{"title":"Dino Migliorini","description":"\u003cp\u003eOpere di Dino Migliorini in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Dino Migliorini? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"dino-migliorini-paesaggio","title":"Dino Migliorini - Landscape","description":"","brand":"Piccoli Fabio","offers":[{"title":"Default Title","offer_id":56210348048770,"sku":"FPIC003","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20160526_174439.jpg?v=1768389339"},{"product_id":"dino-migliorini-senza-titolo","title":"Dino Migliorini - Untitled","description":"","brand":"Fanesi Margherita","offers":[{"title":"Default Title","offer_id":56211408454018,"sku":"MFAN001","price":680.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/migliorini-copia.jpg?v=1768399711"},{"product_id":"dino-migliorini-senza-titolo-2","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on different planes, creating concrete, solid volumes. Yet at the same time, Migliorini's color and brushstrokes capture all the vibrations of the objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini, originally from Rignano, where he was born in 1907, received his artistic training in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Bicci David","offers":[{"title":"Default Title","offer_id":56211623346562,"sku":"DBIC001","price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8754.jpg?v=1768401222"},{"product_id":"dino-migliorini-senza-titolo-4","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on different planes, creating concrete, solid volumes. Yet at the same time, Migliorini's color and brushstrokes capture all the vibrations of the objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini, originally from Rignano, where he was born in 1907, received his artistic training in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Bicci David abbassata da 1150 a 400€","offers":[{"title":"Default Title","offer_id":56211623444866,"sku":"DBIC003","price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8762.jpg?v=1768401225"},{"product_id":"dino-migliorini-senza-titolo-5","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on different planes, creating concrete, solid volumes. Yet at the same time, Migliorini's color and brushstrokes capture all the vibrations of the objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini, originally from Rignano, where he was born in 1907, received his artistic training in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Cini Andrea","offers":[{"title":"Default Title","offer_id":56211623477634,"sku":"ACIN001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_8777.jpg?v=1768401226"},{"product_id":"dino-migliorini-bacio-di-giuda","title":"Dino Migliorini - Judas' Kiss","description":"\u003cp style=\"text-align: justify;\"\u003eThe episode of the \"Kiss of Judas\" is very recurrent in the religious iconography of Western art. This is primarily because it is one of the central episodes of the Passion of Christ, and the moment of his arrest is one of the key scenes in the great fresco cycles that depict the Passion. However, the episode is so famous, as the supreme expression of the betrayal of divine majesty, that it is also beginning to appear in individual works, such as this one.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In this religious-themed work, Dino Migliorini, unlike his landscapes, adopts a markedly expressionist aesthetic. The artist therefore proposes a synthetic rendering of the image to accentuate its spiritual nature. The subject is outlined by a thick, dark, broken line. The image is entirely two-dimensional, and the color is applied flatly with compact areas of color.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213261910402,"sku":"FTRA001","price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0493_04e00ad8-9e47-4af0-ba5a-6feec24bcfa2.jpg?v=1768409047"},{"product_id":"dino-migliorini-senza-titolo-10","title":"Dino Migliorini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThis drawing is very interesting and valuable for understanding Dino Migliorini's aesthetic vision. The artist from Rignano sees the world as a collection of pure lines and volumes. In this drawing, it's as if reality has been stripped of all sensory data to reveal the beauty of its rationality and geometry. The graphic line is very elegant, and the artist also adds some shading with light hatching.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Dino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213262107010,"sku":"FTRA002","price":810.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0496_62be7218-e91d-4cb5-9d5d-eaac52b2a0e8.jpg?v=1768409048"},{"product_id":"dino-migliorini-senza-titolo-11","title":"Dino Migliorini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this work, Dino Migliorini achieves a type of formal synthesis that can be described as Expressionist. The image is reduced to its essentials using a thick line that outlines its contour. However, the artist feels the need to emphasize the volumes and enhance the plastic qualities of this figure with a Cubist-inspired approach. The composition is rather painterly, executed with broad brushstrokes.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Dino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213262532994,"sku":"FTRA003","price":1840.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0498.jpg?v=1768409049"},{"product_id":"dino-migliorini-senza-titolo-12","title":"Dino Migliorini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213262762370,"sku":"FTRA004","price":3220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Senza-titolo-2-copia.jpg?v=1768409049"},{"product_id":"dino-migliorini-senza-titolo-13","title":"Dino Migliorini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e The \"Still Life\" genre emerged in the early 17th century. It consists of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to attempt a photographic reproduction of reality, with contemporary art the \"Still Life\" also becomes a way of interpreting reality, as it did for the Cubists or Giorgio Morandi.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eEven the subject of still life offers Dino Migliorini a starting point for his exploration of volumes and geometric shapes. Objects are stripped of any tangible characterization to be synthesized into pure forms. The expressive means for this operation are familiar: a thick black line and large areas of color. However, the composition is complex, characterized by a pictorialism charged with existential tension.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e Dino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213262991746,"sku":"FTRA005","price":2880.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Senza-titolo-3-copia.jpg?v=1768409050"},{"product_id":"dino-migliorini-senza-titolo-14","title":"Dino Migliorini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn a series of works, we can appreciate how Dino Migliorini draws even closer to the teachings of Ottone Rosai. The urban landscape becomes essential and rational, devoid of detail, in a composition focused on creating a balanced interplay of forms. In this work, we can further understand Migliorini's reference, filtered by Rosai, is Quattrocento Florence, as seen in the harmony of the colors, the subtle chromaticism that characterizes the entire surface of the work. The exaltation of plastic and chromatic values ​​transfigures the landscape into a frozen atmosphere, yet enlivened by a nuanced application that creates subtle existential vibrations.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213263384962,"sku":"FTRA006","price":1380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0508.jpg?v=1768409052"},{"product_id":"dino-migliorini-senza-titolo-15","title":"Dino Migliorini - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn a series of works, we can appreciate how Dino Migliorini draws even closer to the teachings of Ottone Rosai. The urban landscape becomes essential and rational, devoid of detail, in a composition focused on creating a balanced interplay of forms. In this work, we can further understand Migliorini's reference, filtered by Rosai, is Quattrocento Florence, as seen in the harmony of the colors, the subtle chromaticism that characterizes the entire surface of the work. The exaltation of plastic and chromatic values ​​transfigures the landscape into a frozen atmosphere, yet enlivened by a nuanced application that creates subtle existential vibrations.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907 and passed away in 2005. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and associated with Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Traditi Fabrizio","offers":[{"title":"Default Title","offer_id":56213263581570,"sku":"FTRA007","price":1610.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0509.jpg?v=1768409053"},{"product_id":"dino-migliorini-senza-titolo-18","title":"Dino Migliorini - Untitled","description":"","brand":"Bernabei Roberto","offers":[{"title":"Default Title","offer_id":56215329145218,"sku":"RBER005","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1256.jpg?v=1768425733"},{"product_id":"gino-migliorino-marina","title":"Gino Migliorino - Marina","description":"","brand":"Merra Stefano","offers":[{"title":"Default Title","offer_id":56215783506306,"sku":"SMER001","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20200914_155953_p-scaled.jpg?v=1768429100"},{"product_id":"dino-migliorini-senza-titolo-21","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Collina Andrea||Collina Andrea","offers":[{"title":"Default Title","offer_id":56217728123266,"sku":"ACOL003","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9306.jpg?v=1768468205"},{"product_id":"dino-migliorini-senza-titolo-22","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Buti Massimiliano","offers":[{"title":"Default Title","offer_id":56217913819522,"sku":"MBUT001","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4285_597c28eb-851d-40b8-9751-8452bd09c077.jpg?v=1768469449"},{"product_id":"dino-migliorini-senza-titolo-23","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eThe \"Still Life\" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the \"Still Life\" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.\u003c\/p\u003e\n\n\n \u003cp\u003eThe still life subject also offers Dino Migliorini a starting point for his exploration of volumes and geometric forms. Objects are stripped of any tangible characterization to be synthesized into pure forms. The expressive means for this operation are familiar: a thick black line and large areas of color. However, the composition is complex, characterized by a pictorial quality charged with existential tension. This is particularly evident in the definition of the background, vibrant with gestural brushstrokes. A certain expressionist quality is given to this work by the strong contrast of colors. Cézanne's contribution is crucial in the structural investigation of the subjects, conducted through the complexity of the brushstrokes. This can be seen not only in the shapes of the fruit, but also in the folds of the tablecloth.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Luca Bresci","offers":[{"title":"Default Title","offer_id":56218093060482,"sku":"lbre001","price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-13-14-26-331.jpg?v=1768471052"},{"product_id":"dino-migliorini-senza-titolo-23-2","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic career is equally dominated by instinct and compositional rigor. In his recurring subjects, linked to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volumes and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential. In this particular work, a thick black line identifies the three-dimensional geometry of the objects and marks the areas containing Migliorini's vibrant brushstroke.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Luca Bresci","offers":[{"title":"Default Title","offer_id":56218093093250,"sku":"lbre002","price":1450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-13-14-26-33.jpg?v=1768471053"},{"product_id":"dino-migliorini-senza-titolo-23-2-2","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's entire pictorial style and his vision of the Tuscan countryside are marked by a harmonious blend of a post-Impressionist approach and a geometric rationalism à la Ottone Rosai. However, there are works, like the present one, where the former clearly prevails. In this landscape, Migliorini completely eschews solid geometry, entrusting his perception to a flat, two-dimensional space. For this reason, the expressionistic element of color prevails, synthesizing objects with thick, coarse strokes that, through gesture, communicate the artist's sensibility. The palette also takes on stronger, more aggressive hues, compared to the muted tones found in most of Migliorini's works. However, even in this work, the artist does not completely abandon his rational vision of reality. This is evident in the rigid schematism of the composition, punctuated by the tight rhythm of houses and trees, which is perfectly mirrored in the lower section.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Luca Bresci","offers":[{"title":"Default Title","offer_id":56218095288706,"sku":"lbre003","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-01-13-14-26-332.jpg?v=1768471054"},{"product_id":"dino-migliorini-senza-titolo-24","title":"Dino Migliorini - Untitled","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Miriam Mazzei","offers":[{"title":"Default Title","offer_id":56218114589058,"sku":"mmaz001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9617.jpg?v=1768471304"},{"product_id":"dino-migliorini-senza-titolo-25","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Pianorini Elisabetta","offers":[{"title":"Default Title","offer_id":56218444202370,"sku":"EPIA001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5619.jpg?v=1768473443"},{"product_id":"dino-migliorini-senza-titolo-26","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Rolando Elena","offers":[{"title":"Default Title","offer_id":56218553188738,"sku":"EROL001","price":1560.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-Migliorni-fronte.jpg?v=1768474219"},{"product_id":"dino-migliorini-senza-titolo-27","title":"Dino Migliorini - Untitled","description":"\u003cp\u003eThe \"Still Life\" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the \"Still Life\" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.\u003c\/p\u003e\n\n\n \u003cp\u003eThe subject of still life also offers Dino Migliorini a starting point for his exploration of volumes and geometric forms. Objects are stripped of any tangible characterization to be synthesized into pure forms. The expressive means for this operation are familiar: a thick black line and large areas of color. However, the composition is complex, characterized by a pictorial quality charged with existential tension. This is particularly evident in the definition of the background, vibrant with gestural brushstrokes. A certain expressionist quality is given to this work by the strong contrast of colors. Cézanne's contribution is crucial in the structural investigation of the subjects, conducted through the complexity of the brushstrokes.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Tirolien Evy","offers":[{"title":"Default Title","offer_id":56218648412546,"sku":"ETIR001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9179.jpg?v=1768475263"},{"product_id":"dino-migliorini-senza-titolo-28","title":"Dino Migliorini - Untitled","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini's artistic journey is equally dominated by instinct and compositional rigor. In his recurring subjects, tied to the countryside and peasant life, he fundamentally begins with a post-Impressionist pictorial style, in which brushstrokes construct forms and volumes through a complex intersection of planes. Each brushstroke is placed on a different plane, creating concrete, solid volumes. In this exploration of volume and balanced composition, Migliorini demonstrates his appreciation of Ottone Rosai. However, compared to the Florentine master, who favored clear, compact forms, Migliorini favors a more elaborate pictorial style aimed at capturing all the vibrations of objects, which are not only luminous and atmospheric, but also existential.\u003c\/p\u003e\n\n\n \u003cp\u003eDino Migliorini was a painter originally from Rignano, where he was born in 1907. He trained as an artist in Florence. Having moved to the Tuscan capital in 1924, he became an illustrator for the Nuovo Giornale newspaper and frequented the circles of Ardengo Soffici and Ottone Rosai. His first solo exhibition was also held in Florence. In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Ontanetti Stefano","offers":[{"title":"Default Title","offer_id":56218706805122,"sku":"SONT001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2a41d623-e704-45e6-9eab-9bcd35c70b32.jpg?v=1768475875"},{"product_id":"dino-migliorini-senza-titolo-29","title":"Dino Migliorini - Untitled","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. 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In the 1950s, his fame spread beyond the region and throughout Italy, with over 100 exhibitions, consistently acclaimed by critics and the public.\u003c\/p\u003e","brand":"Porri Carlo","offers":[{"title":"Default Title","offer_id":56218710409602,"sku":"CPOR001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/migliorini.jpg?v=1768475958"},{"product_id":"paesaggio-dino-migliorini","title":"LANDSCAPE - DINO MIGLIORINI","description":"","brand":"SPERANZA ANTONIO","offers":[{"title":"Default Title","offer_id":56218762281346,"sku":"SPANT002","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SPERANZA-CASE-scaled.jpg?v=1768476526"},{"product_id":"gino-migliorini-casolare","title":"Gino Migliorini - Farmhouse","description":"","brand":"Carissimi Enrico","offers":[{"title":"Default Title","offer_id":56219174961538,"sku":"ECAR003","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Riga-3_459e025a-0d4b-42cc-9259-742b1eff731d.jpg?v=1768478491"},{"product_id":"dino-migliorini-senza-titolo-7","title":"Dino Migliorini - Untitled","description":"","brand":"Armon Katia","offers":[{"title":"Default Title","offer_id":56220187951490,"sku":"KARM006","price":270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Riga-6-senza-titolo-Firma-da-verificare-25x25-misure-esatte.jpg?v=1768489343"},{"product_id":"dino-migliorini-senza-titolo-vaso-di-fiori","title":"Dino Migliorini - Untitled (Vase of Flowers)","description":"","brand":"Ibresi Gian Luca","offers":[{"title":"Default Title","offer_id":56220677931394,"sku":"GIBR002","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7880_dafd661b-a030-4c7a-bb4a-f6fe08f7a3ab.jpg?v=1768492359"},{"product_id":"dino-migliorini-senza-titolo-paesaggio-2","title":"Dino Migliorini - Untitled (Landscape)","description":"","brand":"Ibresi Gian Luca","offers":[{"title":"Default Title","offer_id":56220677996930,"sku":"GIBR003","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7886_c257cb72-782c-4ea8-bb36-bc0a971bb1af.jpg?v=1768492360"},{"product_id":"dino-migliorini-senza-titolo-paesaggio-1","title":"Dino Migliorini - Untitled (landscape)","description":"","brand":"ZAMMARANO ROBERTO","offers":[{"title":"Default Title","offer_id":56459192828290,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/riga1_a2e3ec88-1abc-4e61-adf2-b60a226e731d.jpg?v=1773235226"},{"product_id":"dino-migliorini-senza-titolo-1","title":"Dino Migliorini - untitled","description":"","brand":"ZAMMARANO ROBERTO","offers":[{"title":"Default Title","offer_id":56459200397698,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/riga2_47681a78-60ef-4861-b8e0-02018e87752d.jpg?v=1773235452"},{"product_id":"senza-titolo-olio-su-masonite-dino-migliorini","title":"Untitled (Landscape) – Oil on Masonite – Dino Migliorini","description":"\u003cp\u003eA landscape painting by Dino Migliorini, executed in oil on masonite in a medium format.\u003c\/p\u003e\u003cp\u003eThe dimensions are 50x40 cm. The restrained, intimate composition lends itself to elegant display in domestic settings, particularly in a living room or a carefully curated hallway.\u003c\/p\u003e\u003cp\u003eAn appealing choice for those seeking a landscape painting with a measured character that is easy to incorporate into any space.\u003c\/p\u003e","brand":"BRIGITTA BARCHIELLI","offers":[{"title":"Default Title","offer_id":56693994062210,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_1549.jpg?v=1780828890"},{"product_id":"senza-titolo-casadi-campagna-olio-su-masonite-dino-migliorini","title":"Untitled (Country House) – Oil on Masonite – Dino Migliorini","description":"\u003cp\u003eOil on masonite by Dino Migliorini featuring a country house, measuring 55 x 43 cm. 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