{"title":"Antonio De Vity","description":"\u003c!-- vq-scheda-web --\u003e\n\u003cp\u003eAntonio De Vity è lo pseudonimo di Umberto Marone, nato a Napoli. Le fonti indicano come anni di nascita e morte il 1901 e il 1993. Una scheda di askART colloca invece la nascita a Reggio Calabria. Avrebbe studiato al Liceo d'Arte di Napoli e vissuto alcuni anni a Parigi, dove frequentò l'École des Beaux-Arts. In quel periodo scelse lo pseudonimo Antonio de Vity.\u003c\/p\u003e\n\n\u003cp\u003eTornato a Napoli, fondò una scuola che divenne uno Studio d'arte, luogo di incontro per artisti del Sud Italia. Dalla fine degli anni Sessanta lo studio fu diretto dal figlio Achille, che continuò a dipingere con il nome di Antonio de Vity. Le prime mostre risalirebbero ai primi anni Cinquanta: Bruxelles nel 1953, Marrakech nel 1955, Madrid nel 1956. Le fonti ricordano i suoi colori vivaci e il trattamento impressionista di strade e canali di Parigi e Venezia.\u003c\/p\u003e\n\n\u003cp\u003eIl catalogo di Venderequadri comprende 50 opere, datate tra il 1936 e il 1971, a olio su tela, olio su tavola e tecnica mista. I soggetti sono città, temi storici e vedute urbane, coerenti con i temi che le fonti attribuiscono all'artista. Se possiedi un'opera di Antonio De Vity, puoi richiedere una \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003evalutazione gratuita\u003c\/a\u003e: la risposta arriva entro 48 ore.\u003c\/p\u003e\n\u003c!-- fonti: http:\/\/www.antiquariato-ilpostodellerose.it\/domande-e-curiosita\/le-patologie-del-legno\/1-ultime\/169-quadri-antonio-devity | http:\/\/www.lucasforziniarte.it\/archivio-artisti\/campania\/de-vity-antonio-napoli-1901-napoli-1993-pittore | https:\/\/askart.com\/artist\/Antonio_DeVity\/11149339\/Antonio_DeVity.aspx | https:\/\/www.etsy.com\/listing\/969226007\/antonio-de-vity-original-oil-painting --\u003e","products":[{"product_id":"antonio-de-vity-venezia","title":"Antonio De Vity - Venice","description":"","brand":"Tonnini roberto abbassata da 2000 a 400€","offers":[{"title":"Default Title","offer_id":56210222088578,"sku":"RTON001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/De-vity.jpg?v=1768387583"},{"product_id":"antonio-de-vity-paesaggio","title":"Antonio De Vity - Landscape","description":"","brand":"Paoliello Salvatore Marco","offers":[{"title":"Default Title","offer_id":56210445861250,"sku":"MPAO001","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0949.jpg?v=1768390269"},{"product_id":"antonio-de-vity-parigi","title":"Antonio De Vity - Paris","description":"","brand":"Paoliello Salvatore Marco abbassata da 3900 a 950","offers":[{"title":"Default Title","offer_id":56210445926786,"sku":"MPAO002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0951.jpg?v=1768390270"},{"product_id":"antonio-de-vity-senza-titolo","title":"Antonio De Vity - Untitled","description":"","brand":"Parenti Gianluca","offers":[{"title":"Default Title","offer_id":56211352781186,"sku":"GPAR001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_7323-copia.jpg?v=1768399364"},{"product_id":"antonio-de-vity-senza-titolo-2","title":"Antonio De Vity - Untitled","description":"","brand":"Ulaj Alban","offers":[{"title":"Default Title","offer_id":56211542540674,"sku":"AULA001","price":3600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3035-copia.jpg?v=1768400460"},{"product_id":"antonio-de-vity-senza-titolo-3","title":"Antonio De Vity - Views of Paris","description":"\u003cp\u003eCollection of works by the artist Antonio De Vity.\u003c\/p\u003e\n\n\u003cp\u003eThe works all depict the city of Paris, seen from different viewpoints.\u003c\/p\u003e\n\n\u003cp\u003eSeparate sale is not excluded.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e","brand":"Della Monica Alberto","offers":[{"title":"Default Title","offer_id":56212571128194,"sku":"ADEL005","price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Quadro-1-1_cc13aafa-e7a3-4481-a94f-055d44ad5919.jpg?v=1768406128"},{"product_id":"antonio-de-vity-paesaggio-2","title":"Antonio De Vity - Landscape","description":"\u003cp style=\"text-align: justify;\"\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe painting was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions onto the canvas. The entire color palette, from the street to the sky, is precisely matched to the atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color shading.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Giuli Roberto","offers":[{"title":"Default Title","offer_id":56213114421634,"sku":"RGIU006","price":1350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20190220_120923.jpg?v=1768408528"},{"product_id":"antonio-de-vity-paesaggio-3","title":"Antonio De Vity - Landscape","description":"\u003cp style=\"text-align: justify;\"\u003e Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe painting was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions onto the canvas. The entire color palette, from the street to the sky, is precisely matched to the atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color shading.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Giuli Roberto","offers":[{"title":"Default Title","offer_id":56213114487170,"sku":"RGIU007","price":1350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20190220_121059.jpg?v=1768408529"},{"product_id":"antonio-devity-parigi-1936","title":"Antonio De Vity - Paris 1936","description":"","brand":"Adami Stefano","offers":[{"title":"Default Title","offer_id":56215438393730,"sku":"SADA001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5524.jpg?v=1768426598"},{"product_id":"antonio-devity-parigi-1936-2","title":"Antonio De Vity - Paris 1936","description":"","brand":"Adami Stefano","offers":[{"title":"Default Title","offer_id":56215438459266,"sku":"SADA002","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5529_cd581b15-ae61-43b5-87e9-55dec1fccb81.jpg?v=1768426599"},{"product_id":"antonio-de-vity-particolari-parigi","title":"Antonio De Vity - Details of Paris","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through the gradations of color. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Pregnolato Antonella","offers":[{"title":"Default Title","offer_id":56215715250562,"sku":"APRE002","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2020-04-28-17-11-20-copia.jpg?v=1768428486"},{"product_id":"antonio-de-vity-senza-titolo-4","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through the gradations of color. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Martini Roberta","offers":[{"title":"Default Title","offer_id":56215715316098,"sku":"RMAR001","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2020-05-05-11-44-58-1-copia.jpg?v=1768428487"},{"product_id":"antonio-de-vity-senza-titolo-4-2","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through the gradations of color. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Martini Roberta","offers":[{"title":"Default Title","offer_id":56215715447170,"sku":"RMAR002","price":2600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2020-05-05-11-44-58-copia.jpg?v=1768428488"},{"product_id":"antonio-de-vity-senza-titolo-6","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eLandscape has always played a leading role in artistic research, both as a setting and a backdrop, but also as a subject in its own right. The naturalistic description of landscape has been one of the greatest aspirations for artists of every era. Each historical period has given its own interpretation of landscape, contributing to the evolution of its description: first with a research into space, through Brunelleschian perspective in the early Renaissance; then on the rendering of atmosphere in the sixteenth century; up to the representation of every single vibration of light on objects in Impressionism. For the artist Antonio De Vity, whose pictorial production consists largely of Parisian cityscapes,\u003cbr\u003e\nit is less common to portray a landscape of a naturalistic type.\u003c\/p\u003e\n\n\u003cp\u003eThis work by Antonio De Vity stands out for a landscape painting in which he seeks a characteristic view, full of its own lyricism. Hence, the taste for the picturesque glimpse, for the evocative framing. On a formal level, all this resolves into an extremely loose and dynamic painterly approach that guarantees freshness and immediacy of execution. His brushwork, therefore, is characterized by a decidedly cursive touch, made of sudden flourishes, effective in recording the luminous vibrations on objects. We can see this above all in the execution of the tonal transitions that measure the space and the variations of light in the buildings or in the reflections that reverberate from the surface of the water. The entire composition is pervaded by a quiet naturalism and a freshness deriving from the artist's technical ability.\u003c\/p\u003e\n\n\u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and passed away in 1993. He began studying painting in his city, but fundamental for his training will be the stay in Paris, where he attended the Ecole des Beaux Arts. Back in Italy, he founds his own school that will become an important point of reference for artists of the south.\u003c\/p\u003e","brand":"Bonauguro Giuliana","offers":[{"title":"Default Title","offer_id":56215830233474,"sku":"GBON001","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20191108_132524-copia-scaled.jpg?v=1768429589"},{"product_id":"antonio-de-vity-senza-titolo-7","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through the gradations of color. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Bonauguro Giuliana","offers":[{"title":"Default Title","offer_id":56215830266242,"sku":"GBON002","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20191108_133438-copia-scaled.jpg?v=1768429590"},{"product_id":"antonio-di-viti-senza-titolo","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through the gradations of color. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this work, the artist Antonio De Vity signs himself with the pseudonym \"D'Amato.\" His real name was Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Telesca Enrico","offers":[{"title":"Default Title","offer_id":56217825870210,"sku":"ETEL001","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/f1934bb6-8404-4933-a4af-43e28717ce70-Telesca-copia.jpg?v=1768468627"},{"product_id":"antonio-de-viti-parigi-2","title":"Antonio De Vity - Paris","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Lombardo Natale","offers":[{"title":"Default Title","offer_id":56217859916162,"sku":"NLOM001","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1617036854770-copia.jpg?v=1768468880"},{"product_id":"antonio-de-viti-veduta-parigina","title":"Antonio De Vity - Parisian View","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Massimo Zanini abbassata da 2000 a 900\/1000€","offers":[{"title":"Default Title","offer_id":56218107675010,"sku":"mzan001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/b42a0ed1-9725-48b6-9d9a-d207a7c4cfc2.jpg?v=1768471225"},{"product_id":"antonio-de-vity-venezia-2","title":"Antonio De Vity - Venice","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject coherently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Indeed, urban landscapes and scenes of city life are typical themes of that pictorial movement. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. Throughout his career, the artist Antonio De Vity has drawn on this aesthetic, even in the type of stylistic register he adopted, although here he opts for a traditionally vedutist subject, such as the Venetian view.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a view with precise meteorological and environmental conditions onto the canvas. The entire color palette, from the lagoon to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through the gradations of color. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition, corroborated by the artist's touch, which creates the subjects as flickering visions, reverberated by the reflections on the water's surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Civitelli Claudio abbassata da 2700 a 600€","offers":[{"title":"Default Title","offer_id":56218150142338,"sku":"CCIV001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-03-22-14-20-051.jpg?v=1768471495"},{"product_id":"antonio-de-vity-paris","title":"Antonio de Vity - Paris","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Lodi Sergio","offers":[{"title":"Default Title","offer_id":56218212336002,"sku":"SLOD001","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/antonio-de-vity-copia.jpg?v=1768471921"},{"product_id":"antonio-de-vity-parigi-800","title":"ANTONIO DE VITY - PARIS 1800","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"DI BIASE FABIO","offers":[{"title":"Default Title","offer_id":56218238419330,"sku":"FDIB001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DI-BIASE-DE-VITY-FRONTE.jpg?v=1768472123"},{"product_id":"antonio-de-vity-parigi-2","title":"Antonio De Vity - Paris","description":"\u003ca href=\"https:\/\/www.venderequadri.it\/wp-content\/uploads\/2023\/01\/FB47D21C-ABED-48A1-B98F-BF6F142C5E3E.jpeg\"\u003e\u003cimg class=\"alignnone size-medium wp-image-93340\" src=\"https:\/\/www.venderequadri.it\/wp-content\/uploads\/2023\/01\/FB47D21C-ABED-48A1-B98F-BF6F142C5E3E-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\"\u003e\u003c\/a\u003e","brand":"Civitelli Claudio 800€","offers":[{"title":"Default Title","offer_id":56218477396354,"sku":"CCIV002","price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/D2A2C8A1-83D5-410B-8590-CB43C0C71483.jpg?v=1768473646"},{"product_id":"antonio-de-vity-senza-titolo-9","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Gatta Giacomo","offers":[{"title":"Default Title","offer_id":56218590019970,"sku":"GGAT001","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20230310_172628-scaled.jpg?v=1768474591"},{"product_id":"antonio-de-vity-senza-titolo-9-2","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Gatta Giacomo","offers":[{"title":"Default Title","offer_id":56218590183810,"sku":"GGAT002","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20230310_172514-scaled.jpg?v=1768474591"},{"product_id":"antonio-de-vity","title":"Antonio De Vity - Paris","description":"","brand":"Eduardo Pitone 300€","offers":[{"title":"Default Title","offer_id":56218603782530,"sku":"Vqep300","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/D6F1E843-3469-4DC7-8033-03564AD78EB4.jpg?v=1768474701"},{"product_id":"antonio-de-vity-altare-della-patria","title":"Antonio de Vity - Altar of the Fatherland","description":"","brand":"Eduardo Pitone 350€","offers":[{"title":"Default Title","offer_id":56218603913602,"sku":"Vqep350","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/BA0219CD-6EC8-4573-A6C2-77C400444607.jpg?v=1768474702"},{"product_id":"antonio-de-vity-parigi-3","title":"Antonio de Vity-Paris","description":"","brand":"Eduardo Pitone 300€","offers":[{"title":"Default Title","offer_id":56218603979138,"sku":"Vqed300","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/BB4E5F61-940A-4C70-94BC-16EABFA05D46.jpg?v=1768474700"},{"product_id":"antonio-de-vity-chantelise","title":"Antonio de Vity-Arc de Triomphe","description":"","brand":"Eduardo Pitone 250€","offers":[{"title":"Default Title","offer_id":56218604175746,"sku":"Vqep250","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/5F7572BD-1DD3-4629-B219-C8E8F96E9686.jpg?v=1768474700"},{"product_id":"antonio-de-vity-senza-titolo-10","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Cariddi Paola","offers":[{"title":"Default Title","offer_id":56218604896642,"sku":"PCAR001","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20230213_160525-scaled.jpg?v=1768474706"},{"product_id":"antonio-de-vity-parigi-1","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter Antonio De Vity, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life are, in fact, typical themes of that pictorial movement, which originated and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the modern aspects represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. The artist Antonio De Vity, throughout his career, has drawn on this aesthetic, even in the stylistic register he adopted.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advancing crowd, in an orderly fashion, introduces a subtle metaphysical undertone, typical of De Vity's urban views. This suggestion is corroborated by the artist's touch, who creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"DI STEFANO DOMENICA","offers":[{"title":"Default Title","offer_id":56218714440066,"sku":"DISTDO001","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DI-STEFANO-QUADRO.jpg?v=1768476000"},{"product_id":"antonio-de-vity-senza-titolo-11","title":"Antonio De Vity - Untitled","description":"\u003cp\u003e The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. 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He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Chezzi Emidio","offers":[{"title":"Default Title","offer_id":56218715488642,"sku":"ECHE020","price":680.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/De-Vity-piazza-con-donne.jpg?v=1768476030"},{"product_id":"antonio-de-vity-senza-titolo-12","title":"Antonio De Vity - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eThe painting is a typical example of Antonio De Vity's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a view with precise weather and environmental conditions onto the canvas. The entire color palette is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations.\u003c\/p\u003e\n\n\n \u003cp\u003eAntonio De Vity is the pseudonym of Umberto Marone, born in Naples in 1901 and died in 1993. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South.\u003c\/p\u003e","brand":"Carnovale Valerio","offers":[{"title":"Default Title","offer_id":56218721550722,"sku":"VCAR001","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2023-06-30-15-18-43-2.jpg?v=1768476107"},{"product_id":"de-vity-antonio-senza-titolo","title":"De Vity Antonio - Untitled","description":"","brand":"Verdi Sonia","offers":[{"title":"Default Title","offer_id":56218870415746,"sku":"SVER003","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/De-Vity_c5dcb388-e1af-44b0-bc7c-8677ac905c77.jpg?v=1768477112"},{"product_id":"antonio-de-vity-senza-titolo-3-2","title":"Antonio De Vity - Untitled","description":"","brand":"Raspavolo Sonia","offers":[{"title":"Default Title","offer_id":56219029340546,"sku":"SRAS001","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Secomandi-1-1.jpg?v=1768477660"},{"product_id":"antonio-de-vity-parigi-4","title":"Antonio De Vity - Paris","description":"","brand":"Pigatto Mario","offers":[{"title":"Default Title","offer_id":56219037892994,"sku":"MPIG001","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Quadro-Moulin-Rouge-Antonio-DE-VITY-scaled.jpg?v=1768477725"},{"product_id":"antonio-de-vity-parigi-5","title":"Antonio De Vity - Paris","description":"The urban landscape in the works of Antonio De Vity is closely linked to Impressionism. This movement, born in the second half of the 19th century, focused on painting from life, therefore en plein air, depicting city life amidst parties, balls, and the streets of Paris. Through their paintings, the city becomes modern, boasting new attractions every day, struggling amidst the chaos and frenzy of the city. De Vity himself became a spokesperson for that bourgeois painting, drawing on French aesthetics, also informed by his connection to the city that would welcome him for a period of his life.\n\r \nThe rapid, hatched brushstrokes, combined with painterly tones that create a sparkling atmosphere, hark back to expressionist representation. The volumes and shapes of the city street are imbued with pastel tones that juxtapose the leaden sky the painter presents us with. It is precisely this reworking of the French tradition that transforms the atmosphere of the city with its crowded streets, stimulating our senses.\n\n\u003cstrong\u003e \u003c\/strong\u003eAntonio De Vity, the pseudonym of Umberto Marone, was born in Naples in 1901. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South. 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It is precisely this reworking of the French tradition that transforms the atmosphere of the city with its crowded streets, stimulating our senses.\u003c\/p\u003e\n\n\n\u003cp\u003e Antonio De Vity, the pseudonym of Umberto Marone, was born in Naples in 1901. He began studying painting in his hometown, but his stay in Paris, where he attended the Ecole des Beaux Arts, was crucial to his development. Upon returning to Italy, he founded his own school, which became an important reference point for artists from the South. 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