{"title":"Felicita Frai","description":"\u003cp\u003eOpere di Felicita Frai in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Felicita Frai? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"felicita-frai-senza-titolo","title":"Felicita Frai - Untitled","description":"","brand":"Granati Daniele","offers":[{"title":"Default Title","offer_id":56210248368514,"sku":"DGRA001","price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/frai.jpg?v=1768387803"},{"product_id":"felicita-frai-figura","title":"Felicita Frai - Figure","description":"\u003cp style=\"text-align: justify;\"\u003e The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn her artistic production, Felicita Frai has developed her own distinctive female figure, personal and highly recognizable. This aesthetic canon lies midway between a naive, playful, and libertarian spirit and the refinement of an illustrator. Indeed, the figure undergoes a process of simplification, but in an aesthetic sense that tends toward a dreamlike, fairytale dimension.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Felicita Frai, the pseudonym of Felice Frajova, was a Czech artist born in Prague in 1909. She moved to Italy in 1930, first to Trieste and then to Ferrara, where she studied with Achille Funi. In 1938 and 1948, she participated in the Venice Biennale. In the 1940s, she moved to Milan, where she frequented Giorgio de Chirico's studio and participated in the Triennale from 1945 to 1954. She was also a well-known illustrator. She passed away in 2010.\u003c\/p\u003e","brand":"Nicosia Salvatore Emanuele","offers":[{"title":"Default Title","offer_id":56212976828802,"sku":"SNIC003","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_6247.jpg?v=1768408040"},{"product_id":"felicita-frai-senza-titolo-3","title":"Felicita Frai - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eFlowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn her artistic production, Felicita Frai has developed a personal and highly recognizable expressive language. It is an aesthetic canon (which applies to both female figures and flowers) that lies midway between a naïve, playful, and libertarian spirit and the refinement of an illustrator. Indeed, the figure undergoes a process of simplification, but in an aesthetic sense that tends toward a dreamlike, fairytale dimension.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Felicita Frai, the pseudonym of Felice Frajova, was a Czech artist born in Prague in 1909. She moved to Italy in 1930, first to Trieste and then to Ferrara, where she studied with Achille Funi. In 1938 and 1948, she participated in the Venice Biennale. In the 1940s, she moved to Milan, where she frequented Giorgio de Chirico's studio and participated in the Triennale from 1945 to 1954. She was also a well-known illustrator. She passed away in 2010.\u003c\/p\u003e","brand":"Benedetti Morgan","offers":[{"title":"Default Title","offer_id":56213273084290,"sku":"MBEN001","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_6795-2.jpg?v=1768409077"},{"product_id":"frai-felicita-tre-giovinette","title":"Brother Felicity - Three Young Girls","description":"\u003cp\u003eThe iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. This type of subject can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, and Puvis des Chavannes, who, while using a primarily figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references. Felicita Frai's paintings often feature allegorical female figures, alluding to an ideal of beauty and harmony.\u003c\/p\u003e\n\n\n \u003cp\u003eIn her artistic production, Felicita Frai has developed a personal and highly recognizable expressive language. This aesthetic canon (which applies to both female figures and flowers) lies midway between a naïve, playful, and libertarian spirit and the refinement of an illustrator. Indeed, the figure undergoes a process of simplification, but in an aesthetic sense that tends toward a dreamlike, fairy-tale dimension. The female figures, in particular, represent the painter's search for pure beauty in an idealistic dimension. This ideal of beauty and harmony, formally, is expressed in a style that sees color as the primary means of expression. Indeed, the figures are synthesized through the pictorial layering, so that their colors blend perfectly with those of the flowers that adorn them and with the space that surrounds them. Their incorporeal substance blends seamlessly into the ethereal atmosphere of the painting, so that the entire surface of the work appears unified in the polychrome freshness that characterizes this artist.\u003c\/p\u003e\n\n\n \u003cp\u003eFelicita Frai, the pseudonym of Felice Frajova, was a Czech artist born in Prague in 1909. She moved to Italy in 1930, first to Trieste and then to Ferrara, where she studied with Achille Funi. In 1938 and 1948, she participated in the Venice Biennale. In the 1940s, she moved to Milan, where she frequented Giorgio de Chirico's studio and participated in the Triennale from 1945 to 1954. She was also a well-known illustrator. She passed away in 2010.\u003c\/p\u003e","brand":"Lupo Pierluigi","offers":[{"title":"Default Title","offer_id":56217811845506,"sku":"PLUP001","price":5200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2021-02-22-14-08-05-copia.jpg?v=1768468478"},{"product_id":"felicita-frai-senza-titolo-2","title":"Felicita Frai - Untitled","description":"\u003cp\u003e The iconography of this lithograph certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. This type of subject can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, and Puvis des Chavannes, who, while using a primarily figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references. Felicita Frai's paintings often feature allegorical female figures, alluding to an ideal of beauty and harmony.\u003c\/p\u003e\n\n\n \u003cp\u003eIn her artistic production, Felicita Frai has developed a personal and highly recognizable expressive language. This aesthetic canon (which applies to both female figures and flowers) lies midway between a naïve, playful, and libertarian spirit and the refinement of an illustrator. Indeed, the figure undergoes a process of simplification, but in an aesthetic sense that tends toward a dreamlike, fairy-tale dimension. The female figures, in particular, represent the painter's search for pure beauty in an idealistic dimension. This ideal of beauty and harmony, formally, is expressed in a style that sees color as the primary means of expression. Indeed, the figures are synthesized through the pictorial layering, so that their colors blend perfectly with those of the flowers that adorn them and with the space that surrounds them. Their incorporeal substance blends seamlessly into the ethereal atmosphere of the painting, so that the entire surface of the work appears unified in the polychrome freshness that characterizes this artist.\u003c\/p\u003e\n\n\n \u003cp\u003eFelicita Frai, the pseudonym of Felice Frajova, was a Czech artist born in Prague in 1909. She moved to Italy in 1930, first to Trieste and then to Ferrara, where she studied with Achille Funi. In 1938 and 1948, she participated in the Venice Biennale. In the 1940s, she moved to Milan, where she frequented Giorgio de Chirico's studio and participated in the Triennale from 1945 to 1954. She was also a well-known illustrator. She passed away in 2010.\u003c\/p\u003e","brand":"Proverbio Cesare","offers":[{"title":"Default Title","offer_id":56217833472386,"sku":"CPRO001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/FRAI-copia-scaled.jpg?v=1768468675"}],"url":"https:\/\/venderequadri.it\/en\/collections\/felicita-frai.oembed","provider":"Venderequadri","version":"1.0","type":"link"}