{"title":"Claudio Cintoli","description":"\u003cp\u003eOpere di Claudio Cintoli in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Claudio Cintoli? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"claudio-cintoli-senza-titolo","title":"Claudio Cintoli - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eIn this painting, we can appreciate the experimental tension that drives Claudio Cintoli's artistic production. This work moves between an informal style, both symbolic and gestural, and a sort of décollage à la Mimmo Rotella. Structurally, the canvas is covered with a layer of white paint on which the painter leaves some indecipherable marks, a symptom of the incommunicability of the informal style. On this white layer, the painter leaves lacerations through which the underlying layer, a collage of newspapers, can be glimpsed. In this way, the poetics of the object also comes into play, with the reuse of discarded objects introduced into the artwork.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eClaudio Cintoli was born in Imola in 1935 and died in Rome in 1978. Throughout his career, he experimented with a wide variety of art forms: in addition to painting, he was also a set designer, director, video artist, and performer. His first solo exhibition was held in Recanati in 1958, followed by another at Galleria La Medusa in Rome in the same year. He traveled extensively throughout Europe, especially to England and France, and in 1965 he moved to New York, where he made animated films with Lindberg Production. In 1968, back in Rome, he embarked on a frenetic performance program at Galleria L'Attico (Annodare, Chiodo fisso, Rimbalzare, Puntellititi, and Colare colore).\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Lucera Cinzia","offers":[{"title":"Default Title","offer_id":56211986579842,"sku":"CLUC002","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9356.jpg?v=1768402650"},{"product_id":"claudio-cintoli-senza-titolo-2","title":"Claudio Cintoli - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003eIn the history of art, a clear distinction can often be made between figurative and abstract stylistic currents. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Even some American Abstract Expressionist artists, such as De Kooning, interpolated abstract gestures with figurative elements in some of their works.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e In this painting, Claudio Cintoli seeks a mediation between the instinctive nature of a gestural technique and an interpretation rooted, however minimal, in phenomenal reality. This creates a grotesque figure whose composition recalls De Kooning, while its sarcastic, bizarre, and paradoxical spirit harks back to Dubuffet. There's also an element drawn directly from reality, with the usual collage of newspaper.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eClaudio Cintoli was born in Imola in 1935 and died in Rome in 1978. Throughout his career, he experimented with a wide variety of art forms: in addition to painting, he was also a set designer, director, video artist, and performer. His first solo exhibition was held in Recanati in 1958, followed by another at Galleria La Medusa in Rome in the same year. He traveled extensively throughout Europe, especially to England and France, and in 1965 he moved to New York, where he made animated films with Lindberg Production. In 1968, back in Rome, he embarked on a frenetic performance program at Galleria L'Attico (Annodare, Chiodo fisso, Rimbalzare, Puntellititi, and Colare colore).\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Lucera Cinzia","offers":[{"title":"Default Title","offer_id":56211986809218,"sku":"CLUC003","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9359.jpg?v=1768402652"},{"product_id":"claudio-cintoli-senza-titolo-astratto","title":"Claudio Cintoli - Untitled (abstract)","description":"","brand":"GENNARI CRISTINA 5000","offers":[{"title":"Default Title","offer_id":56559975399810,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4069.jpg?v=1776168574"}],"url":"https:\/\/venderequadri.it\/en\/collections\/claudio-cintoli.oembed","provider":"Venderequadri","version":"1.0","type":"link"}