{"title":"Fabrizio Clerici","description":"\u003cp\u003eOpere di Fabrizio Clerici in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Fabrizio Clerici? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"fabrizio-clerici-collezione-di-grafiche","title":"Fabrizio Clerici - Graphic Design Collection","description":"\u003cp\u003e No. 5 works 90x70\u003c\/p\u003e\n\n\n\u003cp\u003e No. 1 works 70x70\u003c\/p\u003e\n\n\n \u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic movements. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also played a leading role in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.\u003cbr\u003e\n\u003cbr\u003e \nIn this series of prints, artist Fabrizio Clerici develops his own study of the human figure, and the male nude in particular, but he does so, as is his wont, creating a visionary and surreal representation. The artist invents a space that is alienating in its implausibility: a concept that directly harks back to Renè Magritte, who seems to be directly referenced in the illusory superimpositions between canvases and walls. Clerici thus creates a play of interlocking and impossible dimensional planes in which he develops a complex description of anatomy. In this regard, Clerici's citations do not stop at Magritte; the tangle of naked bodies seems to hark back to Michelangelo's famous cartoon of the \"Battle of Cascina,\" which is consistently broken down and remixed in a distinctly surrealist operation. Formally, the composition is characterized by Fabrizio Clerici's signature hyper-objective language, consistently in line with the surrealist aesthetic of his artistic practice.\u003c\/p\u003e\n\n\n \u003cp\u003eFabrizio Clerici, born in Milan in 1913 and died in Rome in 1993, was a painter, engraver, and set designer. He was an eclectic artist whose compositional matrix was open to numerous influences, which Clerici was able to rework through the sensibilities of his era: from Giovan Battista Piranesi to Athanasius Kircher, from Caspar David Friedrich to Arnold Böcklin. An internationally renowned artist, his works have been exhibited at the MOMA and the Guggenheim in New York, the Centre Pompidou in Paris, the Pushkin Museum in Moscow, and the Vatican Museums.\u003c\/p\u003e","brand":"Abballe Fabrizio","offers":[{"title":"Default Title","offer_id":56215828169090,"sku":"FABB001","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20201110_133212_p-copia-scaled.jpg?v=1768429566"},{"product_id":"fabrizio-clerici-senza-titolo","title":"Fabrizio Clerici - Untitled","description":"\u003cp\u003eAn artist with an extraordinarily eclectic nature, Fabrizio Clerici nourishes his explorations with diverse influences, which, starting from a cultured quotation, lead him to a surrealist aesthetic. However, as this mixed technique demonstrates, Fabrizio Clerici's experimentation knows no bounds, even leading him to develop particularly creative languages ​​and styles, as in this case. In the present work, Clerici proposes what appears to be an almost grotesque face, a mask in which figurative and abstract elements overlap.\u003c\/p\u003e\n\n\n \u003cp\u003eIn terms of style, the citationist\/surrealist background that underpins Fabrizio Clerici's artistic practice naturally draws him toward a figurative, even hyper-objective, language. However, as already mentioned, in some works, such as this one, he prefers to experiment with different styles. In this mixed technique, in addition to adopting a highly synthetic form, figurativeism is transcended in the very conception of the subject, constructed through pictorial gestures. The result is a face almost embroidered with the artist's own marks, composed of a reiteration of circular shapes. The prevalence of gesture, lively and vibrant, in the composition of the work is further underscored by the execution, almost smudged, intentionally soiled.\u003c\/p\u003e\n\n\n \u003cp\u003eFabrizio Clerici, born in Milan in 1913 and died in Rome in 1993, was a painter, engraver, and set designer. He was an eclectic artist whose compositional matrix was open to numerous influences, which Clerici was able to rework through the sensibilities of his era: from Giovan Battista Piranesi to Athanasius Kircher, from Caspar David Friedrich to Arnold Böcklin. An internationally renowned artist, his works have been exhibited at the MOMA and the Guggenheim in New York, the Centre Pompidou in Paris, the Pushkin Museum in Moscow, and the Vatican Museums.\u003c\/p\u003e","brand":"Domaneschi Marzia","offers":[{"title":"Default Title","offer_id":56218474807682,"sku":"MDOM003","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/CLERICI-1-DOMANESCHI.jpg?v=1768473632"},{"product_id":"fabrizio-clerici-il-processo","title":"Fabrizio Clerici - The Trial","description":"\u003cp class=\"p1\"\u003e The work \"The Trial\" depicts a dramatic scene, a courtroom deciding the defendant's future. The setting is distinguished by the juxtaposition of dynamism and stillness, while the people seated in the various rows of the courtroom remain almost indifferent. The two central figures are distinguished by the pathos of their action: the defendant, prostrate on the floor, appears to be pleading while the second figure tries to free himself.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe work being analyzed is a lithography.\u003c\/span\u003e The style, in this case, is naturally influenced by the technique used to create it. The word \"lithography\" derives from the Greek and means \"writing on stone.\" Indeed, the technique is based on the mutual repulsion of oily and aqueous materials. After initially preparing a very thick stone slab, the artist begins to create his drawing with a grease pencil. When the ink is applied to the stone, it adheres only to the drawing itself. Following previously marked lines on the stone, the sheet of paper is then placed on the slab and the whole is pressed, thus transferring and imprinting the drawing onto the paper. Thanks to the unique characteristics of the technique, the graphic before us almost resembles a pencil drawing, precisely because of the porosity of the stone, which, unlike other graphic techniques, results in a less incisive line. The artist chooses to create a simple, linear design inspired by Renaissance mathematical perspective, which results in a certain rigidity, which in this case, however, is necessary to emphasize the narrative. \u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003eFabrizio Clerici (Milan, 1913 – Rome, 1993) was an Italian painter, set designer, and architect, a protagonist of visionary and cultured art. After graduating in architecture in Rome in 1937, he became involved with the capital's artistic and intellectual circles, forging ties with Alberto Savinio, who would profoundly influence his metaphysical and symbolic imagery.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e From the 1940s onwards, his career was divided between painting and theatre design, collaborating with prominent figures such as Giorgio Strehler, Igor Stravinsky, and Peter Ustinov. His travels to the Middle East enriched his iconographic repertoire, populated by fantastical architecture immersed in surreal atmospheres. Esteemed by critics and writers such as Leonardo Sciascia and Federico Zeri, Clerici was celebrated in important exhibitions, including an anthological exhibition at the Palazzo dei Diamanti in Ferrara (1983) and a retrospective at the Galleria Nazionale d'Arte Moderna in Rome (1990).\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eA sophisticated and unconventional artist, Clerici left an indelible mark on twentieth-century art, with works suspended between memory, dream, and myth.\u003c\/p\u003e","brand":"Mazzocchi Carla","offers":[{"title":"Default Title","offer_id":56219301413250,"sku":"CMAZ001","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20240403_205110-scaled.jpg?v=1768480014"}],"url":"https:\/\/venderequadri.it\/en\/collections\/fabrizio-clerici.oembed","provider":"Venderequadri","version":"1.0","type":"link"}