{"title":"Ivo Soli","description":"\u003cp\u003eOpere di Ivo Soli in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Ivo Soli? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"ivo-soli-ritratto-uomo","title":"Ivo Soli - Portrait of a Man","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn his portraits, Ivo Soli demonstrates remarkable pictorial technique, allowing him to render his subjects perfectly in a naturalistic manner. There is great precision and richness of detail from a physiognomic perspective, in a pared-down approach to portraiture that focuses all attention on the subject's personality. In addition to this meticulous study of character, Ivo Soli also stands out for his dynamic brushstrokes, which create evocative existential vibrations. The subjects' forms blend seamlessly with the decontextualized space of the background and the paint. His skillful use of light enhances the figures' sculptural texture. The demeanor and expressions reveal much of the realistic nature of Ivo Soli's portraits, further confirmed by his dynamic, vibrantly vital pictorial style.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218327974274,"sku":"FGIAN001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IVO-SOLI-RITRATTO-UOMO-FINELLI.jpg?v=1768472790"},{"product_id":"ivo-soli-ritratto-uomo-2","title":"Ivo Soli - Seated Man","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work can be considered one of many studies of the human figure conducted by Ivo Soli. In these drawings or sketches, the author's primary interest lies not in the anatomical and physiognomic description of the subject but, rather, in capturing its forms through a highly pronounced sense of plasticity. The subjects' rounded yet synthetic forms express a conception of the human figure that is simultaneously harmonious and monumental, inspired almost by an ordering geometric vision. This can be perceived in the regularity and purity of the forms that compose the figure, as well as in their proportions, regular yet tending to expand. Despite the figure's remarkable plastic definition, the artist employs a highly animated and dynamic style that allows for greater expressiveness in the execution.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218328072578,"sku":"FGIAN002","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-UOMO-SEDUTO-FINELLI.jpg?v=1768472791"},{"product_id":"ivo-soli-ritratto-donna","title":"Ivo Soli - Woman","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work can be considered one of many studies of the human figure conducted by Ivo Soli. In these drawings or sketches, the author's primary interest lies not in the anatomical and physiognomic description of the subject but, rather, in capturing its forms through a highly pronounced sense of plasticity. The subjects' rounded yet synthetic forms express a conception of the human figure that is simultaneously harmonious and monumental, inspired almost by an ordering geometric vision. This can be perceived in the regularity and purity of the forms that compose the figure, as well as in their proportions, regular yet tending to expand. Despite the figure's remarkable plastic definition, the artist employs a highly animated and dynamic style that allows for greater expressiveness in the execution.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218328301954,"sku":"FGIAN003","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-DONNA-FINELLI.jpg?v=1768472792"},{"product_id":"ivo-soli-bambino","title":"Ivo Soli - Child","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn terms of style, this watercolor, compared to his easel work, allows Ivo Soli to experiment with a more synthetic language. The figures are delineated with a rough, textured line that explores volumes in a vibrant and dynamic form. The artist's skill lies in the strong personality he imbues this figure with through the simplicity of his gesture. The creation of this watercolor is thus characterized by intense, abstract, citational, and metaphysical influences.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218328531330,"sku":"FGIAN004","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-BAMBINO-FINELLI.jpg?v=1768472793"},{"product_id":"ivo-soli-donnaseduta","title":"Ivo Soli - Seated Woman","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work can be considered one of many studies of the human figure conducted by Ivo Soli. In these drawings or sketches, the author's primary interest lies not in the anatomical and physiognomic description of the subject but, rather, in capturing its forms through a highly pronounced sense of plasticity. The subjects' rounded yet synthetic forms express a conception of the human figure that is simultaneously harmonious and monumental, inspired almost by an ordering geometric vision. This can be perceived in the regularity and purity of the forms that compose the figure, as well as in their proportions, regular yet tending to expand. Despite the figure's remarkable plastic definition, the artist employs a highly animated and dynamic style that allows for greater expressiveness in the execution.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218328629634,"sku":"FGIAN005","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-DONNA-SEDUTA-FINELLI.jpg?v=1768472794"},{"product_id":"ivo-soli-donnadistesa","title":"Ivo Soli - Reclining Woman","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work can be considered one of many studies of the human figure conducted by Ivo Soli. In these drawings or sketches, the author's primary interest lies not in the anatomical and physiognomic description of the subject but, rather, in capturing its forms through a highly pronounced sense of plasticity. The subjects' rounded yet synthetic forms express a conception of the human figure that is simultaneously harmonious and monumental, inspired almost by an ordering geometric vision. This can be perceived in the regularity and purity of the forms that compose the figure, as well as in their proportions, regular yet tending to expand. Despite the figure's remarkable plastic definition, the artist employs a highly animated and dynamic style that allows for greater expressiveness in the execution.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218329186690,"sku":"FGIAN006","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-DONNA-DISTESA-FINELLI.jpg?v=1768472795"},{"product_id":"ivo-soli-ritratto-donna-anziana","title":"Ivo Soli - Portrait of an Elderly Woman","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn his portraits, Ivo Soli demonstrates remarkable pictorial technique, allowing him to render his subjects perfectly in a naturalistic manner. There is great precision and richness of detail from a physiognomic perspective, in a pared-down approach to portraiture that focuses all attention on the subject's personality. In addition to this meticulous study of character, Ivo Soli also stands out for his dynamic brushstrokes, which create evocative existential vibrations. The subjects' forms blend seamlessly with the decontextualized space of the background and the paint. His skillful use of light enhances the figures' sculptural texture. The demeanor and expressions reveal much of the realistic nature of Ivo Soli's portraits, further confirmed by his dynamic, vibrantly vital pictorial style.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218329547138,"sku":"FGIAN007","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-RITRATTO-DONNA-ANZIANA-FINELLI.jpg?v=1768472797"},{"product_id":"ivo-soli-ritratto-donna-anziana-che-ride","title":"Ivo Soli - Portrait of an Elderly Woman Laughing","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn his portraits, Ivo Soli demonstrates remarkable pictorial technique, allowing him to render his subjects perfectly in a naturalistic manner. There is great precision and richness of detail from a physiognomic perspective, in a pared-down approach to portraiture that focuses all attention on the subject's personality. In addition to this meticulous study of character, Ivo Soli also stands out for his dynamic brushstrokes, which create evocative existential vibrations. The subjects' forms blend seamlessly with the decontextualized space of the background and the paint. His skillful use of light enhances the figures' sculptural texture. The demeanor and expressions reveal much of the realistic nature of Ivo Soli's portraits, further confirmed by his dynamic, vibrantly vital pictorial style.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218329579906,"sku":"FGIAN008","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-RITRATTO-DONNA-CHE-RIDE-FINELLI.jpg?v=1768472797"},{"product_id":"ivo-soli-ritratto-viandante","title":"Ivo Soli - Wanderer","description":"\u003cp\u003eSocial themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions throughout European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with social themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso. Ivo Soli's sculptures are often inspired by popular figures.\u003c\/p\u003e\n\n\n \u003cp\u003eIn his sculptures, Ivo Soli draws on a classical and traditional conception of artistic creation. As we can see in this work, the sculptor pursues a naturalistic rendering, which he achieves through his remarkable technique. The artist manages to emphasize the subject's volumes, creating a balanced relationship within the work. There is, however, a certain abstraction in the physiognomy. Indeed, to achieve greater expressiveness, Ivo Soli, while remaining within the realm of naturalism, employs slight but noticeable deformations of the human figure. This gives the figure a certain essential, rarefied quality, introducing a strong contemporary connotation to Ivo Soli's sculptural practice.\u003c\/p\u003e\n\n\n \u003cp\u003eIvo Soli (Spilamberto, July 8, 1898 – Vignola, 1979) was an Italian sculptor. He moved with his family to Vignola, where he was apprenticed in a blacksmith's shop. He then went to study in Modena, but in 1917 he was called up for service in the First World War. After his discharge, he completed his sculpture studies in 1921 and went to Milan to teach sculpture and composition at the Brera School of Art. In 1931 he participated in the first Rome Quadrennial, in 1934 in the Venice Biennale, and again in the 1936, 1940, and 1948 editions. In 1957 he participated in the Third National Exhibition of Sacred Art at the Angelicum in Milan. He also participated in numerous exhibitions throughout Europe.\u003c\/p\u003e","brand":"Finelli Gianluca","offers":[{"title":"Default Title","offer_id":56218329776514,"sku":"FGIAN009","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SOLI-SCULTURA-FINELLI.jpg?v=1768472798"}],"url":"https:\/\/venderequadri.it\/en\/collections\/ivo-soli.oembed","provider":"Venderequadri","version":"1.0","type":"link"}