{"title":"Franca Pisani","description":"\u003cp\u003eOpere di Franca Pisani in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Franca Pisani? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"franca-pisani-spazio-universale","title":"Franca Pisani - Universal Space","description":"","brand":"Ciulli Mauro","offers":[{"title":"Default Title","offer_id":56210449793410,"sku":"MCIU002","price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/spazio-universale.jpg?v=1768390302"},{"product_id":"franca-pisani-tracciato-ironico","title":"Franca Pisani - Ironic Trace","description":"","brand":"Bresciani Margherita 6000","offers":[{"title":"Default Title","offer_id":56215525556610,"sku":"MBRE001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/tracciato-ironico-2010-70x100-canvas-ossidi-e-lacca.jpg?v=1768427332"},{"product_id":"franca-pisani-un-talismano","title":"Franca Pisani - Like a Talisman","description":"","brand":"Bresciani Margherita 6500","offers":[{"title":"Default Title","offer_id":56215526080898,"sku":"MBRE002","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/come-un-talismano-2010-150x100-canvasossidi-e-lacca.jpg?v=1768427334"},{"product_id":"franca-pisani-movimenti-del-cuore","title":"Franca Pisani - Movements of the Heart","description":"","brand":"Bresciani Margherita 5000","offers":[{"title":"Default Title","offer_id":56215526113666,"sku":"MBRE004","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/momenti-del-cuore-2010-80x60-canvasossidi-e-lacca.jpg?v=1768427334"},{"product_id":"franca-pisani-2","title":"Franca Pisani - Secret Archive 7","description":"\u003cp\u003e The work was published in \"Franca Pisani - 53rd Venice Biennale\"\u003c\/p\u003e\n\n\n \u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material with which they compose their works. Always committed to the exploration of experimental aesthetic languages, aiming to subvert the rules of traditional figuration and achieve complete creative freedom, artist and performer Franca Pisani has long since found the stylistic signature most suited to her in a more specifically symbolic Informal Art.\u003c\/p\u003e\n\n\n \u003cp\u003eFor Franca Pisani, the sign is an element of passive rebellion against an art burdened by the historical superstructures it carries with it. Franca is therefore seeking a sign that is both a manual tracing and a pure creative act. For this reason, the sign, in most of her works, takes the form of an irregular path, almost subject to a spontaneous development of branches and connections at the same time. Furthermore, the sign must also be something tangible, that enters the viewer's real dimension and definitively emerges from an abstract dimension. For this reason, Franca Pisani's compositions often acquire a material and three-dimensional connotation, given by the use, along with pictorial media, of concrete materials such as oxides. In this work, the artist's gesture takes on a concentrated and collected character. The composition is highly theatrical, occupying a small space within the undefined and decontextualized space of the black background. In this case, Franca Pisani's sign unfolds almost like an engraving. In fact, in this work the material used forms a crack à la Alberto Burri and it is on this vibrant surface that Franca Pisani leaves her marks, engraved with a deliberately rough and, therefore, more expressive gesture.\u003c\/p\u003e\n\n\n \u003cp\u003eFranca Pisani was born in Grosseto in 1956 to a family of artists. At the age of nine, encouraged by her precocious talent, she attended the studio of sculptor and painter Alessio Sozzi, who taught her all the painting techniques: fresco, oil, pastel, watercolor, mixed media, but above all sculpture, drawing on Etruscan techniques, clay, and earth tones. Maestro Sozzi encouraged her to tenaciously pursue art and study in Florence, the cradle of the Renaissance. As a student, she avidly frequented the Uffizi Gallery, unaware that her work would eventually be displayed there, in the Vasari Corridor, in the Self-Portraits Collection. In December 2014, she participated in the \"Backstage Exhibition\" at the Uffizi, and after the exhibition, her self-portrait, along with that of Bill Viola, was exhibited in the Vasari Corridor.\u003c\/p\u003e","brand":"De Sandi Fabio","offers":[{"title":"Default Title","offer_id":56217986531714,"sku":"FDES001","price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2021-08-06-16-38-19.jpg?v=1768469993"},{"product_id":"franca-pisani","title":"Franca Pisani - The Canton of Origins","description":"\u003cp\u003e Work published in \"Franca Pisani - Attraversamenti\", edited by Gianluigi Renzi, Maretti Editore, 2010.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material with which they compose their works. Always committed to the exploration of experimental aesthetic languages, aiming to subvert the rules of traditional figuration and achieve complete creative freedom, artist and performer Franca Pisani has long since found the stylistic signature most suited to her in a more specifically symbolic Informal Art.\u003c\/p\u003e\n\n\n \u003cp\u003eFor Franca Pisani, the sign is an element of passive rebellion against an art burdened by the historical superstructures it carries with it. Franca is therefore seeking a sign that is both a manual tracing and a pure creative act. For this reason, the sign, in most of her works, takes the form of an irregular path, almost subject to a spontaneous development of branches and connections at the same time. Furthermore, the sign must also be something tangible, that enters the viewer's real dimension and definitively emerges from an abstract dimension. For this reason, Franca Pisani's compositions often take on a material and three-dimensional connotation, given by the use, along with pictorial media, of concrete materials such as oxides. In this particular work, Franca Pisani's characteristic branched sign emerges entirely from the canvas. The connections identified by the artist's gesture thus take the form of actual seams, scars on the work's support. The composition thus takes on a strong aesthetic impact that must be identified not only in the artist's marked informal streak, but also in the expressive power of so-called Brutalist art and the poetics of Arte Povera that are part of Franca Pisani's formative background.\u003c\/p\u003e\n\n\n \u003cp\u003eFranca Pisani was born in Grosseto in 1956 to a family of artists. At the age of nine, encouraged by her precocious talent, she attended the studio of sculptor and painter Alessio Sozzi, who taught her all the painting techniques: fresco, oil, pastel, watercolor, mixed media, but above all sculpture, drawing on Etruscan techniques, clay, and earth tones. Maestro Sozzi encouraged her to tenaciously pursue art and study in Florence, the cradle of the Renaissance. As a student, she avidly frequented the Uffizi Gallery, unaware that her work would eventually be displayed there, in the Vasari Corridor, in the Self-Portraits Collection. In December 2014, she participated in the \"Backstage Exhibition\" at the Uffizi, and after the exhibition, her self-portrait, along with that of Bill Viola, was exhibited in the Vasari Corridor.\u003c\/p\u003e","brand":"De Sandi Fabio","offers":[{"title":"Default Title","offer_id":56217986564482,"sku":"FDES002","price":5500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2021-08-06-16-43-561.jpg?v=1768469994"},{"product_id":"franca-pisani-il-tempo-della-vita","title":"Franca Pisani - The Time of Life","description":"\u003cp\u003e The work in question was exhibited at the “Attraversamenti” exhibition at Palazzo Sant'Elia in Palermo.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material with which they compose their works. Always committed to the exploration of experimental aesthetic languages, aiming to subvert the rules of traditional figuration and achieve complete creative freedom, artist and performer Franca Pisani has long since found the stylistic signature most suited to her in a more specifically symbolic Informal Art.\u003c\/p\u003e\n\n\n \u003cp\u003eFor Franca Pisani, the sign is an element of passive rebellion against an art burdened by the historical superstructures it carries with it. Franca is therefore seeking a sign that is both a manual tracing and a pure creative act. For this reason, the sign, in most of her works, takes the form of an irregular path, subject almost to a spontaneous, vegetal development, simultaneously branching out and connecting. Furthermore, the sign must also be something tangible, that enters the viewer's real dimension and definitively emerges from an abstract dimension. For this reason, Franca Pisani's compositions often acquire a material and three-dimensional connotation, given by the use, along with pictorial media, of concrete materials such as oxides. In the case of the present work, the connection with reality is also made through a meditation on Spatialist poetics, which leads Franca Pisani to a strong and definitive gesture. Compared to Lucio Fontana's calibrated cuts, the Grosseto-based artist chooses to create a deep fracture on the surface of the work, abruptly introducing the accidental nature of reality and experience. The composition thus takes on a powerful aesthetic impact that can be traced not only to this artist's distinctly informal streak, but also to the expressive power of so-called Brutalist art and the poetics of Arte Povera, both of which are part of Franca Pisani's formative background.\u003c\/p\u003e\n\n\n \u003cp\u003eFranca Pisani was born in Grosseto in 1956 to a family of artists. At the age of nine, encouraged by her precocious talent, she attended the studio of sculptor and painter Alessio Sozzi, who taught her all the painting techniques: fresco, oil, pastel, watercolor, mixed media, but above all sculpture, drawing on Etruscan techniques, clay, and earth tones. Maestro Sozzi encouraged her to tenaciously pursue art and study in Florence, the cradle of the Renaissance. As a student, she avidly frequented the Uffizi Gallery, unaware that her work would eventually be displayed there, in the Vasari Corridor, in the Self-Portraits Collection. In December 2014, she participated in the \"Backstage Exhibition\" at the Uffizi, and after the exhibition, her self-portrait, along with that of Bill Viola, was exhibited in the Vasari Corridor.\u003c\/p\u003e","brand":"Mircko Dal Vecchio","offers":[{"title":"Default Title","offer_id":56218105905538,"sku":"mdal002","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/130379d6-5047-47c1-adf2-eee803095e1c.jpg?v=1768471200"},{"product_id":"franca-pisani-attraversamenti","title":"Franca Pisani - Crossings","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material with which they compose their works. Always committed to the exploration of experimental aesthetic languages, aiming to subvert the rules of traditional figuration and achieve complete creative freedom, artist and performer Franca Pisani has long since found the stylistic signature most suited to her in a more specifically symbolic Informal Art.\u003c\/p\u003e\n\n\n \u003cp\u003eFor Franca Pisani, the sign is an element of passive rebellion against an art burdened by the historical superstructures it carries with it. Franca is therefore seeking a sign that is both a manual tracing and a pure creative act. For this reason, the sign, in most of her works, takes the form of an irregular path, subject almost to a spontaneous, vegetal development, simultaneously branching out and connecting. Furthermore, the sign must also be something tangible, that enters the viewer's real dimension and definitively emerges from an abstract dimension. For this reason, Franca Pisani's compositions often acquire a material and three-dimensional connotation, given by the use, alongside pictorial media, of concrete materials such as oxides. The material used forms cracks almost à la Alberto Burri, and it is on this vibrant surface that Franca Pisani leaves her marks, engraved with a deliberately rough and, therefore, more expressive gesture. In this work, however, an action painting technique prevails, where the brushstrokes are broad, dripping brush strokes. The brown palette is typical.\u003c\/p\u003e\n\n\n \u003cp\u003eFranca Pisani was born in Grosseto in 1956 to a family of artists. At the age of nine, encouraged by her precocious talent, she attended the studio of sculptor and painter Alessio Sozzi, who taught her all the painting techniques: fresco, oil, pastel, watercolor, mixed media, but above all sculpture, drawing on Etruscan techniques, clay, and earth tones. Maestro Sozzi encouraged her to tenaciously pursue art and study in Florence, the cradle of the Renaissance. As a student, she avidly frequented the Uffizi Gallery, unaware that one of her works would eventually be displayed there, in the Vasari Corridor, in the Self-Portraits Collection. In December 2014, she participated in the \"Backstage Exhibition\" at the Uffizi, and after the exhibition, her self-portrait, along with that of Bill Viola, was displayed in the Vasari Corridor.\u003c\/p\u003e","brand":"Naldini Giovanni","offers":[{"title":"Default Title","offer_id":56218247364994,"sku":"GNAL001","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2380.jpg?v=1768472159"}],"url":"https:\/\/venderequadri.it\/en\/collections\/franca-pisani.oembed","provider":"Venderequadri","version":"1.0","type":"link"}