{"title":"Emilio Kalchschmidt","description":"\u003cp\u003eOpere di Emilio Kalchschmidt in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Emilio Kalchschmidt? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"emilio-kalchschmidt-colonne-san-lorenzo","title":"Emilio Kalchschmidt - Columns of San Lorenzo","description":"","brand":"Romanin Andrea 2000","offers":[{"title":"Default Title","offer_id":56210299617666,"sku":"AROM001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/KALCHSCHIMDT-COLONNE-DI-SAN-LORENZO-1967.jpg?v=1768388601"},{"product_id":"kalchschmidt-senza-titolo","title":"Emilio Kalchschmidt - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Emilio Kalchschmidt, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the aspects of modernity represented by landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. In Kalchschmidt, however, a more subdued dimension of picturesque views prevails, in which the human presence is not highlighted.\u003c\/p\u003e\n\n\n \u003cp\u003eIn his watercolor works, artist Emilio Kalchschmidt adapts to the peculiarities of diluted paint, and his language takes on a lighter, almost ethereal quality. Indeed, the artist forgoes the heavy splashes of color that characterize his oil paintings, adopting a layering of glazes and transparencies. However, the spirit and desire to capture in the painting, with immediacy, the light and atmosphere that make the depicted view unique and unrepeatable remains unchanged.\u003c\/p\u003e\n\n\n\u003cp\u003e Emilio Kalchschmidt was a Novara painter born in 1902 and died in 1983. He was an important painter of urban landscapes, but is also remembered as an illustrator and caricaturist. In 1938, he participated in the Società per le Belle Arti ed Esposizione Permanente exhibition in Milan, displaying the paintings \"Ponte Sesto\" and \"Paesaggio.\"\u003c\/p\u003e","brand":"Spallarossa Massimo","offers":[{"title":"Default Title","offer_id":56215829119362,"sku":"MSPA003","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8082-copia-scaled.jpg?v=1768429576"},{"product_id":"kalchschmidt-senza-titolo-2","title":"Emilio Kalchschmidt - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Emilio Kalchschmidt, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the aspects of modernity represented by landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. In Kalchschmidt, however, a more subdued dimension of picturesque views prevails, in which the human presence is not highlighted.\u003c\/p\u003e\n\n\n \u003cp\u003eEmilio Kalchschmidt's painting style draws directly from the Impressionist tradition of urban landscapes, taking it to its extreme. Formally, he uses a hatching technique, but does so with a very thick and dense brushstroke, which helps him achieve a remarkable synthesis of forms. All the objects in the painting are rendered with a mosaic of multicolored brushstrokes, providing an even more immediate and fleeting representation. In this way, as in Impressionism, the painted surface is designed to capture every subtle vibration of light and atmosphere, but it does so within an even more dynamic and colorful compositional economy. This type of color synthesis essentially brings Kalchschmidt's painting style closer to an expressionist and more contemporary conception of his language.\u003c\/p\u003e\n\n\n \u003cp\u003eEmilio Kalchschmidt was a Novara painter born in 1902 and died in 1983. He was an important painter of urban landscapes, but is also remembered as an illustrator and caricaturist. In 1938, he participated in the Società per le Belle Arti ed Esposizione Permanente exhibition in Milan, displaying the paintings \"Ponte Sesto\" and \"Paesaggio.\"\u003c\/p\u003e","brand":"Spallarossa Massimo","offers":[{"title":"Default Title","offer_id":56215829184898,"sku":"MSPA004","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8079-copia-scaled.jpg?v=1768429577"},{"product_id":"kalchschmidt-senza-titolo-3","title":"Emilio Kalchschmidt - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Emilio Kalchschmidt, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the aspects of modernity represented by landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. In Kalchschmidt, however, a more subdued dimension of picturesque views prevails, in which the human presence is not highlighted.\u003c\/p\u003e\n\n\n \u003cp\u003eEmilio Kalchschmidt's painting style draws directly from the Impressionist tradition of urban landscapes, taking it to its extreme. Formally, he uses a hatching technique, but does so with a very thick and dense brushstroke, which helps him achieve a remarkable synthesis of forms. All the objects in the painting are rendered with a mosaic of multicolored brushstrokes, providing an even more immediate and fleeting representation. In this way, as in Impressionism, the painted surface is designed to capture every subtle vibration of light and atmosphere, but it does so within an even more dynamic and colorful compositional economy. This type of color synthesis essentially brings Kalchschmidt's painting style closer to an expressionist and more contemporary conception of his language.\u003c\/p\u003e\n\n\n \u003cp\u003eEmilio Kalchschmidt was a Novara painter born in 1902 and died in 1983. He was an important painter of urban landscapes, but is also remembered as an illustrator and caricaturist. In 1938, he participated in the Società per le Belle Arti ed Esposizione Permanente exhibition in Milan, displaying the paintings \"Ponte Sesto\" and \"Paesaggio.\"\u003c\/p\u003e","brand":"Spallarossa Massimo","offers":[{"title":"Default Title","offer_id":56215829217666,"sku":"MSPA005","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8087-copia-scaled.jpg?v=1768429578"},{"product_id":"emilio-kalchschmidt-fiori","title":"Emilio Kalchschmidt - Flowers","description":"\u003cp class=\"p1\"\u003e The painting depicts a typical still life, a representation of inanimate objects used as a pretext for a pictorial exercise that reveals the painter's expressive capabilities. On a table lies a simple white tablecloth, flanked by another, more colorful fabric. We also see a couple of books and a necklace of red pearls. There are also a carafe and a glass containing various flowers. As is often the case with Kalchschmidt's still lifes, here too there is a reference to pictorial activity; in fact, a painting is depicted from behind in the background, as if leaning against a wall.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eThe painting is executed in oils, which gives the artist the opportunity to create a highly expressive style of painting and to experiment with impasto. He exploits the material density of oil paint to create a work with a strong, three-dimensional texture, allowing us to see how the color is applied to the canvas, as we can read the individual brushstrokes. This pictorial technique is particularly exploited in the flowers themselves, which rise from the canvas as if tangible. Overall, the painting is a realistic depiction of a moment of everyday life, where the artist, as is customary in all his paintings, from still lifes to landscapes,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ewhere Kalchschmidt demonstrates the desire to capture in the painting the atmospheric light that makes the moment unique and unrepeatable.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eEmilio Kalchschmidt was a Novara painter born in 1902 and died in 1983. \u003cspan class=\"s1\"\u003eHe\u003c\/span\u003e was an important painter of urban landscapes, but is also remembered as an illustrator and caricaturist. In 1938, he participated in the exhibition Società per le Belle Arti ed Esposizione Permanente in Milan, displaying the paintings \"Ponte Sesto\" and \"Paesaggio.\"\u003c\/p\u003e","brand":"Proietti Gaffi Antonino 700€","offers":[{"title":"Default Title","offer_id":56218802749826,"sku":"APRO001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20230822-WA0006.jpg?v=1768476828"},{"product_id":"emilio-kalchschmidt-colori-e-pennelli","title":"Emilio Kalchschmidt - Colors and Brushes","description":"\u003cp class=\"p1\"\u003eWe are faced with a so-called still life. Still lifes originated in the 16th century, when inanimate figures first began to take center stage and became pictorial exercises to demonstrate one's skill. From then on, they became increasingly frequent, and their appearance began to become an increasingly desirable decorative subject. Kalchschmidt often references painting in his still lifes, and this is evident here as well. We see a table on which are laid out art magazines, a book, tubes of paint, and various brushes and solvents. Displayed behind these materials is a painting in progress, or perhaps even already completed, depicting a bouquet of flowers in a vase. Furthermore, inside the small wooden box containing the paints, we also see a painting of a view; this can be interpreted as a further reference to Kalchschmidt's painting, as much of his fame is tied to landscape painting. \u003c\/p\u003e\r\n \u003cp class=\"p1\"\u003eThe painting is executed in watercolor on cardboard. The light and luminous quality of the watercolor gives the painting an almost ethereal appearance. This still life demonstrates Kalchschmidt's mastery of material manipulation and his ability to use a single technique to explore various expressive registers. The pigment, depending on the section of the painting, is more or less diluted, while the table, curtain, and some objects are painted with a thicker paint. Only in the paint box and on the flower painting depicted is a much more diluted layer of color used, a true reference to the possibilities of watercolor. Although it is a partially neglected technique today, it is nevertheless one of the most complex painting techniques. Precisely because it is a translucent color, it is not possible to make corrections by adding additional layers of paint; each brushstroke must be carefully calibrated to create a striking overall effect. The painting is imbued with a strong realism, like a mental snapshot of the creative moment. What remains constant in Kalchschmidt's painting, whether in oil or watercolor, \u003cspan class=\"s1\"\u003eis the spirit and desire to capture in the painting, with immediacy, the situation of light and atmosphere that make the vision unique and unrepeatable.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003eEmilio Kalchschmidt \u003cspan class=\"s1\"\u003ewas\u003c\/span\u003e a Novara painter born in 1902 and died in 1983. He was an important painter of urban landscapes, but is also remembered as an illustrator and caricaturist. In 1938, he participated in the exhibition Società per le Belle Arti ed Esposizione Permanente in Milan, displaying the paintings \"Ponte Sesto\" and \"Paesaggio.\"\u003c\/p\u003e","brand":"Proietti Gaffi Antonino 400€","offers":[{"title":"Default Title","offer_id":56218802815362,"sku":"APRO002","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20230822-WA0007.jpg?v=1768476829"},{"product_id":"emilio-kalchschmidt-vecchia-milano","title":"Emilio Kalchschmidt - Old Milan","description":"","brand":"Valestri Jeffrin Christopher","offers":[{"title":"Default Title","offer_id":56219102183810,"sku":"JVAL020","price":720.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Emilio-Kalchschmidt-Vecchia-Milano-olio-49x34-76x61-FRONTE-2.jpg?v=1768478128"}],"url":"https:\/\/venderequadri.it\/en\/collections\/emilio-kalchschmidt.oembed","provider":"Venderequadri","version":"1.0","type":"link"}