{"title":"OPUS GALLERY","description":"\u003cp\u003eScopri quadri in vendita di Lodola, Finzi, Rotella, Kostabi e altri artisti contemporanei. Acquista online su Galleria Opus - Venderequadri.\u003c\/p\u003e","products":[{"product_id":"mark-kostaby-crimson-euphoria","title":"MARK KOSTABI - CRIMSON EUPHORIA","description":"\u003cstrong\u003eMark Kostabi was born to a family of \u003ca title=\"Estonia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Estonia\"\u003eEstonian\u003c\/a\u003e immigrants in \u003ca title=\"California\" href=\"https:\/\/it.wikipedia.org\/wiki\/California\"\u003eCalifornia\u003c\/a\u003e , where he spent his early years in \u003ca title=\"Whittier, California\" href=\"https:\/\/it.wikipedia.org\/wiki\/Whittier_(California)\"\u003eWhittier\u003c\/a\u003e . He studied drawing and painting at \u003ca class=\"mw-redirect\" title=\"California State University\" href=\"https:\/\/it.wikipedia.org\/wiki\/California_State_University\"\u003eCalifornia State University\u003c\/a\u003e . In \u003ca title=\"1982\" href=\"https:\/\/it.wikipedia.org\/wiki\/1982\"\u003e1982\u003c\/a\u003e he moved to \u003ca title=\"New York\" href=\"https:\/\/it.wikipedia.org\/wiki\/New_York\"\u003eNew York\u003c\/a\u003e and from \u003ca title=\"1984\" href=\"https:\/\/it.wikipedia.org\/wiki\/1984\"\u003e1984\u003c\/a\u003e became an important figure in the \u003ca title=\"East Village\" href=\"https:\/\/it.wikipedia.org\/wiki\/East_Village\"\u003eEast Village\u003c\/a\u003e art movement. During these years he enjoyed the provocative use of \u003ca class=\"mw-redirect\" title=\"Mass media\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mass_media\"\u003emass media\u003c\/a\u003e with self-interviews on \u003ca title=\"Contemporary art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arte_contemporanea\"\u003econtemporary art\u003c\/a\u003e .\u003c\/strong\u003e\r \n\r \n\u003cstrong\u003eSince \u003ca title=\"1987\" href=\"https:\/\/it.wikipedia.org\/wiki\/1987\"\u003e1987\u003c\/a\u003e he has achieved international recognition and his works have been requested by galleries in \u003ca title=\"Japan\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giappone\"\u003eJapan\u003c\/a\u003e , \u003ca title=\"United States of America\" href=\"https:\/\/it.wikipedia.org\/wiki\/Stati_Uniti_d%27America\"\u003ethe United States\u003c\/a\u003e , \u003ca title=\"Australia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Australia\"\u003eAustralia\u003c\/a\u003e and \u003ca title=\"Germany\" href=\"https:\/\/it.wikipedia.org\/wiki\/Germania\"\u003eGermany\u003c\/a\u003e . In \u003ca title=\"1988\" href=\"https:\/\/it.wikipedia.org\/wiki\/1988\"\u003e1988\u003c\/a\u003e he founded \"Kostabi World\": his studio, gallery and office in New York. This structure, thanks to many assistants, produces around 1000 paintings a year, all of which are signed by the master. Since 1996 he has divided his life between New York and \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e where he has become a model for many Italian artists. In his paintings there are some real constants, such as the citation of other works and the depiction of faceless subjects that recall the figures of De Chirico's mannequins. \u003csup id=\"cite_ref-1\" class=\"reference\"\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Mark_Kostabi#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/strong\u003e\r \n\r \n\u003cstrong\u003e\u003cspan class=\"chiarimento\"\u003eIn recent years\u003c\/span\u003e he has dedicated himself to the design of advertising brands including \u003ca title=\"Swatch\" href=\"https:\/\/it.wikipedia.org\/wiki\/Swatch\"\u003eSwatch\u003c\/a\u003e watches, espresso cups, computer accessories and \u003cspan class=\"chiarimento\"\u003erecently\u003c\/span\u003e \u003csup class=\"noprint chiarimento-apice\"\u003e[ \u003ci\u003e\u003ca title=\"Help: Clarity\" href=\"https:\/\/it.wikipedia.org\/wiki\/Aiuto:Chiarezza\"\u003eunclear\u003c\/a\u003e\u003c\/i\u003e ]\u003c\/sup\u003e he recreated the \u003ca title=\"Pink jersey\" href=\"https:\/\/it.wikipedia.org\/wiki\/Maglia_rosa\"\u003epink jersey\u003c\/a\u003e of the \u003ca title=\"Tour of Italy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giro_d%27Italia\"\u003eGiro d'Italia\u003c\/a\u003e . He has collaborated pictorially with \u003ca title=\"Enzo Cucchi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Enzo_Cucchi\"\u003eEnzo Cucchi\u003c\/a\u003e , \u003ca title=\"Arman\" href=\"https:\/\/it.wikipedia.org\/wiki\/Arman\"\u003eArman\u003c\/a\u003e , \u003ca class=\"new\" title=\"Howard Finster (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Howard_Finster\u0026amp;action=edit\u0026amp;redlink=1\"\u003eHoward Finster\u003c\/a\u003e (in \u003ca title=\"1992\" href=\"https:\/\/it.wikipedia.org\/wiki\/1992\"\u003e1992\u003c\/a\u003e ), \u003ca title=\"Tadanori Yokoo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Tadanori_Yokoo\"\u003eTadanori Yokoo\u003c\/a\u003e (in 1993) and \u003ca title=\"Enrico Baj\" href=\"https:\/\/it.wikipedia.org\/wiki\/Enrico_Baj\"\u003eEnrico Baj\u003c\/a\u003e (in \u003ca title=\"1992\" href=\"https:\/\/it.wikipedia.org\/wiki\/1992\"\u003e1992\u003c\/a\u003e ). He has given interviews to \u003ca title=\"CNN\" href=\"https:\/\/it.wikipedia.org\/wiki\/CNN\"\u003eCNN\u003c\/a\u003e and the \u003ca title=\"MTV\" href=\"https:\/\/it.wikipedia.org\/wiki\/MTV\"\u003eMTV\u003c\/a\u003e channel as well as to numerous magazines and weeklies, such as \u003ci\u003e\u003ca class=\"mw-redirect\" title=\"New York Times\" href=\"https:\/\/it.wikipedia.org\/wiki\/New_York_Times\"\u003ethe New York Times\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca class=\"mw-redirect\" title=\"People (periodical)\" href=\"https:\/\/it.wikipedia.org\/wiki\/People_(periodico)\"\u003ePeople\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca class=\"mw-redirect\" title=\"Vogue (periodical)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Vogue_(periodico)\"\u003eVogue\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"Playboy (magazine)\" href=\"https:\/\/it.wikipedia.org\/wiki\/Playboy_(periodico)\"\u003ePlayboy\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"Forbes\" href=\"https:\/\/it.wikipedia.org\/wiki\/Forbes\"\u003eForbes\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca class=\"mw-redirect\" title=\"New York Magazine\" href=\"https:\/\/it.wikipedia.org\/wiki\/New_York_Magazine\"\u003eNew York Magazine\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"Domus\" href=\"https:\/\/it.wikipedia.org\/wiki\/Domus\"\u003eDomus\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"Artforum\" href=\"https:\/\/it.wikipedia.org\/wiki\/Artforum\"\u003eArtforum\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca class=\"new\" title=\"Art in America (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Art_in_America\u0026amp;action=edit\u0026amp;redlink=1\"\u003eArt in America\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca class=\"new\" title=\"Artnews Arts (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Artnews_Arts\u0026amp;action=edit\u0026amp;redlink=1\"\u003eArtnews Arts\u003c\/a\u003e\u003c\/i\u003e , \u003ci\u003e\u003ca title=\"Flash Art\" href=\"https:\/\/it.wikipedia.org\/wiki\/Flash_Art\"\u003eFlash Art\u003c\/a\u003e ,\u003c\/i\u003e\u003ci\u003e\u003ca class=\"mw-redirect\" title=\"Celestial Theme\" href=\"https:\/\/it.wikipedia.org\/wiki\/Tema_Celeste\"\u003eTema Celeste\u003c\/a\u003e , including an\u003c\/i\u003e interview on Radio Uno New York with the Italian presenter Tino Maiolo.\u003c\/strong\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56218299564418,"sku":"MK006","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/MK006-CRIMSON-EUPHORIA-432-X-266.jpg?v=1768472598"},{"product_id":"rabarama","title":"Rabarama","description":"","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56218533822850,"sku":"VQ0350","price":488.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/RABARAMA-rab001INCISIONE-ES-94-DI-99-RAB001-scaled.jpg?v=1768473979"},{"product_id":"marco-lodola-donna-in-moto-scultura-luminosa","title":"Woman on a Motorcycle - Marco Lodola","description":"\u003cp\u003e LED and perplex light sculpture\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56218547847554,"sku":"ML087","price":2900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ML087-PIN-UP-IN-MOTO-100X110.jpg?v=1768474156"},{"product_id":"silvio-formichetti-senza-titolo-2-2","title":"SILVIO FORMICHETTI - UNTITLEABLE","description":"\u003cstrong\u003e\u003cem\u003eSilvio Formichetti\u003c\/em\u003e\u003c\/strong\u003e was born in 1969 in Pratola Peligna (Aq). His early works depict female nudes and landscapes of the Abruzzo hinterland. His interest in informal painting began in the mid-1990s. \u003cem\u003eHe became interested in Pollock,\u003c\/em\u003e American \u003cem\u003eAction Painting,\u003c\/em\u003e and \u003cem\u003eDova\u003c\/em\u003e , \u003cem\u003eAfro\u003c\/em\u003e , \u003cem\u003eVedova\u003c\/em\u003e , and \u003cem\u003eHans Hartung\u003c\/em\u003e \u003cstrong\u003e.\u003c\/strong\u003e\r \n\u003cstrong\u003eIn 1999 he moved on to sign and gestural abstraction and in 2011 he was invited to the 54th Venice Biennale – Italian Pavilion curated by Vittorio Sgarbi.\u003c\/strong\u003e In Italy, his exhibitions include: various participations in the “International Contemporary Art Exhibitions” of Sulmona (various editions from 1999 to 2016); personal exhibition at the Palazzetto dei Nobili in L'Aquila, catalogue edited by Carlo \u003cem\u003eFabrizio Carli\u003c\/em\u003e and XXX edition of the “International Art Exhibition of Sulmona” (2003); National Museum of Abruzzo in L'Aquila curated by \u003cem\u003eLeo Strozzieri\u003c\/em\u003e and \u003cem\u003ePierpaolo Bellucci\u003c\/em\u003e and Diocesan Museum “Francesco Gonzaga” in Mantua, curated by \u003cem\u003eMaurizio Gioia\u003c\/em\u003e and \u003cem\u003eCarlo Micheli\u003c\/em\u003e (2007); Michetti Museum in Francavilla al Mare, with critical texts by \u003cem\u003eSilvia Pegoraro\u003c\/em\u003e and the XIII Stauròs Biennial of Sacred Art, Museum of San Gabriele, Isola del Gran Sasso (2008); “ \u003cstrong\u003eChromophobia”, Ex Aurum in Pescara curated by \u003cem\u003eSilvia Pegoraro\u003c\/em\u003e (2009); in 2010 at the Colonna Museum in Pescara, his works were placed alongside those of \u003cem\u003eMario Schifano\u003c\/em\u003e in the exhibition “Silvio Formichetti – Mario Schifano. Darkness. The Border of Colour” curated by Luca Beatrice.\u003c\/strong\u003e\r \n\nThe exhibition project with art critic \u003cem\u003eLuca Tommasi\u003c\/em\u003e took place in 2006: Silvio Formichetti's works were exhibited at the \u003cstrong\u003eNational Museum of Musical Instruments in Rome and in 2007 at the fifteenth-century Refectory of the National Museum of the Palazzo di Venezia in Rome.\u003c\/strong\u003e\n\n In the summer of 2010 he created the exhibition “Icons of the Invisible” curated by \u003cem\u003eSilvia Pegoraro\u003c\/em\u003e at the Civic Museum of Sulmona.\n\n Also in 2010 he held a solo exhibition entitled “Labyrinths of the Soul” at the Palazzo Guicciardini of the Province of Milan in the Lombard capital, with critical texts edited by Giovanni Faccenda.\n\n \u003cstrong\u003eIn 2011 he was involved in the personal exhibition at the Chiostro del Bramante in Rome “Dialogue with the infinite”\u003c\/strong\u003e curated by Giovanni Faccenda, subsequently in \u003cstrong\u003eAlbenga\u003c\/strong\u003e in the prestigious context of \u003cstrong\u003ePalazzo Oddo\u003c\/strong\u003e with a personal exhibition curated by \u003cstrong\u003ePaolo Levi entitled Alphabets of the soul.\u003c\/strong\u003e\n\r \n\u003cstrong\u003eIn 2012,\u003c\/strong\u003e at the \u003cstrong\u003eOpus Gallery in Grottammare (Ap), he presented The Big Rip, curated by Giarmmando Di Marti, and subsequently in Cassino (Frosinone) at the Teatro Manzoni, a solo exhibition titled \"Succisa Virescit,\" curated by Simona Pace and Roberto Franco.\u003c\/strong\u003e The exhibition recounts the atrocities of the Second World War experienced in the Lazio town, from the bombings to the reconstruction.\n Silvio Formichetti will inaugurate his solo exhibition entitled “Bulgarian Visions” in \u003cstrong\u003eSofia (Bulgaria)\u003c\/strong\u003e in June at the \u003cstrong\u003eNational Gallery of Modern Art, and his solo exhibition “Chromatic Architectures” in Varna (Bulgaria) at the Graffity Art Gallery, curated by the Italian Cultural Institute.\u003c\/strong\u003e\n\r \nIn 2013, Silvio Formichetti had two major solo exhibitions. The first was in Terni at the \u003cstrong\u003eGalleria Canovaccio\u003c\/strong\u003e , and the second at the \u003cstrong\u003eGalleria Civica in Padua with \"Energheia.\"\u003c\/strong\u003e Both exhibitions were highly successful.\n Silvio Formichetti's solo exhibition opens in \u003cstrong\u003eBrussels at the European Parliament\u003c\/strong\u003e in November. The exhibition \u003cstrong\u003e\"I sentieri dell'anima\" (Paths of the Soul)\u003c\/strong\u003e opens in the Altiero Spinelli Building – \"Espace Cheval\" in Brussels. Curated by the artist, the show features around twenty medium-format works created specifically for the event.\n\r \nIn 2014, Silvio Formichetti was in \u003cstrong\u003ePescara with “Inferno. Allegories of Consciousness.”\u003c\/strong\u003e The solo exhibition was held at the splendid Aurum – Fabbrica delle Idee. \u003cstrong\u003e“Opere,”\u003c\/strong\u003e an exhibition of historical works, was curated by Lucia Arbace at the \u003cstrong\u003eTaverna Ducale in Popoli (Pescara).\u003c\/strong\u003e In September, he participated in the \u003cstrong\u003e41st Sulmona Prize\u003c\/strong\u003e in Sulmona (L'Aquila) \u003cstrong\u003e.\u003c\/strong\u003e\n\n In 2015, Silvio Formichetti entered the publication \u003cstrong\u003ePRAESTIGIUM ITALIA II\u003c\/strong\u003e , the prestigious catalogue that follows Luciano Benetton's international collection “IMAGO MUNDI Luciano Benetton Collection” \u003cstrong\u003e,\u003c\/strong\u003e exhibited with a solo show in \u003cstrong\u003eBerlin\u003c\/strong\u003e at the InArt Werkkunst Gallery and was part of the contemporary artists at the 44th parallels group show in Albenga (GR).\n\r \n2016 kicks off with \u003cstrong\u003e\"Evolution of Silence,\"\u003c\/strong\u003e a solo exhibition in Umbertide (PG) at the splendid Rocca. The exhibition is curated by Anna Amendolagine. She participates in the \u003cstrong\u003e43rd Sulmona Prize\u003c\/strong\u003e in Sulmona (L'Aquila) \u003cstrong\u003e.\u003c\/strong\u003e\n\n In 2017, on the occasion of the bimillenary of the death of \u003cstrong\u003e“Ovid”\u003c\/strong\u003e , he presented a solo exhibition of 15 large-scale works in the evocative complex of the \u003cstrong\u003eCivic Museum of the SS. Annunziata in Sulmona\u003c\/strong\u003e entitled: \u003cstrong\u003e“Omnia Mutantur”\u003c\/strong\u003e . Also in 2017 he participated in the 44th edition of the \u003cstrong\u003eSulmona Prize.\u003c\/strong\u003e\n\n In \u003cstrong\u003eApril 2018\u003c\/strong\u003e he was awarded the \u003cstrong\u003eCertilux Award for “Made in Italy” art.\n\u003c\/strong\u003e “The silence that screams” \u003cstrong\u003eAscoli Piceno\u003c\/strong\u003e is the exhibition from \u003cstrong\u003e7 July to 2 September 2018.\u003c\/strong\u003e The exhibition is curated by Stefano Papetti with a preface by Vittorio Sgarbi.\r \nFrom \u003cstrong\u003e22 September to 6 October\u003c\/strong\u003e , Silvio Formichetti will be exhibiting “Vulcanico” at the Contempo gallery in \u003cstrong\u003ePergine Valsugana (Trento),\u003c\/strong\u003e curated by Anna Amendolagine.\n From \u003cstrong\u003eNovember 3 to 24, 2018,\u003c\/strong\u003e Silvio Formichetti will be exhibiting at the \u003cstrong\u003eVilla Brivio Cultural Center in Nova Milanese (MB)\u003c\/strong\u003e . The exhibition \"Informal Encounter\" is curated by Architect Antonio Lombrado and Professor Cristina Buraschi.\n\n In 2019, he was selected for the first edition of the exhibition \u003cstrong\u003e\"I mille di Sgarbi\"\u003c\/strong\u003e in Cervia (RA) at the Magazzini del Sale. The selection, exhibition, and catalog are curated by Vittorio Sgarbi. From May 31 to June 9, 2019.\n He exhibits at the \u003cem\u003eCristianoArtGallery, Samo Collection, Ars Interamna\u003c\/em\u003e – Pignataro Interamna (FR) with “ \u003cstrong\u003eAB IMO PECTORE”\u003c\/strong\u003e and participates in the \u003cstrong\u003e46th Sulmona Prize.\u003c\/strong\u003e\n\n In 2019 he presented 15 works at the M2 Art Gallery in Naples, curated by Massimo Carpentieri.\n\r \nIn 2020, the exhibition continues despite the challenges inherent in COVID-19. Participate in the 25th Cimitile Prize at the Paleochristian Basilica Complex in Cimitile, alongside the giants of Italian painting, on the occasion of the 500th anniversary of Raphael's death, curated by Giuseppe Bacci.\n\n The solo exhibition at the Civic Gallery of San Donà di Piave entitled SILVIO FORMICHETTI “IN” curated by Alain Chivilò.\n\n In June 2022 he exhibited in Grottamare (Ascoli Piceno) with the solo exhibition “The Spacing of Thought – from the Danish Diary” curated by Professor Giarmando Dimarti.","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56218808942978,"sku":"GALOP003","price":2350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/sf252-100x70-1-scaled.jpg?v=1768476920"},{"product_id":"marco-lodola-timone","title":"Helm - Marco Lodola","description":"\u003cstrong\u003eMarco Lodola was born in Dorno (Pavia).\u003c\/strong\u003e\n He attended the Academy of Fine Arts in Florence and Milan, and concluded his studies by discussing a thesis on the Fauves, who, along with Matisse, would be a point of reference for his work, as well as Fortunato Depero and Beato Angelico.\n\r \n\u003cstrong\u003eIn the early 1980s,\u003c\/strong\u003e around Luciano Inga Pin's Gallery in Milan, he and a group of artists founded the New Futurism movement, of which the critic Renato Barilli was the main theorist.\n\n \u003cstrong\u003eSince 1983 he has exhibited in major Italian and European cities\u003c\/strong\u003e such as Rome, Milan, Florence, Bologna, Lyon, Vienna, Madrid, Barcelona, ​​Paris and Amsterdam.\n\n \u003cstrong\u003eHe has participated in exhibitions and projects\u003c\/strong\u003e for important industries such as Swatch, Coca Cola, Vini Ferrari, Titan, Grafoplast, Harley Davidson, Ducati, Riva, Illy (designer cup collection), Francis – Francis, Dash, Carlsberg, Nonino, Valentino, Coveri, Fabbri, I Mirabili, Shenker, Seat, Lauretana, Smemoranda, Gierre Milano and Calze Gallo, Ferrarelle, De Longhi, Amaro Lucano Antony Morato, Dior.","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56218809008514,"sku":"GALOP004","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ML098-TIMONE-SMALTO-SU-TELA-2010-100X70-PUB.-scaled.jpg?v=1768476920"},{"product_id":"marco-lodola-ancora-2","title":"Again - Marco lodola","description":"\u003cstrong\u003eMarco Lodola was born in Dorno (Pavia).\u003c\/strong\u003e\r \nHe attended the Academy of Fine Arts in Florence and Milan, and concluded his studies by discussing a thesis on the Fauves, who, along with Matisse, would be a point of reference for his work, as well as Fortunato Depero and Beato Angelico.\n\n \u003cstrong\u003eIn the early 1980s,\u003c\/strong\u003e around Luciano Inga Pin's Gallery in Milan, he and a group of artists founded the New Futurism movement, of which the critic Renato Barilli was the main theorist.\n\n \u003cstrong\u003eSince 1983 he has exhibited in major Italian and European cities\u003c\/strong\u003e such as Rome, Milan, Florence, Bologna, Lyon, Vienna, Madrid, Barcelona, ​​Paris and Amsterdam.\n\r \n\u003cstrong\u003eHe has participated in exhibitions and projects\u003c\/strong\u003e for important industries such as Swatch, Coca Cola, Vini Ferrari, Titan, Grafoplast, Harley Davidson, Ducati, Riva, Illy (designer cup collection), Francis – Francis, Dash, Carlsberg, Nonino, Valentino, Coveri, Fabbri, I Mirabili, Shenker, Seat, Lauretana, Smemoranda, Gierre Milano and Calze Gallo, Ferrarelle, De Longhi, Amaro Lucano Antony Morato, Dior.","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56218809074050,"sku":"GALOP005","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ML097-ANORA-ANCORA-SMALTO-SU-TELA-2010-100X70-PUB.-scaled.jpg?v=1768476921"},{"product_id":"antonio-pedretti-particolare","title":"Detail - Antonio Pedretti","description":"\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eHe was born on February 2, 1950, in Gavirate, in the province of Varese. He trained first at the Sforza Castle painting school and then at the Brera Academy, which he left in 1972. Meanwhile, at the age of sixteen, he had already held his first solo exhibition at the Galleria Ca' Vegia in Varese, with palette knife paintings depicting landscapes, farmhouses, flowers, trees, and stagnant water, with a certain sentimentality and remarkable, precocious technical skill.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eThis latter subject will remain a constant in the artist's career, born on the shores of the lake and therefore intimately linked to this type of natural landscape.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAfter participating in several group exhibitions, including the Premio Nazionale Varese Arte, in 1970 he commissioned a second solo show at the Galleria Ghiggini in Varese, showcasing several nudes reminiscent of the delicate gestures of De Pisis or Bonnard, and a series of landscapes dedicated to Sicily. Gian Franco Maffina wrote in the catalogue: \"Still with his eyes filled with the moist tenderness of this Lombard land, he must have been astonished by the violent beauty of our South, by the blinding light of its walls parched by a relentless sun and the saltiness of the sea, by its dazzling beaches, by its sea rippled by the hot African wind. One can sense his almost stunned agitation in these coastal villages where the silence is broken only by the clatter of a donkey or the oriental-like call of a street vendor.\" Two years later, he exhibited at the Galerie L'Angle aigu in Brussels, achieving flattering critical acclaim in the Belgian press. Renato Guttuso introduces him: \"Dear Pedretti, although you are very young, your work already offers some solid evidence for judging your uncommon talents. One cannot help but be struck by the confidence with which your lines, your touches of color, define a landscape, a figure, a whole in its essential features; by the ability with which your drawing penetrates form, investigating it with precision, without falling into meticulously academic analysis. Today your work is at a very serious stage, and it seems to me that your recent paintings contain new elements compared to the happiness and ease of your earlier works. There is an awareness of a new commitment and new difficulties. It is the premise of a leap forward.\"\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAt this point, after a summary exhibition at the Ghiggini Gallery, the artist began a period of reflection, a period of reconsideration during which he withdrew from public activity for a silent and thoughtful research project, reviewing his artistic experiences thus far and questioning them.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eThe first results of this secluded experimental phase were a series of imaginary landscapes composed solely of sea waves and drifting clouds, captured in suspended atmospheres bathed in vivid light. It is the gesture, in the manner of Pollock, that takes on importance in these works from the second half of the 1970s, a broad and expansive gesture that allows the pictorial material to expand and wrinkle, to shine in vivid colors and to create allusive textures. He painted these \"informal\" images on sheets of PVC or Plexiglas and enclosed them within them, layering the materials and even using resins. Viana Conti, in her presentation of the exhibition Ceneri a Resistenza, held in 1982 at the Luogo di Gauss in Milan, saw these choices as a starting point: \"The painter, after having unleashed himself on large scales and having demonstrated his ability to invade the world, reweaves a space of play and analysis and begins to speak again behind a veil. The threshold beyond which he repeats his pictorial gestures is the transparency of a sheet of plexiglass. But that sheet is there to create distance, to function as a window, a focal point of the gaze. The artist's freedom, in his recent works, is not sought in the maximum extension of his arms, in a full-throated scream, but in a succession of small gestures and modulations of the voice. The thought of limits, which previously seemed distressing, becomes practicable again for this artist, if not even a condition for the continuity of the artistic discourse. The idea of ​​the fragment, freeing itself of a ruinous connotation, recreates a starting point for the construction no longer of a monument to the past, but of a document of the present.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eIn Pedretti's work, a memory of informal origin can be recovered, which over time has been emptied of meanings and values, finding in the frequentation of matter and colors... magical and playful impulses.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eFor Marco Meneguzzo, however, with these works the artist places himself on the boundary beyond which painting invades other territories: \"There is no doubt that Pedretti's painting is landscape painting—and how much he owes to a certain Lombard naturalism is certainly not hidden; the surprising fact today is rather that this landscape aims to be a natural landscape and not, once again, an artistic landscape. It is therefore not his 'Mannerist' operation, however much one can escape Mannerism today—which derives its raison d'être only from art. A risky position to maintain, but a bold and, paradoxically, novel one: as if a positive confidence in oneself and in the means of painting could have the subversive power to overturn tendencies and directions, which indeed show some signs of fatigue, but which still seem to have no alternative.\" Not a traversal of images and art history, not an analysis and torment of painting's ultimate tools, but a reference both ancient and new, an attempt to revitalize and reconnect threads that may not have been completely severed within a certain tradition, especially a Romantic one. The transparencies that Pedretti achieves through repeated pours of resin and paint are transparencies that can even recall Tiepolo's skies, but also a Lombard sky 'so beautiful when it's beautiful'. Another naturalism? The question is as old as painting itself...' (introduction to the catalogue of the solo exhibition at Luogo di Gauss, Milan, 1983).\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAnd in fact the question of naturalism is central in Pedretti, as his further work demonstrates.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eIn fact, having abandoned, starting from the mid-1980s, the ambitions of the contemporary avant-gardes, he returned to a certain extent to that sense of nature of his origins, to lyrical landscape evocations, mindful however of the informal gestures and above all of the lesson of three great masters of the genre:\u003c\/span\u003e\r \nConstable, Segantini, and Morlotti. Of the first two, we find in Pedretti's images the skillful use of chromatic scansions and the great ability to structure the whole through chiaroscuro; of the third, the earthy relationship with the material is evident, as we might say, which increasingly tends to solidify and acquire depth. These are undoubtedly merely cultural references, the solid foundations on which Pedretti's pictorial constructions rest. He relies on visual sensations, but above all, he recreates in the studio, drawing on memory, visions that have been lodged in his imagination since childhood, which surface and accumulate with each experience. And, if at first he depicted broad panoramas of lake landscapes, marsh grasses, and reed beds, now he seems to immerse himself in them, in an almost symbolic ritual, to highlight a detail, to isolate a particular, to bring into focus a stem or a flower or an entire bush.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56219193966978,"sku":"AP156","price":1800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/AP156-70X80-PARTICOLARE-scaled.jpg?v=1768478710"},{"product_id":"la-dolce-vita-mimmo-rotella","title":"THE SWEET LIFE - MIMMO ROTELLA","description":"An artist with a multifaceted personality and intense visual concepts always aligned with an avant-garde taste, Mimmo Rotella was born in Catanzaro on October 7, 1918. After graduating from the \u003ca href=\"http:\/\/www.abana.it\/it\/\"\u003eAcademy of Fine Arts in Naples\u003c\/a\u003e , he settled in Rome in 1945. The first phase of his career was characterized by experimentation with different pictorial styles, which would lead him to revolutionize the artistic languages ​​of the post-war period. In 1951, Rotella held his first solo exhibition at the Chiurazzi Gallery in Rome, which received widespread acclaim. Rotella's paintings began to arouse considerable interest, so much so that that same year he was awarded a scholarship by the \u003ca href=\"http:\/\/www.fulbright.it\/\"\u003eFulbright Foundation\u003c\/a\u003e . This enabled him to attend the prestigious \u003ca href=\"https:\/\/kcai.edu\/\"\u003eUniversity of Kansas City\u003c\/a\u003e . Rotella reciprocated by creating a mural panel in the Physics Department and by recording the first \u003ca href=\"https:\/\/www.youtube.com\/watch?v=vYgdBim-Ub4\"\u003ephonetic poems\u003c\/a\u003e he defined as \"epistaltic.\" In 1952 he was invited by \u003ca href=\"https:\/\/www.harvard.edu\/\"\u003eHarvard University\u003c\/a\u003e to perform a phonetic poetry performance in Boston and by the Library of Congress in Washington to record some phonetic poems. Back in Italy, after a period of reflection on the means of painting and the need to use new tools, he invented the \" \u003ca href=\"http:\/\/www.mimmorotellainstitute.it\/decollage.html\"\u003edécollage\u003c\/a\u003e \" technique, characterized by tearing off advertising posters posted in the streets and pasting the fragments, whether front or back, onto the canvas. Memorable examples of this phase are \"Un poco in su\" and \"Collage\", both from 1954. From 1958 Rotella gradually abandoned purely abstract compositions to create décollages with clearly legible images. This trend culminated in the \"Cinecittà\" series, created in 1962 (which includes \"Eroi in galera\" and \"Tre minuti di tempo\") and in the series dedicated to movie stars and famous people (\"Assalto della notte\", 1962; \"Marilyn calda\", 1963 and so on).\r \n\nFrom the 1960s onwards, Mimmo Rotella dedicated his works to posters of world cinema featuring the faces of Hollywood's greats. In 1961, at the invitation of critic \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Pierre_Restany\"\u003ePierre Restany\u003c\/a\u003e , he joined the \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Nouveau_R%C3%A9alisme\"\u003eNouveaux Réalistes\u003c\/a\u003e group, in which Raymond Hains, Jacques Mah de la Villeglè, and \u003ca href=\"https:\/\/it.qaz.wiki\/wiki\/Fran%C3%A7ois_Dufrene\"\u003eFrancois Dufrène\u003c\/a\u003e were already using advertising posters with processes similar to his. Having moved to Paris in 1964, the painter Mimmo Rotella continued to work on the definition of a new technique, \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Mec-Art\"\u003eMec Art\u003c\/a\u003e , with which he creates works using mechanical processes on emulsion canvases.\n\r \nIn 1972 he published the autobiographical volume “Autorotella” for the Sugar publishing house, performing his phonetic poems at the book presentation at the \u003ca href=\"https:\/\/www.laboratorioformentini.it\/\"\u003eCircolo Culturale Formentini\u003c\/a\u003e in Milan.\n\n Mimmo Rotella's works from the 1970s are marked by frequent trips to the USA, India, Nepal, before finally settling in Milan in 1980. The “ \u003ca href=\"http:\/\/www.mimmorotellainstitute.it\/copertura-o-blank.html\"\u003eCoperture\u003c\/a\u003e ” belong to the early 1980s, posters that Mimmo Rotella covers with sheets of paper that hide the image underneath.\n\r \nHe returned to painting in the mid-1990s with the \"Cinecittà 2\" series, which explored the theme of cinema on large-scale canvases, and with the \" \u003ca href=\"http:\/\/www.mimmorotellainstitute.it\/sovrapittura.html\"\u003eSovratipture\u003c\/a\u003e \" series on collage and sheet metal. These pictorial interventions on torn posters glued to metal panels characterize the artist's most recent period. \u003ca href=\"https:\/\/www.nonsolocinema.com\/E-MORTO-MIMMO-ROTELLA-L-INVENTORE.html\"\u003eHe died in Milan on January 8, 2006.\u003c\/a\u003e\n\n Mimmo Rotella's works are on sale at stable medium-high prices.","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56219244986754,"sku":"OPUS0002","price":950.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ROTELLA_04c14064-533b-4341-ba71-8ad86ff53ea3.jpg?v=1768479233"},{"product_id":"xavier-bueno-litografia","title":"XAVIER BUENO - LITHOGRAPHY","description":"","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220070052226,"sku":"OPUSGR001","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/xavier-bueno-scaled.jpg?v=1768488127"},{"product_id":"antonio-bueno-acquaforte","title":"ANTONIO BUENO - ETCHING","description":"","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220070084994,"sku":"OPUSGR002","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/antonio-bueno-scaled.jpg?v=1768488129"},{"product_id":"the-poetry-of-time-mark-kostabi","title":"THE POETRY OF TIME - MARK KOSTABI","description":"\u003ch2\u003eMark Kostabi – \u003cem\u003eThe Poetry of Time\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eIl tempo come poesia visiva: \u003cem\u003eThe Poetry of Time\u003c\/em\u003e è un'opera che incarna la riflessione filosofica di Mark Kostabi sul fluire dell'esistenza. Le sue figure senza volto, simbolo dell'umanità universale, si muovono in uno spazio sospeso tra passato e futuro, in un formato verticale di grande presenza scenica.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Mark Kostabi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Olio su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensione:\u003c\/strong\u003e Formato medio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrientamento:\u003c\/strong\u003e Orizzontale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriodo:\u003c\/strong\u003e Contemporaneo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenienza:\u003c\/strong\u003e Collezione privata\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCertificato di autenticità:\u003c\/strong\u003e Sì\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOpera verificata\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKostabi è presente nelle più importanti collezioni private e istituzionali del mondo. Un investimento culturale ed estetico di sicuro valore.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrattativa riservata disponibile. Contattaci per maggiori informazioni.\u003c\/em\u003e\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220204859778,"sku":"GOP001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/THE-POETRY-OF-TIME-48X635-scaled.jpg?v=1768489517"},{"product_id":"il-color-ritrovato-ad-angolo-segreto-ennio-finzi","title":"THE COLOR FOUND IN A SECRET CORNER - ENNIO FINZI","description":"\u003cp\u003eEnnio Finzi (Venice 1931) After a brief attendance at the Venice Art Institute, he was captivated by the fascinating discovery of Cubism's structural upheaval, which allowed him to transcend the realities of representation. His encounter with Atanasio Soldati influenced his later works, characterized by bright colors and rigorous formal balance. This gave rise to his first \"inventions,\" in which rhythm, color, light, and timbre assumed the role of fundamental elements and became a fundamental constant throughout his research. During those years, Finzi was significantly influenced by Virgilio Guidi, who brought with him the ideological force of his creative thought, and by Emilio Vedova, who brought with him the impetus of his gestures that attacked the surface. The discovery of twelve-tone music led him to master the principle of \"dissonance.\" Suddenly, the practice of color freed from all tonal relationships and charged exclusively with the function of timbre opened up vast new horizons, so much so that from that moment until the late 1950s, his work would be an obsessive exploration of the semantics of gesture, light, and timbre. In the late 1950s, marked by the groundbreaking insights of Lucio Fontana, whom Finzi met in Milan at one of his exhibitions at the Apollinaire Gallery, the gestural turbulence and expressive urgency subsided, and a more reflective dimension took over, moving toward transcending painting itself, drawing closer to Gestalt theories on the phenomenology of perception. The principles of optical art informed his research on optical suggestion until 1978. In 1980, painting reclaimed the dominant space with a successive alternation of color and non-color, light and darkness, competing for the surface of the work. Black was positioned as the light of darkness, of emptiness, of silence, and led him to probe the most secret resonances of the nonexistent on the invisibility of painting itself. He began exhibiting in 1949 at the Bevilacqua La Masa Foundation in Venice, where he held his first solo exhibition in 1956. He participated, by invitation, in the Rome Quadriennale in 1959 and 2000 and in the 42nd Venice Art Biennale in 1986. His last major solo exhibition was held in 2005 in Urbino in the rooms of the Palazzo Ducale.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220240839042,"sku":"OPUS003EF","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/EF102-60X60-IL-COLOR-RITROVATO-AD-ANGOLO-SEGRETO-scaled.jpg?v=1768489733"},{"product_id":"athos-faccincani-2-2-2","title":"ATHOS FACCINCANI","description":"\u003cp\u003eAthos Faccincani (Peschiera del Garda 1951) Between 1967 and 1969, he frequented the studio of Pio Semeghini and then, in Venice, the studios of Novati, Gamba, and Seibezzi. During this period, he also met Ottorino Garosio and Angelo Fiessi in Brescia. In 1970, after completing his studies, he devoted himself to painting and horseback riding with the support of his friend Nantas Salvalaggio. In 1980, after a long period of reflection, he shifted from depicting human figures to landscapes. Faccincani's style can be summed up as a revisited Impressionism, with pure, bright colors, aimed at the cultural motivations of the 21st century. Today his works are present in most art collections in Italy and in some European museums, also following the exhibition held at the European Parliament in Strasbourg and the Institutional Antological exhibition at the Vittoriano Monumental Complex in Rome in 2005, the personal exhibition at Castel dell'Ovo, Sala delle Prigioni, Naples, the one held at the Grand Hyatt Hotel in Tokyo, and the exhibition in the rooms of the Aragonese Castle in Taranto in 2006.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220241363330,"sku":"OPUS003AF","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/AF104-60X60.jpg?v=1768489737"},{"product_id":"mirko-pagliacci-2-2","title":"MIRKO CAGLIACCI","description":"\u003cp\u003e Mirko Pagliacci (Lausanne, 1959). In 1987, together with Nico Paladini, he founded the Metropolismo movement, which formally employs a traditional language, though it also includes influences from photography and the use of modern technology. Pagliacci graduated from the Art School in Rome, attended courses at the School of Nude, and studied with several artists, most notably working with Mario Schifano. The artist developed a personal style, far from transgression, constantly evolving, and evincing a propensity for improvisation.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220242248066,"sku":"OPUS002MP","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/50x100-2.jpg?v=1768489739"},{"product_id":"mirko-pagliacci-2-2-2","title":"MIRKO CAGLIACCI","description":"\u003cp\u003eMirko Pagliacci (Lausanne, 1959). In 1987, together with Nico Paladini, he founded the Metropolismo movement, which formally employs a traditional language, though it also includes influences from photography and the use of modern technology. Pagliacci graduated from the Art School in Rome, attended courses at the School of Nude, and studied with several artists, most notably working with Mario Schifano. The artist developed a personal style, far from transgression, constantly evolving, and evincing a propensity for improvisation.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220242510210,"sku":"OPUS003MP","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/50x100.jpg?v=1768489740"},{"product_id":"tullio-pericoli-piccoli-boschi-aeronatura","title":"SMALL WOODS - AIR FOREST - TULLIO PERICOLI","description":"\u003cp\u003eTullio Pericoli established himself as a painter and illustrator in Milan, and in the 1970s he began contributing to several magazines, such as \"Corriere della Sera,\" \"Linus,\" and \"L'Espresso,\" and exhibited his work in Milan, Parma, and Urbino. He subsequently held solo exhibitions in Milan, Paris, and Munich, and in 1993 he received the Gulbransson Prize from the Olaf Gulbransson Museum in Tegernsee. In 1995, he also ventured into the theater, directing, designing sets, and staging numerous performances at La Scala in Milan, the Teatro Studio in Milan, and the Zurich Opera House. He held several exhibitions at venues such as the Museo Nazionale di Palazzo Venezia in Rome, the Galleria Ceribellii in Bergamo, and the Oscar Wilde House in Dublin. In 2009, the Osvaldo Licini Contemporary Art Gallery in Ascoli Piceno dedicated a retrospective to him, titled \"Sedendo e mirando,\" and in 2010 he exhibited his landscapes and portraits in the show \"Lineamenti, volto e paesaggio\" at the Ara Pacis Museum in Rome. One of his most recent exhibitions, \"I paesaggi di Tullio Pericoli,\" was presented at the Italian Cultural Institute in Tokyo in May 2016.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56220243394946,"sku":"OPUS001TP","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/TULLIO-PERICOLI-58X38-CODD-8321-ACQUERELLO-EEE-MATITE-SU-CARTA.jpg?v=1768489743"},{"product_id":"senza-titolo-73","title":"Alfredo Pini - Untitled","description":"\u003cp\u003e Unique work by Alfredo Pini\u003c\/p\u003e\n\n\u003ch5\u003e PINI ALFREDO BIOGRAPHY\u003c\/h5\u003e\n\n\u003cdiv class=\"col-sx\"\u003e\n\n \u003cp class=\"bio\"\u003e\u003cstrong\u003eAlfredo Pini\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eHe was born in Mirandola in 1958. He graduated from the G. Luosi Commercial Institute in Mirandola in 1977. In 1985, he abandoned his profession as an accountant to devote himself entirely to painting. At the same time, he opened an art gallery in Ferrara and moved there.\u003cbr\u003e He attended several painters' studios and enrolled in various painting courses, including one held by the painter and sculptor Gianni Guidi.\u003cbr\u003e He came into contact with various 20th century artists including the futurist Primo Conti, Bruno Cassinari, Mario Schifano, Bruno Ceccobelli, Luca Alinari, Concetto Pozzati, Omar Galliani.\u003cbr\u003e In 1987 he began exhibiting and at the same time enrolled in the DAMS art section degree course at the University of Bologna.\u003cbr\u003e He is passionate about the art of lithography and screen printing and since 1990 has produced several limited edition screen prints and lithographs.\u003cbr\u003e He illustrates book covers and several other publications, including some for Schifanoia Editore. \u003cbr\u003eHis exhibition activity becomes more and more frequent and often takes him abroad.\u003cbr\u003e Participates in several international art fairs.\u003cbr\u003e Since 1997, his activity as a painter has led him to establish increasingly close and semi-exclusive collaborative relationships with various galleries in different cities in Italy, Spain and the United States.\u003cbr\u003e In 2001, the Reinermann publishing house, based in Bielefeld, Germany, exclusively distributed original prints of his works in Germany and Northern Europe. Several art magazines have periodically taken an interest in his work, including the monthly Arte, published by Mondadori, on several occasions.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56253405299074,"sku":"OpusApin001","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ALFREDOPINIAPIN00130x30.jpg?v=1769075571"},{"product_id":"paludoso-antonio-pedretti","title":"Marshy - Antonio Pedretti ","description":"\u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e \u003cstrong style=\"box-sizing: border-box; background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline: none; font-weight: bold;\"\u003eBiography of Antonio Pedretti\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e Born in 1950 in Gavirate, Antonio Pedretti began his artistic career by attending the Castello Sforzesco painting school and subsequently the Brera Academy, which he left in 1972. His talent emerged from his first solo exhibition in Varese, characterized by palette knife paintings depicting landscapes and farmhouses with a sentimental sensibility and remarkable technical skill. Landscape is indeed one of the artist's most popular genres and has been a constant throughout his career. After participating in group exhibitions and a second solo exhibition in 1970, Pedretti explored new territory, painting imaginary landscapes composed of sea waves and drifting clouds within suspended, illuminated atmospheres. He experimented with materials using plexiglass and resins. During the 1980s, Pedretti abandoned contemporary avant-garde trends and returned to a more naturalistic depiction of nature, influenced by masters such as Constable, Segantini, and Morlotti. His works show particular attention to detail, focusing on individual elements such as stems, flowers and bushes.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318483366274,"sku":"OPUSAP004","price":4400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/GU3qphQUGX.jpg?v=1770366286"},{"product_id":"paludoso-innevato-antonio-pedretti","title":"Snowy Marshland - Antonio Pedretti ","description":"\u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e \u003cstrong style=\"box-sizing: border-box; background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline: none; font-weight: bold;\"\u003eBiography of Antonio Pedretti\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e Born in 1950 in Gavirate, Antonio Pedretti began his artistic career by attending the Castello Sforzesco painting school and subsequently the Brera Academy, which he left in 1972. 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His works show particular attention to detail, focusing on individual elements such as stems, flowers and bushes.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318483399042,"sku":"OPUSAP003","price":4200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Xx1XgoIGBp.jpg?v=1770366285"},{"product_id":"antonio-pedretti-particolare-olio-su-tela","title":"Detail - Antonio Pedretti ","description":"\u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e \u003cstrong style=\"box-sizing: border-box; background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline: none; font-weight: bold;\"\u003eBiography of Antonio Pedretti\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e Born in 1950 in Gavirate, Antonio Pedretti began his artistic career by attending the Castello Sforzesco painting school and subsequently the Brera Academy, which he left in 1972. 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His works show particular attention to detail, focusing on individual elements such as stems, flowers and bushes.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318483431810,"sku":"OPUSAP002","price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/fYW9uQfrd0.jpg?v=1770366286"},{"product_id":"particolare-antonio-pedretti-1","title":"Detail - Antonio Pedretti ","description":"\u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e \u003cstrong style=\"box-sizing: border-box; background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline: none; font-weight: bold;\"\u003eBiography of Antonio Pedretti\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e Born in 1950 in Gavirate, Antonio Pedretti began his artistic career by attending the Castello Sforzesco painting school and subsequently the Brera Academy, which he left in 1972. 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Ogni pennellata racconta anni di ricerca e padronanza tecnica.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Olio su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensioni:\u003c\/strong\u003e 100 × 79 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnno:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStato di conservazione:\u003c\/strong\u003e Ottimo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCertificazione:\u003c\/strong\u003e Opera verificata e certificata da Galleria Opus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e OPUSAP301\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDisponibile su \u003cstrong\u003eVenderequadri\u003c\/strong\u003e – il marketplace italiano dedicato all'arte originale di qualità.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56335584428418,"sku":"OPUSAP301","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/zXx1X9g8pY.jpg?v=1770710973"},{"product_id":"vespa-marco-lodola","title":"VESPA - Marco Lodola","description":"","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56335584330114,"sku":"OPUSML001","price":3600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/HXOnU43XZb.jpg?v=1770710973"},{"product_id":"ennio-finzi-alternando-lo-sguardo-acrilico","title":"ALTERNATE THE GAZE - ENNIO FINZI","description":"WORK PRESENT IN THE CATALOGUE RAISONATE OF MAESTRO FINZI","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56335584461186,"sku":"OPUSEF001","price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/gZDj7OIIt9.jpg?v=1770710973"},{"product_id":"mark-kostabi-the-edge-of-forever-acrilico","title":"THE EDGE OF FOREVER - MARK KOSTABI","description":"WORK PRESENT IN THE CATALOGUE OF THE EXHIBITION \"VARIOUS NARRATIONS AND OTHER COLORS\" - MUSEUM OF THE PEOPLE OF PESCARA","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56335584297346,"sku":"OPUSMK001","price":6900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1ZUCgH5lb8.jpg?v=1770710973"},{"product_id":"betty-boop-marco-lodola-1","title":"Betty Pop - Marco Lodola","description":"WORK PRESENT IN THE CATALOGUE OF THE SUPERHEROES EXHIBITION","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56335584526722,"sku":"OPUSML003","price":3600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/jG18NAXOeQ.jpg?v=1770710973"},{"product_id":"the-american-flag-mimmo-rotella","title":"The American Flag - Mimmo Rotella","description":"OVERPAINTING ON DECOLLAGE TRANSFERRED TO CANVAS CM. 107X125\u003cbr\u003e \u003cbr\u003eEXHIBITIONS: PALAZZO DEI DIAMANTI FERRARA 1991, IL VICOLO MUNICIPAL GALLERY, CESENA 1993, BANDERA SUSTO ARSIZIO 1994, IL GRANAIO MUNICIPAL GALLERY FUSIGNANO (RA) 1996, CIVIC MUSEUM OF AREZZO 2004, CAVOUR GALLERY PADUA 2011.\u003cbr\u003e\u003cbr\u003e PUBLICATIONS: PIERRE RESTANY, ROTELLA IN BERLIN 1989, EXHIBITION CATALOGUE SCH. 5 FERRARA 1991, FROM PICASSO TO BOTERO TORCULAR EDITION PAGE 297, MILAN 2004, MIMMO ROTELLA SELECTED WORKS 1958-1996, LA LINEA EDITRICE PAGE 31 PADUA 2011","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56348506456450,"sku":"OPUSMR0010","price":28000.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/xTqH8lRHAO.jpg?v=1770908504"},{"product_id":"pin-up-in-vespa-marco-lodola","title":"Pin Up on a Vespa - Marco Lodola","description":"\u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003e\u003cstrong\u003eLighted Wall Sculpture - Neon and Perspex\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e \u003cspan style=\"box-sizing: border-box; font-size: inherit; font-family: inherit; font-weight: bold; color: inherit;\"\u003eMarco Lodola\u003c\/span\u003e 's work was created in 2025 in neon and perspex. \u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e The subject of this work is inspired by the famous \"Vespa\", an iconic vehicle of the 60s. \u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e Typical of Lodola's works is to present subjects without their faces being defined; the artist in fact decides to remove his characters from time and leave space for the lights, characterised by bright and bold colours. \u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e \u003cspan style=\"box-sizing: border-box; font-size: inherit; font-family: inherit; font-weight: bold; color: inherit;\"\u003eUnique work\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e If you're interested in \u003cspan style=\"box-sizing: border-box; font-size: inherit; font-family: inherit; font-weight: bold; color: inherit;\"\u003eMarco Lodola\u003c\/span\u003e 's work and want to know its price, request more information and receive it promptly from one of our consultants. \u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e Don't hesitate to contact us to receive a visit from one of our representatives to see the work in person, without obligation. \u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; font-size: 15px; font-family: Lato; margin: 0px 0px 10px; text-align: justify; color: #333333;\"\u003e\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56413900603778,"sku":"Opusml121","price":4800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/gjpWi8vf9j.jpg?v=1772094806"},{"product_id":"daniela-di-pasquale-senza-titolo","title":"Daniela Di Pasquale - senza titolo","description":"\u003cdiv class=\"Light_Heading_2\" style=\"font-family: Montserrat; font-size: 28px; color: #ffffff; position: absolute; left: 42px; top: 2029px; width: 1036px; height: 10px;\"\u003e\n\u003cdiv class=\"Light_Heading_2\" style=\"position: absolute; left: 42px; top: 2029px; width: 1036px; height: 10px;\"\u003e\u003cdiv class=\"Normal_Text_2 Light_Text\" style=\"text-align: justify; line-height: 1.6em; margin-top: 50px; font-family: 'Open Sans'; font-size: 14px; background-color: transparent; letter-spacing: 0em;\"\u003eDaniela Di Pasquale nasce a San Benedetto Del Tronto (AP) nel 1990. All’età di 4 anni manifesta la sua tendenza naturale per il disegno, che prende da subito un posto speciale nella sua vita, impegnando le sue giornate tra fogli, matite e colori. Scoperta precocemente quella che sarà la sua grande passione, tappa d’obbligo è l’iscrizione nel 2004 all’ Istituto Statale D’Arte di Fermo, all’indirizzo di Restauro Beni Culturali, diplomandosi nel 2009. Nel 2006 partecipa al Concorso \"Archeoclub d’Italia\" realizzando uno scorcio raffigurante una Chiesa di Ripatransone, suo attuale luogo di residenza. Nel 2009 espone un’opera (pittura su tavola) presso la Pinacoteca di Fermo. Nel 2010 si applica completamente al restauro di antiquariato. Durante il periodo buio per la grave malattia e poi la perdita della madre si dedica completamente alla pittura frequentando un corso tenuto dalla pittrice Grazia Carminucci. Nell'estate del 2013 partecipa alla manifestazione \"Arte insieme 2013\" al Museo \"Pietraia dei poeti\" realizzato dall'artista Marcello Sgattoni a San Benedetto del Tronto. Espone anche in concomitanza del concerto \"Work in progress\" svoltosi presso la Palazzina Azzurra a San Benedetto Del Tronto. La più recente serie di opere prende spunto dal neo-movimento artistico \"dello stato mentale\" il cui ideatore è il Maestro Antonio Apa, fautore della \"emo art\". Nasce quindi l'idea di realizzare un ciclo di opere intitolate \"SOGNI INFANTILI\", che vuole rappresentare le visioni e le percezioni dei primi anni di vita che affiorano a una mente che ha appena oltrepassato l'età adolescenziale. Nei dipinti vi è l'intento di materializzare artisticamente gli stati d'animo inconsci, essenze immateriali per loro natura, con il loro carico di incertezze, dubbi, paure, ma anche speranze,entusiasmi e gioie autentiche, emozioni profonde e non condizionate quali possono essere solo quelle di un animo puro, non ancora plagiato dai limiti e dalle influenze imposte dalla società contemporanea. Nel mese di ottobre viene selezionata al concorso d'arte \"Notre art de Tourin 2013\" e alla mostra ITINERARTE nella citta' di Savigliano in Piemonte. A gennaio 2014 vola a Parigi al premio art Paris 2014 poi espone a Roma e al Festival di Sanremo, in concomitanza al festival della canzone italiana. Nel mese di marzo partecipa alla manifestazione \"pensiero in rosa\" presso Villa Baruchello a Porto Sant'Elpidio. Ad aprile tiene una personale a Grottammare ed è ospite a Roma nello studio \"Arte9\" esponendo insieme al grande artista Riccardo Natili. A maggio partecipa al grande evento d'arte contemporanea \"WELCOME ARTE\" in Villa Baruchello a Porto Sant'Elpidio, alla Marguttiana d'arte a Grottammare e all'esposizione d'arte nel Forum di Fermo. Nel mese di giugno espone all'interno del teatro Ariston di San Remo, e viene selezionata per partecipare insieme a 139 artisti nazionali ed internazionali alla grande manifestazione d'arte contemporanea in Piemonte \"ITINERARTE\". Sempre a giugno partecipa a varie collettive d'arte come ospite a Pedaso, Cupra Marittima, Carassai, Montefiore dell'Aso, Montedinove, Ripatransone, Salerno e Nereto. A luglio VINCE al concorso nazionale \"premio Cupra 2014\" sez. giovani artisti emergenti vendendo subito l'opera. Dopo una settimana VINCE il premio internazionale nelle Marche \"citta' di Montecosaro\" sezione \"giovani artisti emergenti \" e VINCE il \"premio speciale della giuria.\" Nei mesi successivi tiene una mostra personale in un locale di Milano, sui navigli e la sua pittura viene presentata in onda televisiva su \"Sky Europa\" da GarbettArte. A Gennaio 2015 viene selezionata ad esporre ad un evento prestigioso nella Sala Bramante in Piazza del Popolo a Roma e a Napoli. A Febbraio 2015 espone in villa Baruchello e VINCE IL 1 PREMIO della critica dell'Accademia Santa Sara di Alessandria,viene pubblicata la sua opera e la quotazione di mercato su \"EuropARTE 2015\" a cura del critico d'arte Flavio De Gregorio. A fine febbraio viene scelta dalla Galleria Zamenhof Art per esporre a Milano Sui navigli, spazio E, spazio E2,alzaia naviglio Grande 4 e Spazio libero 8. A Marzo viene selezionata al grande evento d'arte contemporanea a Roma all'interno del teatro DIOSCURI al Quirinale, partecipa con la galleria Zamenhof art a una grande manifestazione a Piacenza nel Complesso Architettonico \"Ricci Oddi\",salone d'onore e sala Franco Fervari, poi partecipa al Concorso Internazionale d'arte Ligures citta' di Sarzana e VINCE il prestigioso premio Istituzionale della Regione Liguria,dopo una settimana VINCE il premio SPECIALE come nuova proposta dell'arte moderna contemporanea al concorso d'arte internazionale \"Premio Adrenalina\" a Roma. Ad aprile viene scelta ed espone al grande evento internazionale ARTEXPO BARCELLONA 2. A maggio espone a \"welcome art \"in villa Baruchello a Porto Sant'Elpidio, espone all'Ambasciata Araba D' Egitto a Roma, e viene scelta dalla Galleria \"Il Collezionista\" ad esporre ad un evento prestigiosissimo in Vaticano a Roma. A giugno espone presso la Galleria il Rivellino a Ferrara, ad Artottica a Porto Potenza Picena, VINCE la nona edizione del concorso internazionale \"La Perla Dell'Adriatico a Grottammare ed è stata scelta a presentare la sua opera innovativa ai Dioscuri Quirinale a Roma. A luglio VINCE la medaglia di bronzo della Camera dei Deputati con lettera accompagnatoria della Presidente Laura Boldrini da Roma al concorso internazionale citta' di Montecosaro nelle Marche. Dopo una settimana VINCE il 3 premio Moda e Arte Italia 2015 sfilando in passerella a Senigallia e viene ospitata a esporre presso Villa Vitali a Fermo. Nel mese di settembre viene scelta e vola a Londra con i suoi dipinti gioiello ad un evento prestigiosissimo presso la Royal Opera Arcade nel cuore di Londra. A Ottobre viene scelta dalla Galleria QueenArtStudio di Padova ad esporre il suo dipinto innovativo al piu grande evento d'arte europeo all'interno del Museo del Louvre a Parigi riscuotendo grande successo. A gennaio 2016 espone a Roma nella MUEF ART GALLERY. A Febbraio VINCE la 17 edizione Premio citta' di Porto Sant'Elpidio, a marzo espone presso teatro Dioscuri al Quirinale a Roma, VINCE il premio assoluto Galleria Artem di Bratislava al concorso Ligures 2016 premiata dal gallerista internazionale L’uboslav Moza. IMPORTANTE la collaborazione con la nota azienda DEA SANDALS CAPRI STYLE nella realizzazione di un'opera altamente innovativa. In seguito Viene scelta dalla nota azienda a realizzare sandali gioiello che al buio prendono magicamente luce, faranno un tour mondiale e entreranno a far parte della collezione privata Dea Sandals. La sua opera innovativa viene inserita sulla rivista \"Arte\" Cairo Editore di maggio. Nel mese di giugno partecipa al concorso internazionale Arte Salerno con la prince art Artetra e Opera 74 a Salerno. In seguito, viene selezionata da Vittorio Sgarbi per esporre a Roma Caput Mundi ad un evento prestigiosissimo nel meraviglioso Palazzo Ferrajoli situato vicino palazzo Chigi. Nel mese di luglio la sua opera innovativa viene inserita sulla rivista mensile \"Arte\" (Cairo Editore, pag. 165). Inoltre vince il 1° Premio Arte Moda Italia a Senigallia sfilando in passerella. A novembre partecipa al premio internazionale \"Sandro Botticelli\" a Firenze e vince il premio \"Giovani Artisti Emergenti\". A giugno 2017 partecipa ad Arte Salerno con la prince art presso Palazzo Fruscione e vende la sua opera. A Ottobre espone a Palazzo Albrizzi-Capello, sede del Padiglione Nazionale Guatemala all'interno della 57 Biennale di Venezia e va sulla rivista \"Arte\". A gennaio 2018 in collaborazione con l'azienda Venderequadri espone presso Palazzo dei Capitani ad Ascoli Piceno. A marzo partecipa al Concorso Internazionale Ligures al Castello di Lerici e VINCE il PREMIO DI RAPPRESENTANZA COMUNE DI LERICI e su selezione espone a Roma al Pio Sodalizio dei Piceni. Ad aprile è scelta ad esporre alla Reale Ambasciata della Arabia Saudita a Roma. Nel mese di Luglio espone presso le sale del prestigioso Castello di Bratislava Rep. Slovacca. A Novembre tiene una mostra personale a Roma \"Biomorfismo gioioso\" presso la Azzolino Art Gallery in collaborazione con l'azienda Vendere Quadri. A luglio 2019 Vince il premio di rappresentanza comune di Montecosaro. A ottobre espone presso il museo Michetti a Francavilla al mare. A novembre importante collaborazione con l'azienda Andrea Iommi di Porto San Giorgio nella realizzazione di scarpe e borsa visione giorno\/notte, inoltre espone alla manifestazione calici d'arte a Montecosaro. A dicembre con la prince art di Salerno su selezione espone alla biennale di Atene. A gennaio 2020 è in mostra presso la Galleria Luxart di Trastevere dove è scelta per la XIII Biennale di Roma. A Febbraio collaborazione con l'artista Daniele Ceru' nella realizzazione di un' opera innovativa su tavola presentata a Praga presso la Galleria 1. Dal 12 al 21 settembre 2020 espone alla Biennale di Roma presso il Museo Stadio Domiziano in piazza Navona. Successivamente viene selezionata e partecipa a giugno 2021 alla Triennale arti visive di Roma presso Palazzo Velli Expo. A fine ottobre presenta la sua opera Los Angeles a Ferrara, a novembre espone presso Azzolino Art Gallery a Roma poi viene scelta a dicembre a presentare le sue Opere presso la Galleria prestigiosa Saphira e Ventura a New York. A luglio 2022 riceve il Premio di rappresentanza Istituto Slovacco a Roma al premio internazionale città di Montecosaro 11 edizione. Nel 2023 mostra personale a Roma presso casale 20 e a dicembre mostra collettiva presso la libreria Mondadori a San Benedetto del Tronto. Nel periodo 2023 e 2024 realizza alcune opere per \"Arte contemporanea Italia\".\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"Heading_1 Heading_2\" style=\"color: #000000; position: absolute; left: 22px; top: 3706px; width: 1043px; height: 10px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"Normal_Text_2 Light_Text\" style=\"text-align: justify; line-height: 1.6em; margin-top: 50px; font-family: 'Open Sans'; font-size: 14px; background-color: transparent; letter-spacing: 0em;\"\u003eDaniela Di Pasquale nasce a San Benedetto Del Tronto (AP) nel 1990. All’età di 4 anni manifesta la sua tendenza naturale per il disegno, che prende da subito un posto speciale nella sua vita, impegnando le sue giornate tra fogli, matite e colori. Scoperta precocemente quella che sarà la sua grande passione, tappa d’obbligo è l’iscrizione nel 2004 all’ Istituto Statale D’Arte di Fermo, all’indirizzo di Restauro Beni Culturali, diplomandosi nel 2009. Nel 2006 partecipa al Concorso \"Archeoclub d’Italia\" realizzando uno scorcio raffigurante una Chiesa di Ripatransone, suo attuale luogo di residenza. Nel 2009 espone un’opera (pittura su tavola) presso la Pinacoteca di Fermo. Nel 2010 si applica completamente al restauro di antiquariato. Durante il periodo buio per la grave malattia e poi la perdita della madre si dedica completamente alla pittura frequentando un corso tenuto dalla pittrice Grazia Carminucci. Nell'estate del 2013 partecipa alla manifestazione \"Arte insieme 2013\" al Museo \"Pietraia dei poeti\" realizzato dall'artista Marcello Sgattoni a San Benedetto del Tronto. Espone anche in concomitanza del concerto \"Work in progress\" svoltosi presso la Palazzina Azzurra a San Benedetto Del Tronto. La più recente serie di opere prende spunto dal neo-movimento artistico \"dello stato mentale\" il cui ideatore è il Maestro Antonio Apa, fautore della \"emo art\". Nasce quindi l'idea di realizzare un ciclo di opere intitolate \"SOGNI INFANTILI\", che vuole rappresentare le visioni e le percezioni dei primi anni di vita che affiorano a una mente che ha appena oltrepassato l'età adolescenziale. Nei dipinti vi è l'intento di materializzare artisticamente gli stati d'animo inconsci, essenze immateriali per loro natura, con il loro carico di incertezze, dubbi, paure, ma anche speranze,entusiasmi e gioie autentiche, emozioni profonde e non condizionate quali possono essere solo quelle di un animo puro, non ancora plagiato dai limiti e dalle influenze imposte dalla società contemporanea. Nel mese di ottobre viene selezionata al concorso d'arte \"Notre art de Tourin 2013\" e alla mostra ITINERARTE nella citta' di Savigliano in Piemonte. A gennaio 2014 vola a Parigi al premio art Paris 2014 poi espone a Roma e al Festival di Sanremo, in concomitanza al festival della canzone italiana. Nel mese di marzo partecipa alla manifestazione \"pensiero in rosa\" presso Villa Baruchello a Porto Sant'Elpidio. Ad aprile tiene una personale a Grottammare ed è ospite a Roma nello studio \"Arte9\" esponendo insieme al grande artista Riccardo Natili. A maggio partecipa al grande evento d'arte contemporanea \"WELCOME ARTE\" in Villa Baruchello a Porto Sant'Elpidio, alla Marguttiana d'arte a Grottammare e all'esposizione d'arte nel Forum di Fermo. Nel mese di giugno espone all'interno del teatro Ariston di San Remo, e viene selezionata per partecipare insieme a 139 artisti nazionali ed internazionali alla grande manifestazione d'arte contemporanea in Piemonte \"ITINERARTE\". Sempre a giugno partecipa a varie collettive d'arte come ospite a Pedaso, Cupra Marittima, Carassai, Montefiore dell'Aso, Montedinove, Ripatransone, Salerno e Nereto. A luglio VINCE al concorso nazionale \"premio Cupra 2014\" sez. giovani artisti emergenti vendendo subito l'opera. Dopo una settimana VINCE il premio internazionale nelle Marche \"citta' di Montecosaro\" sezione \"giovani artisti emergenti \" e VINCE il \"premio speciale della giuria.\" Nei mesi successivi tiene una mostra personale in un locale di Milano, sui navigli e la sua pittura viene presentata in onda televisiva su \"Sky Europa\" da GarbettArte. A Gennaio 2015 viene selezionata ad esporre ad un evento prestigioso nella Sala Bramante in Piazza del Popolo a Roma e a Napoli. A Febbraio 2015 espone in villa Baruchello e VINCE IL 1 PREMIO della critica dell'Accademia Santa Sara di Alessandria,viene pubblicata la sua opera e la quotazione di mercato su \"EuropARTE 2015\" a cura del critico d'arte Flavio De Gregorio. A fine febbraio viene scelta dalla Galleria Zamenhof Art per esporre a Milano Sui navigli, spazio E, spazio E2,alzaia naviglio Grande 4 e Spazio libero 8. A Marzo viene selezionata al grande evento d'arte contemporanea a Roma all'interno del teatro DIOSCURI al Quirinale, partecipa con la galleria Zamenhof art a una grande manifestazione a Piacenza nel Complesso Architettonico \"Ricci Oddi\",salone d'onore e sala Franco Fervari, poi partecipa al Concorso Internazionale d'arte Ligures citta' di Sarzana e VINCE il prestigioso premio Istituzionale della Regione Liguria,dopo una settimana VINCE il premio SPECIALE come nuova proposta dell'arte moderna contemporanea al concorso d'arte internazionale \"Premio Adrenalina\" a Roma. Ad aprile viene scelta ed espone al grande evento internazionale ARTEXPO BARCELLONA 2. A maggio espone a \"welcome art \"in villa Baruchello a Porto Sant'Elpidio, espone all'Ambasciata Araba D' Egitto a Roma, e viene scelta dalla Galleria \"Il Collezionista\" ad esporre ad un evento prestigiosissimo in Vaticano a Roma. A giugno espone presso la Galleria il Rivellino a Ferrara, ad Artottica a Porto Potenza Picena, VINCE la nona edizione del concorso internazionale \"La Perla Dell'Adriatico a Grottammare ed è stata scelta a presentare la sua opera innovativa ai Dioscuri Quirinale a Roma. A luglio VINCE la medaglia di bronzo della Camera dei Deputati con lettera accompagnatoria della Presidente Laura Boldrini da Roma al concorso internazionale citta' di Montecosaro nelle Marche. Dopo una settimana VINCE il 3 premio Moda e Arte Italia 2015 sfilando in passerella a Senigallia e viene ospitata a esporre presso Villa Vitali a Fermo. Nel mese di settembre viene scelta e vola a Londra con i suoi dipinti gioiello ad un evento prestigiosissimo presso la Royal Opera Arcade nel cuore di Londra. A Ottobre viene scelta dalla Galleria QueenArtStudio di Padova ad esporre il suo dipinto innovativo al piu grande evento d'arte europeo all'interno del Museo del Louvre a Parigi riscuotendo grande successo. A gennaio 2016 espone a Roma nella MUEF ART GALLERY. A Febbraio VINCE la 17 edizione Premio citta' di Porto Sant'Elpidio, a marzo espone presso teatro Dioscuri al Quirinale a Roma, VINCE il premio assoluto Galleria Artem di Bratislava al concorso Ligures 2016 premiata dal gallerista internazionale L’uboslav Moza. IMPORTANTE la collaborazione con la nota azienda DEA SANDALS CAPRI STYLE nella realizzazione di un'opera altamente innovativa. In seguito Viene scelta dalla nota azienda a realizzare sandali gioiello che al buio prendono magicamente luce, faranno un tour mondiale e entreranno a far parte della collezione privata Dea Sandals. La sua opera innovativa viene inserita sulla rivista \"Arte\" Cairo Editore di maggio. Nel mese di giugno partecipa al concorso internazionale Arte Salerno con la prince art Artetra e Opera 74 a Salerno. In seguito, viene selezionata da Vittorio Sgarbi per esporre a Roma Caput Mundi ad un evento prestigiosissimo nel meraviglioso Palazzo Ferrajoli situato vicino palazzo Chigi. Nel mese di luglio la sua opera innovativa viene inserita sulla rivista mensile \"Arte\" (Cairo Editore, pag. 165). Inoltre vince il 1° Premio Arte Moda Italia a Senigallia sfilando in passerella. A novembre partecipa al premio internazionale \"Sandro Botticelli\" a Firenze e vince il premio \"Giovani Artisti Emergenti\". A giugno 2017 partecipa ad Arte Salerno con la prince art presso Palazzo Fruscione e vende la sua opera. A Ottobre espone a Palazzo Albrizzi-Capello, sede del Padiglione Nazionale Guatemala all'interno della 57 Biennale di Venezia e va sulla rivista \"Arte\". A gennaio 2018 in collaborazione con l'azienda Venderequadri espone presso Palazzo dei Capitani ad Ascoli Piceno. A marzo partecipa al Concorso Internazionale Ligures al Castello di Lerici e VINCE il PREMIO DI RAPPRESENTANZA COMUNE DI LERICI e su selezione espone a Roma al Pio Sodalizio dei Piceni. Ad aprile è scelta ad esporre alla Reale Ambasciata della Arabia Saudita a Roma. Nel mese di Luglio espone presso le sale del prestigioso Castello di Bratislava Rep. Slovacca. A Novembre tiene una mostra personale a Roma \"Biomorfismo gioioso\" presso la Azzolino Art Gallery in collaborazione con l'azienda Vendere Quadri. A luglio 2019 Vince il premio di rappresentanza comune di Montecosaro. A ottobre espone presso il museo Michetti a Francavilla al mare. A novembre importante collaborazione con l'azienda Andrea Iommi di Porto San Giorgio nella realizzazione di scarpe e borsa visione giorno\/notte, inoltre espone alla manifestazione calici d'arte a Montecosaro. A dicembre con la prince art di Salerno su selezione espone alla biennale di Atene. A gennaio 2020 è in mostra presso la Galleria Luxart di Trastevere dove è scelta per la XIII Biennale di Roma. A Febbraio collaborazione con l'artista Daniele Ceru' nella realizzazione di un' opera innovativa su tavola presentata a Praga presso la Galleria 1. Dal 12 al 21 settembre 2020 espone alla Biennale di Roma presso il Museo Stadio Domiziano in piazza Navona. Successivamente viene selezionata e partecipa a giugno 2021 alla Triennale arti visive di Roma presso Palazzo Velli Expo. A fine ottobre presenta la sua opera Los Angeles a Ferrara, a novembre espone presso Azzolino Art Gallery a Roma poi viene scelta a dicembre a presentare le sue Opere presso la Galleria prestigiosa Saphira e Ventura a New York. A luglio 2022 riceve il Premio di rappresentanza Istituto Slovacco a Roma al premio internazionale città di Montecosaro 11 edizione. Nel 2023 mostra personale a Roma presso casale 20 e a dicembre mostra collettiva presso la libreria Mondadori a San Benedetto del Tronto. Nel periodo 2023 e 2024 realizza alcune opere per \"Arte contemporanea Italia\".\u003c\/div\u003e\n\u003c\/div\u003e\u003cdiv class=\"Heading_1 Heading_2\" style=\"font-family: Montserrat; font-size: 28px; position: absolute; left: 22px; top: 3706px; width: 1043px; height: 10px;\"\u003e\u003c\/div\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56522362683778,"sku":"opusddp001","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/bcSrXTsgpx.jpg?v=1775036581"},{"product_id":"daniela-di-pasquale-laltra-faccia-della-luna","title":"Daniela Di Pasquale - L'altra faccia della luna","description":"mista acrilico in 3D con foglie metalliche : oro zecchino, giallo e rame\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cdiv class=\"Heading_1 Heading_2\" style=\"font-family: Montserrat; font-size: 24px; position: absolute; left: 578px; top: 1687px; width: 503px; height: 10px;\"\u003e\n\u003ch3 class=\"xr_tc Heading_1 Heading_2\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-weight: normal; font-size: 24px; background-color: transparent; letter-spacing: 0em; left: 128.18px; top: 24px; width: 246px; margin: 0px;\"\u003eLA MIA RICERCA\u003c\/h3\u003e\n\u003cspan class=\"xr_tc Subheadline\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-size: 21.33px; color: #e5404e; background-color: transparent; letter-spacing: 0em; left: 97.27px; top: 59.17px; width: 307px;\"\u003e\u003cspan class=\"Subheadline\" style=\"font-size: 14px; background-color: transparent; letter-spacing: 0em;\"\u003eUNA PREZIOSA SPERIMENTAZIONE\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 14px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -23.18px; top: 92.77px; width: 552px;\"\u003e“Le mie opere vengono definite “quadri-gioiello” perchè spesso utilizzo \u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 14px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -37.32px; top: 118.5px; width: 580px;\"\u003emateriali preziosi e ricercati. Tutti noi abbiamo il dovere di ricercare il vero \u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 14px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -49.27px; top: 144.24px; width: 604px;\"\u003evalore della nostra vita, in assoluto il bene più prezioso che ci è stato donato” \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cspan class=\"xr_trigo_xr_ce4\" style=\"font-family: Arial, sans-serif; font-size: 13px; display: block; position: absolute; left: 683px; top: 1395px; width: 292px; height: 292px; z-index: -1;\"\u003e\u003c\/span\u003e\u003cdiv class=\"Heading_1 Heading_2\" style=\"font-family: Montserrat; font-size: 24px; position: absolute; left: 38px; top: 1686px; width: 482px; height: 10px;\"\u003e\n\u003ch3 class=\"xr_tc Heading_1 Heading_2\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-weight: normal; font-size: 24px; background-color: transparent; letter-spacing: 0em; left: 117.19px; top: 24px; width: 268px; margin: 0px;\"\u003eQUADRI GIOIELLO\u003c\/h3\u003e\n\u003cspan class=\"xr_tc Subheadline\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-size: 21.33px; color: #e5404e; background-color: transparent; letter-spacing: 0em; left: 148.92px; top: 59.17px; width: 204px;\"\u003e\u003cspan class=\"Subheadline\" style=\"font-size: 14px; background-color: transparent; letter-spacing: 0em;\"\u003eTECNICHE E MATERIALI\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 14px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -21.99px; top: 92.77px; width: 550px;\"\u003eRealizzate prevalentemente con tecnica mista su tela, si tratta di opere \u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 14px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -39.75px; top: 118.5px; width: 585px;\"\u003ealtamente innovative. Spesso tridimensionali sono impreziosite da materiali \u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 14px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -27.59px; top: 144.24px; width: 557px;\"\u003epregiati come oro zecchino, argento, rame, bronzo, brillantte\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Heading_1 Heading_2\" style=\"font-family: Montserrat; font-size: 28px; position: absolute; left: 42px; top: 976px; width: 925px; height: 10px;\"\u003e\n\u003ch3 class=\"xr_tc Heading_1 Heading_2\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-weight: normal; font-size: 28px; background-color: transparent; letter-spacing: 0em; left: 425.9px; top: -27.1px; width: 184px; margin: 0px;\"\u003e\n\u003cspan id=\"welcome\"\u003e\u003c\/span\u003eWELCOME\u003c\/h3\u003e\n\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 16px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: -35.87px; top: 47.03px; width: 1112px;\"\u003eUn ponte virtuale tra l'intimità delle stanze colme di tele, colori e tavolozze e la moderna tendenza alla condivisione del web. \u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 16px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: 230.89px; top: 76.44px; width: 574px;\"\u003eDa sempre l'arte è perfetta rappresentazione e sintesi dei tempi.\u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 16px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: 336.34px; top: 105.86px; width: 367px;\"\u003eLa forma nasce, evolve, muore e rinasce. \u003c\/span\u003e\u003cspan class=\"xr_tc Normal_Text\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-family: 'Open Sans'; font-size: 16px; color: #6c6c6c; background-color: transparent; letter-spacing: 0em; left: 306.75px; top: 135.27px; width: 422px;\"\u003eL'essenza è ciò che è,  e ciò che non muore mai.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Light_Heading_2\" style=\"font-family: Montserrat; font-size: 28px; color: #ffffff; position: absolute; left: 42px; top: 2029px; width: 1036px; height: 10px;\"\u003e\n\u003cspan class=\"xr_tc Light_Heading_2\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; background-color: transparent; letter-spacing: 0em; left: 460.41px; top: -27.1px; width: 115px;\"\u003e\u003cspan id=\"welcome1\"\u003e\u003c\/span\u003eSTORY\u003c\/span\u003e\u003cspan class=\"xr_tc Subheadline\" style=\"position: absolute; white-space: pre; unicode-bidi: bidi-override; text-align: center; text-rendering: optimizelegibility; font-size: 14px; color: #e5404e; background-color: transparent; letter-spacing: 0em; left: 416.5px; top: 16.85px; width: 203px;\"\u003eUNA BREVE BIOGRAFIA\u003c\/span\u003e\u003cdiv class=\"Normal_Text_2 Light_Text\" style=\"text-align: justify; line-height: 1.6em; margin-top: 50px; font-family: 'Open Sans'; font-size: 14px; background-color: transparent; letter-spacing: 0em;\"\u003eDaniela Di Pasquale nasce a San Benedetto Del Tronto (AP) nel 1990. All’età di 4 anni manifesta la sua tendenza naturale per il disegno, che prende da subito un posto speciale nella sua vita, impegnando le sue giornate tra fogli, matite e colori. Scoperta precocemente quella che sarà la sua grande passione, tappa d’obbligo è l’iscrizione nel 2004 all’ Istituto Statale D’Arte di Fermo, all’indirizzo di Restauro Beni Culturali, diplomandosi nel 2009. Nel 2006 partecipa al Concorso \"Archeoclub d’Italia\" realizzando uno scorcio raffigurante una Chiesa di Ripatransone, suo attuale luogo di residenza. Nel 2009 espone un’opera (pittura su tavola) presso la Pinacoteca di Fermo. Nel 2010 si applica completamente al restauro di antiquariato. Durante il periodo buio per la grave malattia e poi la perdita della madre si dedica completamente alla pittura frequentando un corso tenuto dalla pittrice Grazia Carminucci. Nell'estate del 2013 partecipa alla manifestazione \"Arte insieme 2013\" al Museo \"Pietraia dei poeti\" realizzato dall'artista Marcello Sgattoni a San Benedetto del Tronto. Espone anche in concomitanza del concerto \"Work in progress\" svoltosi presso la Palazzina Azzurra a San Benedetto Del Tronto. La più recente serie di opere prende spunto dal neo-movimento artistico \"dello stato mentale\" il cui ideatore è il Maestro Antonio Apa, fautore della \"emo art\". Nasce quindi l'idea di realizzare un ciclo di opere intitolate \"SOGNI INFANTILI\", che vuole rappresentare le visioni e le percezioni dei primi anni di vita che affiorano a una mente che ha appena oltrepassato l'età adolescenziale. Nei dipinti vi è l'intento di materializzare artisticamente gli stati d'animo inconsci, essenze immateriali per loro natura, con il loro carico di incertezze, dubbi, paure, ma anche speranze,entusiasmi e gioie autentiche, emozioni profonde e non condizionate quali possono essere solo quelle di un animo puro, non ancora plagiato dai limiti e dalle influenze imposte dalla società contemporanea. Nel mese di ottobre viene selezionata al concorso d'arte \"Notre art de Tourin 2013\" e alla mostra ITINERARTE nella citta' di Savigliano in Piemonte. A gennaio 2014 vola a Parigi al premio art Paris 2014 poi espone a Roma e al Festival di Sanremo, in concomitanza al festival della canzone italiana. Nel mese di marzo partecipa alla manifestazione \"pensiero in rosa\" presso Villa Baruchello a Porto Sant'Elpidio. Ad aprile tiene una personale a Grottammare ed è ospite a Roma nello studio \"Arte9\" esponendo insieme al grande artista Riccardo Natili. A maggio partecipa al grande evento d'arte contemporanea \"WELCOME ARTE\" in Villa Baruchello a Porto Sant'Elpidio, alla Marguttiana d'arte a Grottammare e all'esposizione d'arte nel Forum di Fermo. Nel mese di giugno espone all'interno del teatro Ariston di San Remo, e viene selezionata per partecipare insieme a 139 artisti nazionali ed internazionali alla grande manifestazione d'arte contemporanea in Piemonte \"ITINERARTE\". Sempre a giugno partecipa a varie collettive d'arte come ospite a Pedaso, Cupra Marittima, Carassai, Montefiore dell'Aso, Montedinove, Ripatransone, Salerno e Nereto. A luglio VINCE al concorso nazionale \"premio Cupra 2014\" sez. giovani artisti emergenti vendendo subito l'opera. Dopo una settimana VINCE il premio internazionale nelle Marche \"citta' di Montecosaro\" sezione \"giovani artisti emergenti \" e VINCE il \"premio speciale della giuria.\" Nei mesi successivi tiene una mostra personale in un locale di Milano, sui navigli e la sua pittura viene presentata in onda televisiva su \"Sky Europa\" da GarbettArte. A Gennaio 2015 viene selezionata ad esporre ad un evento prestigioso nella Sala Bramante in Piazza del Popolo a Roma e a Napoli. A Febbraio 2015 espone in villa Baruchello e VINCE IL 1 PREMIO della critica dell'Accademia Santa Sara di Alessandria,viene pubblicata la sua opera e la quotazione di mercato su \"EuropARTE 2015\" a cura del critico d'arte Flavio De Gregorio. A fine febbraio viene scelta dalla Galleria Zamenhof Art per esporre a Milano Sui navigli, spazio E, spazio E2,alzaia naviglio Grande 4 e Spazio libero 8. A Marzo viene selezionata al grande evento d'arte contemporanea a Roma all'interno del teatro DIOSCURI al Quirinale, partecipa con la galleria Zamenhof art a una grande manifestazione a Piacenza nel Complesso Architettonico \"Ricci Oddi\",salone d'onore e sala Franco Fervari, poi partecipa al Concorso Internazionale d'arte Ligures citta' di Sarzana e VINCE il prestigioso premio Istituzionale della Regione Liguria,dopo una settimana VINCE il premio SPECIALE come nuova proposta dell'arte moderna contemporanea al concorso d'arte internazionale \"Premio Adrenalina\" a Roma. Ad aprile viene scelta ed espone al grande evento internazionale ARTEXPO BARCELLONA 2. A maggio espone a \"welcome art \"in villa Baruchello a Porto Sant'Elpidio, espone all'Ambasciata Araba D' Egitto a Roma, e viene scelta dalla Galleria \"Il Collezionista\" ad esporre ad un evento prestigiosissimo in Vaticano a Roma. A giugno espone presso la Galleria il Rivellino a Ferrara, ad Artottica a Porto Potenza Picena, VINCE la nona edizione del concorso internazionale \"La Perla Dell'Adriatico a Grottammare ed è stata scelta a presentare la sua opera innovativa ai Dioscuri Quirinale a Roma. A luglio VINCE la medaglia di bronzo della Camera dei Deputati con lettera accompagnatoria della Presidente Laura Boldrini da Roma al concorso internazionale citta' di Montecosaro nelle Marche. Dopo una settimana VINCE il 3 premio Moda e Arte Italia 2015 sfilando in passerella a Senigallia e viene ospitata a esporre presso Villa Vitali a Fermo. Nel mese di settembre viene scelta e vola a Londra con i suoi dipinti gioiello ad un evento prestigiosissimo presso la Royal Opera Arcade nel cuore di Londra. A Ottobre viene scelta dalla Galleria QueenArtStudio di Padova ad esporre il suo dipinto innovativo al piu grande evento d'arte europeo all'interno del Museo del Louvre a Parigi riscuotendo grande successo. A gennaio 2016 espone a Roma nella MUEF ART GALLERY. A Febbraio VINCE la 17 edizione Premio citta' di Porto Sant'Elpidio, a marzo espone presso teatro Dioscuri al Quirinale a Roma, VINCE il premio assoluto Galleria Artem di Bratislava al concorso Ligures 2016 premiata dal gallerista internazionale L’uboslav Moza. IMPORTANTE la collaborazione con la nota azienda DEA SANDALS CAPRI STYLE nella realizzazione di un'opera altamente innovativa. In seguito Viene scelta dalla nota azienda a realizzare sandali gioiello che al buio prendono magicamente luce, faranno un tour mondiale e entreranno a far parte della collezione privata Dea Sandals. La sua opera innovativa viene inserita sulla rivista \"Arte\" Cairo Editore di maggio. Nel mese di giugno partecipa al concorso internazionale Arte Salerno con la prince art Artetra e Opera 74 a Salerno. In seguito, viene selezionata da Vittorio Sgarbi per esporre a Roma Caput Mundi ad un evento prestigiosissimo nel meraviglioso Palazzo Ferrajoli situato vicino palazzo Chigi. Nel mese di luglio la sua opera innovativa viene inserita sulla rivista mensile \"Arte\" (Cairo Editore, pag. 165). Inoltre vince il 1° Premio Arte Moda Italia a Senigallia sfilando in passerella. A novembre partecipa al premio internazionale \"Sandro Botticelli\" a Firenze e vince il premio \"Giovani Artisti Emergenti\". A giugno 2017 partecipa ad Arte Salerno con la prince art presso Palazzo Fruscione e vende la sua opera. A Ottobre espone a Palazzo Albrizzi-Capello, sede del Padiglione Nazionale Guatemala all'interno della 57 Biennale di Venezia e va sulla rivista \"Arte\". A gennaio 2018 in collaborazione con l'azienda Venderequadri espone presso Palazzo dei Capitani ad Ascoli Piceno. A marzo partecipa al Concorso Internazionale Ligures al Castello di Lerici e VINCE il PREMIO DI RAPPRESENTANZA COMUNE DI LERICI e su selezione espone a Roma al Pio Sodalizio dei Piceni. Ad aprile è scelta ad esporre alla Reale Ambasciata della Arabia Saudita a Roma. Nel mese di Luglio espone presso le sale del prestigioso Castello di Bratislava Rep. Slovacca. A Novembre tiene una mostra personale a Roma \"Biomorfismo gioioso\" presso la Azzolino Art Gallery in collaborazione con l'azienda Vendere Quadri. A luglio 2019 Vince il premio di rappresentanza comune di Montecosaro. A ottobre espone presso il museo Michetti a Francavilla al mare. A novembre importante collaborazione con l'azienda Andrea Iommi di Porto San Giorgio nella realizzazione di scarpe e borsa visione giorno\/notte, inoltre espone alla manifestazione calici d'arte a Montecosaro. A dicembre con la prince art di Salerno su selezione espone alla biennale di Atene. A gennaio 2020 è in mostra presso la Galleria Luxart di Trastevere dove è scelta per la XIII Biennale di Roma. A Febbraio collaborazione con l'artista Daniele Ceru' nella realizzazione di un' opera innovativa su tavola presentata a Praga presso la Galleria 1. Dal 12 al 21 settembre 2020 espone alla Biennale di Roma presso il Museo Stadio Domiziano in piazza Navona. Successivamente viene selezionata e partecipa a giugno 2021 alla Triennale arti visive di Roma presso Palazzo Velli Expo. A fine ottobre presenta la sua opera Los Angeles a Ferrara, a novembre espone presso Azzolino Art Gallery a Roma poi viene scelta a dicembre a presentare le sue Opere presso la Galleria prestigiosa Saphira e V New York. A luglio 2022 riceve il Premio di rappresentanza Istituto Slovacco a Roma al premio internazionale città di Montecosaro 11 edizione. Nel 2023 mostra personale a Roma presso casale 20 e a dicembre mostra collettiva presso la libreria Mondadori a San Benedetto del Tronto. Nel periodo 2023 e 2024 realizza alcune opere per \"Arte contemporanea Italia\".\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Heading_1 Heading_2\" style=\"font-family: Montserrat; font-size: 28px; position: absolute; left: 22px; top: 3706px; width: 1043px; height: 10px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56522362651010,"sku":"opusddp002","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/04czvByh3h.jpg?v=1775036581"},{"product_id":"francesca-romana-pinzari","title":"Francesca Romana Pinzari","description":"Tecnica mista su giornale applicato su tela\u003cbr\u003e\u003cbr\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-style: inherit; font-family: inherit; vertical-align: baseline;\"\u003eFrancesca Romana Pinzari was born in Perth, (Australia) and lives and works in Rome\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-style: inherit; font-family: inherit; vertical-align: baseline;\"\u003eShe works with installation, video, performance, painting  and sculpture \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-style: inherit; font-family: inherit; vertical-align: baseline;\"\u003eThe main themes of her research are identity, culture and nature\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-style: inherit; font-family: inherit; vertical-align: baseline;\"\u003eConcepts such as domestic violence, diversity and cultural roots are addressed with a performative approach that leads the artist to also create sculptural, pictorial or installation artifacts of different nature depending on the exhibition project.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-style: inherit; font-family: inherit; vertical-align: baseline;\"\u003eShe finds many of the materials while walking in the woods such as thorny shrubs, cicadas exoskeletons, snake skins or porcupine quills.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-style: inherit; font-family: inherit; vertical-align: baseline;\"\u003eIn her installations and drawings made of horsehair and her own intertwined hair the relationship with the body and the organic becomes immediate, while in the creation of crystals the slow and laborious alchemical ritual that she carries out alone in her laboratory is not visible but it can be guessed by the precious and unusual material that covers her sculptures.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003c\/p\u003e\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\" style=\"margin: 0px 0px 1em; gap: 6.5px; flex-wrap: wrap; align-items: normal; display: flex; --wp--style--unstable-gallery-gap: 0.5em; color: #606060; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; font-size: 13px; background-color: #fdfdfd;\"\u003e\u003c\/figure\u003e\u003ch2 class=\"wp-block-heading\" style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-size: 20.4px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; color: #404040; background-color: #fdfdfd;\"\u003e\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-size: 20.4px; font-family: inherit; vertical-align: baseline;\"\u003eCV\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eStudies\u003c\/strong\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e:\u003c\/strong\u003e Degree with honors at the Academy of Fine Arts in Rome in 2001 Residency at SVA in New York for sculpture, installation and New Media, 2011\u003c\/p\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSelected solo shows:\u003c\/strong\u003e\u003c\/p\u003e\u003cul class=\"wp-block-list\" style=\"box-sizing: border-box; margin: 2em 0px; padding: 0px 0px 0px 1em; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; list-style: none; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2024\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eFall in love with yourself and there is always a reason\u003c\/strong\u003e \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2 performances for Biblioteca Paroniana, Rieti\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2023\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTutto è uno, uno è tutto\u003c\/strong\u003e, Gilda Contemporary Art Gallery in Milan \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSpells\u003c\/strong\u003e, Curva Pura Gallery, Rome curated by Nicoletta Provenzano\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2020\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eCasa Spina, \u003c\/strong\u003eCasa vuota, Rome curated by Francesco Paolo del Re and Sabino de Nichilo\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2018\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eOuroboros\u003c\/strong\u003e, Riccardo Costantini Contemporary, Torino \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eGeometrie celesti \u003c\/strong\u003eCaserma Archeologica, Sansepolcro\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2017\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSuperNatural\u003c\/strong\u003e, Gilda Contemporary Gallery, Milan curated by Cristina Gilda Artese \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2016\u003cbr style=\"margin-top: 0px;\"\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eThe first time we kissed\u003c\/strong\u003e, 67 Gallery, Ludlow street,New York \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2015\u003cbr style=\"margin-top: 0px;\"\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eMemorie Apocrife\u003c\/strong\u003e, Mondrian Suite, Rome, curated by Lori Adragna\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePassione Residuale\u003c\/strong\u003e, Int 14 AIAC associazione Italiana di Architettura e Critica, curated by Francesco Paolo Del Re \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2014\u003cbr style=\"margin-top: 0px;\"\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eNostalgia dell’Umano\u003c\/strong\u003e, BuOrg Gallery, Bari, Curated by Francesco Paolo del Re and Sabino De Nichilo\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eCavalli, \u003c\/strong\u003eGallery Zak, Siena curated by Gaia Pasi \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2013\u003cbr style=\"margin-top: 0px;\"\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSoul Preservation, \u003c\/strong\u003eSponge living space, Pergola (PU) curated by Francesco Paolo del Re\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eL’albero della memoria, \u003c\/strong\u003eSponge living space, Pergola (PU) curated by Stefano Verri\u003cbr\u003e2009\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eI ain’t superstitious \u003c\/strong\u003einstallation and performance , Arte Moderna e Contemporanea dell’Associazione Dimore Storiche Italiane, Le Torri di Bagnara (Perugia) curated by Luce Monachesi \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2008\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eM+F la complementarietà degli opposti \u003c\/strong\u003eGallery 091 Artsinergy, Palermo curated by Gianluca Marziani\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eInvisibile\/Indelebile \u003c\/strong\u003eGallery 196, Rome, curated by Micol Di Veroli 2007\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eCommunications affair \u003c\/strong\u003efor Teramo cittá aperta al mondo, Sala espositiva comunale, Teramo, curated by Alberto Melarangelo\u003cbr\u003e2006\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003ePaper Boundaries\u003c\/em\u003e\u003c\/strong\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003e, \u003c\/em\u003ea The Sydney Artworld Gallery, Sydney curated by Paula Lowndes\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePaper boundaries \u003c\/strong\u003eat Villa Celimontana Jazz festival, Rome\u003cbr\u003e2005\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003ePaper Boundaries\u003c\/em\u003e\u003c\/strong\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003e, \u003c\/em\u003e, Gadfly Gallery, Perth Australia , curated by Joy Legge\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003ePaper Boundaries\u003c\/em\u003e\u003c\/strong\u003e, Gallery 196 – Rome, curated by Lea Mattarella\u003cbr\u003e\u003cbr style=\"margin-bottom: 0px;\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cul class=\"wp-block-list\" style=\"box-sizing: border-box; margin: 2em 0px; padding: 0px 0px 0px 1em; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; list-style: none; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSelected group shows:\u003c\/strong\u003e\u003cbr style=\"margin-bottom: 0px;\"\u003e2024\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eFemininenergy\u003c\/strong\u003e, Artosphaere Gallery, Puchenau, Austria\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2023\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eConnexxion\u003c\/strong\u003e, Art festival in Savona, Curated By Livia Savorelli \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eArcheologie del contemporaneo,\u003c\/strong\u003e Archeological Museum Priamar Fortress, curated by Livia Savorelli\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSupervisione\u003c\/strong\u003e, Palermo curated by Roberto Bilotti Ruggi d’Aragona\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eVisibilia\u003c\/strong\u003e, Museum Villa Croce Genoa, curated by Isabella Puliafito\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2022\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eVisibilia\u003c\/strong\u003e, Museum Palazzo Ducale, Gubbio, curated by Isabella Puliafito\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eThe tilted body \u003c\/strong\u003eperformance for\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e \u003c\/strong\u003eBiennale Arcipelago Mediterraneo Curated by Lori Adragna, Palermo\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2021\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eAlem, Arte italiana in pandemia , \u003c\/strong\u003eContemporary Art Museum of Sao Paulo in Brazil curated by  Teresa Emanuele and Nicola Ballario\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eDella gentilezza e dell’audacia,\u003c\/strong\u003e palazzo granafei Nervegna, Brindisi curated by Ilaria Caravaglio and Valeria Gatti\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2019\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eStella a otto punte \u003c\/strong\u003eGilda contemporary art, curated by Cristina Gilda Artese\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2018\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSuperfici variabili\u003c\/strong\u003e, centro culturale fatebenefratelli valmadera curated by Cristina Gilda Artese\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eRoma sogna,\u003c\/strong\u003e Teatro India,powered by Franco Losvizzero,  Rome\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTempo Liberato, \u003c\/strong\u003e museum  Palazzo della Penna, Perugia curated by Francesca Romana Pinzary and GMG Group\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2017\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTransition of Energy,, \u003c\/strong\u003eK. H. Renlund Museum, Kokkola, Finland, curated by Lorella Scacco\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTransition of Energy, \u003c\/strong\u003eMaritime Contemporary Art Museum, Kotka Finland curated by Lorella Scacco \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2016\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTransition of Energy\u003c\/strong\u003e, Kajaani Contemporary Art Museum, Finland curated by Lorella Scacco\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eArteamcup\u003c\/strong\u003e, Palazzo Monferrato, Alessandria 2015\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eHubei region Art Festival\u003c\/strong\u003e, Hubei, China,\u003cbr\u003e#\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003enuovicodici #aroomofherown \u003c\/strong\u003eBiennale di Soncino a Marco, Palazzo Stanga Trecco, Cremona curated by Milena Becci and Valeria Carnevali\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTransition of Energy \u003c\/strong\u003eKunsthalle Bratislava, curated by Lorella Scacco\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePerformance Night \u003c\/strong\u003eGaleria Miejska BWA Bydgoszcz, Poland\u003cbr\u003e2014\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eAmong Us\u003c\/strong\u003e, curated by Shara Wasserman, Olive Tjaden Gallery, Cornell University, Ithaca New York\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eLa grande Illusione\u003c\/strong\u003e, Temple Gallery, Rome a curated by Manuela De Leonardis\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePrivata, \u003c\/strong\u003eTravelling show Mole Vanvitelliana di Ancona, Art Hotel Sorrento, Archivio di Stato Cosenza, curated by Federica Mariani\u003cbr style=\"margin-bottom: 0px;\"\u003e2013\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eIN Natura\u003c\/strong\u003e, Zack Gallery, Siena curated by Gaia Pasi\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eXXX Fuorifestival, \u003c\/strong\u003ePesaro curated by Stefano Verri\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eNonostante Tutto\u003c\/strong\u003e, curated by Raffaele Gavarro, Galleria Oltredimore, Bologna\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eCensured\u003c\/strong\u003e, Visiva Roma curated by Ilaria Caravaglio and Giorgio de Finis\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eZaino in spalla\u003c\/strong\u003e, Atelier Giorgi, Turin curated by Sponge arte contemporanea and Rave residency\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eRe birth day, \u003c\/strong\u003eMAAM, Metropoliz, citta’ meticcia a cura di Giorgio de Finis\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSing Sweet Songs of Conviction \u003c\/strong\u003etravelling show at MC Gallery, New York and Mexico City curated by White Spider and Karen Huber\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSelezioni aeffettive\u003c\/strong\u003e, studio Angeletti, Rome, curated by Peter Benson Miller \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2012\u003cbr style=\"margin-top: 0px;\"\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eCatarifrangenze\u003c\/strong\u003e, curate by Achille Bonito Oliva and LUISS master of art at La Pelanda, MACRO Testaccio Museum, Rome\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eStipendy artist, \u003c\/strong\u003eproject room 24h inside the show RE-Kollekt al Bethanien Museum, Berlin\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePortonaccio artisti in condominio, \u003c\/strong\u003ecurator: Achille Bonito Oliva, ex magazzini di Portonaccio, Rome\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSing Sweet Songs of Conviction\u003c\/strong\u003e: travelling show in 6 cities: – Shau Fenster Gallery, Berlin curator: Perennial Art,\u003cbr style=\"margin-bottom: 0px;\"\u003e– Label 201, Rome curated by Laura Barreca, – Core@Nolias gallery, London curated by Enrico Centoze – MC Gallery, New York catalogue text by Julia Draganovich. \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2011\u003cbr style=\"margin-top: 0px;\"\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eYes Foundation\u003c\/strong\u003e, performance session Curator: di Cecilia Freschini, Netherlands\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eVoci dalla Periferia\u003c\/strong\u003e, Museum delle Mura, Rome, curator: Costantino D’Orazio\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eOpen studios at the SVA \u003c\/strong\u003eresidency program, Chelsea, New York\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eShort Video Show \u003c\/strong\u003ecurator: Cecilia Freschini, Space A gallery, Kathmandu – Nepal\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eVia Arimondi\u003c\/strong\u003e, curated by Shara Wasserman, Temple Gallery Rome\u003cbr style=\"margin-bottom: 0px;\"\u003e2010\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e\n\u003cstrong style=\"margin: 0px 0px 1.5em; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eADD Festival\u003c\/strong\u003e, Video art Festival at Palazzo Incontro, Roma curator: Giorgia Terrinoni\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eCeleste prize, \u003c\/strong\u003efinalist exhibition in Catania, Brodbeck Foundation, curators: Gabi Scardi and Giulia Draganovich\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eExpectations, \u003c\/strong\u003eat The No Longer Empty @ The Invisible Dog Gallery in New York, curators: Manon Slome\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eSPAZIO MONITOR \u003c\/strong\u003eFestarte, MACRO Future, La Pelanda, contemporary art museum in Rome 2008\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eItalian Artist group Show \u003c\/strong\u003ecurator: Giacomo Pellegrini, Casanova Hotel, Prague\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eBau A.U.S. \u003c\/strong\u003earte utile socialmente, Como, curator: Viviana Siviero\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePremio Fenice et des artistes\u003c\/strong\u003e,– Hotel Impero, Trieste, cuator: G. Pellegrini 2007\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eSuperfici mai superficiali\u003c\/em\u003e\u003c\/strong\u003e, curator: Gianluca Marziani, Pizzoli\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePremio Fenice et des artistes\u003c\/strong\u003e,– Hotel Fenice, Venice, curator: G Pellegrini\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eExpotrastiendas \u003c\/strong\u003e– art fair, Buenos Aires\u003cbr\u003e2006\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eProfilo d’arte \u003c\/em\u003e\u003c\/strong\u003etravelling exhibition in the cities: Brescia, Reggio Emilia, Roma, Torino, Ferrara e Milano – catalogue ed. Munus\u003cbr\u003eExhibition \u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eComunicare Roma 2006\u003c\/em\u003e\u003c\/strong\u003e, Auditorium della Concicliazione ,Rome – catalogue ed. Gangemi 2004\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eDonnArte \u003c\/em\u003e\u003c\/strong\u003eSanta Maria della Pietà Complex Rome\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003escultura 2004 \u003c\/em\u003e\u003c\/strong\u003eSan Salvatore in Lauro Museums, Rome 2003\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eLe periferie Romene al centro della trasformazione della città \u003c\/em\u003e\u003c\/strong\u003eat the New Auditorium Parco della Musica, Rome\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eOrme traccianti\u003c\/em\u003e\u003c\/strong\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003e, \u003c\/em\u003ePublic Library Federico Borromeo, Rome\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cem style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-family: inherit; vertical-align: baseline;\"\u003eLa Natività\u003c\/em\u003e\u003c\/strong\u003e, at the Venanzo Crocetti Museum, Rome 1999\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e“Cortili Aperti” \u003c\/strong\u003ecurators: Ludovico Pratesi and Arnaldo Romani Brizzi, palazzo Borghese, Rome\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp style=\"margin: 2em 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\u003cstrong style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003ePrizes and awards:\u003c\/strong\u003e\u003c\/p\u003e\u003cul class=\"wp-block-list\" style=\"box-sizing: border-box; margin: 2em 0px; padding: 0px 0px 0px 1em; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; list-style: none; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003eArteam cup 2017 special prize Caserma Archeologica Sansepolcro\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003eArteamcup 2016 special prize Riccardo Costantini contemporary \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e3 months residency prize in New York at the SVA, 2011\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003eWinner of the award Giovani Talenti 2011, sponsored by the administration of the city of Rome\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003eSelected for Expectation exhibition in New York 2010\u003cbr style=\"margin-top: 0px;\"\u003eFinalist at Celeste Prize 2010\u003cbr\u003eFinalist at premio Fenice et des artistes 2007, Venezia\u003cbr\u003eWinner of the award Dipingéremo 2007, Sulmona\u003cbr\u003eFinalist at the award “profilo d’arte”2006 by Banca Profilo\u003cbr\u003eWinner of II prize Scultura 2004 by Pio Istituto Catel, Rome\u003cbr\u003e\u003cbr\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003eTeaching and workshop:\u003c\/strong\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003cbr style=\"margin-top: 0px; margin-bottom: 0px;\"\u003e\u003c\/strong\u003e\u003cstrong style=\"margin: 1.5em 0px; padding: 0px; border: 0px; outline: 0px; font-weight: bold; font-style: inherit; font-family: inherit; vertical-align: baseline; color: #404040;\"\u003e\u003c\/strong\u003e\u003cbr style=\"margin-bottom: 0px;\"\u003e2021 co-teacher Graphic Novel summer class at Binghamton University, New York \u003c\/li\u003e\n\u003c\/ul\u003e\u003cul class=\"wp-block-list\" style=\"box-sizing: border-box; margin: 2em 0px; padding: 0px 0px 0px 1em; border: 0px; outline: 0px; font-size: 13px; font-family: 'Helvetica Neue', Arial, Helvetica, Geneva, sans-serif; vertical-align: baseline; list-style: none; line-height: 1.6em; color: #606060; background-color: #fdfdfd;\"\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2019-2020 Professor for artist’s life and market class for Cultural Heritage Managing Master at Link campus University Rome \u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2014: Visiting critic at Cornell University in Rome Drawing Class\u003c\/li\u003e\n\u003cli style=\"margin: 0px; padding: 0px; border: 0px; outline: 0px; font-weight: inherit; font-style: inherit; font-family: inherit; vertical-align: baseline; line-height: 1.75em; list-style: outside url('images\/bullet.png');\"\u003e2013 : Murales ‘Only with you” realized with the community of Metropoliz citta’ meticcia at MAAM Museum dell’altro e dell’altrove, Rome\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56522362782082,"sku":"opusfrp001","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/U2Xm24jWIZ.jpg?v=1775036581"},{"product_id":"michele-cascella-portofino-olio-su-tela","title":"Portofino - Michele Cascella","description":"\u003cp\u003e\u003cstrong\u003eLa luce di Portofino immortalata dal maestro del paesaggio italiano.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003ePortofino\u003c\/em\u003e è un olio su tela degli anni Ottanta in cui Michele Cascella — uno dei più amati pittori italiani del Novecento — ritrae il celebre borgo ligure con la sua inconfondibile pennellata luminosa e vibrante. Il grande formato — 100 × 70 cm — restituisce tutta la profondità del paesaggio marino: il porto, le barche, i colori caldi della costa. Un’opera di raro fascino, perfetta per una collezione di livello o per impreziosire un ambiente di rappresentanza.\u003c\/p\u003e\u003cp\u003eL’opera ha ricevuto parere verbale positivo dalla Fondazione Cascella; in caso di acquisto verrà emessa l’archiviazione cartacea ufficiale. Si consiglia la visione diretta, gratuita e senza impegno.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Michele Cascella\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Olio su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensioni:\u003c\/strong\u003e 100 × 70 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriodo:\u003c\/strong\u003e Anni ’80\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoggetto:\u003c\/strong\u003e Paesaggio marino — Portofino\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTipo:\u003c\/strong\u003e Opera originale unica\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConservazione:\u003c\/strong\u003e Ottimo stato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCornice:\u003c\/strong\u003e Inclusa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArchiviazione:\u003c\/strong\u003e Parere Fondazione Cascella (cartaceo all’acquisto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenienza:\u003c\/strong\u003e Galleria Opus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56544341426562,"sku":"Opusmc001","price":14000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/rc8QzhNiVS.jpg?v=1775813326"},{"product_id":"marcello-scuffi-vecchi-treni-paris-roubaix-olio","title":"Marcello Scuffi - Vecchi treni Paris Roubaix","description":"\u003cp\u003e\u003cstrong\u003eIl fascino malinconico del ferro e del tempo, catturato con maestria figurativa.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eVecchi treni Paris Roubaix\u003c\/em\u003e è un olio su tela di Marcello Scuffi che evoca l’atmosfera industriale e romantica delle grandi corse ciclistiche del Nord Europa. I vecchi treni — simbolo di un’epoca irripetibile — emergono dalla tela con una resa pittorica densa e luminosa, capace di restituire la ruggine del metallo, la nebbia del mattino e il silenzio dei binari abbandonati. Un’opera di rara suggestione, proveniente da una collezione privata con dedica autografa sul retro al padre del collezionista.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Marcello Scuffi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Olio su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensioni:\u003c\/strong\u003e 40 × 60 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoggetto:\u003c\/strong\u003e Figurativo — treni, paesaggio industriale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTipo:\u003c\/strong\u003e Opera originale unica\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConservazione:\u003c\/strong\u003e Ottimo stato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCornice:\u003c\/strong\u003e Inclusa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutenticità:\u003c\/strong\u003e Foto autenticata\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenienza:\u003c\/strong\u003e Collezione privata con dedica autografa sul retro — Galleria Opus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56618177331586,"sku":"opusmsc001","price":4800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/kdfMHuIvTf.jpg?v=1778007235"},{"product_id":"ennio-finzi-lo-sguardo-contraddice-se-stesso-acrilico","title":"Ennio Finzi - Lo sguardo contraddice se stesso","description":"\u003cp\u003e\u003cstrong\u003eUn’opera che mette in discussione la certezza stessa del vedere.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eLo sguardo contraddice se stesso\u003c\/em\u003e è un acrilico su tela del 2017 in cui Ennio Finzi porta alle estreme conseguenze la sua ricerca sul linguaggio astratto. La composizione quadrata — 69 × 69 cm — genera una tensione visiva irrisolta: i piani cromatici si confrontano e si negano a vicenda, costringendo l’osservatore a rimettere continuamente in discussione ciò che percepisce. Un’opera di rara intensità concettuale, proveniente da una collezione importante e corredata da archiviazione ufficiale (nr. 011018g196).\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Ennio Finzi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Acrilico su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensioni:\u003c\/strong\u003e 69 × 69 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnno:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStile:\u003c\/strong\u003e Astratto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTipo:\u003c\/strong\u003e Opera originale unica\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConservazione:\u003c\/strong\u003e Ottimo stato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArchiviazione:\u003c\/strong\u003e nr. 011018g196\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenienza:\u003c\/strong\u003e Collezione importante — Galleria Opus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56618177397122,"sku":"opusef109","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/6xNpfPVazp.jpg?v=1778007235"},{"product_id":"ennio-finzi-il-verso-del-colore-in-nero-acrilico","title":"Ennio Finzi - Il verso del colore in nero - Acrilico su tela","description":"\u003cp\u003e\u003cstrong\u003eIl nero come linguaggio: denso, assoluto, capace di contenere tutto il peso del colore.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eIl verso del colore in nero\u003c\/em\u003e è un acrilico su tela del 2012 in cui Ennio Finzi esplora la dialettica tra presenza e assenza cromatica. Il formato quadrato — 50 × 50 cm — concentra la composizione in uno spazio intimo ma di grande forza espressiva, dove il nero non è assenza ma materia viva, stratificata, capace di riflettere e assorbire lo sguardo. Un’opera raccolta e intensa, proveniente da collezione, con riferimento d’archivio e cornice inclusa.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Ennio Finzi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Acrilico su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensioni:\u003c\/strong\u003e 50 × 50 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnno:\u003c\/strong\u003e 2012\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStile:\u003c\/strong\u003e Astratto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTipo:\u003c\/strong\u003e Opera originale unica\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConservazione:\u003c\/strong\u003e Ottimo stato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCornice:\u003c\/strong\u003e Inclusa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArchiviazione:\u003c\/strong\u003e Sì\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenienza:\u003c\/strong\u003e Collezione — Galleria Opus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56618177364354,"sku":"opusef113","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/8Lz2i5CA4y.jpg?v=1778007236"},{"product_id":"ennio-finzi-lo-sguardo-contraddice-se-stesso-2018","title":"Ennio Finzi - Lo sguardo contraddice se stesso","description":"\u003cp\u003e\u003cstrong\u003eUn’opera compiuta in ogni dettaglio: dalla tela alla cornice, dall’intuizione al certificato.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eLo sguardo contraddice se stesso\u003c\/em\u003e è un acrilico su tela del 2018 in cui Ennio Finzi prosegue la sua indagine sul paradosso della percezione visiva. Il formato quadrato — 60 × 60 cm — concentra la tensione compositiva in uno spazio rigoroso, dove i piani cromatici si sfidano in un equilibrio instabile e affascinante. L’opera è in perfette condizioni, completa di cornice originale e certificato dell’archivio Finzi (nr. 221018g199).\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtista:\u003c\/strong\u003e Ennio Finzi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTecnica:\u003c\/strong\u003e Acrilico su tela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensioni:\u003c\/strong\u003e 60 × 60 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnno:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStile:\u003c\/strong\u003e Astratto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTipo:\u003c\/strong\u003e Opera originale unica\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConservazione:\u003c\/strong\u003e Perfetto stato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCornice:\u003c\/strong\u003e Inclusa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCertificato archivio:\u003c\/strong\u003e nr. 221018g199\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenienza:\u003c\/strong\u003e Galleria Opus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56618187489666,"sku":"opusef108","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/qK8bWToWr3.jpg?v=1778007458"}],"url":"https:\/\/venderequadri.it\/en\/collections\/galleria-opus.oembed","provider":"Venderequadri","version":"1.0","type":"link"}