{"title":"Giuseppe Viviani","description":"\u003cp\u003eOpere di Giuseppe Viviani in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Giuseppe Viviani? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"viviani-senza-titolo","title":"Giuseppe Viviani - Untitled","description":"\u003cp\u003eAll of Giuseppe Viviani's etchings fall within the genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. Specifically, all of Giuseppe Viviani's work explored themes tied to a popular imagery, consisting of the simple life of the Pisan coast, including old seamen, hunting scenes and animals, and picturesque small villages.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani pursues the concept of folk imagery not only in his choice of subjects, but also, and above all, in the definition of his engraving style. His language, in fact, is based on a simplification of images and a pursuit of essentiality, yet with marked ironic, illustrative, and, in short, popular overtones. Thus, and this is one of the key characteristics of Giuseppe Viviani's work, image and subject unite in a coherent poetics. From a strictly formal perspective, this is expressed in an exaltation of the drawing line and a search for ever-sinuous and dynamic rhythms. The simplification of subjects always proceeds with irony and fun, maintaining the authentic character of Viviani's engravings.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani was born in San Giuliano Terme in 1898 and passed away in Pisa in 1965. He particularly excelled in printmaking, earning a professorship in printmaking at the Academy of Fine Arts in Florence at the age of fifty. It was then that Viviani achieved national fame. He received numerous awards from his youth until his old age: the prize at the Munich International Exhibition in 1929, the prize for drawing in Asti in 1949, and the prize for printmaking at the Venice Biennale in 1950. This was followed in 1951 by the first prize for printmaking at the São Paulo Biennale in Brazil; in 1952, first prize at the Black and White Exhibition in Lugano and the Rome Quadrennial. At the following Quadrennial in 1965, the year of his death, a commemorative retrospective was held in his honor.\u003c\/p\u003e","brand":"Pratelli Rodriguez Emmanuel Guillermo","offers":[{"title":"Default Title","offer_id":56217717178754,"sku":"EPRA004","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/VIVIANI-68X50-scaled.jpg?v=1768468157"},{"product_id":"viviani-senza-titolo-2","title":"Giuseppe Viviani - Untitled","description":"\u003cp\u003eAll of Giuseppe Viviani's etchings fall within the genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. Specifically, all of Giuseppe Viviani's work explored themes tied to a popular imagery, consisting of the simple life of the Pisan coast, including old seamen, hunting scenes and animals, and picturesque small villages.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani pursues the concept of folk imagery not only in his choice of subjects, but also, and above all, in the definition of his engraving style. His language, in fact, is based on a simplification of images and a pursuit of essentiality, yet with marked ironic, illustrative, and, in short, popular overtones. Thus, and this is one of the key characteristics of Giuseppe Viviani's work, image and subject unite in a coherent poetics. From a strictly formal perspective, this is expressed in an exaltation of the drawing line and a search for ever-sinuous and dynamic rhythms. The simplification of subjects always proceeds with irony and fun, maintaining the authentic character of Viviani's engravings.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani was born in San Giuliano Terme in 1898 and passed away in Pisa in 1965. He particularly excelled in printmaking, earning a professorship in printmaking at the Academy of Fine Arts in Florence at the age of fifty. It was then that Viviani achieved national fame. He received numerous awards from his youth until his old age: the prize at the Munich International Exhibition in 1929, the prize for drawing in Asti in 1949, and the prize for printmaking at the Venice Biennale in 1950. This was followed in 1951 by the first prize for printmaking at the São Paulo Biennale in Brazil; in 1952, first prize at the Black and White Exhibition in Lugano and the Rome Quadrennial. At the following Quadrennial in 1965, the year of his death, a commemorative retrospective was held in his honor.\u003c\/p\u003e","brand":"Pratelli Rodriguez Emmanuel Guillermo","offers":[{"title":"Default Title","offer_id":56217717244290,"sku":"EPRA005","price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/VIVIANI-65X54-scaled.jpg?v=1768468159"},{"product_id":"viviani-senza-titolo-3","title":"Giuseppe Viviani - Untitled","description":"\u003cp\u003eAll of Giuseppe Viviani's etchings fall within the genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. Specifically, all of Giuseppe Viviani's work explored themes tied to a popular imagery, consisting of the simple life of the Pisan coast, including old seamen, hunting scenes and animals, and picturesque small villages.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani pursues the concept of folk imagery not only in his choice of subjects, but also, and above all, in the definition of his engraving style. His language, in fact, is based on a simplification of images and a pursuit of essentiality, yet with marked ironic, illustrative, and, in short, popular overtones. Thus, and this is one of the key characteristics of Giuseppe Viviani's work, image and subject unite in a coherent poetics. From a strictly formal perspective, this is expressed in an exaltation of the drawing line and a search for ever-sinuous and dynamic rhythms. The simplification of subjects always proceeds with irony and fun, maintaining the authentic character of Viviani's engravings.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani was born in San Giuliano Terme in 1898 and passed away in Pisa in 1965. He particularly excelled in printmaking, earning a professorship in printmaking at the Academy of Fine Arts in Florence at the age of fifty. It was then that Viviani achieved national fame. He received numerous awards from his youth until his old age: the prize at the Munich International Exhibition in 1929, the prize for drawing in Asti in 1949, and the prize for printmaking at the Venice Biennale in 1950. This was followed in 1951 by the first prize for printmaking at the São Paulo Biennale in Brazil; in 1952, first prize at the Black and White Exhibition in Lugano and the Rome Quadrennial. At the following Quadrennial in 1965, the year of his death, a commemorative retrospective was held in his honor.\u003c\/p\u003e","brand":"Pratelli Rodriguez Emmanuel Guillermo","offers":[{"title":"Default Title","offer_id":56217717309826,"sku":"EPRA006","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/VIVIANI-42X32-scaled.jpg?v=1768468161"},{"product_id":"viviani-fiori-occhi-cocomeraio","title":"Giuseppe Viviani - Flowers - Eyes - Watermelon","description":"\u003cul\u003e\n\n\u003cli\u003e 30x38\u003c\/li\u003e\n\n\u003cli\u003e 57x76\u003c\/li\u003e\n\n\u003cli\u003e 73x55\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n The collection features a series of engravings by Giuseppe Viviani, with various examples of his typically surreal and folksy subjects.\n\n Giuseppe Viviani pursues the concept of folk imagery not only in his choice of subjects, but also, and above all, in the definition of his engraving style. His language, in fact, is based on a simplification of images and a pursuit of essentiality, yet with marked ironic, illustrative, and, in short, popular overtones. Thus, and this is one of the key characteristics of Giuseppe Viviani's work, image and subject unite in a coherent poetics. From a strictly formal perspective, this is expressed in an exaltation of the drawing line and a search for ever-sinuous and dynamic rhythms. The simplification of subjects always proceeds with irony and fun, maintaining the authentic character of Viviani's engravings.\n\r \nGiuseppe Viviani was born in San Giuliano Terme in 1898 and passed away in Pisa in 1965. He particularly excelled in printmaking, earning a professorship in printmaking at the Academy of Fine Arts in Florence at the age of fifty. It was then that Viviani achieved national fame. He received numerous awards from his youth until his old age: the prize at the Munich International Exhibition in 1929, the prize for drawing in Asti in 1949, and the prize for printmaking at the Venice Biennale in 1950. This was followed in 1951 by the first prize for printmaking at the São Paulo Biennale in Brazil; in 1952, first prize at the Black and White Exhibition in Lugano and the Rome Quadrennial. At the following Quadrennial in 1965, the year of his death, a commemorative retrospective was held in his honor.","brand":"Lang Federica","offers":[{"title":"Default Title","offer_id":56218208076162,"sku":"FLAN012","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Schermata-2022-06-13-alle-17.50.50.png?v=1768471892"},{"product_id":"giuseppe-viviani-cacciatore-con-segugio","title":"Giuseppe Viviani - Hunter with Hound","description":"\u003cp\u003e The painting can be defined as a genre scene, that is, the depiction of an aspect of daily life that, apparently, has no significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. A very common theme in genre scenes is the hunt, as in the work by Giuseppe Viviani.\u003c\/p\u003e\n\n\n \u003cp\u003eGiuseppe Viviani uses a brushstroke that defines his subjects in a very crude yet vibrant and profoundly expressive manner. It's a style of representation that harks back to post-Impressionist art. Indeed, in this particular work, Viviani seems to consciously reference the Macchiaioli, drawing on the sense of solitude so typical of the Tuscan group. A certain difference, however, can be noted in his color choices. Viviani's palette appears more expressionist, composed of vivid colors that distance themselves from the earthy tones of the Macchiaioli.\u003c\/p\u003e","brand":"Aragione Rosario","offers":[{"title":"Default Title","offer_id":56218519830914,"sku":"RARA001","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/GIUSEPPE-VIVIANI-OLIO-SU-TELA-30X40-CACCIATORE-CON-SEGUGIO-NO-CERT-ARAGIONE.jpg?v=1768473885"}],"url":"https:\/\/venderequadri.it\/en\/collections\/giuseppe-viviani.oembed","provider":"Venderequadri","version":"1.0","type":"link"}