{"title":"Alberto Sughi","description":"\u003cp\u003eOpere di Alberto Sughi in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di Alberto Sughi? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"alberto-sughi-notturno","title":"Alberto Sughi - Nocturne","description":"\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Giacobbe Piergiorgio 5000","offers":[{"title":"Default Title","offer_id":56210221367682,"sku":"PGIAC001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Sughi_Notturno.jpg?v=1768387573"},{"product_id":"alberto-sughi-labbraccio","title":"Alberto Sughi - The Hug","description":"","brand":"Ballerini Roberta","offers":[{"title":"Default Title","offer_id":56210249646466,"sku":"RBAL006","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/sughi.jpg?v=1768387831"},{"product_id":"alberto-sughi-villa-romana","title":"Alberto Sughi - Roman Villa","description":"","brand":"Palma Antonio","offers":[{"title":"Default Title","offer_id":56210263605634,"sku":"APAL003","price":3800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Villa-Romana.jpg?v=1768387994"},{"product_id":"alberto-sughi-senza-titolo","title":"Alberto Sughi - Untitled","description":"","brand":"Amara Carmelo","offers":[{"title":"Default Title","offer_id":56210266653058,"sku":"CAMA002","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Senza-titolo32.jpg?v=1768388044"},{"product_id":"alberto-sughi-senza-titolo-2","title":"Alberto Sughi - Untitled","description":"","brand":"Amara Carmelo","offers":[{"title":"Default Title","offer_id":56210266685826,"sku":"CAMA003","price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Senza-titolo33.jpg?v=1768388044"},{"product_id":"alberto-sughi-gran-caffe","title":"Alberto Sughi - Gran Caffè","description":"","brand":"Marovelli Carlo 22000","offers":[{"title":"Default Title","offer_id":56210323931522,"sku":"CMAR002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0937.jpg?v=1768388998"},{"product_id":"alberto-sughi-belvedere","title":"Alberto Sughi - Belvedere","description":"","brand":"Santarelli Gioacchino 1000","offers":[{"title":"Default Title","offer_id":56210335269250,"sku":"GSAN011","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/BELVEDERE-ALBERTO-SUGHI.jpg?v=1768389163"},{"product_id":"alberto-sughi-la-luce-della-finestra","title":"Alberto Sughi - The Light of the Window","description":"","brand":"Buccella Gianluca","offers":[{"title":"Default Title","offer_id":56210378654082,"sku":"GBUC001","price":12000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/P_20160824_182017.jpg?v=1768389695"},{"product_id":"alberto-sughi-senza-titolo-4","title":"Alberto Sughi - Untitled","description":"","brand":"Damiani Rossana abbassata a 1000","offers":[{"title":"Default Title","offer_id":56210393989506,"sku":"RDAM002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0695.jpg?v=1768389827"},{"product_id":"alberto-sughi-volto-donna","title":"Alberto Sughi - Woman's Face","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAlberto Sughi\u003c\/strong\u003e (Cesena 1928 – Bologna 2012), after a self-taught education and early success, proceeded in his career through thematic cycles: first the so-called “Green Paintings”, dedicated to the relationship between man and nature (1971-1973); then “The Dinner” (1975-1976) and “Imagination and Memory of the Family”; in 1985 he began with the series “The Evening or Reflection”, while the most recent, with large-scale paintings, is “Notturno”. Sughi has participated in all the most important contemporary art exhibitions, from the Venice International Art Biennale to the Rome Quadrennial, as well as numerous exhibitions abroad that have presented the events of Italian art from the 1970s to the present. Italian and foreign museums have dedicated large anthologies to him. Giorgio Napolitano remembers him with these words: “\u003c!--more--\u003e\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eOne of the most sensitive and industrious artists of the Italian Republic, he had always been able to affirm and cultivate his own peculiar style, remaining faithful to it while remaining open to new trends and suggestions for expressive research.\u003c\/p\u003e","brand":"Rimoldi Marco 600€","offers":[{"title":"Default Title","offer_id":56210473812354,"sku":"MRIM001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_6959.jpg?v=1768390494"},{"product_id":"alberto-sughi-viaggio","title":"Alberto Sughi - On the road","description":"","brand":"Manini Mario 8.800","offers":[{"title":"Default Title","offer_id":56210484855170,"sku":"MMAN007","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHI_47022473-f7fd-4003-a43e-8d96a6e866fd.jpg?v=1768390549"},{"product_id":"alberto-sughi-viaggio-2","title":"Alberto Sughi - On the road","description":"","brand":"Merello Alberto 1500€","offers":[{"title":"Default Title","offer_id":56210588991874,"sku":"AMERE002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHI_b60d67dc-2416-401d-b795-2aa56da710fe.jpg?v=1768391411"},{"product_id":"alberto-sughi-viaggio-3","title":"Alberto Sughi - The Journey","description":"","brand":"Santorelli Tommaso 5.000","offers":[{"title":"Default Title","offer_id":56210609078658,"sku":"TSAN002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_2690.jpg?v=1768391619"},{"product_id":"alberto-sughi-senza-titolo-5","title":"Alberto Sughi - Untitled","description":"","brand":"Alimenti Massimiliano","offers":[{"title":"Default Title","offer_id":56210712428930,"sku":"MALI006","price":3800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9047-copia.jpg?v=1768392343"},{"product_id":"alberto-sughi-figura-femminile","title":"Alberto Sughi - Female Figure","description":"","brand":"Berti Giuseppe","offers":[{"title":"Default Title","offer_id":56211288523138,"sku":"GIBERT001","price":8000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_5766.jpg?v=1768398759"},{"product_id":"alberto-sughi-notturno-2","title":"Alberto Sughi - Nocturne","description":"","brand":"Giacobbe Piergiorgio 3200","offers":[{"title":"Default Title","offer_id":56211375030658,"sku":"PGIA002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Sughi_Notturno-copia.jpg?v=1768399495"},{"product_id":"alberto-sughi-senza-titolo-6","title":"Alberto Sughi - Untitled","description":"","brand":"Rastelletti Roberto","offers":[{"title":"Default Title","offer_id":56211376734594,"sku":"RRAS004","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHI_2be89c18-ef60-4432-a6e8-4cb57b160843.jpg?v=1768399509"},{"product_id":"alberto-sughi-senza-titolo-7","title":"Alberto Sughi - Untitled","description":"","brand":"Di Tullio Marco","offers":[{"title":"Default Title","offer_id":56211453673858,"sku":"MTUL003","price":2000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_3552-19-12-17-01-50.jpg?v=1768400022"},{"product_id":"alberto-sughi-viaggio-2-2","title":"Alberto Sughi - On the road","description":"","brand":"Emiliani Antonio 4000","offers":[{"title":"Default Title","offer_id":56211506102658,"sku":"AEMI002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHI_f75f450a-adfe-4cad-af5a-6e204f2febe0.jpg?v=1768400174"},{"product_id":"alberto-sughi-estate","title":"Alberto Sughi - Summer","description":"\u003cp\u003e The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eIn this lithograph, Alberto Sughi presents an interpretation of the human figure still rooted in an objective and phenomenal reality, far removed from the distortions that characterize his artistic language. The subject presents a lifelike image, endowed with anatomical precision, physiognomic characterization, and a sculptural consistency. The image stands out clearly, with few painterly effects; the color is applied in light washes.\u003c\/p\u003e\n\n\n\u003cp\u003e Alberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Marzot Paolo","offers":[{"title":"Default Title","offer_id":56211592642946,"sku":"PMAR015","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/ALBERTO-SUGHI-ESTATE.jpg?v=1768400902"},{"product_id":"alberto-sughi-coppia-al-bar","title":"Alberto Sughi - Couple at the Bar","description":"\u003cp style=\"text-align: justify;\"\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi's pictorial poetics recurs in most of his works. Indeed, the subjects he depicts exhibit a paucity of physiognomic details, of objective particulars that might identify them or even place them in a social context. Sughi's existentialist painting is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize his subjects are precisely the medium Sughi uses to express his existentialist anxieties.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"D'eramo Anna","offers":[{"title":"Default Title","offer_id":56211922878850,"sku":"ADER001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20180524_133246.jpg?v=1768402032"},{"product_id":"alberto-sughi-volto-donna-2","title":"Alberto Sughi - Woman's Face","description":"\u003cp style=\"text-align: justify;\"\u003e Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi's pictorial poetics recurs in most of his works. Indeed, the subjects he depicts exhibit a paucity of physiognomic details, of objective particulars that might identify them or even place them in a social context. Sughi's existentialist painting is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize his subjects are precisely the medium Sughi uses to express his existentialist anxieties.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e\n\n\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003e","brand":"D'eramo Anna","offers":[{"title":"Default Title","offer_id":56211923239298,"sku":"ADER009","price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_20180524_132521.jpg?v=1768402039"},{"product_id":"alberto-sughi-nudo","title":"Alberto Sughi - Nude","description":"\u003cp style=\"text-align: justify;\"\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe painting is a perfect example of Alberto Sughi's pictorial poetics. The subject depicted, in fact, displays a paucity of physiognomic details, of objective particulars that could identify it or even place it in a social context. Sughi's existentialist painting is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize this subject are precisely the medium Sughi uses to express his existentialist anxieties. Thus, the subject appears enigmatic and mysterious, naked, in her mere complexity as a human being. Everything is enveloped in a dense, sulfurous atmosphere that almost hides from our eyes this female figure, created by Alberto Sughi's extraordinary pictorial skill.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Piazzolla Fabio (Euro 25000)","offers":[{"title":"Default Title","offer_id":56212568801666,"sku":"FPIA001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2018-10-08-at-19.51.551.jpg?v=1768406076"},{"product_id":"alberto-sughi-senza-titolo-3","title":"Alberto Sughi - Untitled","description":"\u003cp style=\"text-align: justify;\"\u003e Alberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Abriani Alessandro","offers":[{"title":"Default Title","offer_id":56212815479170,"sku":"AABR006","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2018-11-29-at-19.18.042.jpg?v=1768407022"},{"product_id":"alberto-sughi-notturno-3","title":"Alberto Sughi - Nocturne","description":"\u003cp style=\"text-align: justify;\"\u003eThe painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi's pictorial poetics recurs in most of his works. The depicted scene, in fact, displays a paucity of physiognomic details, of objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist painting is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize his subjects are precisely the medium Sughi uses to express his existentialist anxieties.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Rigliani Sergio (abbassato prezzo 3000)","offers":[{"title":"Default Title","offer_id":56212869939586,"sku":"SRIG002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Sughi-notturno.jpg?v=1768407243"},{"product_id":"alberto-sughi-uomo-donna","title":"Alberto Sughi - Man and Woman","description":"","brand":"Pulvirenti Sebastiano","offers":[{"title":"Default Title","offer_id":56212885275010,"sku":"SPUL005","price":1040.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/quadro-un-uomo-e-una-donna.jpg?v=1768407350"},{"product_id":"alberto-sughi-giovane-donna","title":"Alberto Sughi - Young Woman","description":"\u003cp style=\"text-align: justify;\"\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eThe painting is a perfect example of Alberto Sughi's pictorial poetics. The subject depicted, in fact, displays a paucity of physiognomic details, of objective particulars that could identify it or even place it in a social context. Sughi's existentialist painting is not interested in external social reality, but rather in the person's interior, which the artist explores through his expressive means. The pictorial deformations that characterize this subject are precisely the medium Sughi uses to express his existentialist anxieties. The figure almost merges with the decontextualized space in which it is placed, were it not for the thick black line that delineates its form in a rarefied manner. Within this outline, Sughi's brushstrokes are structural: the brushstrokes, arranged on different planes, build the figure's volume. Finally, the strokes of white that capture sudden flashes of light on the sheet covering the woman are evocative.\u003c\/p\u003e\n\n \u003cp style=\"text-align: justify;\"\u003eAlberto Sughi, Cesena 1928 - Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Benedetti Mario","offers":[{"title":"Default Title","offer_id":56212934820226,"sku":"MBEN001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/WhatsApp-Image-2019-01-17-at-19.13.032.jpg?v=1768407707"},{"product_id":"alberto-sughi-nudo-2","title":"Alberto Sughi - Nude","description":"","brand":"Fortini William","offers":[{"title":"Default Title","offer_id":56215646830978,"sku":"WFOR002","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20200226_164326.jpg?v=1768428055"},{"product_id":"alberto-sughi-viaggio-4","title":"Alberto Sughi - On the road","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works, both pictorial and sculptural. The scene depicted is realistic, yet lacking in physiognomic details, objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings, and which serve as a vehicle for expressing his existentialist anxieties, are also echoed in this bas-relief. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the subjects. Even in this bas-relief, where the sculptural technique imposes an even more pronounced plasticity than painting, the subjects are imbued with emotional vibrations. These vibrations also reverberate in the physical space of the train compartment, emphasizing the subjects' solitude and difficulty in relating to others.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Pieropan Anna 4500","offers":[{"title":"Default Title","offer_id":56215709581698,"sku":"APIE001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-2-copia.jpg?v=1768428432"},{"product_id":"alberto-sughi-viaggio-4-2","title":"Alberto Sughi - On the road","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works, both pictorial and sculptural. The scene depicted is realistic, yet lacking in physiognomic details, objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings, and which serve as a vehicle for expressing his existentialist anxieties, are also echoed in this bas-relief. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the subjects. Even in this bas-relief, where the sculptural technique imposes an even more pronounced plasticity than painting, the subjects are imbued with emotional vibrations. These vibrations also reverberate in the physical space of the train compartment, emphasizing the subjects' solitude and difficulty in relating to others.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Oberto Giorgio 4500","offers":[{"title":"Default Title","offer_id":56215726915970,"sku":"GOBE002","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-2-copia_dcdd935c-9fed-45b1-a026-54363cfadce7.jpg?v=1768428588"},{"product_id":"alberto-sughi-innamorati","title":"Alberto Sughi - In Love","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to relate to one another. In this space, the artist highlights internal tensions by expressively deforming the subjects even as they are held in a tight embrace. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty relating to one another.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Branchetti Fabrizio","offers":[{"title":"Default Title","offer_id":56217805029762,"sku":"FBRA003","price":6000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20210213_103537-copia-scaled.jpg?v=1768468372"},{"product_id":"alberto-sughi-le-due-eta","title":"Alberto Sughi - The Two Ages","description":"\u003cp\u003eThe iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. This type of subject can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, and Puvis des Chavannes, who, while using a primarily figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references. Symbolic iconography in the representation of the ages has, in general, enjoyed a certain degree of diffusion throughout the history of art, considering famous examples such as Giorgione's \"The Three Ages of Man\" or Gustav Klimt's \"The Three Ages of Woman.\" This type of subject is developed here by Alberto Sughi, but always with its specific character as an investigation conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the everydayness of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The depicted scene, in fact, has an exquisitely symbolic and existential connotation, displaying a paucity of physiognomic details, of objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the subjects, even when they are in close proximity. The subjects, and particularly the figure of the old man, are imbued with emotional vibrations. These vibrations also resonate in the space of the work, underlining the loneliness and difficulty of the characters in relating to each other.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Bettonte Renato","offers":[{"title":"Default Title","offer_id":56217823379842,"sku":"RBET002","price":3900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_9249-copia-scaled.jpg?v=1768468610"},{"product_id":"alberto-sughi-figura-al-bar","title":"Alberto Sughi - Figure at the bar","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Cetrari Enrico","offers":[{"title":"Default Title","offer_id":56217900351874,"sku":"ECET001","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/20210514_113512-copia.jpg?v=1768469276"},{"product_id":"alberto-sughi-uomo-con-un-cane","title":"Alberto Sughi - Man with a Dog","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's works are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior or, at least, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Politi Rita","offers":[{"title":"Default Title","offer_id":56217904120194,"sku":"RPOL005","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Schermata-2021-06-07-alle-11.41.21.png?v=1768469328"},{"product_id":"sughi-senza-titolo","title":"Alberto Sughi - Untitled","description":"\u003cp\u003eThe human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The depicted scene, in fact, has an exquisitely symbolic and existential connotation, displaying a paucity of physiognomic details, of objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the individual's interior, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, delineating an interior within which this beautiful female figure, seen from behind, stands out. In this space, the artist highlights internal tensions by expressively deforming the subject, who is pervaded by emotional vibrations. However, compared to other works in which the expressionist language prevails, in this piece Sughi seems driven by a greater desire to exalt the plastic qualities of the human body.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Bucci Graziella","offers":[{"title":"Default Title","offer_id":56217914933634,"sku":"GBUC001","price":1080.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2021-06-14-16-31-152.jpg?v=1768469464"},{"product_id":"alberto-sughi-ritratto-di-una-coppia","title":"Alberto Sughi - Portrait of a Couple","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at investigating, along the lines of existentialism and the analysis of human relationships, a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Girardi Severino","offers":[{"title":"Default Title","offer_id":56217935937922,"sku":"SGIR004","price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/4.4-ALBERTO-SUGHI.jpg?v=1768469725"},{"product_id":"alberto-sughi-personaggi-al-cinema","title":"Alberto Sughi - Characters in Cinema","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Oliva Domenico","offers":[{"title":"Default Title","offer_id":56218218398082,"sku":"DOLI002","price":5700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/PHOTO-2022-06-15-11-45-02.jpg?v=1768471970"},{"product_id":"alberto-sughi-in-viaggio","title":"ALBERTO SUGHI - ON THE ROAD","description":"\u003cp\u003e The work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works, both pictorial and sculptural. The scene depicted is realistic, yet lacking in physiognomic details, objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings, and which serve as a vehicle for expressing his existentialist anxieties, are also echoed in this bas-relief. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the subjects. Even in this bas-relief, where the sculptural technique imposes an even more pronounced plasticity than painting, the subjects are imbued with emotional vibrations. These vibrations also reverberate in the physical space of the train compartment, emphasizing the subjects' solitude and difficulty in relating to others.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"SAIANI BIANCA MARIA 5.000","offers":[{"title":"Default Title","offer_id":56218239664514,"sku":"BMSA001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SASIANI-SUGHI.jpg?v=1768472130"},{"product_id":"alberto-sughi-due-ragazze","title":"Alberto Sughi - Two Girls","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Caprino Sebastiano (EURO 9500) abbassata 6000€","offers":[{"title":"Default Title","offer_id":56218352943490,"sku":"SCAP001","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHI_9d7ef8c7-3e59-4936-8ac2-c6ce6ee4c94c.jpg?v=1768472976"},{"product_id":"alberto-sughi-senza-titolo-8","title":"Alberto Sughi - Untitled","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The depicted subject, in fact, has an exquisitely symbolic and existential connotation, displaying a paucity of physiognomic details, of objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external reality, but rather in the person's interior, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. The subject is pervaded by emotional vibrations; however, compared to other works where expressionist language prevails, in this piece Sughi seems driven by a greater desire to exalt the plastic qualities of the human body.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Baldan Luciano","offers":[{"title":"Default Title","offer_id":56218362151298,"sku":"LBAL001","price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_4498.jpg?v=1768473035"},{"product_id":"alberto-sughi-figura-di-donna","title":"Alberto Sughi - Figure of a Woman","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The depicted subject, in fact, has an exquisitely symbolic and existential connotation, displaying a paucity of physiognomic details, of objective particulars that might identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external reality, but rather in the person's interior, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. The subject is pervaded by emotional vibrations; however, compared to other works where expressionist language prevails, in this piece Sughi seems driven by a greater desire to exalt the plastic qualities of the human figure.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Lusardi Rosa Maria","offers":[{"title":"Default Title","offer_id":56218538901890,"sku":"RMLUS001","price":2200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG_0689-scaled.jpg?v=1768474078"},{"product_id":"alberto-sughi","title":"Alberto Sughi - UNTITLED","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life connected to the world of art, which, apparently, lacks any significant element. These types of subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"DE PERSIS SANTE","offers":[{"title":"Default Title","offer_id":56218683376002,"sku":"DEPERS006","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/DE-PERSIS-SUGHI.jpg?v=1768475639"},{"product_id":"alberto-sughi-un-incontro","title":"Alberto Sughi - A Meeting","description":"\u003cp\u003eThe work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered equally important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. More specifically, Alberto Sughi's artistic production is directed at an investigation, conducted along the lines of existentialism and the analysis of human relationships, of a bourgeois world, captured in the daily routine of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Amaro Roberto","offers":[{"title":"Default Title","offer_id":56218684653954,"sku":"RAMA001","price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20230518-WA0005.jpg?v=1768475652"},{"product_id":"alberto-sughi-figura-con-cappotto-rosso","title":"Alberto Sughi - Figure with a Red Coat","description":"\u003cp\u003ePortraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the depicted subject, an attempt to convey their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation. More specifically, Alberto Sughi's artistic production is directed at investigating, along the lines of existentialism and the analysis of human relationships, a bourgeois world, captured in the everydayness of its gestures and rituals.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi's artistic poetics recurs in most of his works. The scene depicted is realistic, yet lacking in physiognomic details, objective details that could identify the situation or even place it within a social context. Sughi's existentialist art is not interested in external social reality, but rather in the inner reality of man, which the artist explores through his expressive means. The pictorial deformations that characterize Sughi's paintings are a means of expressing his existentialist anxieties. As is his wont, Sughi precisely frames the scene, defining an interior, a restricted space in which the subjects are forced to interact with one another. In this space, the artist highlights internal tensions by expressively deforming the figures. The subjects are pervaded by emotional vibrations. These vibrations also reverberate throughout the work, emphasizing the subjects' solitude and difficulty in relating.\u003c\/p\u003e\n\n\n \u003cp\u003eAlberto Sughi, Cesena 1928 – Bologna 2012, always chose the path of realism throughout his painting career. However, Sughi's realism never had a social orientation; rather, its focus shifted to the human condition, to human solitude: this is why Sughi's painting has been described as \"existentialist realism.\" In the 1960s, Sughi's realism was influenced by Bacon, presenting distortions in his subjects and spatial settings similar to those of the English artist.\u003c\/p\u003e","brand":"Morellini Luca","offers":[{"title":"Default Title","offer_id":56218732462466,"sku":"LMOR001","price":6500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-20230721-WA0045.jpg?v=1768476286"},{"product_id":"alberto-sughi-senza-titolo-9","title":"Alberto Sughi - Untitled","description":"","brand":"Lattanzi Gigliola","offers":[{"title":"Default Title","offer_id":56218904265090,"sku":"GLAT001","price":1350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHISCHIZZO-SU-CARTASENZA-TIT.20X30AUT.-FOTO.jpg?v=1768477197"},{"product_id":"alberto-sughi-senza-titolo-9-2","title":"Alberto Sughi - Untitled","description":"","brand":"Lattanzi Gigliola","offers":[{"title":"Default Title","offer_id":56218904330626,"sku":"GLAT002","price":1440.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/SUGHIPENNA-SU-CARTA30X20SENZA-TIT.AUT_.-SU-FOTO.jpg?v=1768477198"},{"product_id":"alberto-sughi-senza-titolo-10","title":"Alberto Sughi - Untitled","description":"","brand":"Valestri Jeffrin Christopher","offers":[{"title":"Default Title","offer_id":56219101790594,"sku":"JVAL018","price":540.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Alberto-Sughi-grafica-acquerellata-a-mano-33x28-69x54-FRONTE.jpg?v=1768478126"},{"product_id":"alberto-sughi-bar-2","title":"Alberto Sughi - Couple","description":"","brand":"Muraglia Sergio","offers":[{"title":"Default Title","offer_id":56219181875586,"sku":"SMUR003","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/COPPIA-scaled.jpg?v=1768478578"},{"product_id":"alberto-sughi-la-cena","title":"Alberto Sughi - The Dinner","description":"","brand":"Muraglia Sergio","offers":[{"title":"Default Title","offer_id":56219181941122,"sku":"SMUR004","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Liro-P.D.A-per-il-ciclo-LA-CENA-70x48-1985-scaled.jpg?v=1768478579"},{"product_id":"alberto-sughi-bar","title":"Alberto Sughi - Bar","description":"","brand":"Muraglia Sergio","offers":[{"title":"Default Title","offer_id":56219181973890,"sku":"SMUR005","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/Lito-BAR-P.D.A-84x65-non-data-scaled.jpg?v=1768478580"}],"url":"https:\/\/venderequadri.it\/en\/collections\/alberto-sughi.oembed","provider":"Venderequadri","version":"1.0","type":"link"}