{"title":"Emanuele Bettini","description":"\u003cp\u003eOpere di Emanuele Bettini in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Emanuele Bettini? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"emanuele-bettini-senza-titolo","title":"Emanuele Bettini - Untitled","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. In the ironic and disenchanted narrative of society, especially bourgeois and provincial, that characterizes Emanuele Bettini's artistic production, the genre scene cannot be excluded. Bettini's genre scene is dominated by decontextualization, and the focus is entirely on the characters in a scathing and humorous existential analysis.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is one example of numerous works in which Emanuele Bettini portrays the faces of men and women in ironic bourgeois scenes. In this context, Bettini maintains a consistent artistic language that can be defined, on the one hand, as a naïve simplification of reality, but which, on the other, features clear references to the abstract and surrealist poetics of the avant-garde. Indeed, formally, the figures in Emanuele Bettini's works are constructed from extremely simplified, pure lines and forms. The result is a stark objectivity that lends itself well to the bourgeois nature and ironic detachment of these existential paintings. Everything, however, is brought to life and original by Emanuele Bettini's vibrant naïve streak, which makes his style unique and inimitable.\u003c\/p\u003e\n\n\n \u003cp\u003eEmanuele Bettini (Prato, January 20, 1917 – Prato, November 21, 2002) was an Italian poet, writer, and painter. A painter of undoubted talent, his sources of inspiration included the surrealism of Joan Miró, the Futurism of Giacomo Balla, to whom he was bound by esteem and friendship, the faces of Massimo Campigli and Amedeo Modigliani, and the enchanted flights of Marc Chagall. His depictions are sometimes bitter and grotesque, sometimes surreal and populated by creative and colorful characters, but always ironic.\u003c\/p\u003e","brand":"Di Iorio Altagracia abbassata da 900 a 475€","offers":[{"title":"Default Title","offer_id":56218181271938,"sku":"ADIO001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0324_069a0a82-0a26-40f6-975d-8feb9dd8eb59.jpg?v=1768471690"},{"product_id":"emanuele-bettini-senza-titolo-2","title":"Emanuele Bettini - Untitled","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this work, Emanuele Bettini completely abandons figuration and, instead, the composition is dominated by sign-gestural elements, definitively characterizing the poetics of this painting with the incommunicability typical of Informal Art. Even in terms of execution, the artist adopts a decidedly gestural, abstract-expressionist approach. This reveals the hermetic nature of this representation, which transfigures the painter's perception into a system of signs that leaves the viewer with no reference points. Another fundamental component in Emanuele Bettini's research remains chromatic, where the painted surface is matched to a predominant color and calibrated to elegant harmonies with a profoundly spiritual meaning.\u003c\/p\u003e\n\n\n \u003cp\u003eEmanuele Bettini (Prato, January 20, 1917 – Prato, November 21, 2002) was an Italian poet, writer, and painter. A painter of undoubted talent, his sources of inspiration included the surrealism of Joan Miró, the Futurism of Giacomo Balla, to whom he was bound by esteem and friendship, the faces of Massimo Campigli and Amedeo Modigliani, and the enchanted flights of Marc Chagall. His depictions are sometimes bitter and grotesque, sometimes surreal and populated by creative and colorful characters, but always ironic.\u003c\/p\u003e","brand":"Di Iorio Altagracia","offers":[{"title":"Default Title","offer_id":56218181370242,"sku":"ADIO002","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0332.jpg?v=1768471690"},{"product_id":"emanuele-bettini-senza-titolo-4","title":"Emanuele Bettini - Untitled","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. In the ironic and disenchanted narrative of society, especially bourgeois and provincial, that characterizes Emanuele Bettini's artistic production, the genre scene cannot be excluded. Bettini's genre scene is dominated by decontextualization, and the focus is entirely on the characters in a scathing and humorous existential analysis.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is one example of numerous works in which Emanuele Bettini portrays the faces of men and women in ironic bourgeois scenes. In this context, Bettini maintains a consistent artistic language that can be defined, on the one hand, as a naïve simplification of reality, but which, on the other, features clear references to the abstract and surrealist poetics of the avant-garde. Indeed, formally, the figures in Emanuele Bettini's works are constructed from extremely simplified, pure lines and forms. The result is a stark objectivity that lends itself well to the bourgeois nature and ironic detachment of these existential paintings. Everything, however, is brought to life and original by Emanuele Bettini's vibrant naïve streak, which makes his style unique and inimitable.\u003c\/p\u003e\n\n\n \u003cp\u003eEmanuele Bettini (Prato, January 20, 1917 – Prato, November 21, 2002) was an Italian poet, writer, and painter. A painter of undoubted talent, his sources of inspiration included the surrealism of Joan Miró, the Futurism of Giacomo Balla, to whom he was bound by esteem and friendship, the faces of Massimo Campigli and Amedeo Modigliani, and the enchanted flights of Marc Chagall. His depictions are sometimes bitter and grotesque, sometimes surreal and populated by creative and colorful characters, but always ironic.\u003c\/p\u003e","brand":"Di Iorio Altagracia","offers":[{"title":"Default Title","offer_id":56218181534082,"sku":"ADIO003","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0341.jpg?v=1768471692"},{"product_id":"emanuele-bettini-senza-titolo-3","title":"Emanuele Bettini - Untitled","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. In the ironic and disenchanted narrative of society, especially bourgeois and provincial, that characterizes Emanuele Bettini's artistic production, the genre scene cannot be excluded. Bettini's genre scene is dominated by decontextualization, and the focus is entirely on the characters in a scathing and humorous existential analysis.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is one example of numerous works in which Emanuele Bettini portrays the faces of men and women in ironic bourgeois scenes. In this context, Bettini maintains a consistent artistic language that can be defined, on the one hand, as a naïve simplification of reality, but which, on the other, features clear references to the abstract and surrealist poetics of the avant-garde. Indeed, formally, the figures in Emanuele Bettini's works are constructed from extremely simplified, pure lines and forms. The result is a stark objectivity that lends itself well to the bourgeois nature and ironic detachment of these existential paintings. Everything, however, is brought to life and original by Emanuele Bettini's vibrant naïve streak, which makes his style unique and inimitable.\u003c\/p\u003e\n\n\n \u003cp\u003eEmanuele Bettini (Prato, January 20, 1917 – Prato, November 21, 2002) was an Italian poet, writer, and painter. A painter of undoubted talent, his sources of inspiration included the surrealism of Joan Miró, the Futurism of Giacomo Balla, to whom he was bound by esteem and friendship, the faces of Massimo Campigli and Amedeo Modigliani, and the enchanted flights of Marc Chagall. His depictions are sometimes bitter and grotesque, sometimes surreal and populated by creative and colorful characters, but always ironic.\u003c\/p\u003e","brand":"Di Iorio Altagracia","offers":[{"title":"Default Title","offer_id":56218181599618,"sku":"ADIO004","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0348.jpg?v=1768471693"}],"url":"https:\/\/venderequadri.it\/en\/collections\/emanuele-bettini.oembed","provider":"Venderequadri","version":"1.0","type":"link"}