{"title":"Andrea Sampaolo","description":"\u003cp\u003eOpere di Andrea Sampaolo in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Andrea Sampaolo? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"andrea-sampaolo-family-cat","title":"Andrea Sampaolo - Family cat","description":"\u003cp\u003eThe work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama. \u003c\/p\u003e \n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218341867906,"sku":"MCAR004","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/1-1_82aaddf0-4f94-44e1-ac49-2ca3f803bb2e.jpg?v=1768472885"},{"product_id":"andrea-sampaolo-ghost-writer","title":"Andrea Sampaolo - Ghostwriter","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama. \u003c\/p\u003e \n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342031746,"sku":"MCAR005","price":9000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Immagine-2022-10-06-120529.jpg?v=1768472886"},{"product_id":"andrea-sampaolo-inside-me","title":"Andrea Sampaolo - Inside me","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342261122,"sku":"MCAR006","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/3_35143331-6638-445e-bb9c-dd238f133c01.jpg?v=1768472888"},{"product_id":"andrea-sampaolo-go","title":"Andrea Sampaolo - Go","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342359426,"sku":"MCAR008","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/sampaolo-opera-n.-12.jpg?v=1768472888"},{"product_id":"andrea-sampaolo-in-out","title":"Andrea Sampaolo - In \u0026 Out","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342588802,"sku":"MCAR007","price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/4_3ef6bfec-94b8-4615-93cb-9a0feb433a92.jpg?v=1768472889"},{"product_id":"andrea-sampaolo-walk-by-walk","title":"Andrea Sampaolo - Walk by walk","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342654338,"sku":"MCAR009","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/5_119406ab-b44e-4ec8-84e7-4bb2de7f348f.jpg?v=1768472890"},{"product_id":"andrea-sampaolo-follia-omicida","title":"Andrea Sampaolo - Homicidal Madness","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342818178,"sku":"MCAR010","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/6_3cfb5e9f-98c9-4d35-a0cb-275c19f259d5.jpg?v=1768472891"},{"product_id":"andrea-sampaolo-freflex","title":"Andrea Sampaolo - Freflex","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama. \u003c\/p\u003e \n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218342883714,"sku":"MCAR011","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/7_913e5d3e-2d2c-4e8c-b736-4b871af20586.jpg?v=1768472892"},{"product_id":"andrea-sampaolo-autoritratto","title":"Andrea Sampaolo - Self-Portrait","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eAmong the most important exponents of Informal Art and Abstract Expressionism in Italy and beyond, Andrea Sampaolo develops his own language through an intense perceptive exercise transfigured into gesture. The artist begins by capturing sensory data and reworks it through his highly personal experience. Thus, the representation of his vision definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. In many of his works, however, Sampaolo, while remaining in the realm of total abstraction, does not completely abandon form, introducing figurative elements. Yet Andrea Sampaolo's figuration has nothing to do with either naturalistic rendering or abstraction: his figures are shaken by the intense vibrations of pictorial gesture and color, which are used brutally, reaffirming his close relationship with American graffiti art. In this way, the artist is able to create a chromatic material that seems alive, dynamic, and ever-evolving in its drama.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218343047554,"sku":"MCAR012","price":9500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/8_ec4ffef0-9b85-433a-a736-a54a8bb26b08.jpg?v=1768472893"},{"product_id":"andrea-sampaolo-harmony-of-marble","title":"Andrea Sampaolo - Harmony of Marble","description":"\u003cp\u003e The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.\u003c\/p\u003e\n\n\n \u003cp\u003eEven in his sculptural work, Andrea Sampaolo confirms the coherence of his expressionist and informal aesthetic, with a certain Brutalist edge. While in his paintings this approach was expressed through dramatic gestures, in his sculpture it is primarily the concreteness of the material (in this case, marble) that takes center stage. Thus, the block is left almost entirely immanent, allowing the artist a seemingly minimal intervention that, in reality, imbues the marble with a vital and musical vibration of great intensity.\u003c\/p\u003e\n\n\n \u003cp\u003eAndrea Sampaolo was born in Rome on March 27, 1966. After earning his art teacher's diploma in 1983, Sampaolo began his artistic career as a painter in 1989. His research soon expanded into diverse experiences, including visual installations and performances, and extended into fields such as communication and design. Although he favors painting as a field of experimentation, Sampaolo today presents himself as an eclectic and multifaceted artist, unafraid of the rapid transformations underway in contemporary art. In 2010, he traveled to the United States after his work was selected by Poltrona Frau for its annual exhibition of emerging artists, held at its Miami headquarters. This would be a pivotal moment in Sampaolo's career, as his 32 large canvases documented and honored the close connection between his art and the American avant-garde of the 1950s and New York graffiti art. Hence the decision to move permanently to Miami, where he was signed by the Unix gallery, with which he participated in Art Miami and the Art Southampton fair. On September 21, 2013, a public marble work, \"Ghost Dog,\" was inaugurated in the Cloister of San Francesco in Norcia, Umbria, commissioned by the local government. In 2014, Andrea Sampaolo interpreted marble in a pictorial and contemporary way in the RE-LIFE project. In 2015-16, he exhibited as a special guest at the ArtRooms event in London, and in November 2016, he created the exhibition \"Deconstructing the Abstract\" at the new Frau Atlantica space, as an extra-salon event of the 2016 Art Miami exhibition, under the patronage of the Italian Consulate.\u003c\/p\u003e","brand":"Carnevale Marcello","offers":[{"title":"Default Title","offer_id":56218343113090,"sku":"MCAR013","price":5500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/9_e33c14b1-4e65-4e4f-851e-512538b1e6ef.jpg?v=1768472894"}],"url":"https:\/\/venderequadri.it\/en\/collections\/andrea-sampaolo.oembed","provider":"Venderequadri","version":"1.0","type":"link"}