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Untitled","description":"\u003ch3\u003e DESCRIPTION\u003c\/h3\u003e\n\n He was born in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e on February 19, 1924, to Guido Vespignani and Ester Molinari, great-grandson of \u003ca title=\"Virginio Vespignani\" href=\"https:\/\/it.wikipedia.org\/wiki\/Virginio_Vespignani\"\u003eVirginio Vespignani\u003c\/a\u003e , a famous architect. After the death of his father, a respected surgeon and cardiologist, he was forced, at a very young age, to move with his mother to the working-class area of ​​Portonaccio, adjacent to the San Lorenzo neighborhood, where he grew up.\n\r \nHere, during the Nazi occupation of the capital, in hiding like many of his peers, he began to draw, trying to represent the cruel, dirty and pathetic reality around him: the squalor of the urban landscape of the \u003ca title=\"Outskirts\" href=\"https:\/\/it.wikipedia.org\/wiki\/Periferia\"\u003esuburbs\u003c\/a\u003e , the ruins and rubble caused by the \u003ca title=\"Bombing\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bombardamento\"\u003ebombings\u003c\/a\u003e , the drama of the \u003ca title=\"Marginalization\" href=\"https:\/\/it.wikipedia.org\/wiki\/Emarginazione\"\u003emarginalized\u003c\/a\u003e and the poverty of everyday life.\n\r \nHis art was not limited to painting alone; he was the illustrator of numerous masterpieces. His work as a set designer was also important: he worked on “The Numbered Days” and “The Assassin” by \u003ca title=\"Elio Petri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Elio_Petri\"\u003eElio Petri\u003c\/a\u003e , “Dance Marathon” and “The Bassarids” by \u003ca title=\"Hans Werner Henze\" href=\"https:\/\/it.wikipedia.org\/wiki\/Hans_Werner_Henze\"\u003eHans Werner Henze\u003c\/a\u003e , “The Seven Deadly Sins” and “The Mother” by \u003ca title=\"Bertolt Brecht\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bertolt_Brecht\"\u003eBertolt Brecht\u003c\/a\u003e , and “Jenufa” by \u003ca title=\"Leoš Janáček\" href=\"https:\/\/it.wikipedia.org\/wiki\/Leo%C5%A1_Jan%C3%A1%C4%8Dek\"\u003eLeoš Janáček\u003c\/a\u003e . As an engraver, he produced over four hundred titles in \u003ca title=\"Etching\" href=\"https:\/\/it.wikipedia.org\/wiki\/Acquaforte\"\u003eetching\u003c\/a\u003e , \u003ca title=\"Soft paint\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vernice_molle\"\u003esoft varnish\u003c\/a\u003e , and \u003ca title=\"Lithography\" href=\"https:\/\/it.wikipedia.org\/wiki\/Litografia\"\u003elithography\u003c\/a\u003e .\r \n\r \nHe began painting during the Nazi occupation, hiding with the engraver \u003ca class=\"new\" title=\"Lino Bianchi Barriviera (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Lino_Bianchi_Barriviera\u0026amp;action=edit\u0026amp;redlink=1\"\u003eLino Bianchi Barriviera\u003c\/a\u003e , his first teacher. Other important points of reference, who influenced his artistic beginnings, were \u003ca title=\"Alberto Ziveri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alberto_Ziveri\"\u003eAlberto Ziveri\u003c\/a\u003e and \u003ca title=\"Luigi Bartolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Luigi_Bartolini\"\u003eLuigi Bartolini,\u003c\/a\u003e while, especially in his early paintings, the influence of expressionists such as \u003ca title=\"George Grosz\" href=\"https:\/\/it.wikipedia.org\/wiki\/George_Grosz\"\u003eGeorge Grosz\u003c\/a\u003e and \u003ca title=\"Otto Dix\" href=\"https:\/\/it.wikipedia.org\/wiki\/Otto_Dix\"\u003eOtto Dix\u003c\/a\u003e seems evident. In \u003ca title=\"1945\" href=\"https:\/\/it.wikipedia.org\/wiki\/1945\"\u003e1945\u003c\/a\u003e he exhibited his first solo exhibition and began contributing to various political-literary magazines ( \u003ci\u003eDomenica\u003c\/i\u003e , \u003ci\u003eFolla\u003c\/i\u003e , \u003ci\u003eMercurio\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"The Literary Fair\" href=\"https:\/\/it.wikipedia.org\/wiki\/La_Fiera_Letteraria\"\u003eLa Fiera Letteraria\u003c\/a\u003e\u003c\/i\u003e ) with satirical writings, illustrations and drawings.\r \n\nHis work, between \u003ca title=\"1944\" href=\"https:\/\/it.wikipedia.org\/wiki\/1944\"\u003e1944\u003c\/a\u003e and \u003ca title=\"1948\" href=\"https:\/\/it.wikipedia.org\/wiki\/1948\"\u003e1948,\u003c\/a\u003e describes the attempt to resurrect an Italy destroyed by \u003ca title=\"Second World War\" href=\"https:\/\/it.wikipedia.org\/wiki\/Seconda_guerra_mondiale\"\u003ewar\u003c\/a\u003e .\n\n In \u003ca title=\"1956\" href=\"https:\/\/it.wikipedia.org\/wiki\/1956\"\u003e1956\u003c\/a\u003e , together with other intellectuals, he founded the magazine \u003ci\u003eCittà Aperta\u003c\/i\u003e , which focused on the problems of urban culture.\n\n In \u003ca title=\"1961\" href=\"https:\/\/it.wikipedia.org\/wiki\/1961\"\u003e1961\u003c\/a\u003e he was among the winners of the \u003ca title=\"Spoleto Award\" href=\"https:\/\/it.wikipedia.org\/wiki\/Premio_Spoleto\"\u003eSpoleto Prize\u003c\/a\u003e ; the chosen artists were dedicated an essay accompanied by large format reproductions (black and white and four-colour) of the exhibited works. \u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\n\r \nIn 1963 one of his works was exhibited at the \u003ci\u003e\u003ca title=\"Contemporary Italian Paintings\" href=\"https:\/\/it.wikipedia.org\/wiki\/Contemporary_Italian_Paintings\"\u003eContemporary Italian Paintings\u003c\/a\u003e\u003c\/i\u003e exhibition, set up in some \u003ca title=\"Australia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Australia\"\u003eAustralian\u003c\/a\u003e cities \u003csup id=\"cite_ref-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e . In 1963-64 he exhibited at the \u003ci\u003e\u003ca title=\"Italian paints d'aujourd'hui\" href=\"https:\/\/it.wikipedia.org\/wiki\/Peintures_italiennes_d%27aujourd%27hui\"\u003ePeintures italiennes d'aujourd'hui\u003c\/a\u003e\u003c\/i\u003e exhibition, organised in \u003ca class=\"mw-redirect\" title=\"Middle East\" href=\"https:\/\/it.wikipedia.org\/wiki\/Medio_oriente\"\u003ethe Middle East\u003c\/a\u003e and \u003ca title=\"North Africa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nordafrica\"\u003eNorth Africa\u003c\/a\u003e \u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e .\n\r \nAmong the artists close to him we remember \u003ca title=\"Joseph Zigaina\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giuseppe_Zigaina\"\u003eGiuseppe Zigaina\u003c\/a\u003e (and the so-called \u003ci\u003e\u003ca class=\"new\" title=\"Portonaccio School (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Scuola_di_Portonaccio\u0026amp;action=edit\u0026amp;redlink=1\"\u003ePortonaccio School\u003c\/a\u003e\u003c\/i\u003e \u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e ) and, after \u003ca title=\"1963\" href=\"https:\/\/it.wikipedia.org\/wiki\/1963\"\u003e'63\u003c\/a\u003e , those of the group called \u003ci\u003e\u003ca class=\"new\" title=\"The pros and cons (the page doesn't exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Il_pro_e_il_contro\u0026amp;action=edit\u0026amp;redlink=1\"\u003eIl pro e il contro\u003c\/a\u003e\u003c\/i\u003e \u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e , founded by him together with \u003ca title=\"Ugo Attardi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ugo_Attardi\"\u003eUgo Attardi\u003c\/a\u003e , \u003ca title=\"Fernando Farulli\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fernando_Farulli\"\u003eFernando Farulli\u003c\/a\u003e , \u003ca title=\"Ennio Calabria\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ennio_Calabria\"\u003eEnnio Calabria\u003c\/a\u003e , \u003ca title=\"Piero Guccione\" href=\"https:\/\/it.wikipedia.org\/wiki\/Piero_Guccione\"\u003ePiero Guccione\u003c\/a\u003e and \u003ca title=\"Alberto Gianquinto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alberto_Gianquinto\"\u003eAlberto Gianquinto\u003c\/a\u003e .\r \n\r \nSince \u003ca title=\"1969\" href=\"https:\/\/it.wikipedia.org\/wiki\/1969\"\u003e1969\u003c\/a\u003e , Vespignani has been working on large pictorial cycles dedicated to the crisis of the affluent society: \u003ci\u003eEmbarkation for Cythera\u003c\/i\u003e ( \u003ca title=\"1969\" href=\"https:\/\/it.wikipedia.org\/wiki\/1969\"\u003e1969\u003c\/a\u003e ), concerning the intellectual class involved in '68; \u003ci\u003eFamily Album\u003c\/i\u003e ( \u003ca title=\"1971\" href=\"https:\/\/it.wikipedia.org\/wiki\/1971\"\u003e1971\u003c\/a\u003e ), a polemical look at his personal daily life; \u003ci\u003eBetween Two Wars\u003c\/i\u003e ( \u003ca title=\"1973\" href=\"https:\/\/it.wikipedia.org\/wiki\/1973\"\u003e1973\u003c\/a\u003e – \u003ca title=\"1975\" href=\"https:\/\/it.wikipedia.org\/wiki\/1975\"\u003e1975\u003c\/a\u003e ), an inflexible analysis of petty bourgeois respectability and authoritarianism in Italy; \u003ci\u003eLike Flies in Honey\u003c\/i\u003e ( \u003ca title=\"1984\" href=\"https:\/\/it.wikipedia.org\/wiki\/1984\"\u003e1984\u003c\/a\u003e ), dedicated to \u003ca title=\"Pier Paolo Pasolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pier_Paolo_Pasolini\"\u003ePier Paolo Pasolini\u003c\/a\u003e . In 1991 he exhibited 124 works in Rome, among which the \u003ci\u003eManhattan Transfert\u003c\/i\u003e cycle \u003csup id=\"cite_ref-6\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e , a criticism of the unsustainable existential delirium of the \u003ca class=\"mw-redirect\" title=\"American way of life\" href=\"https:\/\/it.wikipedia.org\/wiki\/American_way_of_life\"\u003eAmerican way of life\u003c\/a\u003e .\r \n\r \nHis relationship with literature was very close. Vespignani illustrated \u003ca title=\"John Boccaccio\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giovanni_Boccaccio\"\u003eBoccaccio\u003c\/a\u003e 's \u003ca class=\"mw-redirect\" title=\"Decameron\" href=\"https:\/\/it.wikipedia.org\/wiki\/Decameron\"\u003eDecameron\u003c\/a\u003e , \u003ca title=\"Giacomo Leopardi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giacomo_Leopardi\"\u003eLeopardi\u003c\/a\u003e 's poems and prose, \u003ca title=\"Vladimir Vladimirovich Mayakovsky\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vladimir_Vladimirovi%C4%8D_Majakovskij\"\u003eMayakovsky\u003c\/a\u003e 's \u003ci\u003eComplete Works\u003c\/i\u003e , \u003ca title=\"Thomas Stearns Eliot\" href=\"https:\/\/it.wikipedia.org\/wiki\/Thomas_Stearns_Eliot\"\u003eEliot\u003c\/a\u003e 's \u003ci\u003eFour Quartets\u003c\/i\u003e , \u003ca title=\"Franz Kafka\" href=\"https:\/\/it.wikipedia.org\/wiki\/Franz_Kafka\"\u003eKafka\u003c\/a\u003e 's \u003ci\u003eStories\u003c\/i\u003e , \u003ca title=\"Joseph Gioachino Belli\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giuseppe_Gioachino_Belli\"\u003eBelli\u003c\/a\u003e 's \u003ci\u003eSonnets\u003c\/i\u003e , \u003ca title=\"Carlo Porta\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Porta\"\u003ePorta\u003c\/a\u003e 's \u003ci\u003ePoems\u003c\/i\u003e , \u003ca title=\"François Villon\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fran%C3%A7ois_Villon\"\u003eVillon\u003c\/a\u003e 's \u003ci\u003eTestament\u003c\/i\u003e and \u003ca title=\"Henri Alleg\" href=\"https:\/\/it.wikipedia.org\/wiki\/Henri_Alleg\"\u003eAlleg\u003c\/a\u003e 's \u003ci\u003eLa Question\u003c\/i\u003e .\r \n\nIn \u003ca title=\"1999\" href=\"https:\/\/it.wikipedia.org\/wiki\/1999\"\u003e1999\u003c\/a\u003e he was elected President of the \u003ca class=\"mw-redirect\" title=\"National Academy of San Luca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Accademia_Nazionale_di_San_Luca\"\u003eNational Academy of San Luca\u003c\/a\u003e and appointed \u003ca class=\"mw-redirect\" title=\"Order of Merit of the Italian Republic\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ordine_al_merito_della_Repubblica_Italiana#Grande_ufficiale\"\u003eGrand Officer\u003c\/a\u003e of the \u003ca class=\"mw-redirect\" title=\"Order of Merit of the Italian Republic\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ordine_al_merito_della_Repubblica_Italiana\"\u003eOrder of Merit of the Italian Republic\u003c\/a\u003e .\n\u003ch2\u003e \u003cspan id=\"Opere_nei_musei\" class=\"mw-headline\"\u003eWorks in museums\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003ca class=\"new\" title=\"Regional Collection of Modern and Contemporary Art of the Aosta Valley (this page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Collezione_Regionale_d%27arte_moderna_e_contemporanea_della_Valle_d%27Aosta\u0026amp;action=edit\u0026amp;redlink=1\"\u003eRegional Collection of Modern and Contemporary Art of the Aosta Valley\u003c\/a\u003e at the Gamba Castle in \u003ca class=\"new\" title=\"Cret de Breil (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Cret_de_Breil\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCret de Breil\u003c\/a\u003e di \u003ca class=\"mw-disambig\" title=\"Châtillon\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ch%C3%A2tillon\"\u003eChâtillon\u003c\/a\u003e with the work: \u003ci\u003e\u003cb\u003eMadonnaro\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1962\" href=\"https:\/\/it.wikipedia.org\/wiki\/1962\"\u003e1962\u003c\/a\u003e )\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Uffizi Gallery\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_degli_Uffizi\"\u003eUffizi Gallery\u003c\/a\u003e in \u003ca title=\"Florence\" href=\"https:\/\/it.wikipedia.org\/wiki\/Firenze\"\u003eFlorence\u003c\/a\u003e with the work \u003ci\u003e\u003cb\u003eSelf-Portrait\u003c\/b\u003e\u003c\/i\u003e on deposit and the drawing \u003ci\u003e\u003cb\u003eSelf-Portrait\u003c\/b\u003e\u003c\/i\u003e (Uffizi Prints and Drawings Cabinet).\u003c\/li\u003e\n\n\u003cli\u003e Civic Gallery of the \u003ca title=\"Suzzara Award\" href=\"https:\/\/it.wikipedia.org\/wiki\/Premio_Suzzara\"\u003eSuzzara Prize\u003c\/a\u003e of \u003ca title=\"Suzzara\" href=\"https:\/\/it.wikipedia.org\/wiki\/Suzzara\"\u003eSuzzara\u003c\/a\u003e with the works: \u003ci\u003e\u003cb\u003eTerezin\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1982\" href=\"https:\/\/it.wikipedia.org\/wiki\/1982\"\u003e1982\u003c\/a\u003e ) and \u003ci\u003e\u003cb\u003eWest Broadway\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1988\" href=\"https:\/\/it.wikipedia.org\/wiki\/1988\"\u003e1988\u003c\/a\u003e ).\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Gallarate Art Museum\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_arte_Gallarate\"\u003eMAGA museum of modern and contemporary art\u003c\/a\u003e in \u003ca title=\"Gallarate\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gallarate\"\u003eGallarate\u003c\/a\u003e with the work: \u003ci\u003e\u003cb\u003eRottame\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1966\" href=\"https:\/\/it.wikipedia.org\/wiki\/1966\"\u003e1966\u003c\/a\u003e ).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"new\" title=\"Correggio Civic Museum (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_Civico_il_Correggio\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCorreggio Civic Museum\u003c\/a\u003e of \u003ca title=\"Correggio (Italy)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Correggio_(Italia)\"\u003eCorreggio\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca title=\"Carandente Museum, Palazzo Collicola - Visual Arts\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_Carandente,_Palazzo_Collicola_-_Arti_visive\"\u003eCarandente Museum, Palazzo Collicola – Visual Arts\u003c\/a\u003e of \u003ca title=\"Spoleto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Spoleto\"\u003eSpoleto\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Avellino\" href=\"https:\/\/it.wikipedia.org\/wiki\/Avellino\"\u003eAvellino\u003c\/a\u003e \u003ca title=\"Art Museum (Avellino)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_d%27arte_(Avellino)\"\u003eArt Museum\u003c\/a\u003e with the work: \u003ci\u003e\u003cb\u003eMarta\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1982\" href=\"https:\/\/it.wikipedia.org\/wiki\/1982\"\u003e1982\u003c\/a\u003e ).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"new\" title=\"Palazzo de'Mayo Art Museum (this page doesn't exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_d%27arte_di_Palazzo_de%27Mayo\u0026amp;action=edit\u0026amp;redlink=1\"\u003ePalazzo de'Mayo Art Museum\u003c\/a\u003e in \u003ca title=\"Chieti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Chieti\"\u003eChieti\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca title=\"Costantino Barbella Art Museum\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_d%27arte_Costantino_Barbella\"\u003eCostantino Barbella Art Museum\u003c\/a\u003e in \u003ca title=\"Chieti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Chieti\"\u003eChieti\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca class=\"new\" title=\"Imperial Contrada of the Giraffe Museum (this page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_della_Contrada_Imperiale_della_Giraffa\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMuseum of the Imperial Contrada of the Giraffe\u003c\/a\u003e of \u003ca title=\"Siena\" href=\"https:\/\/it.wikipedia.org\/wiki\/Siena\"\u003eSiena\u003c\/a\u003e with a banner or palio.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"new\" title=\"Tito Balestra Foundation Museum (this page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_della_Fondazione_%22Tito_Balestra%22\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMuseum of the “Tito Balestra” Foundation\u003c\/a\u003e of \u003ca title=\"Longiano\" href=\"https:\/\/it.wikipedia.org\/wiki\/Longiano\"\u003eLongiano\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca class=\"new\" title=\"Museum of the Roman School (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_della_scuola_Romana\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMuseum of the Roman School\u003c\/a\u003e in \u003ca title=\"Villa Torlonia (Rome)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Villa_Torlonia_(Roma)\"\u003eVilla Torlonia\u003c\/a\u003e in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"mw-redirect\" title=\"Civic Art Gallery\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pinacoteca_Civica\"\u003eCivic Art Gallery\u003c\/a\u003e of \u003ca title=\"Sulmona\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sulmona\"\u003eSulmona\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cspan id=\"Mostre_personali\" class=\"mw-headline\"\u003ePersonal exhibitions\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 1945 Rome, “La Margherita” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1946 Rome, “L'Obelisco” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1947 Milan, “Il Naviglio” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1949 Turin, “La Bussola” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1953 London, headquarters of the British Council\u003c\/li\u003e\n\n\u003cli\u003e 1955 Boston, “Museum of Fine Arts”.\u003c\/li\u003e\n\n\u003cli\u003e 1957 Munich, “Haus der Kunst”.\u003c\/li\u003e\n\n\u003cli\u003e 1958 Los Angeles, “Landau Gallery”.\u003c\/li\u003e\n\n\t \u003cli\u003e1964 Rome, “Il Knave di Spade” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1965 Rome, “Il Torcoliere” Gallery. Graphic art exhibition.\u003c\/li\u003e\n\n\u003cli\u003e 1966 Milan, “Bergamini” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1967 Rome, “Il Knave di Spade” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1969 Ferrara, Palazzo dei Diamanti. He exhibits the series \"Embarkation for Cythera.\"\u003c\/li\u003e\n\n\u003cli\u003e 1975 Bologna, Galleria D'Arte Moderna. Exhibition of the series \"Between Two Wars,\" curated by Franco Solmi.\u003c\/li\u003e\n\n\u003cli\u003e 1979 Toronto, Madison Gallery. Presentation by \u003ca title=\"James Purdy\" href=\"https:\/\/it.wikipedia.org\/wiki\/James_Purdy\"\u003eJames Purdy\u003c\/a\u003e .\u003c\/li\u003e\n\n\u003cli\u003e 1982 Rome, Castel Sant'Angelo, anthology.\u003c\/li\u003e\n\n\u003cli\u003e 1984 Rome, French Academy of Villa Medici, “Like Flies in Honey” in homage to Pasolini. The catalogue includes texts by Jean Marie Drot, \u003ca title=\"Laura Betti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Laura_Betti\"\u003eLaura Betti\u003c\/a\u003e , Lorenza Trucchi, \u003ca title=\"Pier Paolo Pasolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pier_Paolo_Pasolini\"\u003ePier Paolo Pasolini\u003c\/a\u003e , and Renzo Vespignani.\u003c\/li\u003e\n\n\u003cli\u003e 1986 Prague, National Gallery. Exhibits the cycle “Between Two Wars.”\u003c\/li\u003e\n\n\t \u003cli\u003e1990 Rome, Palazzo delle Esposizioni. Anthology\u003c\/li\u003e\n\n\u003cli\u003e 1999 Cagliari, ExMa, Municipal Center of Art and Culture.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cspan id=\"Mostre_post_mortem\" class=\"mw-headline\"\u003ePost-mortem exhibitions\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 2011 Cagliari, 2+1 Exhibition Space, Superpositions Renzo Vespignani_Angelo \u003ca title=\"Angelo Liberati\" href=\"https:\/\/it.wikipedia.org\/wiki\/Angelo_Liberati\"\u003eLiberati\u003c\/a\u003e (on the occasion of the tenth anniversary of his death).\u003c\/li\u003e\n\n\u003cli\u003e 2011 Rome Edarcom Europa Gallery (on the occasion of the tenth anniversary of his death).\u003c\/li\u003e\n\n\u003cli\u003e 2012 Villa Torlonia Casino dei Principi (on the occasion of the tenth anniversary of his death).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Vendere Quadri","offers":[{"title":"Default Title","offer_id":56210456084866,"sku":"RQUAD006","price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/renzo-vespignani-acqua-fote-e-acqua-tinta-su-carta-70x100.-tir-31-150-anno-94.jpg?v=1768390363"},{"product_id":"bruno-cassinari-nudo","title":"Bruno Cassinari - Nude","description":"","brand":"Reitano Carmelo","offers":[{"title":"Default Title","offer_id":56210497274242,"sku":"CREI001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20170111_171726.jpg?v=1768390647"},{"product_id":"giovanni-fattori-collezione-5-acqueforti","title":"Giovanni Fattori - Collection of 5 Etchings","description":"","brand":"Monaldi Maurizio","offers":[{"title":"Default Title","offer_id":56210498453890,"sku":"MMON001","price":10000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/collage.png?v=1768390662"},{"product_id":"gentilini-senza-titolo","title":"Gentilini - Untitled","description":"","brand":"Corso Paolo","offers":[{"title":"Default Title","offer_id":56210545967490,"sku":"PCOR001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0787.jpg?v=1768390966"},{"product_id":"michele-cascella-pittore-3","title":"Michele Cascella - Landscape","description":"\u003cp style=\"text-align: justify;\"\u003e After carrying out his first artistic activities under the guidance of his father Basilio, in 1907, together with his brother Tommaso, \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Michele_Cascella\"\u003eCascella\u003c\/a\u003e held his first personal exhibition in the rooms of the Famiglia Artistica Milanese.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In 1909, again with his brother Tommaso, he organized an exhibition at the Galerie Druet in Paris, participating in the Salon d'Automne that same year. In 1911, he organized an exhibition of pastel drawings in the foyer of the Teatro dell'Opera in Rome. Between 1914 and 1915, he contributed drawings and graphic illustrations to La Grande Illustrazione, published by his father Basilio, exhibiting in 1917 at the Salone dell'Associazione della Stampa and at the Galleria Centrale d'Arte in Milan. He fought in the First World War.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn Rome, in 1919, he held a solo exhibition at the Galleria Bragaglia and met Carlo Carrà there, who later agreed to move the exhibition to Milan's Galleria Lidel. In 1920, he settled permanently in Milan, where he enthusiastically frequented the poet Clemente Rebora, from whom he later confessed to drawing inspiration for some of his works.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e From 1928 to 1932 he traveled between Italy and Paris, where, in 1937, he was awarded the gold medal at the International Exhibition. In 1938, he designed the sets for the opera \u003cem\u003eMargherita da Cortona,\u003c\/em\u003e performed at La Scala.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e From 1928 to 1942 he was present at all editions of the Venice Art Biennale, and in the 1948 edition he had a personal room.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eFrom 1938, he lived in Portofino, which became a source of inspiration for his later works. Between 1937 and 1938, he created a large mosaic in the new Messina Marittima station, depicting Mussolini, during a visit to Palermo, \"elevating Sicily to the honor of being the center of the Empire.\"\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In the 1950s, he created a series of approximately 40 drawings for the Italian ceramics company in Laveno, titled \"Italy as Seen by Michele Cascella.\" These were used to decorate very important tableware services produced by the Laveno factory.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAfter the Second World War, his exhibitions abroad became more frequent: Paris (in the 1950s and 1960s), but also South America (especially Buenos Aires and Montevideo) and the United States. He settled in the United States, specifically in California, for long periods, alternating between stays in Italy (he lived for several years in the countryside near Colle Val d'Elsa) and Europe. His most popular subjects were flowers, wheat fields and poppies, the landscapes of Abruzzo and Portofino. The anthological exhibitions of this period were significant.\u003c\/p\u003e","brand":"Sterpi Marco 1600 -1400","offers":[{"title":"Default Title","offer_id":56210581881218,"sku":"MSTE001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/3-e1491308093785.png?v=1768391356"},{"product_id":"michele-cascella-pittore","title":"Michele Cascella - Landscape","description":"\u003cp style=\"text-align: justify;\"\u003e After carrying out his first artistic activities under the guidance of his father Basilio, in 1907, together with his brother Tommaso, \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Michele_Cascella\"\u003eCascella\u003c\/a\u003e held his first personal exhibition in the rooms of the Famiglia Artistica Milanese.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn 1909, again with his brother Tommaso, he organized an exhibition at the Galerie Druet in Paris, participating in the Salon d'Automne that same year. In 1911, he organized an exhibition of pastel drawings in the foyer of the Teatro dell'Opera in Rome. Between 1914 and 1915, he contributed drawings and graphic illustrations to La Grande Illustrazione, published by his father Basilio, exhibiting in 1917 at the Salone dell'Associazione della Stampa and at the Galleria Centrale d'Arte in Milan. He fought in the First World War.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In Rome, in 1919, he held a solo exhibition at the Galleria Bragaglia and met Carlo Carrà there, who later agreed to move the exhibition to Milan's Galleria Lidel. In 1920, he settled permanently in Milan, where he enthusiastically frequented the poet Clemente Rebora, from whom he later confessed to drawing inspiration for some of his works.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eFrom 1928 to 1932 he traveled between Italy and Paris, where, in 1937, he was awarded the gold medal at the International Exhibition. In 1938, he designed the sets for the opera \u003cem\u003eMargherita da Cortona,\u003c\/em\u003e performed at La Scala.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e From 1928 to 1942 he was present at all editions of the Venice Art Biennale, and in the 1948 edition he had a personal room.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e From 1938, he lived in Portofino, which became a source of inspiration for his later works. Between 1937 and 1938, he created a large mosaic in the new Messina Marittima station, depicting Mussolini, during a visit to Palermo, \"elevating Sicily to the honor of being the center of the Empire.\"\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In the 1950s, he created a series of approximately 40 drawings for the Italian ceramics company in Laveno, titled \"Italy as Seen by Michele Cascella.\" These were used to decorate very important tableware services produced by the Laveno factory.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAfter the Second World War, his exhibitions abroad became more frequent: Paris (in the 1950s and 1960s), but also South America (especially Buenos Aires and Montevideo) and the United States. He settled in the United States, specifically in California, for long periods, alternating between stays in Italy (he lived for several years in the countryside near Colle Val d'Elsa) and Europe. His most popular subjects were flowers, wheat fields and poppies, the landscapes of Abruzzo and Portofino. The anthological exhibitions of this period were significant.\u003c\/p\u003e","brand":"Sterpi Marco","offers":[{"title":"Default Title","offer_id":56210585485698,"sku":"MSTE003","price":3200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1_19516025-216a-475b-b7e5-b8db6fe46cf1.png?v=1768391360"},{"product_id":"renato-guttuso-opera-grafica-3","title":"Renato Guttuso - Greek Coffee","description":"\u003cp style=\"text-align: justify;\"\u003eA prominent figure in the communist movement and a famous painter, Renato Guttuso was born in Bagheria on December 26, 1911. His parents, due to conflicts with the Bagheria municipal administration over their liberal beliefs, chose to register his birth in Palermo on January 2, 1912. Guttuso's talent was precocious, and at just thirteen he began to date and sign his paintings. At just seventeen (1928), he had the opportunity to hold his first exhibition in Palermo. His first paintings depicted Sicilian peasants and fellow villagers; among his famous works are \"Escape from Etna\" from 1937, and \"Vuccirria,\" which celebrates the popular market of Palermo. His purely figurative execution addresses themes of the peasant and rural world, social issues, and overtly political subjects. He moved to Rome, where he formed friendships and professional relationships with the painters Birolli, Fontana, and Persico. At the outbreak of World War II, Guttuso painted a series of paintings entitled \"Gott mit Uns\"—\"God is with us\"—a motto engraved on the buckles of Nazi soldiers. His polemical message emerged forcefully. His ideological expression reached its peak with the work \"The Funeral of Togliatti,\" which became a manifesto of anti-fascism. In the postwar period, he stylistically followed Pablo Picasso's early period, the so-called \"Blue Period.\" In 1946, he founded the \"Fronte Nuovo delle Arti,\" together with Birolli, Vedova, Morlotti, and Turcato. In the late 1960s, he produced paintings reflecting the situation in Europe and France. He moved to Paris, where he portrayed young people at the first protest marches in what would later become the legendary \"French May.\"\u003c\/p\u003e","brand":"Forti Paolo","offers":[{"title":"Default Title","offer_id":56210590237058,"sku":"PFOR001","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/image-6.jpg?v=1768391420"},{"product_id":"renato-guttuso-opera-grafica-2","title":"Renato Guttuso - Nude","description":"\u003cp style=\"text-align: justify;\"\u003eA prominent figure in the communist movement and a famous painter, Renato Guttuso was born in Bagheria on December 26, 1911. His parents, due to conflicts with the Bagheria municipal administration over their liberal beliefs, chose to register his birth in Palermo on January 2, 1912. Guttuso's talent was precocious, and at just thirteen he began to date and sign his paintings. At just seventeen (1928), he had the opportunity to hold his first exhibition in Palermo. His first paintings depicted Sicilian peasants and fellow villagers; among his famous works are \"Escape from Etna\" from 1937, and \"Vuccirria,\" which celebrates the popular market of Palermo. His purely figurative execution addresses themes of the peasant and rural world, social issues, and overtly political subjects. He moved to Rome, where he formed friendships and professional relationships with the painters Birolli, Fontana, and Persico. At the outbreak of World War II, Guttuso painted a series of paintings entitled \"Gott mit Uns\"—\"God is with us\"—a motto engraved on the buckles of Nazi soldiers. His polemical message emerged forcefully. His ideological expression reached its peak with the work \"The Funeral of Togliatti,\" which became a manifesto of anti-fascism. In the postwar period, he stylistically followed Pablo Picasso's early period, the so-called \"Blue Period.\" In 1946, he founded the \"Fronte Nuovo delle Arti,\" together with Birolli, Vedova, Morlotti, and Turcato. In the late 1960s, he produced paintings reflecting the situation in Europe and France. He moved to Paris, where he portrayed young people at the first protest marches in what would later become the legendary \"French May.\"\u003c\/p\u003e","brand":"Forti Paolo","offers":[{"title":"Default Title","offer_id":56210590269826,"sku":"PFOR002","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Guttuso-Nudo_140643.jpg?v=1768391421"},{"product_id":"sigfrido-olivia-trittico","title":"Siegfried Olivia - Triptych","description":"","brand":"Tarabella Patrizia","offers":[{"title":"Default Title","offer_id":56210593710466,"sku":"PTAR003","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1595.jpg?v=1768391481"},{"product_id":"domenico-purificato-senza-titolo-6","title":"Domenico Purificato - Untitled","description":"","brand":"Velocci Rita","offers":[{"title":"Default Title","offer_id":56210630902146,"sku":"RVEL004","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Purificato-4333.jpg?v=1768391737"},{"product_id":"pino-pandolfini-cervello-esplosivo","title":"Pino Pandolfini - 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Summer Camp","description":"","brand":"Caula Marco","offers":[{"title":"Default Title","offer_id":56211259130242,"sku":"MCAU001","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-0.jpg?v=1768398441"},{"product_id":"nino-caffe-senza-titolo","title":"Nino Caffè - Untitled","description":"","brand":"Ballardini Federico","offers":[{"title":"Default Title","offer_id":56211283837314,"sku":"FBAL001","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Caff_C3_A8.jpg?v=1768398681"},{"product_id":"immacolata-concezione","title":"Immaculate Conception","description":"\u003cp style=\"text-align: justify;\"\u003eThe original etching and engraving by Johan Jakob Frey (1681-1752) reproduces the painting by Carlo Maratta (1625-1713) that adorns the altarpiece of the De Sylva Chapel in the church of S. Isidoro in Rome. The iconography contains the elements traditionally associated with the representation of the Immaculate Conception: the Virgin standing on the globe, with the crescent moon under her feet and her head crowned with stars, holds the Child in her arms and tramples on the serpent, symbol of sin, pierced by the cross.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e Marco Maiorino\u003c\/p\u003e","brand":"Fanti Mauro","offers":[{"title":"Default Title","offer_id":56211373883778,"sku":"MFAN001","price":42000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/madonnina.png?v=1768399490"},{"product_id":"immacolata-concezione-2","title":"Immaculate Conception","description":"\u003cp style=\"text-align: justify;\"\u003eThe original etching and engraving by Johan Jakob Frey (1681-1752) reproduces the painting by Carlo Maratta (1625-1713) that adorns the altarpiece of the De Sylva Chapel in the church of S. Isidoro in Rome. The iconography contains the elements traditionally associated with the representation of the Immaculate Conception: the Virgin standing on the globe, with the crescent moon under her feet and her head crowned with stars, holds the Child in her arms and tramples on the serpent, symbol of sin, pierced by the cross.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e Marco Maiorino\u003c\/p\u003e","brand":"Baldassari Davide","offers":[{"title":"Default Title","offer_id":56211376603522,"sku":"DBAL001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/madonnina_8cc81f78-a8c5-4caf-972a-382aa416d21f.png?v=1768399506"},{"product_id":"antonio-corpora","title":"Antonio Corpora - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work is part of Antonio Corpora's more informal production. In these paintings, the artist has completely lost touch with reality, at least visually. Thus, the composition is entirely based on color, which is distributed according to a refined interplay of balance and contrast within the work. A gestural and therefore instinctive component is undoubtedly present in the creation of these paintings. However, Antonio Corpora's sense of balance and harmony prevails throughout his work.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio Corpora was born in Tunis in 1909 and died in Rome in 2004. He studied under Gustave Moreau in Paris and Felice Carena in Florence. In Paris, he came into contact with the Post-Impressionist, Cubist, and Fauvist schools. In 1939, he held his first solo exhibition, and began to explore the Italian abstract art of Fontana, Reggiani, and Soldato. In 1945, he settled in Rome and met Guttuso. He participated in several editions of the Venice Biennale. Corpora began with figurative art, then moved on to abstract and Post-Impressionist compositions in 1934, and finally to Art Informel in the 1970s.\u003c\/p\u003e","brand":"Iacobelli Gianpaolo","offers":[{"title":"Default Title","offer_id":56211448365442,"sku":"GIAC002","price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20171219-WA0007.jpg?v=1768399988"},{"product_id":"alberto-sughi-senza-titolo-7","title":"Alberto Sughi - Untitled","description":"","brand":"Di Tullio Marco","offers":[{"title":"Default Title","offer_id":56211453673858,"sku":"MTUL003","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3552-19-12-17-01-50.jpg?v=1768400022"},{"product_id":"enotrio-senza-titolo","title":"Enotrio - Untitled","description":"","brand":"Antolini Andrea","offers":[{"title":"Default Title","offer_id":56211454361986,"sku":"AANT002","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9449-copia.jpg?v=1768400029"},{"product_id":"salvador-dali-euterpe-2","title":"Salvador Dalí - Euterpe","description":"","brand":"Buongiovanni Giorgio","offers":[{"title":"Default Title","offer_id":56211482214786,"sku":"GBUO001","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Dali_Enterpe_1800_master-copia.jpg?v=1768400110"},{"product_id":"salvador-dali-uranie","title":"Salvador Dalí - Uranie","description":"","brand":"Buongiovanni Giorgio","offers":[{"title":"Default Title","offer_id":56211483525506,"sku":"GBUO002","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ts_88424_3-copia.jpg?v=1768400111"},{"product_id":"renzo-vespignani-dedicato-raffaele-gandolfi","title":"Renzo Vespignani - Dedicated to Raffaele Gandolfi","description":"The etching has no real subject, but rather a stylistic exercise intended as a gift to a friend, as evidenced by the dedication. In this case, the presence of insects and Vespignani's extraordinary technical expertise give this card the character of an ancient manual, a sampler of insects with highly detailed illustrations.\n\r \nEven in these small drawings, we can recognize Vespignani's remarkable technical skill in drawing from life. This small sample reveals both a miniaturist expertise, in the desire to capture every detail as precisely as possible and achieve a completely naturalistic rendering. On the other hand, however, Vespignani's mastery of line is so profound that he manages to combine this precision with a capacity for synthesis and a speed, especially in delineating shadows, which convey the impression of movement, freeing these images from the status of mere illustrations.\n\r \nLorenzo Vespignani, known as Renzo, was a painter, illustrator, and set designer. His greatest talent was his skill in life drawing, which in his paintings is combined with a masterful use of color. In Vespignani's paintings, the precision and hyperrealism of the drawing are tempered by a fluid color, a milky consistency that brings everything to a more dreamlike dimension.\n\n\n\u003ch3\u003e DESCRIPTION\u003c\/h3\u003e\n\n He was born in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e on February 19, 1924, to Guido Vespignani and Ester Molinari, great-grandson of \u003ca title=\"Virginio Vespignani\" href=\"https:\/\/it.wikipedia.org\/wiki\/Virginio_Vespignani\"\u003eVirginio Vespignani\u003c\/a\u003e , a famous architect. After the death of his father, a respected surgeon and cardiologist, he was forced, at a very young age, to move with his mother to the working-class area of ​​Portonaccio, adjacent to the San Lorenzo neighborhood, where he grew up.\n\r \nHere, during the Nazi occupation of the capital, in hiding like many of his peers, he began to draw, trying to represent the cruel, dirty and pathetic reality around him: the squalor of the urban landscape of the \u003ca title=\"Outskirts\" href=\"https:\/\/it.wikipedia.org\/wiki\/Periferia\"\u003esuburbs\u003c\/a\u003e , the ruins and rubble caused by the \u003ca title=\"Bombing\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bombardamento\"\u003ebombings\u003c\/a\u003e , the drama of the \u003ca title=\"Marginalization\" href=\"https:\/\/it.wikipedia.org\/wiki\/Emarginazione\"\u003emarginalized\u003c\/a\u003e and the poverty of everyday life.\n\r \nHis art was not limited to painting alone; he was the illustrator of numerous masterpieces. His work as a set designer was also important: he worked on “The Numbered Days” and “The Assassin” by \u003ca title=\"Elio Petri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Elio_Petri\"\u003eElio Petri\u003c\/a\u003e , “Dance Marathon” and “The Bassarids” by \u003ca title=\"Hans Werner Henze\" href=\"https:\/\/it.wikipedia.org\/wiki\/Hans_Werner_Henze\"\u003eHans Werner Henze\u003c\/a\u003e , “The Seven Deadly Sins” and “The Mother” by \u003ca title=\"Bertolt Brecht\" href=\"https:\/\/it.wikipedia.org\/wiki\/Bertolt_Brecht\"\u003eBertolt Brecht\u003c\/a\u003e , and “Jenufa” by \u003ca title=\"Leoš Janáček\" href=\"https:\/\/it.wikipedia.org\/wiki\/Leo%C5%A1_Jan%C3%A1%C4%8Dek\"\u003eLeoš Janáček\u003c\/a\u003e . As an engraver, he produced over four hundred titles in \u003ca title=\"Etching\" href=\"https:\/\/it.wikipedia.org\/wiki\/Acquaforte\"\u003eetching\u003c\/a\u003e , \u003ca title=\"Soft paint\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vernice_molle\"\u003esoft varnish\u003c\/a\u003e , and \u003ca title=\"Lithography\" href=\"https:\/\/it.wikipedia.org\/wiki\/Litografia\"\u003elithography\u003c\/a\u003e .\r \n\r \nHe began painting during the Nazi occupation, hiding with the engraver \u003ca class=\"new\" title=\"Lino Bianchi Barriviera (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Lino_Bianchi_Barriviera\u0026amp;action=edit\u0026amp;redlink=1\"\u003eLino Bianchi Barriviera\u003c\/a\u003e , his first teacher. Other important points of reference, who influenced his artistic beginnings, were \u003ca title=\"Alberto Ziveri\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alberto_Ziveri\"\u003eAlberto Ziveri\u003c\/a\u003e and \u003ca title=\"Luigi Bartolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Luigi_Bartolini\"\u003eLuigi Bartolini,\u003c\/a\u003e while, especially in his early paintings, the influence of expressionists such as \u003ca title=\"George Grosz\" href=\"https:\/\/it.wikipedia.org\/wiki\/George_Grosz\"\u003eGeorge Grosz\u003c\/a\u003e and \u003ca title=\"Otto Dix\" href=\"https:\/\/it.wikipedia.org\/wiki\/Otto_Dix\"\u003eOtto Dix\u003c\/a\u003e seems evident. In \u003ca title=\"1945\" href=\"https:\/\/it.wikipedia.org\/wiki\/1945\"\u003e1945\u003c\/a\u003e he exhibited his first solo exhibition and began contributing to various political-literary magazines ( \u003ci\u003eDomenica\u003c\/i\u003e , \u003ci\u003eFolla\u003c\/i\u003e , \u003ci\u003eMercurio\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"The Literary Fair\" href=\"https:\/\/it.wikipedia.org\/wiki\/La_Fiera_Letteraria\"\u003eLa Fiera Letteraria\u003c\/a\u003e\u003c\/i\u003e ) with satirical writings, illustrations and drawings.\r \n\nHis work, between \u003ca title=\"1944\" href=\"https:\/\/it.wikipedia.org\/wiki\/1944\"\u003e1944\u003c\/a\u003e and \u003ca title=\"1948\" href=\"https:\/\/it.wikipedia.org\/wiki\/1948\"\u003e1948,\u003c\/a\u003e describes the attempt to resurrect an Italy destroyed by \u003ca title=\"Second World War\" href=\"https:\/\/it.wikipedia.org\/wiki\/Seconda_guerra_mondiale\"\u003ewar\u003c\/a\u003e .\n\n In \u003ca title=\"1956\" href=\"https:\/\/it.wikipedia.org\/wiki\/1956\"\u003e1956\u003c\/a\u003e , together with other intellectuals, he founded the magazine \u003ci\u003eCittà Aperta\u003c\/i\u003e , which focused on the problems of urban culture.\n\n In \u003ca title=\"1961\" href=\"https:\/\/it.wikipedia.org\/wiki\/1961\"\u003e1961\u003c\/a\u003e he was among the winners of the \u003ca title=\"Spoleto Award\" href=\"https:\/\/it.wikipedia.org\/wiki\/Premio_Spoleto\"\u003eSpoleto Prize\u003c\/a\u003e ; the chosen artists were dedicated an essay accompanied by large format reproductions (black and white and four-colour) of the exhibited works. \u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\n\r \nIn 1963 one of his works was exhibited at the \u003ci\u003e\u003ca title=\"Contemporary Italian Paintings\" href=\"https:\/\/it.wikipedia.org\/wiki\/Contemporary_Italian_Paintings\"\u003eContemporary Italian Paintings\u003c\/a\u003e\u003c\/i\u003e exhibition, set up in some \u003ca title=\"Australia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Australia\"\u003eAustralian\u003c\/a\u003e cities \u003csup id=\"cite_ref-2\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e . In 1963-64 he exhibited at the \u003ci\u003e\u003ca title=\"Italian paints d'aujourd'hui\" href=\"https:\/\/it.wikipedia.org\/wiki\/Peintures_italiennes_d%27aujourd%27hui\"\u003ePeintures italiennes d'aujourd'hui\u003c\/a\u003e\u003c\/i\u003e exhibition, organised in \u003ca class=\"mw-redirect\" title=\"Middle East\" href=\"https:\/\/it.wikipedia.org\/wiki\/Medio_oriente\"\u003ethe Middle East\u003c\/a\u003e and \u003ca title=\"North Africa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Nordafrica\"\u003eNorth Africa\u003c\/a\u003e \u003csup id=\"cite_ref-3\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e .\n\r \nAmong the artists close to him we remember \u003ca title=\"Joseph Zigaina\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giuseppe_Zigaina\"\u003eGiuseppe Zigaina\u003c\/a\u003e (and the so-called \u003ci\u003e\u003ca class=\"new\" title=\"Portonaccio School (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Scuola_di_Portonaccio\u0026amp;action=edit\u0026amp;redlink=1\"\u003ePortonaccio School\u003c\/a\u003e\u003c\/i\u003e \u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e ) and, after \u003ca title=\"1963\" href=\"https:\/\/it.wikipedia.org\/wiki\/1963\"\u003e'63\u003c\/a\u003e , those of the group called \u003ci\u003e\u003ca class=\"new\" title=\"The pros and cons (the page doesn't exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Il_pro_e_il_contro\u0026amp;action=edit\u0026amp;redlink=1\"\u003eIl pro e il contro\u003c\/a\u003e\u003c\/i\u003e \u003csup id=\"cite_ref-5\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-5\"\u003e[5]\u003c\/a\u003e\u003c\/sup\u003e , founded by him together with \u003ca title=\"Ugo Attardi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ugo_Attardi\"\u003eUgo Attardi\u003c\/a\u003e , \u003ca title=\"Fernando Farulli\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fernando_Farulli\"\u003eFernando Farulli\u003c\/a\u003e , \u003ca title=\"Ennio Calabria\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ennio_Calabria\"\u003eEnnio Calabria\u003c\/a\u003e , \u003ca title=\"Piero Guccione\" href=\"https:\/\/it.wikipedia.org\/wiki\/Piero_Guccione\"\u003ePiero Guccione\u003c\/a\u003e and \u003ca title=\"Alberto Gianquinto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Alberto_Gianquinto\"\u003eAlberto Gianquinto\u003c\/a\u003e .\r \n\r \nSince \u003ca title=\"1969\" href=\"https:\/\/it.wikipedia.org\/wiki\/1969\"\u003e1969\u003c\/a\u003e , Vespignani has been working on large pictorial cycles dedicated to the crisis of the affluent society: \u003ci\u003eEmbarkation for Cythera\u003c\/i\u003e ( \u003ca title=\"1969\" href=\"https:\/\/it.wikipedia.org\/wiki\/1969\"\u003e1969\u003c\/a\u003e ), concerning the intellectual class involved in '68; \u003ci\u003eFamily Album\u003c\/i\u003e ( \u003ca title=\"1971\" href=\"https:\/\/it.wikipedia.org\/wiki\/1971\"\u003e1971\u003c\/a\u003e ), a polemical look at his personal daily life; \u003ci\u003eBetween Two Wars\u003c\/i\u003e ( \u003ca title=\"1973\" href=\"https:\/\/it.wikipedia.org\/wiki\/1973\"\u003e1973\u003c\/a\u003e – \u003ca title=\"1975\" href=\"https:\/\/it.wikipedia.org\/wiki\/1975\"\u003e1975\u003c\/a\u003e ), an inflexible analysis of petty bourgeois respectability and authoritarianism in Italy; \u003ci\u003eLike Flies in Honey\u003c\/i\u003e ( \u003ca title=\"1984\" href=\"https:\/\/it.wikipedia.org\/wiki\/1984\"\u003e1984\u003c\/a\u003e ), dedicated to \u003ca title=\"Pier Paolo Pasolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pier_Paolo_Pasolini\"\u003ePier Paolo Pasolini\u003c\/a\u003e . In 1991 he exhibited 124 works in Rome, among which the \u003ci\u003eManhattan Transfert\u003c\/i\u003e cycle \u003csup id=\"cite_ref-6\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Renzo_Vespignani#cite_note-6\"\u003e[6]\u003c\/a\u003e\u003c\/sup\u003e , a criticism of the unsustainable existential delirium of the \u003ca class=\"mw-redirect\" title=\"American way of life\" href=\"https:\/\/it.wikipedia.org\/wiki\/American_way_of_life\"\u003eAmerican way of life\u003c\/a\u003e .\r \n\r \nHis relationship with literature was very close. Vespignani illustrated \u003ca title=\"John Boccaccio\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giovanni_Boccaccio\"\u003eBoccaccio\u003c\/a\u003e 's \u003ca class=\"mw-redirect\" title=\"Decameron\" href=\"https:\/\/it.wikipedia.org\/wiki\/Decameron\"\u003eDecameron\u003c\/a\u003e , \u003ca title=\"Giacomo Leopardi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giacomo_Leopardi\"\u003eLeopardi\u003c\/a\u003e 's poems and prose, \u003ca title=\"Vladimir Vladimirovich Mayakovsky\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vladimir_Vladimirovi%C4%8D_Majakovskij\"\u003eMayakovsky\u003c\/a\u003e 's \u003ci\u003eComplete Works\u003c\/i\u003e , \u003ca title=\"Thomas Stearns Eliot\" href=\"https:\/\/it.wikipedia.org\/wiki\/Thomas_Stearns_Eliot\"\u003eEliot\u003c\/a\u003e 's \u003ci\u003eFour Quartets\u003c\/i\u003e , \u003ca title=\"Franz Kafka\" href=\"https:\/\/it.wikipedia.org\/wiki\/Franz_Kafka\"\u003eKafka\u003c\/a\u003e 's \u003ci\u003eStories\u003c\/i\u003e , \u003ca title=\"Joseph Gioachino Belli\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giuseppe_Gioachino_Belli\"\u003eBelli\u003c\/a\u003e 's \u003ci\u003eSonnets\u003c\/i\u003e , \u003ca title=\"Carlo Porta\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carlo_Porta\"\u003ePorta\u003c\/a\u003e 's \u003ci\u003ePoems\u003c\/i\u003e , \u003ca title=\"François Villon\" href=\"https:\/\/it.wikipedia.org\/wiki\/Fran%C3%A7ois_Villon\"\u003eVillon\u003c\/a\u003e 's \u003ci\u003eTestament\u003c\/i\u003e and \u003ca title=\"Henri Alleg\" href=\"https:\/\/it.wikipedia.org\/wiki\/Henri_Alleg\"\u003eAlleg\u003c\/a\u003e 's \u003ci\u003eLa Question\u003c\/i\u003e .\r \n\nIn \u003ca title=\"1999\" href=\"https:\/\/it.wikipedia.org\/wiki\/1999\"\u003e1999\u003c\/a\u003e he was elected President of the \u003ca class=\"mw-redirect\" title=\"National Academy of San Luca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Accademia_Nazionale_di_San_Luca\"\u003eNational Academy of San Luca\u003c\/a\u003e and appointed \u003ca class=\"mw-redirect\" title=\"Order of Merit of the Italian Republic\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ordine_al_merito_della_Repubblica_Italiana#Grande_ufficiale\"\u003eGrand Officer\u003c\/a\u003e of the \u003ca class=\"mw-redirect\" title=\"Order of Merit of the Italian Republic\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ordine_al_merito_della_Repubblica_Italiana\"\u003eOrder of Merit of the Italian Republic\u003c\/a\u003e .\n\u003ch2\u003e \u003cspan id=\"Opere_nei_musei\" class=\"mw-headline\"\u003eWorks in museums\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003ca class=\"new\" title=\"Regional Collection of Modern and Contemporary Art of the Aosta Valley (this page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Collezione_Regionale_d%27arte_moderna_e_contemporanea_della_Valle_d%27Aosta\u0026amp;action=edit\u0026amp;redlink=1\"\u003eRegional Collection of Modern and Contemporary Art of the Aosta Valley\u003c\/a\u003e at the Gamba Castle in \u003ca class=\"new\" title=\"Cret de Breil (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Cret_de_Breil\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCret de Breil\u003c\/a\u003e di \u003ca class=\"mw-disambig\" title=\"Châtillon\" href=\"https:\/\/it.wikipedia.org\/wiki\/Ch%C3%A2tillon\"\u003eChâtillon\u003c\/a\u003e with the work: \u003ci\u003e\u003cb\u003eMadonnaro\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1962\" href=\"https:\/\/it.wikipedia.org\/wiki\/1962\"\u003e1962\u003c\/a\u003e )\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Uffizi Gallery\" href=\"https:\/\/it.wikipedia.org\/wiki\/Galleria_degli_Uffizi\"\u003eUffizi Gallery\u003c\/a\u003e in \u003ca title=\"Florence\" href=\"https:\/\/it.wikipedia.org\/wiki\/Firenze\"\u003eFlorence\u003c\/a\u003e with the work \u003ci\u003e\u003cb\u003eSelf-Portrait\u003c\/b\u003e\u003c\/i\u003e on deposit and the drawing \u003ci\u003e\u003cb\u003eSelf-Portrait\u003c\/b\u003e\u003c\/i\u003e (Uffizi Prints and Drawings Cabinet).\u003c\/li\u003e\n\n\u003cli\u003e Civic Gallery of the \u003ca title=\"Suzzara Award\" href=\"https:\/\/it.wikipedia.org\/wiki\/Premio_Suzzara\"\u003eSuzzara Prize\u003c\/a\u003e of \u003ca title=\"Suzzara\" href=\"https:\/\/it.wikipedia.org\/wiki\/Suzzara\"\u003eSuzzara\u003c\/a\u003e with the works: \u003ci\u003e\u003cb\u003eTerezin\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1982\" href=\"https:\/\/it.wikipedia.org\/wiki\/1982\"\u003e1982\u003c\/a\u003e ) and \u003ci\u003e\u003cb\u003eWest Broadway\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1988\" href=\"https:\/\/it.wikipedia.org\/wiki\/1988\"\u003e1988\u003c\/a\u003e ).\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Gallarate Art Museum\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_arte_Gallarate\"\u003eMAGA museum of modern and contemporary art\u003c\/a\u003e in \u003ca title=\"Gallarate\" href=\"https:\/\/it.wikipedia.org\/wiki\/Gallarate\"\u003eGallarate\u003c\/a\u003e with the work: \u003ci\u003e\u003cb\u003eRottame\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1966\" href=\"https:\/\/it.wikipedia.org\/wiki\/1966\"\u003e1966\u003c\/a\u003e ).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"new\" title=\"Correggio Civic Museum (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_Civico_il_Correggio\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCorreggio Civic Museum\u003c\/a\u003e of \u003ca title=\"Correggio (Italy)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Correggio_(Italia)\"\u003eCorreggio\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca title=\"Carandente Museum, Palazzo Collicola - Visual Arts\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_Carandente,_Palazzo_Collicola_-_Arti_visive\"\u003eCarandente Museum, Palazzo Collicola – Visual Arts\u003c\/a\u003e of \u003ca title=\"Spoleto\" href=\"https:\/\/it.wikipedia.org\/wiki\/Spoleto\"\u003eSpoleto\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca title=\"Avellino\" href=\"https:\/\/it.wikipedia.org\/wiki\/Avellino\"\u003eAvellino\u003c\/a\u003e \u003ca title=\"Art Museum (Avellino)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_d%27arte_(Avellino)\"\u003eArt Museum\u003c\/a\u003e with the work: \u003ci\u003e\u003cb\u003eMarta\u003c\/b\u003e\u003c\/i\u003e ( \u003ca title=\"1982\" href=\"https:\/\/it.wikipedia.org\/wiki\/1982\"\u003e1982\u003c\/a\u003e ).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"new\" title=\"Palazzo de'Mayo Art Museum (this page doesn't exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_d%27arte_di_Palazzo_de%27Mayo\u0026amp;action=edit\u0026amp;redlink=1\"\u003ePalazzo de'Mayo Art Museum\u003c\/a\u003e in \u003ca title=\"Chieti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Chieti\"\u003eChieti\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca title=\"Costantino Barbella Art Museum\" href=\"https:\/\/it.wikipedia.org\/wiki\/Museo_d%27arte_Costantino_Barbella\"\u003eCostantino Barbella Art Museum\u003c\/a\u003e in \u003ca title=\"Chieti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Chieti\"\u003eChieti\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca class=\"new\" title=\"Imperial Contrada of the Giraffe Museum (this page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_della_Contrada_Imperiale_della_Giraffa\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMuseum of the Imperial Contrada of the Giraffe\u003c\/a\u003e of \u003ca title=\"Siena\" href=\"https:\/\/it.wikipedia.org\/wiki\/Siena\"\u003eSiena\u003c\/a\u003e with a banner or palio.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"new\" title=\"Tito Balestra Foundation Museum (this page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_della_Fondazione_%22Tito_Balestra%22\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMuseum of the “Tito Balestra” Foundation\u003c\/a\u003e of \u003ca title=\"Longiano\" href=\"https:\/\/it.wikipedia.org\/wiki\/Longiano\"\u003eLongiano\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ca class=\"new\" title=\"Museum of the Roman School (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Museo_della_scuola_Romana\u0026amp;action=edit\u0026amp;redlink=1\"\u003eMuseum of the Roman School\u003c\/a\u003e in \u003ca title=\"Villa Torlonia (Rome)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Villa_Torlonia_(Roma)\"\u003eVilla Torlonia\u003c\/a\u003e in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ca class=\"mw-redirect\" title=\"Civic Art Gallery\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pinacoteca_Civica\"\u003eCivic Art Gallery\u003c\/a\u003e of \u003ca title=\"Sulmona\" href=\"https:\/\/it.wikipedia.org\/wiki\/Sulmona\"\u003eSulmona\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cspan id=\"Mostre_personali\" class=\"mw-headline\"\u003ePersonal exhibitions\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 1945 Rome, “La Margherita” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1946 Rome, “L'Obelisco” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1947 Milan, “Il Naviglio” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1949 Turin, “La Bussola” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1953 London, headquarters of the British Council\u003c\/li\u003e\n\n\u003cli\u003e 1955 Boston, “Museum of Fine Arts”.\u003c\/li\u003e\n\n\u003cli\u003e 1957 Munich, “Haus der Kunst”.\u003c\/li\u003e\n\n\u003cli\u003e 1958 Los Angeles, “Landau Gallery”.\u003c\/li\u003e\n\n\t \u003cli\u003e1964 Rome, “Il Knave di Spade” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1965 Rome, “Il Torcoliere” Gallery. Graphic art exhibition.\u003c\/li\u003e\n\n\u003cli\u003e 1966 Milan, “Bergamini” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1967 Rome, “Il Knave di Spade” Gallery.\u003c\/li\u003e\n\n\u003cli\u003e 1969 Ferrara, Palazzo dei Diamanti. He exhibits the series \"Embarkation for Cythera.\"\u003c\/li\u003e\n\n\u003cli\u003e 1975 Bologna, Galleria D'Arte Moderna. Exhibition of the series \"Between Two Wars,\" curated by Franco Solmi.\u003c\/li\u003e\n\n\u003cli\u003e 1979 Toronto, Madison Gallery. Presentation by \u003ca title=\"James Purdy\" href=\"https:\/\/it.wikipedia.org\/wiki\/James_Purdy\"\u003eJames Purdy\u003c\/a\u003e .\u003c\/li\u003e\n\n\u003cli\u003e 1982 Rome, Castel Sant'Angelo, anthology.\u003c\/li\u003e\n\n\u003cli\u003e 1984 Rome, French Academy of Villa Medici, “Like Flies in Honey” in homage to Pasolini. The catalogue includes texts by Jean Marie Drot, \u003ca title=\"Laura Betti\" href=\"https:\/\/it.wikipedia.org\/wiki\/Laura_Betti\"\u003eLaura Betti\u003c\/a\u003e , Lorenza Trucchi, \u003ca title=\"Pier Paolo Pasolini\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pier_Paolo_Pasolini\"\u003ePier Paolo Pasolini\u003c\/a\u003e , and Renzo Vespignani.\u003c\/li\u003e\n\n\u003cli\u003e 1986 Prague, National Gallery. Exhibits the cycle “Between Two Wars.”\u003c\/li\u003e\n\n\t \u003cli\u003e1990 Rome, Palazzo delle Esposizioni. Anthology\u003c\/li\u003e\n\n\u003cli\u003e 1999 Cagliari, ExMa, Municipal Center of Art and Culture.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cspan id=\"Mostre_post_mortem\" class=\"mw-headline\"\u003ePost-mortem exhibitions\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 2011 Cagliari, 2+1 Exhibition Space, Superpositions Renzo Vespignani_Angelo \u003ca title=\"Angelo Liberati\" href=\"https:\/\/it.wikipedia.org\/wiki\/Angelo_Liberati\"\u003eLiberati\u003c\/a\u003e (on the occasion of the tenth anniversary of his death).\u003c\/li\u003e\n\n\u003cli\u003e 2011 Rome Edarcom Europa Gallery (on the occasion of the tenth anniversary of his death).\u003c\/li\u003e\n\n\u003cli\u003e 2012 Villa Torlonia Casino dei Principi (on the occasion of the tenth anniversary of his death).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Cheli Maria Agnese","offers":[{"title":"Default Title","offer_id":56211535167874,"sku":"ACHE002","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20180126_170403-copia.jpg?v=1768400320"},{"product_id":"salvador-dali-senza-titolo-16","title":"Salvador Dalí - Untitled","description":"","brand":"Greco Lucia","offers":[{"title":"Default Title","offer_id":56211540115842,"sku":"LGRE002","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2018-02-06-at-11.07.05-copia.jpg?v=1768400392"}],"url":"https:\/\/venderequadri.it\/en\/collections\/incisione.oembed","provider":"Venderequadri","version":"1.0","type":"link"}