_sciltian.htm\" target=\"_self\"\u003eGregorio Sciltian, Xavier\u003c\/a\u003e and \u003ca title=\"Biography and paintings of Antonio Bueno\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_italiani\/antonio_bueno.htm\" target=\"_self\"\u003eAntonio Bueno\u003c\/a\u003e , Alfredo Serri and others, the Manifesto of the \" \u003cstrong\u003eModern Painters of Reality\"\u003c\/strong\u003e . \nWith this declaration, the group places itself in open contrast with the new pictorial currents advocating informal art; His personal style highlights the influence of the \u003ca title=\"Vorrente of the Renaissance\" href=\"https:\/\/www.settemuse.it\/arte\/corrente_rinascimento.htm\" target=\"_self\"\u003eItalian Renaissance\u003c\/a\u003e and \u003cstrong\u003e\u003ca title=\"Artistic movement of Realism\" href=\"https:\/\/www.settemuse.it\/arte\/corrente_realismo.htm\" target=\"_self\"\u003eRealism\u003c\/a\u003e ,\u003c\/strong\u003e in direct contrast to the portraiture styles of \u003cstrong\u003eModernism\u003c\/strong\u003e and \u003cstrong\u003ePostmodernism\u003c\/strong\u003e that were in vogue during his career. Despite the emotional and cultural tensions of those years, it was precisely between 1945 and 1950 that Annigoni created some works that were fundamental to his artistic career. Pietro Annigoni himself said: \"I am convinced that the works of today's avant-garde are the poisoned fruit of a spiritual degradation with all the consequences of a tragic loss of love for life.\" For this reason, in the solitude of his studio, Annigoni followed his own personal style that was never classified as belonging to any group or movement. The opinions of critics were completely divergent: Bernard Berenson, an expert on \u003cstrong\u003eFlorentine Renaissance\u003c\/strong\u003e art, considered Pietro Annigoni not only one of the best painters of his century, but also one of the greatest ever, including the Florentine Renaissance painters themselves. \nEven \u003ca title=\"Biography and paintings of Giorgio De Chirico\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_italiani\/giorgio_de_chirico.htm\" target=\"_self\"\u003eDe Chirico\u003c\/a\u003e had a great respect for him as a painter endowed with great talent, while others, such as \u003ca title=\"Biography and paintings of Carlo Carrà\" href=\"https:\/\/www.settemuse.it\/pittori_scultori_italiani\/carlo_carra.htm\" target=\"_self\"\u003eCarlo Carrà\u003c\/a\u003e , considered his works anachronistic and denied that there was any technical ability in his works. Pietro Annigoni remained ignored by the artistic world for many years: during the fascist era and in the following years, he did not receive any public commission, was never appointed to the Academy of Arts and did not have the opportunity to teach. Detached from the world of official culture, in search of an audience that understood his art, Annigoni, in 1949, participated in an exhibition of the Royal Academy in London, achieving a success that made his name bounce in newspapers all over the world. Annigoni continued to paint, remaining consistent to the end and continuing his solitary battle in defense of the figurative style, which for him, a scholar of Benedetto Croce, coincides with the defense of the integrity of man. In London, Pietro Annigoni exhibited many times: at Wildenstein (1950, 1954), at Agnew (1955), at the Royal Academy of Fine Arts in London (1956), at the Royal Academy of Fine Arts in London (1957), at the Royal Academy of Fine Arts in London (1958), at the Royal Academy of Fine Arts in London (1959), at the Royal Academy of Fine Arts in London (1960), at the Royal Academy of Fine Arts in London (1961), at the Royal Academy of Fine Arts in London (1962), at the Royal Academy of Fine Arts in London (1963), at the Royal Academy of Fine Arts in London (1964), at the Royal Academy of Fine Arts in London (1965), at the Royal Academy of Fine Arts in London (1966), at the Royal Academy of Fine Arts in London (1967), at the Royal Academy of Fine Arts in London (1968), at the Royal Academy of Fine Arts in London (1969 ... (1952-1956), the Federation of British Artists (1961), the Upper Grosvenor Galleries (1966), as well as constant participation in the Royal Academy exhibitions, becoming the most sought-after portraitist. Pietro Annigoni's career, portraitist, reached its peak in 1955 when he painted his first portrait of Queen Elizabeth II. \nIn the years to come, Annigoni was practically the painter of the royal house and of the English aristocracy, and he organised important and highly followed exhibitions in Paris and New York as well.\n A passion for travel is a constant in the life of the master, who travels from one end of the planet to the other—India, South Africa, Iran, Mexico, South America—in search of different emotions, cultures, and landscapes, which he captures in sketches and drawings. His marriage, from which he had two children, Benedetto and Maria Ricciarda, ended in consensual separation in 1954. In 1966, during a voyage on the ship Raffaello, Pietro Annigoni met Rossella Segreto, and a great love blossomed between them, leading them to marry in 1977.\n The major works executed between 1966 and 1988, which express Pietro Annigoni's faith in the centrality and transcendence of man, are exhibited in the most important museums in the world. \nA charismatic artist born in a century of great revolutions and protests, he employed his unique technical skills to create gigantic works and tiny engravings, portraits, landscapes, and large-scale allegorical compositions that have elicited mixed reactions of admiration and rejection. Now a world-renowned artist (Time magazine has featured him on seven covers), Pietro Annigoni has gathered around himself and his \"workshop\" a true Renaissance-style school, completely free of charge, freely attended by artists as diverse as Luciano Guarnieri, Marcello Tommasi, Romano Stefanelli, Nelso H. White, Fernando Berardini, Timothy Widborne, Silvestro Pistolesi, Dawn Cookso, Antonio Ciccone, Ben Long, Douglas Anderson, Luigi Falai, and many others.","brand":"Gaspari Arcangelo","offers":[{"title":"Default Title","offer_id":56215696212354,"sku":"GASAR003","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANNIGONI-Opera-nr-11.jpg?v=1768428329"},{"product_id":"pietro-annigoni-germoglio-2-2","title":"Pietro Annigoni - The Sprout","description":"","brand":"Dessi Amelia","offers":[{"title":"Default Title","offer_id":56215700144514,"sku":"ADES001","price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Screenshot_20200423_162835_com.whatsapp.jpg?v=1768428357"},{"product_id":"pietro-annigoni-madonna","title":"Pietro Annigoni - Madonna","description":"","brand":"Megna Antonia Elisea 500-","offers":[{"title":"Default Title","offer_id":56215736615298,"sku":"AMEG001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-1070.jpg?v=1768428667"},{"product_id":"annigoni-cristina","title":"Annigoni Pietro - Cristina","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout all eras. Portraiture is, first and foremost, a description of the represented subject, an attempt to faithfully and naturally capture their physiognomy and individual characteristics. As artistic exploration gradually evolved, the physiognomic description of the subject was accompanied by a psychological one. Thus, over the centuries, portraiture has also become a means of introspective inquiry into the subject, their character, and their state of mind. The processes of abstraction introduced by contemporary art have further supported this type of inquiry.\u003cbr\u003e\n\u003cbr\u003e\nJust as in his painting, we can also admire the technical skill of the painter Pietro Annigoni in his printmaking, which is of the highest quality, especially in his rendering of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by an extremely high level of formal purity. Physiognomic features are represented with great truth in a soft, smooth form. The contours are indistinct, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and their liveliness and mobility are then further accentuated by the striking contrast, often present in Annigoni's prints, between the smoothness of the faces and the indistinctness of the hair or clothing. In this way, Annigoni's artistic practice, while rooted in tradition, is imbued with contemporary expressive demands, whose modernity is evident precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can also appreciate the interplay of light and shadow that highlights the volumetric substance of the figures.\u003c\/p\u003e\n\n\u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, together with Gregorio Sciltian and the Bueno brothers, he signed the “Manifesto of the Modern Painters of Reality,” which advocated full adherence to natural truth through the use of ancient techniques employed during the Renaissance. Annigoni's commitment to the naturalistic rendering of subjects led him to become a great portraitist, admired by the highest European dignitaries, to the extent that he was called the “painter of queens.”\u003c\/p\u003e","brand":"Di Loreto Marco","offers":[{"title":"Default Title","offer_id":56215818240386,"sku":"MDIL001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1603295584066-copia.jpg?v=1768429404"},{"product_id":"annigoni-madonna","title":"Annigoni Pietro - Rossella","description":"\u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice is imbued, despite the strength of tradition, with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Di Loreto Marco","offers":[{"title":"Default Title","offer_id":56215818305922,"sku":"MDIL002","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1603295584072-copia.jpg?v=1768429404"},{"product_id":"pietro-annigoni-sarah","title":"Pietro Annigoni - Sarah","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice is imbued, despite the strength of tradition, with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Colabini Antonella 3000","offers":[{"title":"Default Title","offer_id":56215837704578,"sku":"ACOL003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2345-copia.png?v=1768429732"},{"product_id":"pietro-annigoni-volto-2","title":"Pietro Annigoni - Face","description":"\u003cp\u003e Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice is imbued, despite the strength of tradition, with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Battistuzzi Gianantonio","offers":[{"title":"Default Title","offer_id":56217839075714,"sku":"GBAT006","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Pietro-Annigoni-Volto-Litografia-50x65-2-copia-scaled.jpg?v=1768468713"},{"product_id":"pietro-annigoni-senza-titolo-11","title":"Pietro Annigoni - Untitled","description":"\u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice is imbued, despite the strength of tradition, with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Pieroni Antonella","offers":[{"title":"Default Title","offer_id":56217923387778,"sku":"APIE002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/c82c69b3-6541-4f47-a7e9-49ae9a93fb36.jpg?v=1768469566"},{"product_id":"pietro-annigoni-senza-titolo-12","title":"Pietro Annigoni - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eThe pictorial language of the master Pietro Annigoni is distinguished by a seamless fusion of classical tradition and contemporary sensibility. While the former predominates in his portraiture, in his landscape painting the artist gives free rein to contemporary expressionism, reaching heights of expressionist language. This small landscape is a beautiful example, where Annigoni subjects the data of tangible reality to a pronounced synthesis of color. Nature is minimized in a subtle, calligraphic style, richly arabesqued and dark, which contrasts with broader chromatic areas, vibrant with a shifting, nuanced light. This is a decidedly lyrical, if not downright spiritual, interpretation of landscape painting, grounded in the expressive qualities of color and line, rather than form.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Fiorillo Francesco","offers":[{"title":"Default Title","offer_id":56217923617154,"sku":"FFIO001","price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4696.jpg?v=1768469569"},{"product_id":"pietro-annigoni-studio-di-nudo-2","title":"Pietro Annigoni - Nude Study","description":"","brand":"Dorigo Clara","offers":[{"title":"Default Title","offer_id":56217941967234,"sku":"CDOR001","price":2350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PIETRO-ANNIGONI.jpg?v=1768469789"},{"product_id":"pietro-annigoni-le-bagnanti-2","title":"Pietro Annigoni - The Bathers","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the highest expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eEven in this exquisitely crafted bas-relief sculpture, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The anatomical details are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a lightness of touch that allows the subjects to interact naturally with the space. In this specific bas-relief, the bodies of the two women almost seem to emerge gradually from the space, with the central part in relief and the extremities treated by the artist in a more abstract and synthetic manner, confirming his contemporary sensibility. Furthermore, even in the silvered surface, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Comito Maria Antonietta","offers":[{"title":"Default Title","offer_id":56217955500418,"sku":"MCOM001","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20210727_162425_vHDR_On_p-scaled.jpg?v=1768469843"},{"product_id":"pietro-annigoni-viso","title":"Pietro Annigoni - Face","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice is imbued, despite the strength of tradition, with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Zaffanella Giacomo Bruno","offers":[{"title":"Default Title","offer_id":56217966838146,"sku":"GZAF002","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20210622_141618_vHDR_On_p-scaled.jpg?v=1768469892"},{"product_id":"pietro-annigoni-studio-di-nudo-3","title":"Pietro Annigoni - Nude Study","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the highest expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eEven in this exquisitely crafted bas-relief sculpture, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The anatomical details are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a lightness of touch that allows the subject to interact naturally with the space. In this specific bas-relief, the woman's body almost seems to emerge gradually from the space, with the central part in relief and the extremities treated by the artist in a more abstract and synthetic manner, confirming his contemporary sensibility. Furthermore, even in the gilded surface, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Doriga Clara","offers":[{"title":"Default Title","offer_id":56217984893314,"sku":"CDOR001","price":2350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PIETRO-ANNIGONI_27150a47-c712-4b9f-a4c1-6f0a1f37e7f8.jpg?v=1768469978"},{"product_id":"pietro-annigoni-trittico-2","title":"Pietro Annigoni - Triptych","description":"\u003cp\u003e A separate sale for €1200 CAD is not excluded.\u003c\/p\u003e\n\n\n \u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice is imbued, despite the strength of tradition, with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Brao Felice Santo","offers":[{"title":"Default Title","offer_id":56217986171266,"sku":"FBRA003","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Pietro-Annigoni-1.jpg?v=1768469991"},{"product_id":"pietro-annigoni-le-bagnanti-3","title":"Pietro Annigoni - The Bathers","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the highest expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eEven in this exquisitely crafted bas-relief sculpture, we can admire the technical prowess of painter Pietro Annigoni in his portrayal of the human figure. He is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The anatomical details are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a lightness of touch that allows the subjects to interact naturally with the space. In this specific bas-relief, the bodies of the two women almost seem to emerge gradually from the space, with the central part in relief and the extremities treated by the artist in a more abstract and synthetic manner, confirming his contemporary sensibility. Furthermore, even in the silvered surface, we can appreciate the interplay of shadow and light that enhances the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, admired by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Lodovico Mizar Mariutto","offers":[{"title":"Default Title","offer_id":56218105053570,"sku":"lmar001","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni-fronte.jpg?v=1768471178"},{"product_id":"pietro-annigoni-eva-madre","title":"Pietro Annigoni - Mother Eva","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the depicted subject, an attempt to convey their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation. Pietro Annigoni's interpretation of \"Eva Madre\" in this majolica reflects the fundamental tenets of his artistic practice. Truth unites with the spirituality of representation through the purity of formal values ​​that shape the work of this great artist.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, Pietro Annigoni's exquisite graphic work also demonstrates his technical prowess, especially in his depiction of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. Facial features are depicted with great truth in a soft, smooth form. The contours are blurred, thanks to a sfumato technique that allows the subject to interact naturally with the space. The subject's interaction with space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and the indefiniteness of hair or clothing. Thus, Annigoni's artistic practice, despite its strong tradition, is imbued with contemporary expressiveness, whose modernity is discernible precisely in the subject's incompleteness and indeterminacy.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Perfetti Paolo","offers":[{"title":"Default Title","offer_id":56218217349506,"sku":"PPER001","price":800.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"pietro-annigoni-senza-titolo-5","title":"Pietro Annigoni - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire Pietro Annigoni's technical prowess in his exquisite etchings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. However, in this lithograph, the artist leans toward a composition that tends toward expressionism. The figure is rendered with a vibrant, agitated stroke that synthesizes its details. It emerges in an enigmatic pose against a dark background, in an image of great expressive impact.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Carsenzuola Ermanna","offers":[{"title":"Default Title","offer_id":56218552959362,"sku":"ECAR001","price":530.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANNIGONI-scaled.jpg?v=1768474213"},{"product_id":"pietro-annigoni-senza-titolo-13","title":"Pietro Annigoni - Untitled","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the highest expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The physiognomic and anatomical features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with the space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and bodies and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice, despite the strength of tradition, is imbued with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome we can appreciate the play of shadows and lights that highlight the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Le Galloudec Evelyne","offers":[{"title":"Default Title","offer_id":56218608337282,"sku":"ELEG008","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni-1.jpg?v=1768474724"},{"product_id":"pietro-annigoni-senza-titolo-13-2","title":"Pietro Annigoni - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The physiognomic and anatomical features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with the space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and bodies and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice, despite the strength of tradition, is imbued with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome we can appreciate the play of shadows and lights that highlight the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Le Galloudec Evelyne","offers":[{"title":"Default Title","offer_id":56218608664962,"sku":"ELEG008","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni-2.jpg?v=1768474726"},{"product_id":"pietro-annigoni-senza-titolo-13-2-2","title":"Pietro Annigoni - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The physiognomic and anatomical features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with the space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and bodies and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice, despite the strength of tradition, is imbued with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome we can appreciate the play of shadows and lights that highlight the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Le Galloudec Evelyne","offers":[{"title":"Default Title","offer_id":56218608697730,"sku":"ELEG009","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni-3.jpg?v=1768474727"},{"product_id":"pietro-annigoni","title":"Peter Annigoni","description":"\u003cp\u003e Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAs in his paintings, we can also admire the technical prowess of Pietro Annigoni in his exquisitely crafted engravings, especially in his portrayal of the human figure. Annigoni is an artist capable of a completely naturalistic rendering, characterized by a high level of formal purity. The physiognomic and anatomical features are depicted with great truth in a soft and smooth form. The contours are undefined, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with the space and its liveliness and mobility are further accentuated by the striking contrast, often present in Annigoni's engravings, between the smoothness of faces and bodies and the indefiniteness of hair or clothing. In this way, Annigoni's artistic practice, despite the strength of tradition, is imbued with contemporary expressiveness, whose modernity is discernible precisely in the incompleteness and indeterminacy of the subject. Even in monochrome we can appreciate the play of shadows and lights that highlight the volumetric consistency of the figures.\u003c\/p\u003e\n\n\n \u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Gambino Giulia","offers":[{"title":"Default Title","offer_id":56218630357378,"sku":"GGAM001","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Cattura-2.jpg?v=1768474968"},{"product_id":"pietro-annigoni-eva-madre-2","title":"Pietro Annigoni - Eva Mother","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout all eras. Above all, a portrait is a description of the represented subject, an attempt to faithfully and naturally capture their physiognomy and individual characteristics. As artistic exploration gradually evolved, the physiognomic description of the subject was accompanied by a psychological one. Thus, over the centuries, portraiture has also become a means of introspective inquiry into the subject, their character, and their state of mind. The processes of abstraction introduced by contemporary art have further supported this type of inquiry.\u003cbr\u003e\n\u003cbr\u003e\nJust as in his painting, we can also admire the technical skill of the painter Pietro Annigoni in his printmaking, which is of the highest quality, especially in his rendering of the human figure. Annigoni was an artist capable of a fully naturalistic rendering, characterized by an exceptionally high level of formal purity. Physiognomic features are depicted with great truth in a soft, smooth form. The contours are indistinct, thanks to a sfumato that allows the subject to interact naturally with the space. The subject's interaction with space, as well as their liveliness and mobility, are further accentuated by the striking contrast often found in Annigoni's prints between the smoothness of the faces and the indistinctness of the hair or clothing. In this way, Annigoni's artistic practice, while rooted in tradition, is imbued with contemporary expressive concerns, whose modernity is evident precisely in the incompleteness and indeterminacy of the subject. Even in his monochrome works, we can also appreciate the interplay of light and shadow, which highlights the volumetric substance of the figures.\u003c\/p\u003e\n\n\u003cp\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, together with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of the Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques employed during the Renaissance. Annigoni's commitment to the naturalistic rendering of subjects led him to become a great portraitist, admired by the highest European dignitaries, to the extent that he was called the \"painter of queens.\"\u003c\/p\u003e","brand":"Ventura Rosa","offers":[{"title":"Default Title","offer_id":56218640023938,"sku":"RVEN020","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANNIGONI-BORINA-OLIO-SU-TELA.jpg?v=1768475147"},{"product_id":"pietro-annigoni-senza-titolo-14","title":"Pietro Annigoni - Cristina 1","description":"Portraiture focuses on the depiction of human beings in their many facets, often capturing their features, personalities, and expressions. As a pictorial genre, it has had numerous meanings over the centuries: since antiquity, portraits of sovereigns, dignitaries, and important figures have been used to emphasize their rank. During the Renaissance, portraits sought to capture the personality of the person depicted. Pietro Annigoni's drawing began precisely on these principles, recording his subjects' evolving psychological expression. Through his pictorial vision, Pietro Annigoni became the modern painter who bucked the abstract-informal tendencies of the time. The technical lyricism of the drawing, in this case, gives way to the lithographic technique, making it a graphic work. This means that the work is based on a matrix that allows for multiple reproductions of the same subject. Beyond lithography, there are various types of graphic art, from woodcuts, aquatints, and etchings to silkscreens and many others. All these techniques are not simple prints, but graphic art created through the direct intervention of the artist's hand. The word lithography derives from the Greek and literally means \"writing on stone.\" The technique exploits the mutual repulsion between aqueous and greasy materials. The artist, on a specially prepared, thick stone (approximately 6-12 cm), begins to trace a drawing with a greasy pen. This drawing must mirror the intended representation. As the ink is drawn over the stone, the aqueous areas of the stone, due to the initial treatment, repel the ink, which deposits only on the drawing. When pressed, the paper therefore absorbs only the ink previously deposited on the drawing. Precisely because this technique offers the painter great freedom, it is the closest to a true drawing. Thanks to multiple layers, lithographs of various colors can be created, each color requiring a separate press pass. Typically, each copy produced in this way is called a print run and is numbered in pencil in the lower left corner. The painter signs his work in pencil in the lower right corner. Once the desired print run is reached, the matrix is ​​\"crossed out,\" meaning it is defaced so that no further copies can be released onto the market, beyond those desired by the artist.\r \n\nThe painter Pietro Annigoni's technical prowess in portraying the human figure is undoubtedly a distinctive feature. The artist is capable of a completely naturalistic rendering, characterized by a high level of formal purity. The facial features, drawn from a life study, are complemented by a tender and well-constructed form. Drawing, a fundamental part of Annigoni's work, interacts naturally with the contrasts of chiaroscuro, revealing the figure's volumetric consistency within the painting. The graphic aspect of the work, therefore, does not detract from the composition. The formal purity of the drawing is, in fact, enhanced by the graphics, which take care to highlight, in all its meticulousness, the depiction of the girl's face, which, in her absorbed state, offers us a moment of introspection.\n\r \n\u003cstrong\u003e \u003c\/strong\u003ePietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. Annigoni's commitment to the naturalistic rendering of his subjects made him a great portraitist, appreciated by Europe's highest notables, so much so that he was called the \"painter of queens.\"","brand":"Matteoli Carlo","offers":[{"title":"Default Title","offer_id":56218804289922,"sku":"CMAT002","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1662.jpg?v=1768476850"},{"product_id":"pietro-annigoni-giovane-apostolo","title":"Pietro Annigoni - Young Apostle","description":"","brand":"Rinaldi Maria Teresa","offers":[{"title":"Default Title","offer_id":56218827784578,"sku":"MRIN002","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Annigoni-Apostolo-1.jpg?v=1768477027"},{"product_id":"istituto-poligrafico-zecca-dello-stato-da-bozzetto-originale-di-pietro-annigoni-salome","title":"State Mint Polygraphic Institute from original sketch by Pietro Annigoni - Salomè","description":"","brand":"Mason Alberto","offers":[{"title":"Default Title","offer_id":56219036975490,"sku":"AMAS003","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ANNIGONI-FUSIONE-IN-ARGENTO-ISTITUTO-POLIGRAFICOE-ZECCA-DELLO-STATOSALOME-MISURE-16X16-AUTENTICA.jpg?v=1768477715"},{"product_id":"pietro-annigoni-cristina-1","title":"Pietro Annigoni - Cristina 1","description":"","brand":"Barda Marisa","offers":[{"title":"Default Title","offer_id":56219041661314,"sku":"MBAR001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/annigonilito-su-tavolacristina-1mis.-32x50no-certif.jpg?v=1768477750"},{"product_id":"pietro-annigoni-senza-titolo-16","title":"Pietro Annigoni - Untitled","description":"","brand":"Giordano Marcello","offers":[{"title":"Default Title","offer_id":56219056243074,"sku":"MGIO005","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/annigoni-76x55-grafica-valore-1000.jpg?v=1768477832"},{"product_id":"pietro-annigoni-senza-titolo-17","title":"Pietro Annigoni - Untitled","description":"","brand":"Caponnetto Massimo","offers":[{"title":"Default Title","offer_id":56219212153218,"sku":"MCAP003","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4591_d5ab421b-41d3-4164-9490-f46f48437967.jpg?v=1768478919"},{"product_id":"pietro-annigoni-cristina","title":"Pietro Annigoni - Cristina","description":"","brand":"Scaccianoce Paola (1000)","offers":[{"title":"Default Title","offer_id":56219223327106,"sku":"PSCA011","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/11-riga-11-fronte-Annigoni.jpg?v=1768479011"},{"product_id":"salvador-dali-il-germoglio","title":"Pietro Annigoni - The Sprout","description":"The artist Pietro Annigoni has always explored a wide range of themes and subjects in his artwork, combining traditional painting and technique with modern expressiveness. Known best for his portraits, he also depicted scenes of everyday life, landscapes, and mythological and religious subjects. In this exquisitely crafted bas-relief, Annigoni focuses on the representation of the human figure, more specifically that of the woman, who in this study is captured by the artist as she plucks the bud of a flower. The contemplative state of the woman—or rather, the girl, as her features suggest a young girl—perhaps hints at a more intimate sphere, in which the figure is entering a new phase, becoming aware of her own body. The bud is the girl who is blossoming.\n\r \n\u003cstrong\u003e \u003c\/strong\u003eArtist Pietro Annigoni demonstrates, through the technique of bas-relief, the importance to him as an artist of exploring the subject's physicality and psychological complexity. The realistic nature of his works allows him to model figures through the use of chiaroscuro or, as in this case, bas-relief, playing on depth to bring out the figure in all its facets. Pietro Annigoni dedicates his artistic research to creating detailed works in every part, maintaining the tradition of drawing, with an in-depth anatomical study that conveys his understanding of the human body in its pure realism. Notice how the focus of the work shifts to the depiction of this girl, with her marked contours and how she bends over with the natural awareness of someone unaware of being watched.\n\r \nPietro Annigoni (Milan 1910 – Florence 1988). In 1947, along with Gregorio Sciltian and the Bueno brothers, he signed the \"Manifesto of Modern Painters of Reality,\" which advocated full adherence to natural truth through the use of ancient techniques used during the Renaissance. 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