{"title":"Giorgio Vignolo","description":"\u003cp\u003eOpere di Giorgio Vignolo in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Giorgio Vignolo? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"giorgio-vignolo-senza-titolo","title":"Giorgio Vignolo - Untitled","description":"\u003cp\u003e The landscape has always been a protagonist in artistic research, both as\u003cbr\u003e\n setting, as a background, but also as the subject itself.\u003cbr\u003e\n naturalistic description of the landscape was one of the major aspirations\u003cbr\u003e\n for artists of every era. Each historical period has given its own\u003cbr\u003e \ninterpretation of the landscape contributing to the evolution of its\u003cbr\u003e\n description: first with a research on space, through perspective\u003cbr\u003e\n Brunelleschi's in the early Renaissance; then on the atmospheric rendering in the\u003cbr\u003e\n Sixteenth century; up to the representation of every single vibration\u003cbr\u003e\n of light on objects in Impressionism.\u003c\/p\u003e\n\n\n\u003cp\u003e The work is a clear example of expressionist landscape. Reality is\u003cbr\u003e\n interpreted in an extremely synthetic way, with an exercise in reduction\u003cbr\u003e\n which seeks to reach the purest essence of the landscape. The surface is\u003cbr\u003e\n completely two-dimensional, with almost no depth\u003cbr\u003e\n spatial. The brushstrokes outline the shapes in a very instinctive way.\u003cbr\u003e\n Going into even more detail we can see how the artist\u003cbr\u003e\n describe the view with a series of gestures, creating a mixture\u003cbr\u003e\n changing that transfigures, in the pictorial material, his perception of the city.\u003cbr\u003e\n Thus the application of colour is dense and, although the language used in this\u003cbr\u003e \nworks both synthetic and expressionist, the artist's vision remains tied to the\u003cbr\u003e\n phenomenal reality, to its vibrations of light and atmosphere, in a doing\u003cbr\u003e\n pictorial that takes the premises set by art to their extreme consequences\u003cbr\u003e\n impressionist and en plein air.\u003c\/p\u003e\n\n\n\u003cp\u003e Giorgio Vignolo was born in Genoa and attended the Maragliano Art Institute.\u003cbr\u003e\n with Prof. E. Massiglio; during his short stay in South America (Chile) he was\u003cbr\u003e\n student of the master prof. J. Fossa Calderon, who knew, in these his first\u003cbr\u003e\n pictorial experiences, create the conditions for his artistic evolution.\u003c\/p\u003e","brand":"Zandrino Elettra","offers":[{"title":"Default Title","offer_id":56218374603138,"sku":"EZAN001","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/A_8a8bb74f-e0d2-47af-beb2-c40064a880c8.jpg?v=1768473113"},{"product_id":"giorgio-vignolo-senza-titolo-2","title":"Giorgio Vignolo - Untitled","description":"\u003cp\u003e The representations of animals in art have very ancient origins, so much so that\u003cbr\u003e\n also appear in cave paintings from primitive times. For religious reasons\u003cbr\u003e\n various types of animals appear in the testimonies of different civilizations of the era\u003cbr\u003e\n ancient. It is above all in the Middle Ages, within the International Gothic style, that\u003cbr\u003e\n the depictions of animals spread as real portraits from life, both\u003cbr\u003e \nwithin works or in notebooks of drawings and sketches. The presence of the\u003cbr\u003e\n animals as subjects in art will remain constant until the time\u003cbr\u003e\n contemporary. In this painting the artist Mario Puopolo focuses his\u003cbr\u003e\n Research on the figure of the horse. A noble animal, a symbol of beauty and\u003cbr\u003e\n Harmony: The horse has been a prominent subject in the history of art on several occasions. Since the fourteenth century, its presence has always been obligatory in\u003cbr\u003e\n battle scenes or in equestrian monuments and, for painters, it has always been\u003cbr\u003e\n a challenge to represent it with anatomical precision and rendering\u003cbr\u003e\n naturalistic.\u003c\/p\u003e\n\n\n\u003cp\u003e Giorgio Vignolo's research is often aimed at the exaltation of plasticity.\u003cbr\u003e\n From a formal point of view this results, first of all, in a composition\u003cbr\u003e\n rigorous, based on a solid design structure that seeks depth. In\u003cbr\u003e\n in this work the figures appear clearly delineated, in the consistency of the\u003cbr\u003e\n bodies and in the volume of the objects. However, the formal exaltation sought\u003cbr\u003e \nVignolo does not lead to a cold and objective hyperrealism. On the contrary, his\u003cbr\u003e\n The layout is very pictorial, dynamic with changing tones and this makes its colours more alive.\u003cbr\u003e\n figures, vibrant with vital energies. In this way it can be said that the\u003cbr\u003e\n Vignolo's pictorial manner is based on a great desire for realism\u003cbr\u003e\n which, combined with a great life drawing technique, manages to\u003cbr\u003e\n to transfer onto the canvas what the painter has before his eyes.\u003c\/p\u003e\n\n\n\u003cp\u003e Giorgio Vignolo was born in Genoa and attended the Maragliano Art Institute.\u003cbr\u003e\n with Prof. E. Massiglio; during his short stay in South America (Chile) he was\u003cbr\u003e\n student of the master prof. J. Fossa Calderon, who knew, in these his first\u003cbr\u003e\n pictorial experiences, create the conditions for his artistic evolution.\u003c\/p\u003e","brand":"Zandrino Elettra","offers":[{"title":"Default Title","offer_id":56218374701442,"sku":"EZAN002","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/B.jpg?v=1768473116"},{"product_id":"giorgio-vignolo-senzatitolo","title":"Giorgio Vignolo - Untitled","description":"\u003cp\u003e The human figure has always been at the center of artistic research. Since the age\u003cbr\u003e\n classical naturalistic rendering of human anatomy was one of the goals\u003cbr\u003e\n main works of painters and sculptors of all times. The representation of the nude is the\u003cbr\u003e \nmaximum expression of this aspiration, transversal to all eras and\u003cbr\u003e\n all stylistic currents. In fact, in addition to the naturalistic interpretations,\u003cbr\u003e\n of the Renaissance and of the various classicisms, which aim at a representation\u003cbr\u003e\n truthful and detailed of the human body, the nude was also the protagonist\u003cbr\u003e\n within the new aesthetic concepts brought by the avant-garde\u003cbr\u003e\n historical, such as Cubism, Expressionism and Surrealism.\u003c\/p\u003e\n\n\n\u003cp\u003e In this female nude Giorgio Vignolo achieves a remarkable synthesis of the\u003cbr\u003e\n forms. The body is reduced to the essential, deprived of its contingent data, and\u003cbr\u003e\n the painter tries to distill the true existential meaning of this body.\u003cbr\u003e\n plasticism, however, is enhanced by the pictorial material, creating a strong\u003cbr\u003e\n connection with reality, concrete and sensitive. The rest is all vibration.\u003cbr\u003e\n pictorial with remarkable expressive value. All this is possible thanks to the\u003cbr\u003e\n refined technique of Giorgio Vignolo in the modulation of color, in his\u003cbr\u003e \nability to create a dynamic mixture, made of changing shades and\u003cbr\u003e\n iridescent. In this case the work is set on yellow-gold tones\u003cbr\u003e\n very bright.\u003c\/p\u003e\n\n\n\u003cp\u003e Giorgio Vignolo was born in Genoa and attended the Maragliano Art Institute.\u003cbr\u003e\n with Prof. E. Massiglio; during his short stay in South America (Chile) he was\u003cbr\u003e\n student of the master prof. J. Fossa Calderon, who knew, in these his first\u003cbr\u003e\n pictorial experiences, create the conditions for his artistic evolution.\u003c\/p\u003e","brand":"Zandrino Elettra","offers":[{"title":"Default Title","offer_id":56218375127426,"sku":"EZAN004","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/D_1b6015e7-e397-489e-b2d1-53599c97106e.jpg?v=1768473116"},{"product_id":"giorgio-vignolo-senzatitolo-2","title":"Giorgio Vignolo - Untitled","description":"\u003cp\u003e The human figure has always been at the center of artistic research. Since the age\u003cbr\u003e\n classical naturalistic rendering of human anatomy was one of the goals\u003cbr\u003e\n main works of painters and sculptors of all times. The representation of the nude is the\u003cbr\u003e\n maximum expression of this aspiration, transversal to all eras and\u003cbr\u003e\n all stylistic currents. In fact, in addition to the naturalistic interpretations,\u003cbr\u003e\n of the Renaissance and of the various classicisms, which aim at a representation\u003cbr\u003e \ntruthful and detailed of the human body, the nude was also the protagonist\u003cbr\u003e\n within the new aesthetic concepts brought by the avant-garde\u003cbr\u003e\n historical, such as Cubism, Expressionism and Surrealism.\u003c\/p\u003e\n\n\n\u003cp\u003e In this work by Giorgio Vignolo reality is represented in a\u003cbr\u003e\n extremely dynamic, breaking down the space and the subject contained in\u003cbr\u003e\n it, exploring, through painting, the relationships between the same subject and the\u003cbr\u003e\n space and the possible possibilities for interaction. Thus in this naked Vignolo\u003cbr\u003e\n wants to highlight its possible dynamism and its interactions with the\u003cbr\u003e\n space. For this reason the painting is conceived as a continuum between subject\u003cbr\u003e\n and background in which the body and the wall behind are subject to the same\u003cbr\u003e\n decomposition. The systematic decomposition of reality takes into account every\u003cbr\u003e\n possible variable, every possible development. The sensible world transforms,\u003cbr\u003e\n therefore, in an intricate game of planes that reflects its complexity even in the\u003cbr\u003e\n choice of color range.\u003c\/p\u003e\n\n\n \u003cp\u003eGiorgio Vignolo was born in Genoa and attended the Maragliano Art Institute.\u003cbr\u003e\n with Prof. E. Massiglio; during his short stay in South America (Chile) he was\u003cbr\u003e\n student of the master prof. J. Fossa Calderon, who knew, in these his first\u003cbr\u003e\n pictorial experiences, create the conditions for his artistic evolution.\u003c\/p\u003e","brand":"Zandrino Elettra","offers":[{"title":"Default Title","offer_id":56218375160194,"sku":"EZAN005","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/E_0c18941c-84a8-412a-a88a-bae6e0fed8cb.jpg?v=1768473117"}],"url":"https:\/\/venderequadri.it\/en\/collections\/giorgio-vignolo.oembed","provider":"Venderequadri","version":"1.0","type":"link"}