{"title":"Eugenio Degani","description":"\u003cp\u003eOpere di Eugenio Degani in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Eugenio Degani? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"eugenio-degani-piazza-delle-erbe-verona","title":"Eugenio Degani - Piazza delle Erbe (Verona)","description":"\u003cp style=\"text-align: justify;\"\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Eugenio Degani is an artist who always favors the full expressiveness of color. Within this context, we can admire how in this work the painter proposes a Divisionist technique, in which the application is based on broad strokes of color. The image recomposes itself in the viewer's eye, yet it is very synthetic, clearly reflecting an Expressionist aesthetic.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEugenio Degani was a Veronese painter, born in 1923 and died in 2000. He trained under the guidance of Maestro Trentini at the Cignaroli Academy. In the 1950s, he collaborated with Giuseppe Marchiori and Renato Birolli. In 1951, he participated in the Verona Biennale and in 1955 in the Rome Quadrennial. He became known especially in 1957 thanks to the traveling exhibition \"Young Italian Painting,\" which visited foreign cities such as Moscow, Prague, Budapest, and Sofia. In 1961, he moved to Paris, where he came into contact with the School of Nice and the Nouveau Réalisme movement through his acquaintance with Arman.\u003c\/p\u003e","brand":"Volta Fabio","offers":[{"title":"Default Title","offer_id":56212044546434,"sku":"FVOL001","price":5750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20180905_1557249.jpg?v=1768403153"},{"product_id":"eugenio-degani-senza-titolo","title":"Eugenio Degani - Untitled","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003cbr\u003e\n\u003cbr\u003e \nThe work is a clear example of Expressionist landscape. Reality is interpreted in an extremely synthetic manner, with an almost brutal exercise in reduction. The surface is completely two-dimensional, with no allowance for spatial depth. The artist leaves a trace for the viewer to frame the subject within the rather concrete representation of the bridge. But everything else is pure expressiveness of color and the painter's gesture. Eugenio Degani's entire perception of the urban landscape is transfigured in a whirlwind of broad brushstrokes and overlapping washes of color. Yet, in this expressive frenzy, the artist always maintains order and balance in the composition, unifying the entire surface with dominant color tones.\u003c\/p\u003e\n\n\n \u003cp\u003eEugenio Degani was a Veronese painter, born in 1923 and died in 2000. He trained under the guidance of Maestro Trentini at the Cignaroli Academy. In the 1950s, he collaborated with Giuseppe Marchiori and Renato Birolli. In 1951, he participated in the Verona Biennale and in 1955 in the Rome Quadrennial. He became known especially in 1957 thanks to the traveling exhibition \"Young Italian Painting,\" which visited foreign cities such as Moscow, Prague, Budapest, and Sofia. In 1961, he moved to Paris, where he came into contact with the School of Nice and the Nouveau Réalisme movement through his acquaintance with Arman.\u003c\/p\u003e","brand":"Capuozzo Maria Gabriella","offers":[{"title":"Default Title","offer_id":56217826427266,"sku":"MCAP001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/b311cf0d-f231-4a89-b820-08cf99aaff69-copia.jpg?v=1768468630"},{"product_id":"eugenio-degani-paesaggio","title":"Eugenio Degani - Landscape","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is a clear example of an expressionist landscape. Reality is interpreted in an extremely synthetic manner, with an almost extreme exercise in reduction. The surface is completely two-dimensional, with no allowance for spatial depth. The artist draws on the reality of an urban landscape, but this is completely transfigured in a composition that plays with the effects of light and shadow. Indeed, we can only glimpse the outline of the buildings, immersed in the twilight of evening. This creates a striking contrast with the vivid light of the sky. This contrast is also reflected in the composition, which uses compact chromatic areas for the houses, while the depiction of the sky displays a more agitated gesturality. We can see how Degani, in conceiving this work, was influenced by technology, by the contrasting effects of light found in a photograph. The unusual framing of the scene should also be viewed in this light.\u003c\/p\u003e\n\n\n \u003cp\u003eEugenio Degani was a Veronese painter, born in 1923 and died in 2000. He trained under the guidance of Maestro Trentini at the Cignaroli Academy. In the 1950s, he collaborated with Giuseppe Marchiori and Renato Birolli. In 1951, he participated in the Verona Biennale and in 1955 in the Rome Quadrennial. He became known especially in 1957 thanks to the traveling exhibition \"Young Italian Painting,\" which visited foreign cities such as Moscow, Prague, Budapest, and Sofia. In 1961, he moved to Paris, where he came into contact with the School of Nice and the Nouveau Réalisme movement through his acquaintance with Arman.\u003c\/p\u003e","brand":"Trivellato Luisa","offers":[{"title":"Default Title","offer_id":56218010943874,"sku":"LTRI001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMMAGINE-OPERA-DEGANI-LUISA-TRIVELLATO-copia.jpg?v=1768470174"}],"url":"https:\/\/venderequadri.it\/en\/collections\/eugenio-degani.oembed","provider":"Venderequadri","version":"1.0","type":"link"}