{"title":"Domenico Cantatore","description":"\u003cp\u003eOpere di Domenico Cantatore in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Domenico Cantatore? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"domenico-cantatore-senza-titolo","title":"Domenico Cantatore - Untitled","description":"","brand":"Rocchetti Umberto 10000","offers":[{"title":"Default Title","offer_id":56210593251714,"sku":"UROC001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Cantatore.jpg?v=1768391469"},{"product_id":"domenico-cantatore-odalisca","title":"Domenico Cantatore - Odalisque","description":"","brand":"Morea Francesco","offers":[{"title":"Default Title","offer_id":56210648957314,"sku":"FMORE001","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DOMENICO_CANTATORE.jpg?v=1768391830"},{"product_id":"domenico-cantatore-grande-odalisca","title":"Domenico Cantatore - Grand Odalisque","description":"\u003cp\u003e The subject of the reclining female body has its roots in sixteenth-century painting, particularly in the Veneto region (Giorgione and Titian). This iconography enjoyed great popularity in the nineteenth century, from the Impressionists and Post-Impressionists to the twentieth-century avant-garde. Often chosen as a tribute to pictorial tradition, the subject of the reclining woman serves as a yardstick for measuring both changing customs and pictorial languages.\u003c\/p\u003e\n\n\n \u003cp\u003eThe composition of this painting reveals the influence of the rationality of the Italian pictorial tradition on Cantatore. The entire surface of the work is punctuated by bold, dark lines, almost forming a grid over which the large female figure dominates. The odalisque herself is also constructed through a series of pure lines, which break down and recompose the monumental body. In a predominantly flat, depthless composition, which nevertheless tends toward expressionistic simplification, the undulating rhythm of the dress helps us perceive the forms, the fullness of the reclining body.\u003c\/p\u003e\n\n\n \u003cp\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting: a need which this work also fits into. Cantatore's \"Grande Odalisque\" reminds us how Picasso himself, after the Cubist period, devoted his work to the rediscovery of a monumental classicism, yet always filtered through a contemporary language.\u003c\/p\u003e","brand":"Santoro Giovanna 11000 abbassata a 3500\/4500€","offers":[{"title":"Default Title","offer_id":56211530350978,"sku":"AMAZ007","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4511-24-01-18-12-13-copia.jpg?v=1768400293"},{"product_id":"domenico-cantatore-figura","title":"Domenico Cantatore - Figure","description":"\u003cp\u003eIn the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.\u003c\/p\u003e\n\n\n \u003cp\u003eThe composition of this painting reveals the influence of the rationality of the Italian pictorial tradition on Cantatore. The entire surface of the work is punctuated by bold, dark lines, almost forming a grid that composes the exotic figure. The subject is constructed through a series of pure lines, which break down and recompose the body in a predominantly flat, depthless composition, yet still echoing an expressionistic simplification. The overall rhythm of the work, based primarily on broken lines, can also be considered expressionist.\u003c\/p\u003e\n\n\n \u003cp\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting.\u003c\/p\u003e","brand":"Di Paolo Salvatore","offers":[{"title":"Default Title","offer_id":56211674005890,"sku":"SDIP003","price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20180326_153138.jpg?v=1768401389"},{"product_id":"domenico-cantatore-senza-titolo-4","title":"Domenico Cantatore - Untitled","description":"","brand":"Princis Alberto","offers":[{"title":"Default Title","offer_id":56211956695426,"sku":"APRI001","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4820.jpg?v=1768402424"},{"product_id":"domenico-cantatore-senza-titolo-5","title":"Domenico Cantatore - Untitled","description":"","brand":"Princis Alberto","offers":[{"title":"Default Title","offer_id":56211956924802,"sku":"APRI002","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4822.jpg?v=1768402428"},{"product_id":"domenico-cantatore-senza-titolo-6","title":"Domenico Cantatore - Untitled","description":"","brand":"Princis Alberto","offers":[{"title":"Default Title","offer_id":56211957055874,"sku":"APRI003","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4824.jpg?v=1768402426"},{"product_id":"domenico-cantatore-senza-titolo-7","title":"Domenico Cantatore - Untitled","description":"","brand":"Princis Alberto","offers":[{"title":"Default Title","offer_id":56211957318018,"sku":"APRI004","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4826.jpg?v=1768402428"},{"product_id":"domenico-cantatore-uomini-del-sud-2","title":"Domenico Cantatore - Men of the South","description":"\u003cp style=\"text-align: justify;\"\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe composition of this painting reveals the influence that the rationality of the Italian pictorial tradition exerted on Cantatore. The entire surface of the work is punctuated by bold, dark lines, almost forming a grid that composes the figures of popular extraction. The subjects are constructed through a series of pure lines, which break down and recompose the faces and bodies in a predominantly flat composition that seeks volume precisely through the complexity of the drawing and nevertheless strives for expressionistic simplification. The overall rhythm of the work, based predominantly on broken lines, can also be considered expressionist in nature.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting, and Cantatore embraced this desire with his monumental subjects. He passed away in Paris in 1998.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Della Monica Alberto","offers":[{"title":"Default Title","offer_id":56212042580354,"sku":"ADEL002","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20180828_154527.jpg?v=1768403112"},{"product_id":"domenico-cantatore-senza-titolo-2","title":"Domenico Cantatore - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe composition of this painting reveals the influence that the rationality of the Italian pictorial tradition exerted on Cantatore. The entire surface of the work is punctuated by bold, dark lines, almost forming a grid that composes the figures of popular extraction. The subjects are constructed through a series of pure lines, which break down and recompose the faces and bodies in a predominantly flat representation that seeks volume precisely through the complexity of the drawing and nevertheless strives for expressionistic simplification. The overall rhythm of the work, based predominantly on broken lines, can also be considered expressionist in nature.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting, and Cantatore embraced this desire with his monumental subjects. He passed away in Paris in 1998.\u003c\/p\u003e","brand":"Awwad Hasan","offers":[{"title":"Default Title","offer_id":56212081508738,"sku":"HAWW008","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/8_90a5588a-b0b7-4eb0-9f63-5d0759efc79b.jpg?v=1768403396"},{"product_id":"domenico-cantatore-senza-titolo-9","title":"Domenico Cantatore - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis work is particularly interesting because it shows a study of the human figure that is quite unusual in the work of the painter Domenico Cantatore. Cantatore is typically an artist who works with clean lines, square shapes, and geometric decompositions. In this case, however, the figure is constructed with a dynamic, almost frenetic rhythm of curved lines. The figure, though stretched out, seems shaken by an unstoppable movement. Cantatore's interest in volume and his emphasis on plasticity, which here is expressed even in a gigantic human figure, remain typical.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting, and Cantatore embraced this desire with his monumental subjects. He passed away in Paris in 1998.\u003c\/p\u003e","brand":"Gaddoni Giampaolo","offers":[{"title":"Default Title","offer_id":56212942324098,"sku":"GGAD010","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20190130_0845g52.jpg?v=1768407758"},{"product_id":"domenico-cantatore-senza-titolo-10","title":"Domenico Cantatore - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe subject of the reclining female body has its roots in sixteenth-century painting, particularly in the Veneto region (Giorgione and Titian). This iconography enjoyed great popularity in the nineteenth century, from the Impressionists and Post-Impressionists to the twentieth-century avant-garde. Often chosen as a tribute to pictorial tradition, the subject of the reclining woman serves as a yardstick for measuring both changing customs and pictorial languages.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe composition of this painting reveals the influence of the rationality of the Italian pictorial tradition on Cantatore. The entire surface of the work is punctuated by bold, dark lines that form the large female figure. The odalisque herself is also constructed through a series of pure lines, which break down and recompose the monumental body. In a predominantly flat, depthless composition that nonetheless tends toward expressionistic simplification, the undulating rhythm of the dress helps us perceive the forms, the fullness of the reclining body.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting: a need which this work also fits into. Cantatore's \"Grande Odalisque\" reminds us how Picasso himself, after the Cubist period, devoted his work to the rediscovery of a monumental classicism, yet always filtered through a contemporary language.\u003c\/p\u003e","brand":"Tarantini Francesca Romana","offers":[{"title":"Default Title","offer_id":56213561508226,"sku":"FTAR001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2019-05-20-at-15.47.571.jpg?v=1768410009"},{"product_id":"domenico-cantatore-zingara","title":"Domenico Cantatore - Gypsy","description":"","brand":"Zenoni Maria Cristina","offers":[{"title":"Default Title","offer_id":56215340188034,"sku":"MZEN001","price":1450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2019-10-02-at-10.45.13.jpg?v=1768425879"},{"product_id":"domenico-cantatore-ritratto-donna-distesa","title":"Domenico Cantatore - Portrait of a Reclining Woman","description":"","brand":"Simeoni Stefano abbassata da 6000 a 2000","offers":[{"title":"Default Title","offer_id":56215611900290,"sku":"SSIM001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2493_67d66ee2-c49d-457c-bbdd-3fc788bd2b82.jpg?v=1768427828"},{"product_id":"domenico-cantatore-grande-odalisca-2","title":"Domenico Cantatore - Grande Odalisque","description":"\u003cp\u003eThe subject of the reclining female body has its roots in sixteenth-century painting, particularly in the Veneto region (Giorgione and Titian). This iconography enjoyed great popularity in the nineteenth century, among the Impressionists and Post-Impressionists, and up to the twentieth-century avant-garde. Often chosen as a tribute to pictorial tradition, the subject of the reclining woman serves as a yardstick for measuring both changing customs and pictorial languages.\u003c\/p\u003e\n\n\n \u003cp\u003eThe composition of this multi-material multiple on canvas reveals the influence of the rationality of the Italian pictorial tradition on Cantatore. The entire surface of the work is punctuated by bold, dark lines, almost forming a grid over which the large female figure dominates. The odalisque herself is also constructed through a series of pure lines, which break down and recompose the monumental body. In a predominantly flat, depthless composition, yet one that nevertheless tends toward expressionistic simplification, the undulating rhythm of the dress helps us perceive the forms, the fullness of the reclining body.\u003c\/p\u003e\n\n\n \u003cp\u003eDomenico Cantatore (1906-1998), after initially training as a self-taught artist and gaining initial experience in Milan, moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude of expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting, and Cantatore embraced this desire with his monumental subjects.\u003c\/p\u003e","brand":"Spataro Ruggero abbassata da 3500 a 1000€","offers":[{"title":"Default Title","offer_id":56217812173186,"sku":"RSPA001","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-3481-copia-scaled.jpg?v=1768468495"},{"product_id":"domenico-cantatore-senza-titolo-11","title":"Domenico Cantatore - Untitled","description":"","brand":"Francesco Maria Lattanzi 4500","offers":[{"title":"Default Title","offer_id":56218105315714,"sku":"flat001","price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-02-01-16-22-40.jpg?v=1768471186"},{"product_id":"domenico-cantatore-senza-titolo-8","title":"Domenico Cantatore - Untitled","description":"\u003cp\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this masterful work, Domenico Cantatore displays a more synthetic approach to his subject, but this reduction is always accomplished with the rationality so dear to this painter. The figures are consistently constructed using a thick line that gives order to the composition and structures it in a series of vertical, parallel lines. This grid, revealing the Cubist influence on Cantatore's artistic practice, breaks down the figures and the space, leading them to discover volume and depth. The chromatic contrast between green and white prevails.\u003c\/p\u003e\n\n\n \u003cp\u003eAfter initially training as a self-taught artist and gaining initial experience in Milan, Cantatore moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude toward expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting, and Cantatore embraced this desire with his monumental subjects. He passed away in Paris in 1998.\u003c\/p\u003e","brand":"Derine Graziella","offers":[{"title":"Default Title","offer_id":56218296353154,"sku":"GDER001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20220726-WA0006.jpg?v=1768472573"},{"product_id":"domenico-cantatore-omaggio-a-delacroix","title":"Domenico Cantatore - Homage to Delacroix","description":"\u003cp\u003eThe subject of the reclining female body has its roots in sixteenth-century painting, particularly in the Veneto region (Giorgione and Titian). This iconography enjoyed great popularity in the nineteenth century, among the Impressionists, Post-Impressionists, and even the twentieth-century avant-garde. Often chosen as a tribute to pictorial tradition, the subject of the reclining woman serves as a yardstick for measuring both changing customs and pictorial languages. In this specific case, Domenico Cantatore makes direct reference to the painter's models, paying homage to the odalisques of Eugene Delacroix.\u003c\/p\u003e\n\n\n \u003cp\u003eThe composition of this painting reveals the influence of the rationality of the Italian pictorial tradition on Cantatore. The entire surface of the work is punctuated by bold, dark lines, almost forming a sculptural structure upon which the large female figure dominates. The odalisque herself is also constructed through a series of pure lines, which break down and recompose the monumental body. In a predominantly flat, depthless composition, which nevertheless tends toward expressionistic simplification, the undulating rhythm of the dress helps us perceive the forms, the fullness of the reclining body.\u003c\/p\u003e\n\n\n \u003cp\u003eDomenico Cantatore (1906-1998), after initially training as a self-taught artist and gaining initial experience in Milan, moved to Paris in 1932, where he met Picasso and the Fauves, updating his artistic language to the historical avant-garde. Despite this, Cantatore remained faithful to a figurative tradition, albeit interpreting it with an attitude of expressionist synthesis. He never belonged to any artistic group. In general, after the great season of the historical avant-garde, a desire for a return to order, objectivity, and the recovery of plastic values ​​spread throughout European painting, and Cantatore embraced this desire with his monumental subjects.\u003c\/p\u003e","brand":"Zorzi Susanna","offers":[{"title":"Default Title","offer_id":56218630422914,"sku":"SZOR001","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8667.jpg?v=1768474971"},{"product_id":"domenico-cantatore-senza-titolo-12","title":"Domenico Cantatore - Untitled","description":"","brand":"Lugano Massimo","offers":[{"title":"Default Title","offer_id":56219394277762,"sku":"MLUG002","price":5200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/CANTATORE-RIGA-2.jpg?v=1768480642"},{"product_id":"domenico-cantatore-senza-titolo-13","title":"Domenico Cantatore - Untitled","description":"","brand":"Antonucci Mirko (6000)","offers":[{"title":"Default Title","offer_id":56219569389954,"sku":"MANT001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/cantatore-fronte.jpg?v=1768481752"},{"product_id":"domenico-cantatore-senza-titolo-14","title":"Domenico Cantatore - Untitled","description":"","brand":"Di Gregorio Patrizia","offers":[{"title":"Default Title","offer_id":56220168257922,"sku":"PDIG010","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Riga-4-b-Domenico-Cantatore-grafica-47x29-es.-P.A.jpg?v=1768489246"},{"product_id":"domenico-cantatore-senza-titolo-nudo-femminile","title":"Domenico Cantatore - Untitled (Female Nude)","description":"","brand":"Fidanzia Gaetano","offers":[{"title":"Default Title","offer_id":56220243952002,"sku":"GFID001","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Cantatore-1-riga-fronte-1-contratto.jpg?v=1768489746"},{"product_id":"domenico-cantatore-odalisca-2","title":"Domenico Cantatore - Untitled (Odalisque)","description":"","brand":"Fidanzia Gaetano","offers":[{"title":"Default Title","offer_id":56220244017538,"sku":"GFID002","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Cantatore-2-riga-fronte1-contratto-rotated.jpg?v=1768489747"},{"product_id":"domenico-cantatore-odalisca-nel-paesaggio","title":"Domenico Cantatore - Odalisque in the Landscape","description":"","brand":"Stellato Carlo","offers":[{"title":"Default Title","offer_id":56220571337090,"sku":"CSTE007","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/7-4_53f44167-7675-4ec8-925b-f35789ef8be3.jpg?v=1768491205"},{"product_id":"domenico-cantatore-senza-titolo-15","title":"Domenico Cantatore - Nobleman","description":"","brand":"De PolzerLiria Matelda Leila","offers":[{"title":"Default Title","offer_id":56220578873730,"sku":"MDEP001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1_b0ae0cb4-cb0d-4941-9fd8-79c109f9cc50.jpg?v=1768491301"},{"product_id":"domenico-cantatore-senza-titolo-15-2","title":"Domenico Cantatore - Noblewoman","description":"","brand":"De PolzerLiria Matelda Leila","offers":[{"title":"Default Title","offer_id":56220578906498,"sku":"MDEP002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2_a027ff73-15d5-4fd6-aab6-57ae8df8a088.jpg?v=1768491302"},{"product_id":"domenico-cantatore-odalisca-3","title":"Domenico Cantatore - Odalisque","description":"","brand":"Cinconze Fabio","offers":[{"title":"Default Title","offer_id":56220670493058,"sku":"FCIN004","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/240.jpg?v=1768492249"}],"url":"https:\/\/venderequadri.it\/en\/collections\/domenico-cantatore.oembed","provider":"Venderequadri","version":"1.0","type":"link"}