{"title":"Antonio Del Donno","description":"\u003cp\u003eOpere di Antonio Del Donno in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Antonio Del Donno? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"antonio-del-donno-senza-titolo","title":"Antonio Del Donno - Untitled","description":"","brand":"Guadagno Raffaele","offers":[{"title":"Default Title","offer_id":56210499142018,"sku":"RGUA001","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20160924_125756.jpg?v=1768390666"},{"product_id":"antonio-del-donno-senza-titolo-2","title":"Antonio Del Donno - Untitled","description":"","brand":"Guadagno Raffaele","offers":[{"title":"Default Title","offer_id":56210499174786,"sku":"RGUA002","price":5000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20160924_130045.jpg?v=1768390668"},{"product_id":"antonio-del-donno-12-l-r","title":"Antonio Del Donno - 12-LR","description":"\u003cp style=\"text-align: justify;\"\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe work is a typical example of Antonio Del Donno's artistic output. The canvas's surface is encrusted with a thick layer of material, revealing the artist's gesture. This gesture consists of creating a latticework charged with the energy imparted by the artist's hand. The reused object, a feature of many of Antonio Del Donno's works, is also present. As usual, the object bears letters, semantic symbols with a strong symbolic value that, in the informal context of the work, heightens the sense of incommunicability.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio Del Donno is a painter from Benevento, born in 1927. He debuted in the 1950s, initially with a figurative style. By the mid-1950s, his painting had undergone a profound shift toward gesturality, devoid of any reference to figuration. After the 1960s, he also showed interest in New Dadaist influences, reusing figures or newspaper headlines. In the 1980s and 1990s, his style would become a combination of gesture and object.\u003c\/p\u003e","brand":"Marino Gianluigi","offers":[{"title":"Default Title","offer_id":56212911260034,"sku":"GMAR001","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/12lr.jpg?v=1768407545"},{"product_id":"antonio-del-donno-vangelo-secondo-matteo","title":"Antonio Del Donno - Gospel According to Matthew","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is a typical example of Antonio Del Donno's artistic output. The canvas's surface is covered in a thick layer of material, revealing the artist's creative touch. This gesture consists of overlapping layers of paint, charged with the energy imparted by the artist's hand. The reused object, a feature of many of Antonio Del Donno's works, is also present. As usual, the object bears letters, semantic symbols with a strong symbolic value that, in the informal context of the work, heightens the sense of incommunicability.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Del Donno is a painter from Benevento, born in 1927. He debuted in the 1950s, initially with a figurative style. By the mid-1950s, his painting had undergone a profound shift toward gesturality, devoid of any reference to figuration. After the 1960s, he also showed interest in New Dadaist influences, reusing figures or newspaper headlines. In the 1980s and 1990s, his style would become a combination of gesture and object.\u003c\/p\u003e","brand":"Pilla Franca","offers":[{"title":"Default Title","offer_id":56218372964738,"sku":"FPIL001","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DEL-DONNO.jpg?v=1768473096"},{"product_id":"antonio-del-donno-senza-titolo-3","title":"Antonio Del Donno - Untitled","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is a typical example of Antonio Del Donno's artistic output. The canvas's surface is covered in a thick layer of material, revealing the artist's creative touch. This gesture consists of overlapping layers of paint, charged with the energy imparted by the artist's hand. The reused object, a feature of many of Antonio Del Donno's works, is also present. As usual, the object bears letters, semantic symbols with a strong symbolic value that, in the informal context of the work, heightens the sense of incommunicability.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Del Donno is a painter from Benevento, born in 1927. He debuted in the 1950s, initially with a figurative style. By the mid-1950s, his painting had undergone a profound shift toward gesturality, devoid of any reference to figuration. After the 1960s, he also showed interest in New Dadaist influences, reusing figures or newspaper headlines. In the 1980s and 1990s, his style would become a combination of gesture and object.\u003c\/p\u003e","brand":"Sorgente Stefano","offers":[{"title":"Default Title","offer_id":56218648084866,"sku":"SSOR001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-Antonio-Del-Donno-Senza-Titolo-cod-09331-1.jpg?v=1768475258"},{"product_id":"antonio-del-donno-senza-titolo-3-2","title":"Antonio Del Donno - Untitled","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eThe work is a typical example of Antonio Del Donno's artistic output. The canvas's surface is covered in a thick layer of material, revealing the artist's creative touch. This gesture consists of overlapping layers of paint, charged with the energy imparted by the artist's hand. The reused object, a feature of many of Antonio Del Donno's works, is also present. As usual, the object bears letters, semantic symbols with a strong symbolic value that, in the informal context of the work, heightens the sense of incommunicability.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Del Donno is a painter from Benevento, born in 1927. He debuted in the 1950s, initially with a figurative style. By the mid-1950s, his painting had undergone a profound shift toward gesturality, devoid of any reference to figuration. After the 1960s, he also showed interest in New Dadaist influences, reusing figures or newspaper headlines. In the 1980s and 1990s, his style would become a combination of gesture and object.\u003c\/p\u003e","brand":"Sorgente Stefano","offers":[{"title":"Default Title","offer_id":56218648150402,"sku":"SSOR002","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/2-Antonio-Del-Donno-Senza-Titolo-cod-09331-2.jpg?v=1768475259"},{"product_id":"antonio-del-donno-senza-titolo-3-2-2","title":"Antonio Del Donno - Untitled","description":"\u003cp\u003e The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. \u003c\/p\u003e\n\n\n\u003cp\u003eThis work is part of Antonio del Donno's figurative production. This allows us to appreciate the artist's extraordinary technique in the perfect rendering of every architectural detail, achieved through a refined hatching technique that, leveraging the control of light and shadow, enhances the buildings' sculptural qualities. Despite the traditional, realistic style, the contemporaneity of these works is evident not only in the choice of subject matter itself, but also in the artist's compositional approach, which emphasizes the geometric and rationalist beauty of the lines and forms that compose this structure.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio Del Donno is a painter from Benevento, born in 1927. He debuted in the 1950s, initially with a figurative style. By the mid-1950s, his painting had undergone a profound shift toward gesturality, devoid of any reference to figuration. After the 1960s, he also showed interest in New Dadaist influences, reusing figures or newspaper headlines. In the 1980s and 1990s, his style would become a combination of gesture and object.\u003c\/p\u003e","brand":"Sorgente Stefano","offers":[{"title":"Default Title","offer_id":56218648183170,"sku":"SSOR003","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/3-Antonio-Del-Donno-Senza-Titolo-cod-15151-193.jpg?v=1768475260"}],"url":"https:\/\/venderequadri.it\/en\/collections\/antonio-del-donno.oembed","provider":"Venderequadri","version":"1.0","type":"link"}