{"title":"Giangiacomo Spadari","description":"\u003cp\u003eOpere di Giangiacomo Spadari in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Giangiacomo Spadari? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"giangiacomo-spadari-lo-spettacolo-del-mondo-mondo-dello-spettacolo","title":"Giangiacomo Spadari - The spectacle of the world, the world of entertainment","description":"","brand":"Dallimonti Raffaello","offers":[{"title":"Default Title","offer_id":56212670316930,"sku":"RDAL020","price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/spadari.jpg?v=1768406360"},{"product_id":"giangiacomo-spadari-racconto-sulla-valdarno","title":"Giangiacomo Spadari - A Story of the Valdarno","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eA very interesting work that demonstrates a different approach than Spadari's usual approach, which leans toward a pop aesthetic. In this case, however, the artist adopts a completely informal language, in which the landscape is reconfigured through the painter's expressive gestures. The informal approach Spadari proposes here is composed of sinuous structures that find their own three-dimensionality in space. Spadari also introduces a more instinctive component in the color red, which is allowed to flow freely.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eGiangiacomo Spadari was born in 1938 in the Republic of San Marino. His career began in 1961, when he moved to Milan, where he held his first solo exhibition at the Galleria Spotorno. Initially, he turned to a kind of existential realism. In 1966, Spadari found his signature style, exploring the climate of 1968 and the student protests, revisiting these issues with a pop approach. The use of solarized photographs or images from films or newspapers transformed him into true icons of contemporary art.\u003c\/p\u003e","brand":"Maccone Andrea","offers":[{"title":"Default Title","offer_id":56213564162434,"sku":"AMAC003","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3557.jpg?v=1768410040"},{"product_id":"spadari-senza-titolo","title":"Giangiacomo Spadari - Untitled","description":"\u003cp\u003eA popular iconography throughout the history of Western art, the Crucifixion has its origins in the early Christian era and has developed over the centuries, culminating in the most recent expressions of contemporary art. The traditional iconography of Jesus on the cross has infinite variations, from the simplest, accompanied only by the \"mourners\"—the Madonna and St. John the Evangelist—to the occasion for large choral scenes. It is often also accompanied by symbolic elements, such as the presence of the sun and moon or Adam's skull beneath Christ's cross.\u003c\/p\u003e\n\n\n \u003cp\u003eIn contrast, in this interpretation, Spadari strips the scene to its bare essentials, eliminating all other characters and focusing the composition solely on the crucified Christ lost in a dramatic landscape. Reality is interpreted extremely synthetically, with an almost brutal reduction. The surface is completely two-dimensional, with no allowance for spatial depth. The brushstrokes delineate the forms in a very tormented manner. Color is used according to an emotional, spiritual interpretation, without any connection to reality, and the application of color is dense and material.\u003c\/p\u003e\n\n\n \u003cp\u003eGiangiacomo Spadari was born in 1938 in the Republic of San Marino. His career began in 1961, when he moved to Milan, where he held his first solo exhibition at the Galleria Spotorno. Initially, he turned to a kind of existential realism. In 1966, Spadari found his signature style, exploring the climate of 1968 and the student protests, revisiting these issues with a pop approach. The use of solarized photographs or images from films or newspapers transformed him into true icons of contemporary art.\u003c\/p\u003e","brand":"Arisi Barbara","offers":[{"title":"Default Title","offer_id":56218635436418,"sku":"BARI005","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Spadari_96c6a546-0b31-4a79-9b72-831ef89c075a.jpg?v=1768475071"}],"url":"https:\/\/venderequadri.it\/en\/collections\/giangiacomo-spadari.oembed","provider":"Venderequadri","version":"1.0","type":"link"}