{"title":"Giorgio Carluccio","description":"\u003cp\u003eOpere di Giorgio Carluccio in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Giorgio Carluccio? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"giorgio-carluccio-presenze-metafisiche","title":"Giorgio Carluccio - Metaphysical Presences","description":"\u003cp\u003e Giorgio Carluccio was born in Tuturano, Brindisi, on October 20, 1948. He studied at the Art School in Lecce from 1964 to 1968 and earned a diploma in sculpture from the Academy of Fine Arts in Lecce in 1973.\u003c\/p\u003e\n\n\n \u003cp\u003eIn the early 1970s, he worked within the avant-garde, drawn to Expressionism, Informalism, and the spatial concepts of Lucio Fontana. In the 1980s, as a teacher, he devoted himself to experimenting with plastic arts at art institutes and high schools.\u003c\/p\u003e\n\n\n \u003cp\u003eHe resumed his sculpting career in 1992. From 1995 onwards, with his double-sided works in bronze and synthetic stone, he developed the idea of ​​a new approach to sculpture. Beginning in 2001, with the use of multiple materials in the same work, the idea of ​​transcending the unity of the artistic object's formal and expressive elements took shape: breaking down the style and homogeneous formal model in the sculptural work. The compositional structure, the architecture of the work, is achieved from a basic body and subsequent additional applications: parts conceived as independent, held together by a conceptual interrelation. The elements of the language interact in a deliberately metaphysical space—the work conveys a visual perception of aesthetic-formal discontinuity.\u003c\/p\u003e\n\n\n \u003cp\u003eGiorgio Carluccio has deliberately never abandoned the \"sculpture-object\" concept, whether installations or other genres, convinced that new forms of sculpture can be found in languages ​​open to new solutions, not subject to closures or old formalisms, towards a constructive, non-prejudicial liberalism, inspired by the overcoming of gratuitous provocations, of improvisations devoid of content, as has happened in recent years.\u003c\/p\u003e","brand":"Carluccio Giorgio","offers":[{"title":"Default Title","offer_id":56211340362114,"sku":"GCAR001","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-presenze-metafisiche-2008-copia.jpg?v=1768399290"},{"product_id":"giorgio-carluccio-configurazione-metafisica","title":"Giorgio Carluccio - Metaphysical Configuration","description":"\u003cp\u003e Giorgio Carluccio was born in Tuturano, Brindisi, on October 20, 1948. He studied at the Art School in Lecce from 1964 to 1968 and earned a diploma in sculpture from the Academy of Fine Arts in Lecce in 1973.\u003c\/p\u003e\n\n\n\u003cp\u003e In the early 1970s, he worked within the avant-garde, drawn to Expressionism, Informalism, and the spatial concepts of Lucio Fontana. In the 1980s, as a teacher, he devoted himself to experimenting with plastic arts at art institutes and high schools.\u003c\/p\u003e\n\n\n \u003cp\u003eHe resumed his sculpting career in 1992. From 1995 onwards, with his double-sided works in bronze and synthetic stone, he developed the idea of ​​a new approach to sculpture. Beginning in 2001, with the use of multiple materials in the same work, the idea of ​​transcending the unity of the artistic object's formal and expressive elements took shape: breaking down the style and homogeneous formal model in the sculptural work. The compositional structure, the architecture of the work, is achieved from a basic body and subsequent additional applications: parts conceived as independent, held together by a conceptual interrelation. The elements of the language interact in a deliberately metaphysical space—the work conveys a visual perception of aesthetic-formal discontinuity.\u003c\/p\u003e\n\n\n \u003cp\u003eGiorgio Carluccio has deliberately never abandoned the \"sculpture-object\" concept, whether installations or other genres, convinced that new forms of sculpture can be found in languages ​​open to new solutions, not subject to closures or old formalisms, towards a constructive, non-prejudicial liberalism, inspired by the overcoming of gratuitous provocations, of improvisations devoid of content, as has happened in recent years.\u003c\/p\u003e","brand":"Carluccio Giorgio","offers":[{"title":"Default Title","offer_id":56211340460418,"sku":"GCAR002","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-configurazione-metafisica-2008-copia.jpg?v=1768399291"},{"product_id":"giorgio-carluccio-fecondazione-progetto","title":"Giorgio Carluccio - Fertilization \"Project\"","description":"\u003cp\u003e Giorgio Carluccio was born in Tuturano, Brindisi, on October 20, 1948. He studied at the Art School in Lecce from 1964 to 1968 and earned a diploma in sculpture from the Academy of Fine Arts in Lecce in 1973.\u003c\/p\u003e\n\n\n\u003cp\u003e In the early 1970s, he worked within the avant-garde, drawn to Expressionism, Informalism, and the spatial concepts of Lucio Fontana. In the 1980s, as a teacher, he devoted himself to experimenting with plastic arts at art institutes and high schools.\u003c\/p\u003e\n\n\n \u003cp\u003eHe resumed his sculpting career in 1992. From 1995 onwards, with his double-sided works in bronze and synthetic stone, he developed the idea of ​​a new approach to sculpture. Beginning in 2001, with the use of multiple materials in the same work, the idea of ​​transcending the unity of the artistic object's formal and expressive elements took shape: breaking down the style and homogeneous formal model in the sculptural work. The compositional structure, the architecture of the work, is achieved from a basic body and subsequent additional applications: parts conceived as independent, held together by a conceptual interrelation. The elements of the language interact in a deliberately metaphysical space—the work conveys a visual perception of aesthetic-formal discontinuity.\u003c\/p\u003e\n\n\n \u003cp\u003eGiorgio Carluccio has deliberately never abandoned the \"sculpture-object\" concept, whether installations or other genres, convinced that new forms of sculpture can be found in languages ​​open to new solutions, not subject to closures or old formalisms, towards a constructive, non-prejudicial liberalism, inspired by the overcoming of gratuitous provocations, of improvisations devoid of content, as has happened in recent years.\u003c\/p\u003e","brand":"Carluccio Giorgio","offers":[{"title":"Default Title","offer_id":56211340525954,"sku":"GCAR003","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/3-fecondazione-progetto-2009-copia.jpg?v=1768399292"},{"product_id":"giorgio-carluccio-il-triangolo-e-la-sfera","title":"Giorgio Carluccio - The Triangle and the Sphere","description":"\u003cp\u003e Giorgio Carluccio was born in Tuturano, Brindisi, on October 20, 1948. He studied at the Art School in Lecce from 1964 to 1968 and earned a diploma in sculpture from the Academy of Fine Arts in Lecce in 1973.\u003c\/p\u003e\n\n\n\u003cp\u003e In the early 1970s, he worked within the avant-garde, drawn to Expressionism, Informalism, and the spatial concepts of Lucio Fontana. In the 1980s, as a teacher, he devoted himself to experimenting with plastic arts at art institutes and high schools.\u003c\/p\u003e\n\n\n \u003cp\u003eHe resumed his sculpting career in 1992. From 1995 onwards, with his double-sided works in bronze and synthetic stone, he developed the idea of ​​a new approach to sculpture. Beginning in 2001, with the use of multiple materials in the same work, the idea of ​​transcending the unity of the artistic object's formal and expressive elements took shape: breaking down the style and homogeneous formal model in the sculptural work. The compositional structure, the architecture of the work, is achieved from a basic body and subsequent additional applications: parts conceived as independent, held together by a conceptual interrelation. The elements of the language interact in a deliberately metaphysical space—the work conveys a visual perception of aesthetic-formal discontinuity.\u003c\/p\u003e\n\n\n \u003cp\u003eGiorgio Carluccio has deliberately never abandoned the \"sculpture-object\" concept, whether installations or other genres, convinced that new forms of sculpture can be found in languages ​​open to new solutions, not subject to closures or old formalisms, towards a constructive, non-prejudicial liberalism, inspired by the overcoming of gratuitous provocations, of improvisations devoid of content, as has happened in recent years.\u003c\/p\u003e","brand":"Carluccio Giorgio","offers":[{"title":"Default Title","offer_id":56211340558722,"sku":"GCAR004","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/4-il-triangolo-e-la-sfera-2009-copia.jpg?v=1768399293"},{"product_id":"giorgio-carluccio-dallo-spazio-mentale-allo-spazio-fisico","title":"Giorgio Carluccio - From Mental Space to Physical Space","description":"\u003cp\u003e Giorgio Carluccio was born in Tuturano, Brindisi, on October 20, 1948. He studied at the Art School in Lecce from 1964 to 1968 and earned a diploma in sculpture from the Academy of Fine Arts in Lecce in 1973.\u003c\/p\u003e\n\n\n\u003cp\u003e In the early 1970s, he worked within the avant-garde, drawn to Expressionism, Informalism, and the spatial concepts of Lucio Fontana. In the 1980s, as a teacher, he devoted himself to experimenting with plastic arts at art institutes and high schools.\u003c\/p\u003e\n\n\n \u003cp\u003eHe resumed his sculpting career in 1992. From 1995 onwards, with his double-sided works in bronze and synthetic stone, he developed the idea of ​​a new approach to sculpture. Beginning in 2001, with the use of multiple materials in the same work, the idea of ​​transcending the unity of the artistic object's formal and expressive elements took shape: breaking down the style and homogeneous formal model in the sculptural work. The compositional structure, the architecture of the work, is achieved from a basic body and subsequent additional applications: parts conceived as independent, held together by a conceptual interrelation. The elements of the language interact in a deliberately metaphysical space—the work conveys a visual perception of aesthetic-formal discontinuity.\u003c\/p\u003e\n\n\n \u003cp\u003eGiorgio Carluccio has deliberately never abandoned the \"sculpture-object\" concept, whether installations or other genres, convinced that new forms of sculpture can be found in languages ​​open to new solutions, not subject to closures or old formalisms, towards a constructive, non-prejudicial liberalism, inspired by the overcoming of gratuitous provocations, of improvisations devoid of content, as has happened in recent years.\u003c\/p\u003e","brand":"Carluccio Giorgio","offers":[{"title":"Default Title","offer_id":56211340624258,"sku":"GCAR005","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/5-da-spazio-mentale-a-spazio-fisico-2009-copia.jpg?v=1768399295"}],"url":"https:\/\/venderequadri.it\/en\/collections\/giorgio-carluccio.oembed","provider":"Venderequadri","version":"1.0","type":"link"}