{"title":"Antonio Pedretti","description":"\u003cp\u003eOpere di Antonio Pedretti in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Antonio Pedretti? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"senza-titolo-63","title":"Marshy","description":"","brand":"OPUS","offers":[{"title":"Default Title","offer_id":56203810603394,"sku":"OPUS001","price":4200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/img_5892.jpg?v=1768321158"},{"product_id":"senza-titolo-64","title":"Marshy 1","description":"","brand":"OPUS","offers":[{"title":"Default Title","offer_id":56203811717506,"sku":"OPUS002","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/img_5891.jpg?v=1768321179"},{"product_id":"paludoso-3","title":"Marshy 2","description":"","brand":"OPUS","offers":[{"title":"Default Title","offer_id":56203811815810,"sku":"OPUS003","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/img_5889_1.jpg?v=1768321180"},{"product_id":"paludoso-3-2","title":"Marshy 3","description":"","brand":"OPUS","offers":[{"title":"Default Title","offer_id":56203811881346,"sku":"OPUS005","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/img_5890.jpg?v=1768321181"},{"product_id":"paludoso-4","title":"Marshy 4 - Antonio Pedretti","description":"\u003ch2\u003ePaludoso 4 – Antonio Pedretti\u003c\/h2\u003e\u003cp\u003eA work that immerses the viewer in a landscape of water and silence: \u003cstrong\u003eoil on canvas, 80×100 cm\u003c\/strong\u003e, signed by \u003cstrong\u003eAntonio Pedretti\u003c\/strong\u003e (b. 1950, Gavirate, Varese), a contemporary painter among the most recognizable in the Italian art scene for his poetic treatment of marsh landscapes and suspended atmospheres.\u003c\/p\u003e\u003cp\u003eWater surfaces, mists, veiled horizons: Pedretti transforms the landscape into an inner metaphor, with a textured and layered painting style where light and color create emotional rather than descriptive visions. \u003cem\u003ePaludoso 4\u003c\/em\u003e is a chapter in this ongoing exploration, a work that reflects the depth of a career exhibited in major galleries and museums in Italy and abroad.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 80 × 100 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eOrientation:\u003c\/strong\u003e Horizontal\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eProvenance:\u003c\/strong\u003e Private collection\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertification:\u003c\/strong\u003e Work with certificate\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSKU:\u003c\/strong\u003e OPUS006\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eAvailable on \u003cstrong\u003eVenderequadri\u003c\/strong\u003e – the Italian marketplace dedicated to quality original art.\u003c\/p\u003e","brand":"OPUS","offers":[{"title":"Default Title","offer_id":56203811979650,"sku":"OPUS006","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/img_5890_1_1.jpg?v=1768321183"},{"product_id":"antonio-pedretti-mania-un-luogo","title":"Antonio Pedretti - Mania of a Place","description":"","brand":"Romanin Andrea","offers":[{"title":"Default Title","offer_id":56210299879810,"sku":"AROM009","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PEDRETTI-MANIA-DI-UN-LUOGO.jpg?v=1768388611"},{"product_id":"antonio-pedretti-azzurro-amazzonia","title":"Antonio Pedretti - Amazon Blue","description":"","brand":"D'archivio Elio (in trattativa con Carlucci)","offers":[{"title":"Default Title","offer_id":56211512066434,"sku":"EDAR009","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7269-copia.jpg?v=1768400202"},{"product_id":"antonio-pedretti-senza-titolo","title":"Antonio Pedretti - Untitled","description":"","brand":"Marinelli Mario 2400","offers":[{"title":"Default Title","offer_id":56211547292034,"sku":"MMAR001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20170802_111204.jpg?v=1768400491"},{"product_id":"antonio-pedretti-gesti-paludosi","title":"Antonio Pedretti - Swampy Gestures","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio Pedretti is a naturalist, deeply rooted in his Lombard landscape, which he interprets in his paintings, recontextualizing it within a contemporary sensibility of material and gesture. In Pedretti's paintings, the image of nature, the phenomenal world, is translated into an informal composition, yet the painter leaves scattered clues to understanding the work's meaning. Thus, a body of water becomes textured paint applied with a palette knife, and blades of grass become marks on the canvas or dripping paint. Ultimately, Pedretti has found a new and highly personal way to interpret nature, which, while using objects drawn from tangible reality, recontextualizes them within a composition with an informal aesthetic.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio Pedretti was born in Gavirate in 1950. His artistic career began at the age of sixteen with an exhibition at the Ca' Vegia gallery in Varese. His artistic language is tied to his birthplace, Lake Gavirate, whose landscapes are a recurring subject in his work. Gifted with great technical skill in palette knife painting and inspired by a remarkable poetic sensibility, he depicts aquatic and stagnant landscapes as if they were compositions of informal art.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Del Pia Alfredo","offers":[{"title":"Default Title","offer_id":56212013711746,"sku":"ADEL001","price":3450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9615.jpg?v=1768402844"},{"product_id":"antonio-pedretti-verde-verticale","title":"Antonio Pedretti - Vertical Green","description":"\u003cp style=\"text-align: justify;\"\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge resulted in a total rejection of any visual language, which resulted in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio Pedretti is a naturalist, deeply rooted in his Lombard landscape, which he interprets in his paintings, recontextualizing it within a contemporary sensibility of material and gesture. In Pedretti's paintings, the image of nature, the phenomenal world, is translated into an informal composition, yet the painter leaves scattered clues to understanding the work's meaning. Thus, a body of water becomes textured paint applied with a palette knife, and blades of grass become marks on the canvas or dripping paint. Ultimately, Pedretti has found a new and highly personal way to interpret nature, which, while using objects drawn from tangible reality, recontextualizes them within a composition with an informal aesthetic.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio Pedretti was born in Gavirate in 1950. His artistic career began at the age of sixteen with an exhibition at the Ca' Vegia gallery in Varese. His artistic language is tied to his birthplace, Lake Gavirate, whose landscapes are a recurring subject in his work. Gifted with great technical skill in palette knife painting and inspired by a remarkable poetic sensibility, he depicts aquatic and stagnant landscapes as if they were compositions of informal art.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"Del Pia Alfredo","offers":[{"title":"Default Title","offer_id":56212013744514,"sku":"ADEL002","price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9618.jpg?v=1768402845"},{"product_id":"antonio-pedretti-vegetazione","title":"Antonio Pedretti - Vegetation","description":"","brand":"Bernardini Giancarlo","offers":[{"title":"Default Title","offer_id":56215529226626,"sku":"GBER005","price":580.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2247.jpg?v=1768427383"},{"product_id":"antonio-pedretti-senza-titolo-2","title":"Antonio Pedretti - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti is a naturalist, deeply rooted in his Lombard landscape, which he interprets in his works, recontextualizing it within a contemporary sensibility of material and gesture. In Pedretti's paintings and prints, the image of nature, the phenomenal world, is translated into an informal composition, yet the painter leaves scattered clues to understanding the work's meaning. Especially in this silkscreen, we see how sensory reality is still quite present, including a sense of space and light. However, the execution remains powerfully gestural in Antonio Pedretti's new and highly personal approach to nature, which, while using objects drawn from sensory reality, recontextualizes them within a composition with an informal aesthetic.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti was born in Gavirate in 1950. His artistic career began at the age of sixteen with an exhibition at the Ca' Vegia gallery in Varese. His artistic language is tied to his birthplace, Lake Gavirate, whose landscapes are a recurring subject in his work. Gifted with great technical skill in palette knife painting and inspired by a remarkable poetic sensibility, he depicts aquatic and stagnant landscapes as if they were compositions of informal art.\u003c\/p\u003e","brand":"Proverbio Cesare","offers":[{"title":"Default Title","offer_id":56217833734530,"sku":"CPRO003","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PEDRETTI-scaled.jpg?v=1768468678"},{"product_id":"antonio-pedretti-gesti-paludosi-2","title":"Antonio Pedretti - Swampy Gestures","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti is a naturalist, deeply rooted in his Lombard landscape, which he interprets in his paintings, recontextualizing it within a contemporary sensibility of material and gesture. In Pedretti's paintings, the image of nature, the phenomenal world, is translated into an informal composition, yet the painter leaves scattered clues to understanding the work's meaning. Thus, a body of water becomes textured paint applied with a palette knife, and blades of grass become marks on the canvas or dripping paint. Ultimately, Pedretti has found a new and highly personal way to interpret nature, which, while using objects drawn from tangible reality, recontextualizes them within a composition with an informal aesthetic.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti was born in Gavirate in 1950. His artistic career began at the age of sixteen with an exhibition at the Ca' Vegia gallery in Varese. His artistic language is tied to his birthplace, Lake Gavirate, whose landscapes are a recurring subject in his work. Gifted with great technical skill in palette knife painting and inspired by a remarkable poetic sensibility, he depicts aquatic and stagnant landscapes as if they were compositions of informal art.\u003c\/p\u003e","brand":"Giuseppe Baldi","offers":[{"title":"Default Title","offer_id":56218066092418,"sku":"gbal001","price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/e06fb89f-380e-4e2d-8849-cec3afaeb31c.jpg?v=1768470685"},{"product_id":"antonio-pedretti-lamazzonia-e-azzurra","title":"Antonio Pedretti - The Amazon is Blue","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti is a naturalist, usually drawn to his Lombard landscape, but who, as in this case, also indulges in more exotic forays. The landscape interpreted by Pedretti is recontextualized within a contemporary, material, and gestural sensibility. In Pedretti's paintings and graphic works, the image of nature, the phenomenal world, is translated into an informal composition, yet the painter leaves scattered clues to understanding the work's meaning. Thus, a body of water becomes textured paint applied with a palette knife, and blades of grass become marks on the canvas or dripping paint. In conclusion, Pedretti has found a new and highly personal formula for interpreting nature, which, while using objects drawn from tangible reality, recontextualizes them in a composition with an informal aesthetic. In this lithograph, the gestural nature and expressive power of color prevail.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti was born in Gavirate in 1950. His artistic career began at the age of sixteen with an exhibition at the Ca' Vegia gallery in Varese. His artistic language is tied to his birthplace, Lake Gavirate, whose landscapes are a recurring subject in his work. Gifted with great technical skill in palette knife painting and inspired by a remarkable poetic sensibility, he depicts aquatic and stagnant landscapes as if they were compositions of informal art.\u003c\/p\u003e","brand":"Perfetti Paolo","offers":[{"title":"Default Title","offer_id":56218217939330,"sku":"PPER007","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/033-scaled.jpg?v=1768471964"},{"product_id":"antonio-pedretti-verde-lombardo","title":"Antonio Pedretti - Lombard Green","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by the Second World War left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti is a painter of nature, deeply rooted in his Lombard landscape, which he interprets in his paintings, recontextualizing it within a contemporary sensibility of material and gesture. In Pedretti's paintings, the image of nature, the phenomenal world, is translated into an informal composition, yet the painter leaves scattered clues to understanding the work's meaning. Thus, a body of water becomes textured paint applied with a palette knife, and blades of grass become marks on the canvas or dripping paint. Ultimately, Pedretti has found a new and highly personal way to interpret nature, which, while using objects drawn from tangible reality, recontextualizes them within a composition with an informal aesthetic.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Pedretti was born in Gavirate in 1950. His artistic career began at the age of sixteen with an exhibition at the Ca' Vegia gallery in Varese. His artistic language is tied to his birthplace, Lake Gavirate, whose landscapes are a recurring subject in his work. Gifted with great technical skill in palette knife painting and inspired by a remarkable poetic sensibility, he depicts aquatic and stagnant landscapes as if they were compositions of informal art.\u003c\/p\u003e","brand":"Barroero Pier Giuseppe","offers":[{"title":"Default Title","offer_id":56218501185922,"sku":"PBAR002","price":5500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/01-1_91e024ff-5dc7-4bc6-83b2-88c9aee68c03.jpg?v=1768473793"},{"product_id":"antonio-pedretti-particolare","title":"Detail - Antonio Pedretti","description":"\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eHe was born on February 2, 1950, in Gavirate, in the province of Varese. He trained first at the Sforza Castle painting school and then at the Brera Academy, which he left in 1972. Meanwhile, at the age of sixteen, he had already held his first solo exhibition at the Galleria Ca' Vegia in Varese, with palette knife paintings depicting landscapes, farmhouses, flowers, trees, and stagnant water, with a certain sentimentality and remarkable, precocious technical skill.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eThis latter subject will remain a constant in the artist's career, born on the shores of the lake and therefore intimately linked to this type of natural landscape.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAfter participating in several group exhibitions, including the Premio Nazionale Varese Arte, in 1970 he commissioned a second solo show at the Galleria Ghiggini in Varese, showcasing several nudes reminiscent of the delicate gestures of De Pisis or Bonnard, and a series of landscapes dedicated to Sicily. Gian Franco Maffina wrote in the catalogue: \"Still with his eyes filled with the moist tenderness of this Lombard land, he must have been astonished by the violent beauty of our South, by the blinding light of its walls parched by a relentless sun and the saltiness of the sea, by its dazzling beaches, by its sea rippled by the hot African wind. One can sense his almost stunned agitation in these coastal villages where the silence is broken only by the clatter of a donkey or the oriental-like call of a street vendor.\" Two years later, he exhibited at the Galerie L'Angle aigu in Brussels, achieving flattering critical acclaim in the Belgian press. Renato Guttuso introduces him: \"Dear Pedretti, although you are very young, your work already offers some solid evidence for judging your uncommon talents. One cannot help but be struck by the confidence with which your lines, your touches of color, define a landscape, a figure, a whole in its essential features; by the ability with which your drawing penetrates form, investigating it with precision, without falling into meticulously academic analysis. Today your work is at a very serious stage, and it seems to me that your recent paintings contain new elements compared to the happiness and ease of your earlier works. There is an awareness of a new commitment and new difficulties. It is the premise of a leap forward.\"\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAt this point, after a summary exhibition at the Ghiggini Gallery, the artist began a period of reflection, a period of reconsideration during which he withdrew from public activity for a silent and thoughtful research project, reviewing his artistic experiences thus far and questioning them.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eThe first results of this secluded experimental phase were a series of imaginary landscapes composed solely of sea waves and drifting clouds, captured in suspended atmospheres bathed in vivid light. It is the gesture, in the manner of Pollock, that takes on importance in these works from the second half of the 1970s, a broad and expansive gesture that allows the pictorial material to expand and wrinkle, to shine in vivid colors and to create allusive textures. He painted these \"informal\" images on sheets of PVC or Plexiglas and enclosed them within them, layering the materials and even using resins. Viana Conti, in her presentation of the exhibition Ceneri a Resistenza, held in 1982 at the Luogo di Gauss in Milan, saw these choices as a starting point: \"The painter, after having unleashed himself on large scales and having demonstrated his ability to invade the world, reweaves a space of play and analysis and begins to speak again behind a veil. The threshold beyond which he repeats his pictorial gestures is the transparency of a sheet of plexiglass. But that sheet is there to create distance, to function as a window, a focal point of the gaze. The artist's freedom, in his recent works, is not sought in the maximum extension of his arms, in a full-throated scream, but in a succession of small gestures and modulations of the voice. The thought of limits, which previously seemed distressing, becomes practicable again for this artist, if not even a condition for the continuity of the artistic discourse. The idea of ​​the fragment, freeing itself of a ruinous connotation, recreates a starting point for the construction no longer of a monument to the past, but of a document of the present.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eIn Pedretti's work, a memory of informal origin can be recovered, which over time has been emptied of meanings and values, finding in the frequentation of matter and colors... magical and playful impulses.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eFor Marco Meneguzzo, however, with these works the artist places himself on the boundary beyond which painting invades other territories: \"There is no doubt that Pedretti's painting is landscape painting—and how much he owes to a certain Lombard naturalism is certainly not hidden; the surprising fact today is rather that this landscape aims to be a natural landscape and not, once again, an artistic landscape. It is therefore not his 'Mannerist' operation, however much one can escape Mannerism today—which derives its raison d'être only from art. A risky position to maintain, but a bold and, paradoxically, novel one: as if a positive confidence in oneself and in the means of painting could have the subversive power to overturn tendencies and directions, which indeed show some signs of fatigue, but which still seem to have no alternative.\" Not a traversal of images and art history, not an analysis and torment of painting's ultimate tools, but a reference both ancient and new, an attempt to revitalize and reconnect threads that may not have been completely severed within a certain tradition, especially a Romantic one. The transparencies that Pedretti achieves through repeated pours of resin and paint are transparencies that can even recall Tiepolo's skies, but also a Lombard sky 'so beautiful when it's beautiful'. Another naturalism? The question is as old as painting itself...' (introduction to the catalogue of the solo exhibition at Luogo di Gauss, Milan, 1983).\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e\u003cspan class=\"color_15\"\u003eAnd in fact the question of naturalism is central in Pedretti, as his further work demonstrates.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8\"\u003e \u003cspan class=\"color_15\"\u003eIn fact, having abandoned, starting from the mid-1980s, the ambitions of the contemporary avant-gardes, he returned to a certain extent to that sense of nature of his origins, to lyrical landscape evocations, mindful however of the informal gestures and above all of the lesson of three great masters of the genre:\u003c\/span\u003e\r \nConstable, Segantini, and Morlotti. Of the first two, we find in Pedretti's images the skillful use of chromatic scansions and the great ability to structure the whole through chiaroscuro; of the third, the earthy relationship with the material is evident, as we might say, which increasingly tends to solidify and acquire depth. These are undoubtedly merely cultural references, the solid foundations on which Pedretti's pictorial constructions rest. He relies on visual sensations, but above all, he recreates in the studio, drawing on memory, visions that have been lodged in his imagination since childhood, which surface and accumulate with each experience. And, if at first he depicted broad panoramas of lake landscapes, marsh grasses, and reed beds, now he seems to immerse himself in them, in an almost symbolic ritual, to highlight a detail, to isolate a particular, to bring into focus a stem or a flower or an entire bush.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56219193966978,"sku":"AP156","price":1800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/AP156-70X80-PARTICOLARE-scaled.jpg?v=1768478710"},{"product_id":"antonio-pedretti-paludoso-5","title":"Marshy - Antonio Pedretti","description":"\u003cp class=\"font_8 wixui-rich-text__text\"\u003e \u003cspan class=\"color_15 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eAntonio Pedretti\u003c\/span\u003e\u003c\/span\u003e \u003cbr class=\"wixui-rich-text__text\"\u003eHe was born on February 2, 1950, in Gavirate, in the province of Varese. He trained first at the Sforza Castle painting school and then at the Brera Academy, which he left in 1972. Meanwhile, at the age of sixteen, he had already held his first solo exhibition at the Galleria Ca' Vegia in Varese, with palette knife paintings depicting landscapes, farmhouses, flowers, trees, and stagnant water, with a certain sentimentality and remarkable, precocious technical skill.\u003c\/p\u003e\n\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e \u003cspan class=\"color_15 wixui-rich-text__text\"\u003eThis latter subject will remain a constant in the artist's career, born on the shores of the lake and therefore intimately linked to this type of natural landscape.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003eAfter participating in several group exhibitions, including the Premio Nazionale Varese Arte, in 1970 he commissioned a second solo show at the Galleria Ghiggini in Varese, showcasing several nudes reminiscent of the delicate gestures of De Pisis or Bonnard, and a series of landscapes dedicated to Sicily. Gian Franco Maffina wrote in the catalogue: \"Still with his eyes filled with the moist tenderness of this Lombard land, he must have been astonished by the violent beauty of our South, by the blinding light of its walls parched by a relentless sun and the saltiness of the sea, by its dazzling beaches, by its sea rippled by the hot African wind. One can sense his almost stunned agitation in these coastal villages where the silence is broken only by the clatter of a donkey or the oriental-like call of a street vendor.\" Two years later, he exhibited at the Galerie L'Angle aigu in Brussels, achieving flattering critical acclaim in the Belgian press. Renato Guttuso introduces him: \"Dear Pedretti, although you are very young, your work already offers some solid evidence for judging your uncommon talents. One cannot help but be struck by the confidence with which your lines, your touches of color, define a landscape, a figure, a whole in its essential features; by the ability with which your drawing penetrates form, investigating it with precision, without falling into meticulously academic analysis. Today your work is at a very serious stage, and it seems to me that your recent paintings contain new elements compared to the happiness and ease of your earlier works. There is an awareness of a new commitment and new difficulties. It is the premise of a leap forward.\"\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003eAt this point, after a summary exhibition at the Ghiggini Gallery, the artist began a period of reflection, a period of reconsideration during which he withdrew from public activity for a silent and thoughtful research project, reviewing his artistic experiences thus far and questioning them.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003eThe first results of this secluded experimental phase were a series of imaginary landscapes composed solely of sea waves and drifting clouds, captured in suspended atmospheres bathed in vivid light. It is the gesture, in the manner of Pollock, that takes on importance in these works from the second half of the 1970s, a broad and expansive gesture that allows the pictorial material to expand and wrinkle, to shine in vivid colors and to create allusive textures. He painted these \"informal\" images on sheets of PVC or Plexiglas and enclosed them within them, layering the materials and even using resins. Viana Conti, in her presentation of the exhibition Ceneri a Resistenza, held in 1982 at the Luogo di Gauss in Milan, saw these choices as a starting point: \"The painter, after having unleashed himself on large scales and having demonstrated his ability to invade the world, reweaves a space of play and analysis and begins to speak again behind a veil. The threshold beyond which he repeats his pictorial gestures is the transparency of a sheet of plexiglass. But that sheet is there to create distance, to function as a window, a focal point of the gaze. The artist's freedom, in his recent works, is not sought in the maximum extension of his arms, in a full-throated scream, but in a succession of small gestures and modulations of the voice. The thought of limits, which previously seemed distressing, becomes practicable again for this artist, if not even a condition for the continuity of the artistic discourse. The idea of ​​the fragment, freeing itself of a ruinous connotation, recreates a starting point for the construction no longer of a monument to the past, but of a document of the present.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003eIn Pedretti's work, a memory of informal origin can be recovered, which over time has been emptied of meanings and values, finding in the frequentation of matter and colors... magical and playful impulses.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003eFor Marco Meneguzzo, however, with these works the artist places himself on the boundary beyond which painting invades other territories: \"There is no doubt that Pedretti's painting is landscape painting—and how much he owes to a certain Lombard naturalism is certainly not hidden; the surprising fact today is rather that this landscape aims to be a natural landscape and not, once again, an artistic landscape. It is therefore not his 'Mannerist' operation, however much one can escape Mannerism today—which derives its raison d'être only from art. A risky position to maintain, but a bold and, paradoxically, novel one: as if a positive confidence in oneself and in the means of painting could have the subversive power to overturn tendencies and directions, which indeed show some signs of fatigue, but which still seem to have no alternative.\" Not a traversal of images and art history, not an analysis and torment of painting's ultimate tools, but a reference both ancient and new, an attempt to revitalize and reconnect threads that may not have been completely severed within a certain tradition, especially a Romantic one. The transparencies that Pedretti achieves through repeated pours of resin and paint are transparencies that can even recall Tiepolo's skies, but also a Lombard sky 'so beautiful when it's beautiful'. Another naturalism? The question is as old as painting itself...' (introduction to the catalogue of the solo exhibition at Luogo di Gauss, Milan, 1983).\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003eAnd in fact the question of naturalism is central in Pedretti, as his further work demonstrates.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e \u003cspan class=\"color_15 wixui-rich-text__text\"\u003eIn fact, having abandoned, starting from the mid-1980s, the ambitions of the contemporary avant-gardes, he returned to a certain extent to that sense of nature of his origins, to lyrical landscape evocations, mindful however of the informal gestures and above all of the lesson of three great masters of the genre:\u003c\/span\u003e \u003cbr class=\"wixui-rich-text__text\"\u003eConstable, Segantini, and Morlotti. Of the first two, we find in Pedretti's images the skillful use of chromatic scansions and the great ability to structure the whole through chiaroscuro; of the third, the earthy relationship with the material is evident, as we might say, which increasingly tends to solidify and acquire depth. These are undoubtedly merely cultural references, the solid foundations on which Pedretti's pictorial constructions rest. He relies on visual sensations, but above all, he recreates in the studio, drawing on memory, visions that have been lodged in his imagination since childhood, which surface and accumulate with each experience. And, if at first he depicted broad panoramas of lake landscapes, marsh grasses, and reed beds, now he seems to immerse himself in them, in an almost symbolic ritual, to highlight a detail, to isolate a particular, to bring into focus a stem or a flower or an entire bush.\u003c\/p\u003e","brand":"BENEDETTI FABIO","offers":[{"title":"Default Title","offer_id":56219204452738,"sku":"FABEN007","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PEDRETTI-B.jpg?v=1768478831"},{"product_id":"antonio-pedretti-i-luoghi-del-pittoresco","title":"Antonio Pedretti - The Places of the Picturesque","description":"","brand":"Villano Maria Antonietta 4000","offers":[{"title":"Default Title","offer_id":56220527788418,"sku":"MVIL001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7273.jpg?v=1768490811"},{"product_id":"paludoso-antonio-pedretti","title":"Marshy - Antonio Pedretti ","description":"\u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e \u003cstrong style=\"box-sizing: border-box; background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline: none; font-weight: bold;\"\u003eBiography of Antonio Pedretti\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e Born in 1950 in Gavirate, Antonio Pedretti began his artistic career by attending the Castello Sforzesco painting school and subsequently the Brera Academy, which he left in 1972. His talent emerged from his first solo exhibition in Varese, characterized by palette knife paintings depicting landscapes and farmhouses with a sentimental sensibility and remarkable technical skill. Landscape is indeed one of the artist's most popular genres and has been a constant throughout his career. After participating in group exhibitions and a second solo exhibition in 1970, Pedretti explored new territory, painting imaginary landscapes composed of sea waves and drifting clouds within suspended, illuminated atmospheres. He experimented with materials using plexiglass and resins. During the 1980s, Pedretti abandoned contemporary avant-garde trends and returned to a more naturalistic depiction of nature, influenced by masters such as Constable, Segantini, and Morlotti. His works show particular attention to detail, focusing on individual elements such as stems, flowers and bushes.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318483366274,"sku":"OPUSAP004","price":4400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/GU3qphQUGX.jpg?v=1770366286"},{"product_id":"paludoso-innevato-antonio-pedretti","title":"Snowy Marshland - Antonio Pedretti ","description":"\u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e \u003cstrong style=\"box-sizing: border-box; background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline: none; font-weight: bold;\"\u003eBiography of Antonio Pedretti\u003c\/strong\u003e\u003c\/p\u003e \u003cp style=\"box-sizing: border-box; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; border: 0px; margin: 0px; padding: 0px 0px 20px; vertical-align: baseline; outline: none; text-align: justify; color: #797979; font-family: Roboto, Arial, Helvetica, 'Nimbus Sans L', sans-serif; font-size: 16px;\"\u003e Born in 1950 in Gavirate, Antonio Pedretti began his artistic career by attending the Castello Sforzesco painting school and subsequently the Brera Academy, which he left in 1972. His talent emerged from his first solo exhibition in Varese, characterized by palette knife paintings depicting landscapes and farmhouses with a sentimental sensibility and remarkable technical skill. Landscape is indeed one of the artist's most popular genres and has been a constant throughout his career. After participating in group exhibitions and a second solo exhibition in 1970, Pedretti explored new territory, painting imaginary landscapes composed of sea waves and drifting clouds within suspended, illuminated atmospheres. He experimented with materials using plexiglass and resins. During the 1980s, Pedretti abandoned contemporary avant-garde trends and returned to a more naturalistic depiction of nature, influenced by masters such as Constable, Segantini, and Morlotti. His works show particular attention to detail, focusing on individual elements such as stems, flowers and bushes.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318483399042,"sku":"OPUSAP003","price":4200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Xx1XgoIGBp.jpg?v=1770366285"},{"product_id":"antonio-pedretti-particolare-olio-su-tela","title":"Detail - Antonio Pedretti ","description":"\u003cp\u003e\u003cstrong\u003eNature observed down to the most intimate detail: a fragment of the world that becomes a universe.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eDetail\u003c\/em\u003e is an oil on canvas from 2022 in which Antonio Pedretti — one of the most refined contemporary Italian landscape painters, trained at the Brera Academy and a leading figure in decades of pictorial research — focuses his gaze on a single element of nature. Stems, flowers, bushes: his painting does not embrace the landscape in its entirety, but isolates a fragment of it, rendering it with a luminous sensitivity and a dense pictorial texture, influenced by the great masters of naturalism such as Constable, Segantini, and Morlotti. The large format — 80 × 100 cm — transforms the detail into a monumental presence.\u003c\/p\u003e\u003cp\u003eWork certified by Galleria Opus, in excellent condition.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Antonio Pedretti (Gavirate, 1950)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 80 × 100 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eYear:\u003c\/strong\u003e 2022\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Naturalistic landscape\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eType:\u003c\/strong\u003e Unique original work\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent condition\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertificate:\u003c\/strong\u003e Yes — Galleria Opus\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eHistorical artist:\u003c\/strong\u003e Yes\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318483431810,"sku":"OPUSAP002","price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/fYW9uQfrd0.jpg?v=1770366286"},{"product_id":"particolare-antonio-pedretti-1","title":"Detail - Antonio Pedretti ","description":"\u003ch2\u003eDetail – Antonio Pedretti\u003c\/h2\u003e\u003cp\u003eA work that captures the essence of natural detail: \u003cstrong\u003eoil on canvas, 80×100 cm\u003c\/strong\u003e, created in 2022 by \u003cstrong\u003eAntonio Pedretti\u003c\/strong\u003e, one of the most significant contemporary Lombard painters.\u003c\/p\u003e\u003cp\u003eWith the precision and sensitivity that characterize him, Pedretti focuses his gaze on a fragment of nature – stems, flowers, bushes – transforming the detail into an inner landscape. A work that reflects his artistic maturity and return to a naturalistic representation inspired by masters such as Constable, Segantini, and Morlotti.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 80 × 100 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eYear:\u003c\/strong\u003e 2022\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Naturalistic landscape\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertification:\u003c\/strong\u003e Work verified and certified by Galleria Opus\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSKU:\u003c\/strong\u003e OPUSAP001\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eBiography of Antonio Pedretti\u003c\/h3\u003e\u003cp\u003eBorn in 1950 in Gavirate, Antonio Pedretti trained at the Castello Sforzesco School of Painting and the Brera Academy. From his first solo exhibition in Varese, he distinguished himself for a rare painterly sensitivity, with palette-knife landscapes of great emotional intensity. In the 1980s, he abandoned the avant-garde to return to a naturalistic representation of nature, focusing on botanical details – stems, flowers, bushes – with a technical and poetic attention that has made him an established artist in the Italian art scene.\u003c\/p\u003e\u003cp\u003eAvailable on \u003cstrong\u003eVenderequadri\u003c\/strong\u003e – the Italian marketplace dedicated to quality original art.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56318492836226,"sku":"OPUSAP001","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/AaK3iZ0Mue.jpg?v=1770366543"},{"product_id":"paludoso-antonio-pedretti-1","title":"Marshy - Antonio Pedretti","description":"\u003ch2\u003ePaludoso – Antonio Pedretti\u003c\/h2\u003e\u003cp\u003eA large-format work of profound evocative power: \u003cstrong\u003eoil on canvas, 120×100 cm\u003c\/strong\u003e, created in 2022 by \u003cstrong\u003eAntonio Pedretti\u003c\/strong\u003e, a historically significant artist and an authentic voice in contemporary Lombard painting.\u003c\/p\u003e\u003cp\u003eThe marsh landscape reveals itself in a suspended, silent light, where water and land blend in a rare chromatic balance. A work that captures the essence of an ancient territory, rendering it with the technical mastery of a master.\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 120 × 100 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eYear:\u003c\/strong\u003e 2022\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCertification:\u003c\/strong\u003e Work verified and certified by Galleria Opus\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSKU:\u003c\/strong\u003e OPUSAP302\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eAvailable on \u003cstrong\u003eVenderequadri\u003c\/strong\u003e – the Italian marketplace dedicated to quality original art.\u003c\/p\u003e","brand":"GALLERIA OPUS","offers":[{"title":"Default Title","offer_id":56335584166274,"sku":"OPUSAP302","price":4400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/4ClO6oPppH.jpg?v=1770710974"},{"product_id":"antonio-pedretti-campo-fiorito","title":"Antonio Pedretti - Flower Field","description":"\u003ch2\u003eFlower Field – Antonio Pedretti\u003c\/h2\u003e\u003cp\u003eA screen print of great chromatic delicacy: \u003cstrong\u003e70×53 cm on paper\u003c\/strong\u003e, signed by \u003cstrong\u003eAntonio Pedretti\u003c\/strong\u003e, a leading Lombard artist in the contemporary fine art and graphic arts scene.\u003c\/p\u003e\u003cp\u003eThe flower field opens with the lightness of a seasonal memory: soft colors, a slow rhythm, a nature that does not shout but whispers. 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