{"title":"Furio Cavallini","description":"\u003cp\u003eOpere di Furio Cavallini in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Furio Cavallini? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"furio-cavallini-senza-titolo","title":"Furio Cavallini - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn both his portraits and landscapes, Furio Cavallini's approach to the subject is evident, with a distinctly post-impressionist edge toward expressionism. Broad, textured brushstrokes, with a strong structural quality, construct the objects. Each brushstroke is placed on a different plane, creating the subject's volume. Everything is characterized by a highly pictorial quality that almost dissolves form and space, imbuing the work with a powerful expressiveness. Typical of Furio Cavallini is his palette, which tends toward brown tones.\u003c\/p\u003e\n\n\n\u003cp\u003e Furio Cavallini, Piombino 1929 – Cecina 2012. In 1952 he held his first solo exhibition at the Palazzo di Parte Guelfa in Florence. In 1957, at the VIII National Exhibition of the Fiorino Prize in Florence, he was awarded the Publishers and Printers Prize. In 1979, the Culture Department of the Municipality of Milan organized a solo exhibition of his work entitled Immagini del Quotidiano. In 1984, an anthological exhibition of his drawings was held at the Corrente Foundation in Milan.\u003c\/p\u003e","brand":"Maffia Antonio","offers":[{"title":"Default Title","offer_id":56218454524290,"sku":"AMAF001","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5812.jpg?v=1768473535"},{"product_id":"furio-cavallini-senza-titolo-2","title":"Furio Cavallini - Untitled","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been an artist's aspiration throughout the centuries. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the sixteenth century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eIn both his portraits and landscapes, Furio Cavallini's approach to the subject is evident, with a distinctly post-impressionist edge toward expressionism. Broad, textured brushstrokes, with a strong structural quality, construct the objects. Each brushstroke is placed on a different plane, creating the subject's volume. Everything is characterized by a highly pictorial quality that almost dissolves form and space, imbuing the work with a powerful expressiveness. Typical of Furio Cavallini is his palette, which tends toward brown tones.\u003c\/p\u003e\n\n\n\u003cp\u003e Furio Cavallini, Piombino 1929 – Cecina 2012. In 1952 he held his first solo exhibition at the Palazzo di Parte Guelfa in Florence. In 1957, at the VIII National Exhibition of the Fiorino Prize in Florence, he was awarded the Publishers and Printers Prize. In 1979, the Culture Department of the Municipality of Milan organized a solo exhibition of his work entitled Immagini del Quotidiano. In 1984, an anthological exhibition of his drawings was held at the Corrente Foundation in Milan.\u003c\/p\u003e","brand":"Maffia Antonio","offers":[{"title":"Default Title","offer_id":56218454753666,"sku":"AMAF002","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5816.jpg?v=1768473536"},{"product_id":"furio-cavallini-senza-titolo-2-2","title":"Furio Cavallini - Untitled","description":"\u003cp\u003e Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eIn both his portraits and landscapes, Furio Cavallini's approach to the subject is evident, with a distinctly post-impressionist edge toward expressionism. Broad, textured brushstrokes, with a strong structural quality, construct the objects. Each brushstroke is placed on a different plane, creating the subject's volume. Everything is characterized by a highly pictorial quality that almost dissolves form and space, imbuing the work with a powerful expressiveness. Typical of Furio Cavallini is his palette, which tends toward brown tones.\u003c\/p\u003e\n\n\n\u003cp\u003e Furio Cavallini, Piombino 1929 - Cecina 2012. In 1952, he held his first solo exhibition at the Palazzo di Parte Guelfa in Florence. In 1957, at the VIII Premio del Fiorino National Exhibition in Florence, he was awarded the Publishers and Printers Prize. In 1979, the Culture Department of the Municipality of Milan organized a solo exhibition of his work entitled Immagini del Quotidiano. In 1984, an anthological exhibition of his drawings was held at the Fondazione Corrente in Milan.\u003c\/p\u003e","brand":"Maffia Antonio","offers":[{"title":"Default Title","offer_id":56218454786434,"sku":"AMAF003","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5822.jpg?v=1768473536"},{"product_id":"furio-cavallini-senza-titolo-2-2-2","title":"Furio Cavallini - Untitled","description":"\u003cp\u003e Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eEven in such a minimalist work, characterized by a simplicity of expressive means, we can admire the distinctive features of Furio Cavallini's artistic language. The work is a study of the human figure, and the artist achieves the exaltation of its plastic qualities with the use of a simple black line. With just a few lines, the artist emphasizes the subject's volumes, simultaneously endowing them with a certain physiognomic and expressive characterization. The dynamic and vibrant strokes reaffirm Furio Cavallini's typical expressionist streak.\u003c\/p\u003e\n\n\n\u003cp\u003e Furio Cavallini, Piombino 1929 – Cecina 2012. In 1952 he held his first solo exhibition at the Palazzo di Parte Guelfa in Florence. In 1957, at the VIII National Exhibition of the Fiorino Prize in Florence, he was awarded the Publishers and Printers Prize. In 1979, the Culture Department of the Municipality of Milan organized a solo exhibition of his work entitled Immagini del Quotidiano. In 1984, an anthological exhibition of his drawings was held at the Corrente Foundation in Milan.\u003c\/p\u003e","brand":"Maffia Antonio","offers":[{"title":"Default Title","offer_id":56218454851970,"sku":"AMAF004","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5828.jpg?v=1768473538"},{"product_id":"furio-cavallini-nudo","title":"Furio Cavallini - Nude","description":"","brand":"Mantica Maurizio","offers":[{"title":"Default Title","offer_id":56219212022146,"sku":"MMAN002","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-2_e5ecfd32-0995-4b25-a802-50449a24305d.jpg?v=1768478917"}],"url":"https:\/\/venderequadri.it\/en\/collections\/furio-cavallini.oembed","provider":"Venderequadri","version":"1.0","type":"link"}