{"title":"Carlo Bazzani","description":"\u003cp\u003eOpere di Carlo Bazzani in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Carlo Bazzani? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"carlo-bazzani-senza-titolo","title":"Carlo Bazzani - Untitled","description":"\u003cp\u003eThe \"Still Life\" genre emerged in the early 17th century. It consists of the depiction of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with a naturalistic or photographic reproduction of reality, with contemporary art the \"Still Life\" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory element. In the present work, the artist proposes the subject of a still life with fish, a composition in which, instead of fruit, marine fauna predominates, often placed on the seashore. A painter famous for executing this type of subject was, for example, Filippo De Pisis.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work highlights Carlo Bazzani's post-Impressionist maturity. The composition, whether a still life, a vase of flowers, or a landscape, is compressed into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures also play a fundamental role. Chromatically, the entire surface of the work is blended with a balanced palette of references and correspondences.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Bazzani, Casina 1908-Reggio Emilia 1997. As can be seen from his works, Carlo Bazzani is a painter who has developed in-depth research into the representation of objects and their perception. His pictorial language draws on post-impressionist movements, reflecting his own unique approach.\u003c\/p\u003e","brand":"Mesoraca Gennaro","offers":[{"title":"Default Title","offer_id":56218357891458,"sku":"GMES001","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4412.jpg?v=1768472997"},{"product_id":"carlo-bazzani-senza-titolo-2","title":"Carlo Bazzani - Untitled","description":"\u003cp\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work highlights Carlo Bazzani's post-Impressionist maturity. The composition, whether a still life, a vase of flowers, or a landscape, is compressed into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures also play a fundamental role. Chromatically, the entire surface of the work is blended with a balanced palette of references and correspondences.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Bazzani, Casina 1908-Reggio Emilia 1997. As can be seen from his works, Carlo Bazzani is a painter who has developed in-depth research into the representation of objects and their perception. His pictorial language draws on post-impressionist movements, reflecting his own unique approach.\u003c\/p\u003e","brand":"Mesoraca Gennaro","offers":[{"title":"Default Title","offer_id":56218357924226,"sku":"GMES002","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4417.jpg?v=1768472999"},{"product_id":"carlo-bazzani-senza-titolo-2-2","title":"Carlo Bazzani - Untitled","description":"\u003cp\u003e Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. If at the beginning of its history,\u003cbr\u003e \nHistory was a pretext for painters to try their hand at a photographic reproduction of reality, with contemporary art the subject of flowers also becomes a way of interpreting reality.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work highlights Carlo Bazzani's post-Impressionist maturity. The composition, whether a still life, a vase of flowers, or a landscape, is compressed into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures also play a fundamental role. Chromatically, the entire surface of the work is blended with a balanced palette of references and correspondences.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Bazzani, Casina 1908-Reggio Emilia 1997. As can be seen from his works, Carlo Bazzani is a painter who has developed in-depth research into the representation of objects and their perception. His pictorial language draws on post-impressionist movements, reflecting his own unique approach.\u003c\/p\u003e","brand":"Mesoraca Gennaro","offers":[{"title":"Default Title","offer_id":56218357989762,"sku":"GMES003","price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4420.jpg?v=1768473001"},{"product_id":"carlo-bazzani-senza-titolo-2-2-2","title":"Carlo Bazzani - Untitled","description":"\u003cp\u003e Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. If at the beginning of its history,\u003cbr\u003e \nHistory was a pretext for painters to try their hand at a photographic reproduction of reality, with contemporary art the subject of flowers also becomes a way of interpreting reality.\u003c\/p\u003e\n\n\n \u003cp\u003eThis work highlights Carlo Bazzani's post-Impressionist maturity. The composition, whether a still life, a vase of flowers, or a landscape, is compressed into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures also play a fundamental role. Chromatically, the entire surface of the work is blended with a balanced palette of references and correspondences.\u003c\/p\u003e\n\n\n \u003cp\u003eCarlo Bazzani, Casina 1908-Reggio Emilia 1997. As can be seen from his works, Carlo Bazzani is a painter who has developed in-depth research into the representation of objects and their perception. His pictorial language draws on post-impressionist movements, reflecting his own unique approach.\u003c\/p\u003e","brand":"Mesoraca Gennaro","offers":[{"title":"Default Title","offer_id":56218358350210,"sku":"GMES004","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4424_d44622f4-bc27-4d8c-a0a9-6f5df99c432d.jpg?v=1768473005"}],"url":"https:\/\/venderequadri.it\/en\/collections\/carlo-bazzani.oembed","provider":"Venderequadri","version":"1.0","type":"link"}