{"title":"Franz Borghese","description":"\u003cp\u003eOpere di Franz Borghese in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Franz Borghese? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"franz-borghese-senza-titolo-6","title":"Franz Borghese - Untitled","description":"","brand":"Vendere Quadri","offers":[{"title":"Default Title","offer_id":56210268488066,"sku":"DAVA006","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Senza-titolo44.jpg?v=1768388077"},{"product_id":"franz-borghese-war-game","title":"Franz Borghese - War Game","description":"\u003cp\u003e This collection is drawn from four original zinc plates drawn and etched by Franz Borghese in 1975. The edition was made on Magnani di Pescia paper and is entirely hand-signed by the artist.\u003c\/p\u003e","brand":"Ceglia Giovanna 4500","offers":[{"title":"Default Title","offer_id":56210272911746,"sku":"GCEG002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/13_db05cff3-7c84-4d19-bd85-62780b3a84a8.jpg?v=1768388132"},{"product_id":"franz-borghese-senza-titolo-7","title":"Franz Borghese - Untitled","description":"","brand":"Formignani Roberto","offers":[{"title":"Default Title","offer_id":56210284609922,"sku":"RFOR004","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3056.jpg?v=1768388357"},{"product_id":"franz-borghese-senza-titolo-7-2","title":"Franz Borghese - Untitled","description":"","brand":"Formignani Roberto","offers":[{"title":"Default Title","offer_id":56210284708226,"sku":"RFOR003","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3055.jpg?v=1768388358"},{"product_id":"franz-borghese-cavallo-meccanico","title":"Franz Borghese - The Mechanical Horse","description":"","brand":"Lauriola Roberto","offers":[{"title":"Default Title","offer_id":56210319507842,"sku":"RLAU001","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3540-e1463574250198.jpg?v=1768388922"},{"product_id":"franz-borghese-medico-2","title":"Franz Borghese - The Doctor","description":"","brand":"Cannella Santino","offers":[{"title":"Default Title","offer_id":56210347032962,"sku":"SCAN001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1759.jpg?v=1768389326"},{"product_id":"franz-borghese-la-famiglia","title":"Franz Borghese - The Family","description":"","brand":"Cannella Santino","offers":[{"title":"Default Title","offer_id":56210347065730,"sku":"SCAN002","price":7200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1786.jpg?v=1768389327"},{"product_id":"franz-borghese-senza-titolo-8-2","title":"Franz Borghese - Untitled","description":"","brand":"Giardini Paolo 10000","offers":[{"title":"Default Title","offer_id":56210570314114,"sku":"PGIA004","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1780-1.jpg?v=1768391272"},{"product_id":"franz-borghese-senza-titolo-8","title":"Franz Borghese - Untitled","description":"","brand":"Giardini Paolo 10000","offers":[{"title":"Default Title","offer_id":56210570346882,"sku":"PGIA004","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1782.jpg?v=1768391274"},{"product_id":"franz-borghese-coppia-chine","title":"Franz Borghese - Pair of Chinese Inks","description":"","brand":"Sarta Silvana","offers":[{"title":"Default Title","offer_id":56210630345090,"sku":"SSAR001","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3194_c86ef885-9e64-44f4-920e-bad1cc326dac.jpg?v=1768391728"},{"product_id":"franz-borghese-personaggi","title":"Franz Borghese - 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The artist invented a world populated by wealthy bourgeoisie, depicted in a wide variety of poses and situations. The subjects are depicted almost like automatons, with caricatured and simplified forms.\u003c\/p\u003e\n\n\n\u003cp\u003e The work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony. However, the ink technique, compared to Borghese's easel work, is dominated by a very lively and dynamic graphic style.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art High School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Di Raimondo Giuseppe","offers":[{"title":"Default Title","offer_id":56212967915906,"sku":"GDIR001","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1490.jpg?v=1768407945"},{"product_id":"franz-borghese-senza-titolo-14","title":"Franz Borghese - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e The painting exemplifies the typical work of the painter Franz Borghese. The artist invented a world populated by wealthy bourgeoisie, depicted in a wide variety of poses and situations. The subjects are depicted almost like automatons, with caricatured and simplified forms.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony. However, the ink technique, compared to Borghese's easel work, is dominated by a very lively and dynamic graphic style.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art High School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Di Raimondo Giuseppe","offers":[{"title":"Default Title","offer_id":56212967981442,"sku":"GDIR002","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1496_92ed75fc-d39b-4b60-b60d-d78ec1262ee6.jpg?v=1768407945"},{"product_id":"franz-borghese-senza-titolo-15","title":"Franz Borghese - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e The painting exemplifies the typical work of the painter Franz Borghese. The artist invented a world populated by wealthy bourgeoisie, depicted in a wide variety of poses and situations. The subjects are depicted almost like automatons, with caricatured and simplified forms.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony. However, the ink technique, compared to Borghese's easel work, is dominated by a very lively and dynamic graphic style.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art High School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Di Raimondo Giuseppe","offers":[{"title":"Default Title","offer_id":56212968014210,"sku":"GDIR003","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1499.jpg?v=1768407945"},{"product_id":"franz-borghese-trittico","title":"Franz Borghese - Triptych","description":"\u003cp style=\"text-align: justify;\"\u003e The painting exemplifies the typical work of the painter Franz Borghese. The artist invented a world populated by wealthy bourgeoisie, depicted in a wide variety of poses and situations. The subjects are depicted almost like automatons, with caricatured and simplified forms.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Franz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art High School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Pagliacci Roberto","offers":[{"title":"Default Title","offer_id":56212977680770,"sku":"RPAG005","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0307_5b9e14b8-0fee-4cb1-9cff-08ece7c673c8.jpg?v=1768408050"},{"product_id":"franz-borghese-la-coppia","title":"Franz Borghese - The Couple","description":"\u003cp style=\"text-align: justify;\"\u003e The painting exemplifies the typical work of the painter Franz Borghese. The artist invented a world populated by wealthy bourgeoisie, depicted in a wide variety of poses and situations. The subjects are depicted almost like automatons, with caricatured and simplified forms.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Franz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art High School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Lombardi Giacomo","offers":[{"title":"Default Title","offer_id":56213135065474,"sku":"GLOM001","price":980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-2648.jpg?v=1768408612"},{"product_id":"franz-borghese-senza-titolo-17","title":"Franz Borghese - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e This lithograph exemplifies the typical work of the painter Franz Borghese. The artist invented a world populated by wealthy bourgeoisie, depicted in a wide variety of poses and situations. The subjects are depicted almost like automatons, with caricatured and simplified forms.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony. However, in this lithograph, compared to Borghese's easel work, a very lively and dynamic graphic hatching prevails.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art High School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Belcaro Alessandro","offers":[{"title":"Default Title","offer_id":56213558460802,"sku":"ABEL003","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20190529_143400.jpg?v=1768409966"},{"product_id":"franz-borghese","title":"Franz Borghese - Figures","description":"","brand":"Zaffino Rosella","offers":[{"title":"Default Title","offer_id":56215432069506,"sku":"RZAF002","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/borghese-1-copia-copia.jpg?v=1768426552"},{"product_id":"franz-borghese-personaggi-2","title":"Franz Borghese - Characters","description":"","brand":"Fieramonti Anna Maria","offers":[{"title":"Default Title","offer_id":56215744840066,"sku":"AFIE001","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20200624_164802.jpg?v=1768428722"},{"product_id":"franz-borghese-senza-titolo-9","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony. However, in this lithograph, compared to Borghese's easel work, a very lively and dynamic graphic hatching prevails.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Arena Linda","offers":[{"title":"Default Title","offer_id":56215847174530,"sku":"LARE002","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Borghese.jpg?v=1768429866"},{"product_id":"franz-borghese-olio-su-tela","title":"Franz Borghese - From the photographer","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal standpoint. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Quaresima Mario","offers":[{"title":"Default Title","offer_id":56217715343746,"sku":"MQUA004","price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0042-copia-scaled.jpg?v=1768468135"},{"product_id":"franz-borghese-luccellino-di-latta","title":"Franz Borghese - The Tin Bird","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Bettonte Renato","offers":[{"title":"Default Title","offer_id":56217823412610,"sku":"RBET003","price":5400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2021-02-25_21-33-05_winscan_to_pdf-borhese-copia.jpg?v=1768468614"},{"product_id":"franz-borghese-senza-titolo-figura","title":"Franz Borghese - Untitled (figure)","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix, lashing out at their society with lucid irony. In this tempera, Franz Borghese uses an extremely concise language. The figures lose the strong plasticity they have in other easel works, while everything is resolved on the color plane. The work is therefore very interesting, as it exemplifies Borghese's ability to be expressive even in rapid and immediate execution.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Arminio Filomena","offers":[{"title":"Default Title","offer_id":56217882362242,"sku":"FARM002","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3462-copia.jpg?v=1768469082"},{"product_id":"franz-borghese-senza-titolo-18","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Williams Giovanni","offers":[{"title":"Default Title","offer_id":56217955926402,"sku":"GWIL001","price":3780.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-4748-scaled.jpg?v=1768469847"},{"product_id":"franz-borghese-i-ritratti","title":"Franz Borghese - Portraits","description":"\u003cp\u003e Collection of 10 etchings\u003c\/p\u003e\n\n\n \u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to convey their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation. In his artistic production, the artist Franz Borghese invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms. This exceptional collection of ten etchings constitutes a beautiful sampling of Franz Borghese's characters.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese's artistic language is ironic and grotesque, likely with various allegorical and satirical interpretations. His style has strong connections to the German New Objectivity movement. He shares the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature as painters like George Grosz and Otto Dix, lashing out at their society with lucid irony. Furthermore, from a formal standpoint, we can fully admire how Franz Borghese's expressive power, even in his engravings, remains undiminished. In his etching technique, however, a very lively and dynamic graphic hatching prevails compared to Borghese's easel work.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Williams Giovanni","offers":[{"title":"Default Title","offer_id":56217956024706,"sku":"GWIL002","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-4753-scaled.jpg?v=1768469847"},{"product_id":"franz-borghese-pepe-lui-s-e-iddio","title":"Franz Borghese - For him there is God...","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Williams Giovanni","offers":[{"title":"Default Title","offer_id":56217956090242,"sku":"GWIL003","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-4768-scaled.jpg?v=1768469849"},{"product_id":"franz-borghese-senza-titolo-19","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Sapienza Antonino abbassata da 5000 a 2000€","offers":[{"title":"Default Title","offer_id":56218051117442,"sku":"ASAP002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2021-10-01-15-31-53-copia.jpg?v=1768470572"},{"product_id":"franz-borghese-senza-titolo","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. The same simplified and infantile interpretation of a realism based on caricature is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony. However, in this silkscreen, compared to Borghese's easel work, a very lively and dynamic graphic hatching prevails.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"alessio D'Urso","offers":[{"title":"Default Title","offer_id":56218101416322,"sku":"adur016","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/16-FRANZ-BORGHESE-OLIO-SU-TELA-32-x-82-CM-2.jpg?v=1768471098"},{"product_id":"franz-borghese-macchina-prof-avres","title":"FRANZ BORGHESE - MACHINE PROF. AVRES","description":"\u003cstrong\u003e\u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Franz_Borghese\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (si apre in una nuova scheda)\"\u003eFranz Borghese\u003c\/a\u003e\u003c\/strong\u003e (1941-2005) himself is one of the most interesting painters of the 20th century: this Roman painter was passionate about painting since he was a boy and his paintings are today highly valued by auction houses and represent the ideal investment for the collector.\n\n In particular, when it comes to quoting Franz Borghese, it's important to remember that his painting is characterized by satire and sarcasm, and after the initial years of dark, profound, almost dramatic painting, the first characters typical of his style appear. These figures recall, in gestures and dress, the subjects of 1910, drawing parallels with Grosz, Dix, Ensor, Maccari, and Hoerle.\n\r \n\u003cstrong\u003eFranz Borghese's success,\u003c\/strong\u003e however, only began in 1970, after an initial exhibition at the Calibro in Rome and frequenting the Caffè Fassi, where he met several chess players who would later become the subjects of his paintings. It was precisely the works of 1970 that truly express Franz Borghese's art, with satirical and ironic depictions of the early twentieth-century bourgeoisie and a departure from the dark atmosphere of his early years. He developed a pictorial style characterized by a bitter streak toward human weakness and characters reminiscent of Otto Dix's style and early twentieth-century history.\n\n From then on, a long series of solo exhibitions began in Italy and abroad, which increased the painter's fame nationally and internationally until his premature death on December 16, 2005.","brand":"MARIA NIVES CROBU 2000","offers":[{"title":"Default Title","offer_id":56218431095170,"sku":"MNCRO001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/NIVES-BORGHESE.jpg?v=1768473355"},{"product_id":"franz-borghese-senza-titolo-3","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Zorzi Susanna","offers":[{"title":"Default Title","offer_id":56218630455682,"sku":"SZOR002","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8656.jpg?v=1768474971"},{"product_id":"franz-borghese-senza-titolo-3-2","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"Zorzi Susanna","offers":[{"title":"Default Title","offer_id":56218630488450,"sku":"SZOR003","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8661.jpg?v=1768474972"},{"product_id":"franz-borghese-senza-titolo-3-2-2","title":"Franz Borghese - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The artist Franz Borghese, in his artistic production, reworked the genre scene in a grotesque and caricatural vein. He invented a world populated by wealthy bourgeoisie depicted in a wide variety of poses and situations. The subjects are constructed almost like automatons, with caricatural and simplified forms.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work's iconography has an ironic, grotesque quality, likely with various allegorical and satirical interpretations. The language used has strong connections to the German New Objectivity artistic movement. It displays the same simplified and infantile interpretation of a realism based on caricature. We find the same cynical nature of painters like George Grosz or Otto Dix in lashing out at their own society with lucid irony. Furthermore, in this painting, we can fully admire the expressive force of Franz Borghese's pictorial style, even from a formal perspective. The brushstrokes are dense and energetic, suited to structurally constructing the figures, characterizing them with an objective volumetric rendering and, at the same time, a vibrant, expressionistic surface. The palette, as usual, focuses on strong, very aggressive colors.\u003c\/p\u003e\n\n\n \u003cp\u003eFranz Borghese was a Roman painter born in 1941 and died in 2005. He studied at the Art School on Via di Ripetta, where Turcato, Purificato, and Capogrossi taught. In 1964, he founded the group and magazine \"Ferro di Cavallo.\" He had his first exhibition in 1968. Two years later, in 1970, he began developing his sarcastic style, inspired by Grosz and Dix. His art is a metaphor for a turn-of-the-century bourgeoisie that symbolized human weaknesses.\u003c\/p\u003e","brand":"DE PERSIS SANTE","offers":[{"title":"Default Title","offer_id":56218683277698,"sku":"DEPERS005","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DE-PERSIS-BORGHESE.jpg?v=1768475637"},{"product_id":"franz-borghese-senza-titolo-4","title":"FRANZ BORGHESE - UNTITLED","description":"\u003cb\u003eFranz Borghese\u003c\/b\u003e ( \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e , \u003ca title=\"January 21st\" href=\"https:\/\/it.wikipedia.org\/wiki\/21_gennaio\"\u003e21 January\u003c\/a\u003e \u003ca title=\"1941\" href=\"https:\/\/it.wikipedia.org\/wiki\/1941\"\u003e1941\u003c\/a\u003e – \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e , \u003ca title=\"December 16th\" href=\"https:\/\/it.wikipedia.org\/wiki\/16_dicembre\"\u003e16 December\u003c\/a\u003e \u003ca title=\"2005\" href=\"https:\/\/it.wikipedia.org\/wiki\/2005\"\u003e2005\u003c\/a\u003e ) was an \u003ca title=\"Italy\" href=\"https:\/\/it.wikipedia.org\/wiki\/Italia\"\u003eItalian\u003c\/a\u003e \u003ca title=\"Painter\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pittore\"\u003epainter\u003c\/a\u003e and \u003ca title=\"Sculpture\" href=\"https:\/\/it.wikipedia.org\/wiki\/Scultura\"\u003esculptor\u003c\/a\u003e , one of the protagonists of Italian painting in the second \u003ca class=\"mw-redirect\" title=\"Twentieth century\" href=\"https:\/\/it.wikipedia.org\/wiki\/Novecento\"\u003ehalf of the twentieth century\u003c\/a\u003e .\n\r \nIn his work, he portrays a turn-of-the-century bourgeoisie with an ironic and imaginative streak. The more cutting and bitter it is, the closer and more empathetic it is to human weakness, through a language and poetics that rise to a universal metaphor.\n\u003ch2\u003e \u003cspan id=\"Biografia_e_opere\" class=\"mw-headline\"\u003eBiography and works\u003c\/span\u003e\n\u003c\/h2\u003e\r \nFranz Borghese was born in \u003ca title=\"Rome\" href=\"https:\/\/it.wikipedia.org\/wiki\/Roma\"\u003eRome\u003c\/a\u003e on January 21, 1941, to Giacomo Borghese and Giovanna Senesi. He began painting during his years at art school on \u003ca title=\"Ripetta Street\" href=\"https:\/\/it.wikipedia.org\/wiki\/Via_di_Ripetta\"\u003eVia di Ripetta\u003c\/a\u003e , where \u003ca title=\"Dominic Purificato\" href=\"https:\/\/it.wikipedia.org\/wiki\/Domenico_Purificato\"\u003eDomenico Purificato\u003c\/a\u003e , \u003ca title=\"Joseph Capogrossi\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giuseppe_Capogrossi\"\u003eGiuseppe Capogrossi\u003c\/a\u003e , Umberto Maganzini, and \u003ca title=\"Julius Turcato\" href=\"https:\/\/it.wikipedia.org\/wiki\/Giulio_Turcato\"\u003eGiulio Turcato\u003c\/a\u003e taught. In 1964, he founded the Group and the eponymous magazine “Il Ferro di Cavallo.”\n\r \nIn 1968, at his first solo exhibition, he exhibited the large painting \u003ci\u003eIn morte di \u003ca title=\"Martin Luther King\" href=\"https:\/\/it.wikipedia.org\/wiki\/Martin_Luther_King\"\u003eLuther King\u003c\/a\u003e\u003c\/i\u003e . In the same year, his painting \u003ci\u003eLe ombre\u003c\/i\u003e was accepted and exhibited at the VI Rassegna d'Art Figurative di Roma e del Lazio at the \u003ca title=\"Exhibition Palace\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palazzo_delle_Esposizioni\"\u003ePalazzo delle Esposizioni\u003c\/a\u003e ; the Pinacoteca Comunale in Rome purchased one of his works.\n\r \nFrom 1970 onwards, \u003ca title=\"Satire\" href=\"https:\/\/it.wikipedia.org\/wiki\/Satira\"\u003esatire\u003c\/a\u003e and sarcasm began to appear in his paintings: the dramatic painting with its dark and deep tones was abandoned to make way for the first characters wearing clothes and adopting gestures from the 1910s. A new language that certainly evokes more than one parallel with \u003ca title=\"George Grosz\" href=\"https:\/\/it.wikipedia.org\/wiki\/George_Grosz\"\u003eGeorge Grosz\u003c\/a\u003e , \u003ca title=\"Otto Dix\" href=\"https:\/\/it.wikipedia.org\/wiki\/Otto_Dix\"\u003eOtto Dix\u003c\/a\u003e , \u003ca title=\"James Ensor\" href=\"https:\/\/it.wikipedia.org\/wiki\/James_Ensor\"\u003eJames Ensor\u003c\/a\u003e , \u003ca title=\"Mino Maccari\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mino_Maccari\"\u003eMino Maccari\u003c\/a\u003e and \u003ca class=\"new\" title=\"Heinrich Hoerle (the page does not exist)\" href=\"https:\/\/it.wikipedia.org\/w\/index.php?title=Heinrich_Hoerle\u0026amp;action=edit\u0026amp;redlink=1\"\u003eHeinrich Hoerle\u003c\/a\u003e . In 1972 he dedicated his first studies and drawings to the military and militarism. He painted \u003ci\u003eThe Blind\u003c\/i\u003e .\n\r \nBorghese was deeply influenced by \u003ca title=\"Hieronymus Bosch\" href=\"https:\/\/it.wikipedia.org\/wiki\/Hieronymus_Bosch\"\u003eBosch\u003c\/a\u003e and \u003ca title=\"Pieter Bruegel the Elder\" href=\"https:\/\/it.wikipedia.org\/wiki\/Pieter_Bruegel_il_Vecchio\"\u003eBrughel\u003c\/a\u003e , to whom he dedicated \u003ci\u003eThe Concert in the Egg\u003c\/i\u003e , \u003ci\u003eThe Cure for Madness\u003c\/i\u003e , \u003ci\u003eand The Ship of Fools\u003c\/i\u003e , but also by \u003ca title=\"Jacques Callot\" href=\"https:\/\/it.wikipedia.org\/wiki\/Jacques_Callot\"\u003eJacques Callot\u003c\/a\u003e , from whom he drew inspiration for some original perspective solutions. In \u003ci\u003eThe Dukes\u003c\/i\u003e we find \u003ca title=\"Piero della Francesca\" href=\"https:\/\/it.wikipedia.org\/wiki\/Piero_della_Francesca\"\u003ePiero della Francesca\u003c\/a\u003e again. To \u003ca title=\"William Hogarth\" href=\"https:\/\/it.wikipedia.org\/wiki\/William_Hogarth\"\u003eHogarth\u003c\/a\u003e he dedicated the nine paintings inspired by \u003ci\u003eThe Rake's Progress\u003c\/i\u003e . He was still interested in \u003ca title=\"Francisco Goya\" href=\"https:\/\/it.wikipedia.org\/wiki\/Francisco_Goya\"\u003eGoya\u003c\/a\u003e , for his large choral compositions and his crude way of representing violence, and Grosz and Dix, certainly, for their tragic and scathing representation of society. Among his contemporaries he certainly appreciated Longanesi and \u003ca title=\"Mino Maccari\" href=\"https:\/\/it.wikipedia.org\/wiki\/Mino_Maccari\"\u003eMaccari\u003c\/a\u003e .\r \n\nIn the 1970s Borghese met \u003ca title=\"Salvatore Fiume\" href=\"https:\/\/it.wikipedia.org\/wiki\/Salvatore_Fiume\"\u003eSalvatore Fiume\u003c\/a\u003e , with whom he painted together in 1975, \u003ci\u003eThe Condemnation of Christ\u003c\/i\u003e .\n\n Among the main themes in Borghese's work, in addition to those mentioned above, we recall The \u003ci\u003eSpouses\u003c\/i\u003e , \u003ci\u003eThe Chess Game\u003c\/i\u003e (as he was a skilled and passionate chess player), \u003ci\u003eThe Discreet Charm of the Bourgeoisie\u003c\/i\u003e , and \u003ci\u003eImaginary Portrait\u003c\/i\u003e . Borghese created numerous engravings ( \u003ci\u003eThe Horrible Misdeeds of Phantomas\u003c\/i\u003e , \u003ci\u003eLong Live the War\u003c\/i\u003e ) and etchings ( \u003ci\u003eStultifera navis\u003c\/i\u003e – \u003ci\u003eThe Ship of Fools and Other Imaginary Facts\u003c\/i\u003e 1978), silkscreens, and lithographs.\n\n He devoted himself to sculpture starting in the 70s, \u003ci\u003eThe New Pets\u003c\/i\u003e and \u003ci\u003eEduardo Leaves the Theatre\u003c\/i\u003e , were the first, followed by \u003ci\u003eOfficer and Lady\u003c\/i\u003e , \u003ci\u003eRoundabout\u003c\/i\u003e , \u003ci\u003ePhotography\u003c\/i\u003e and \u003ci\u003eThe Engineer's Family\u003c\/i\u003e and in 1984 he created the sculpture, \u003ci\u003eDiscreet Charm\u003c\/i\u003e .\n\r \nFrom the 1980s are the sculptures, \u003ci\u003eI stilts\u003c\/i\u003e and \u003ci\u003eIl ritratto immaginario\u003c\/i\u003e , the portfolio of etchings \u003ca class=\"current\" href=\"https:\/\/www.venderequadri.it\/wp-admin\/post-new.php?post_type=catalogo\" aria-current=\"page\"\u003eAdd new\u003c\/a\u003e ti \u003ci\u003eLes amoureux – four etchings by Franz Borghese\u003c\/i\u003e , the cycle of paintings \u003ci\u003eThe Rake’s Progress\u003c\/i\u003e , revisiting the series by William Hogarth.\n\n The personal exhibition at the \u003ca title=\"Castel Sant'Angelo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Castel_Sant%27Angelo\"\u003eNational Museum of Castel Sant'Angelo\u003c\/a\u003e dates back to 1986.\n\r \nHis passion for the historical period of \u003ca title=\"Napoleon Bonaparte\" href=\"https:\/\/it.wikipedia.org\/wiki\/Napoleone_Bonaparte\"\u003eNapoleon\u003c\/a\u003e led him to write and draw \u003ci\u003e\u003ca title=\"Battle of Waterloo\" href=\"https:\/\/it.wikipedia.org\/wiki\/Battaglia_di_Waterloo\"\u003eWaterloo\u003c\/a\u003e , an imaginary battle\u003c\/i\u003e , in 1990. The large-scale painting \u003ci\u003eThe Painter's Studio or Life is a Dream (working title)\u003c\/i\u003e dates back to the 1990s; inspired by the research of \u003ca title=\"Cesare Lombroso\" href=\"https:\/\/it.wikipedia.org\/wiki\/Cesare_Lombroso\"\u003eCesare Lombroso\u003c\/a\u003e , he created two pictorial cycles dedicated to the study of the human figure, \u003ci\u003eThe Manual of Physiognomy\u003c\/i\u003e , followed by \u003ci\u003eAppendix to the Manual of Physiognomy\u003c\/i\u003e . The first studies for the \u003ci\u003eFlying Machines\u003c\/i\u003e cycle also date back to these years.\n\r \nIn 1992, an exhibition of mixed techniques on hardboard and drawings entitled \u003ci\u003eInventions and Discoveries, Imaginary Portraits and More\u003c\/i\u003e was presented at Palazzo Braschi in Rome. The portfolio of lithographs \u003ci\u003eentitled Stories and Misdeeds of the Old Government\u003c\/i\u003e , a tribute to the poet GG Belli, and the etchings from the series \u003ci\u003eAll the Men of the Master Plan\u003c\/i\u003e , date back to 1997.\n\n In December 2005, shortly after his last public exhibition at the Refettorio Quattrocentesco of \u003ca title=\"Palazzo Venezia\" href=\"https:\/\/it.wikipedia.org\/wiki\/Palazzo_Venezia\"\u003ePalazzo Venezia\u003c\/a\u003e , he died in Rome in his studio on Via della Seggiola.\n\u003ch2\u003e \u003cspan id=\"Bibliografia\" class=\"mw-headline\"\u003eBibliography\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eSixth Roman Biennial\u003c\/i\u003e , ed. De Luca, Rome, 1968.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eBrerarte General Catalogues\u003c\/i\u003e , ed. Brerarte, Milan, 1972-1980.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eDiscanto\u003c\/i\u003e , edited by Pasquale Scarpitti, ed. SARUS, Pescara, 1973.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eBorghese\u003c\/i\u003e , edited by Franco Solmi, ed. La Nuova Foglio, Pollenza (MC), 1974.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ci\u003eVolume of Bolaffi's Reports\u003c\/i\u003e , report by Virgilio Guzzi, Giorgio Mondadori e Associati, Turin, 1975.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eThe new generation\u003c\/i\u003e , X Quadrennial of Rome, De Luca, Rome, 1975.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eBorghese\u003c\/i\u003e , edited by Carlo Munari, Galleria Palmieri, Milan, 1975.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eBorghese. Long Live the War\u003c\/i\u003e , edited by Franco Passoni, Il Gianicolo, Perugia, 1976.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese, The Flowers of Good\u003c\/i\u003e , edited by Paolo Levi, Italarte, Rome, 1980.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese. Mixed Techniques\u003c\/i\u003e , edited by Franco Simongini, Fidia, Rome, 1981.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese\u003c\/i\u003e , edited by Dario Micacchi, Italarte, Rome, 1982.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese sculptor\u003c\/i\u003e , edited by Domenico Guzzi, Italarte, Rome, 1985.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese\u003c\/i\u003e , edited by Giorgio Bocca, Giorgio Mondadori e Associati, Milan, 1986.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese\u003c\/i\u003e , monograph for the personal exhibition at Castel Sant'Angelo, edited by \u003ca title=\"Carmine Benincasa\" href=\"https:\/\/it.wikipedia.org\/wiki\/Carmine_Benincasa\"\u003eCarmine Benincasa\u003c\/a\u003e , Rome, 1986.\u003c\/li\u003e\n\n \t \u003cli\u003eFranz Borghese, \u003ci\u003eWaterloo, an imaginary battle, described in 60 pages and 40 drawings\u003c\/i\u003e , edited by Lucio Cabutti, Il Tetto, Rome, 1990.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eSpirit of St. Louis\u003c\/i\u003e , edited by Domenico Guzzi, Ed. Bora Bologna, 1991.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eInventions and Discoveries, Imaginary Portraits, and More\u003c\/i\u003e . Palazzo Braschi Museum, edited by Franco Simongini, published by Bora, Bologna, 1992.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eThe Manual of Physiognomy\u003c\/i\u003e , with a critical presentation by A. Del Giudice, Il gianicolo, Perugia, 1993.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eAppendix to the Manual of Physiognomy\u003c\/i\u003e , with a critical presentation by Carlo Franza, Centro Arte, Milan, 1994.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eThe Diary of an Egocentric\u003c\/i\u003e , with a critical review by Giovanni Faccenda, Ed. Bora, Bologna, 2002.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eBorghese. Sculptures\u003c\/i\u003e , edited by E. De Albentiis, Il Gianicolo, Perugia, 2002.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003ci\u003eFranz Borghese\u003c\/i\u003e , monograph for the anthological exhibition at the fifteenth-century refectory of Palazzo Venezia, edited by Giovanni Faccenda, Masso delle Fate Ed., Signa, (FI), 2005.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003ci\u003eFranz Borghese. An Anthology of Works, Paintings, Drawings, and Gouaches from 1970 to 2005\u003c\/i\u003e , with an essay by Luigi Spezzaferro, Il Gianicolo, Perugia, 2006.\u003c\/li\u003e\n\n\u003cli\u003e Camilla Borghese, \u003ci\u003eWho is Franz Borghese?,\u003c\/i\u003e Italarte, Rome, 2007.\u003c\/li\u003e\n\n\u003cli\u003e \u003ci\u003eGeneral Catalogue Raisonné of the Works of Franz Borghese - First Volume, Editoriale Giorgio Mondadori, 2017.\u003c\/i\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"MASSETTI FELICIA 335 7488830","offers":[{"title":"Default Title","offer_id":56218795278722,"sku":"MASFE001","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/borghese-froonte-2.jpg?v=1768476777"},{"product_id":"franz-borghese-senza-titolo-20","title":"Franz Borghese - Untitled","description":"","brand":"Tioli Lino","offers":[{"title":"Default Title","offer_id":56218812416386,"sku":"LTIO001","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1850_98490db3-f517-49e0-b940-65892e5ec170.jpg?v=1768476960"},{"product_id":"franz-borghese-senza-titolo-20-2","title":"Franz Borghese - Untitled","description":"","brand":"Tioli Lino","offers":[{"title":"Default Title","offer_id":56218812514690,"sku":"LTIO002","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1856.jpg?v=1768476961"},{"product_id":"franz-borghese-senza-titolo-20-2-2","title":"Franz Borghese - Untitled","description":"","brand":"Tioli Lino","offers":[{"title":"Default Title","offer_id":56218812612994,"sku":"LTIO003","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1863_40b8bdec-4e9f-4ae3-8dc4-7b91e4712849.jpg?v=1768476962"},{"product_id":"il-fotografo-franz-borghese","title":"THE PHOTOGRAPHER - FRANZ BORGHESE","description":"\u003cstrong\u003eFranz Borghese, Italian painter, sculptor and engraver\u003c\/strong\u003e , was born in Rome on 21 January 1941 and completed his studies at the \u003ca href=\"https:\/\/abaroma.it\/\"\u003eAcademy of Fine Arts and Art High School in Rome.\u003c\/a\u003e\n\n In his paintings, Borghese analyses \u003cstrong\u003esociety and the crowds surrounding him\u003c\/strong\u003e , portraying them with a brush dipped in sarcasm and irony, as well as in the chromaticism of his palette.\n Franz Borghese's techniques embrace the entire traditional mode of pictorial expression, with the addition of personal innovations and openings to sculpture and engraving.\n\n Borghese always worked a great deal, using \u003cstrong\u003eoil paints, tempera, ink, watercolours and mixed media\u003c\/strong\u003e , so much so that death overtook him in his studio in Rome, while he was painting, on 16 December 2005.\n\r \nAlready famous towards the end of the 1960s, in 1971 he surprised the world of critics with a series of paintings on the theme \u003cstrong\u003e“The Trial of the Bourgeoisie”\u003c\/strong\u003e which automatically triggers parallels with \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/George_Grosz\"\u003eGeorge Grosz\u003c\/a\u003e and \u003ca href=\"https:\/\/it.wikipedia.org\/wiki\/Otto_Dix\"\u003eOtto Dix.\u003c\/a\u003e\n\n Honored as one of the most prominent figures in the Italian art scene, Borghese has been, and continues to be, the subject of numerous exhibitions at renowned public institutions, both in Italy and abroad. His works are held in important private collections, foundations, and institutions.\n\n \u003cstrong\u003eBorghese's works have been sold at important auctions and, thanks also to the work of the\u003c\/strong\u003e \u003ca href=\"http:\/\/www.franz-borghese.it\/\"\u003e\u003cstrong\u003eFranz Borghese archive\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003e, the artist's prices are still stable,\u003c\/strong\u003e as is the interest he receives from the public and critics.","brand":"FUNARI TIZIANA","offers":[{"title":"Default Title","offer_id":56218814382466,"sku":"FUNTIZ001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/borghese-top.jpg?v=1768476984"},{"product_id":"franz-borghese-senza-titolo-21","title":"Franz Borghese - Untitled","description":"","brand":"Galli Sergio","offers":[{"title":"Default Title","offer_id":56219404108162,"sku":"SGAL006","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/FRANZ-BORGHESE-1.jpg?v=1768480767"},{"product_id":"fran-borghese-senza-titolo-schiaffo","title":"Fran Borghese - Untitled (Slap)","description":"","brand":"Rizzato Marisa","offers":[{"title":"Default Title","offer_id":56219415511426,"sku":"MRIZ011","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Franz-Borghese-lo-schiaffo-18x24-1.jpg?v=1768480867"},{"product_id":"franz-borghese-senza-titolo-seduti-con-spada","title":"Franz Borghese - Untitled (Seated with Sword)","description":"","brand":"Rizzato Marisa","offers":[{"title":"Default Title","offer_id":56219415708034,"sku":"MRIZ012","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Franz.-BOrgheseseduti-con-spada18x24.jpg?v=1768480869"},{"product_id":"franz-borghese-senza-titolo-22","title":"Franz Borghese - Untitled","description":"","brand":"Rizzato Marisa","offers":[{"title":"Default Title","offer_id":56219415773570,"sku":"MRIZ013","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Franz-Borghese-pistola-18x24-1.jpg?v=1768480870"},{"product_id":"franz-borghese-e-adesso-una-foto-solo-per-loro","title":"Franz Borghese - And now a photo just for them","description":"","brand":"Ciofani Sergio da 6000 a 3000","offers":[{"title":"Default Title","offer_id":56219457290626,"sku":"SCIO001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2024-07-25-VQ16.jpg?v=1768481123"},{"product_id":"franz-borghese-la-passeggiata","title":"Franz Borghese - The Walk","description":"","brand":"Silvestri Vincenzo Mirko","offers":[{"title":"Default Title","offer_id":56219497988482,"sku":"MSIL002","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/fronte-borghese.jpg?v=1768481353"},{"product_id":"franz-borghese-vacanze-sullacqua","title":"Franz Borghese - Holidays on the Water","description":"","brand":"Manno Manuela","offers":[{"title":"Default Title","offer_id":56219568112002,"sku":"MMAN020","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9561_0deb1b1b-ee1a-43d8-886f-8f16e99996b9.jpg?v=1768481726"},{"product_id":"franz-borghese-mille-miglia","title":"Franz Borghese - A Thousand Miles","description":"","brand":"Paronitti Patrizia","offers":[{"title":"Default Title","offer_id":56220130247042,"sku":"PPAR001","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3139_c1a02e7a-4659-409e-b3a0-65c394b9f85b.jpg?v=1768488882"},{"product_id":"franz-borghese-senza-titolo-23","title":"Franz Borghese - Untitled","description":"","brand":"Conoci Mario","offers":[{"title":"Default Title","offer_id":56220138242434,"sku":"MCON001","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2025-01-30-at-09.39.48-1.jpg?v=1768489004"},{"product_id":"franz-borghese-senza-titolo-signori-nobili","title":"Franz Borghese - Untitled (Noble Gentlemen)","description":"","brand":"Berardi Enrico","offers":[{"title":"Default Title","offer_id":56220150628738,"sku":"EBER001","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/BORGHESE-01.jpg?v=1768489153"}],"url":"https:\/\/venderequadri.it\/en\/collections\/franz-borghese.oembed","provider":"Venderequadri","version":"1.0","type":"link"}