{"title":"A. Pascal","description":"\u003cp\u003eOpere di A. Pascal in vendita su Venderequadri, da collezioni private e gallerie. Hai un'opera di A. Pascal? \u003ca href=\"\/en\/pages\/valuta-la-tua-opera\"\u003eRichiedi la valutazione gratuita\u003c\/a\u003e: risposta entro 48 ore.\u003c\/p\u003e","products":[{"product_id":"a-pascal-2","title":"A.Pascal - Untitled","description":"\u003cp\u003eLandscape has always played a leading role in artistic research, both as a setting and a backdrop, but also as a subject in its own right. The naturalistic description of landscape has been a constant aspiration for painters. Each historical period has given its own interpretation of landscape, contributing to the evolution of its description: first with a research into space, through Brunelleschian perspective in the early Renaissance; then on atmospheric rendering, in the sixteenth century; up to the representation of every single vibration of light on objects in Impressionism.\u003cbr\u003e\n\u003cbr\u003e\nThe style of the artist A. Pascal is highly recognizable: its main characteristic consists in resolving a figurative representation in a stylistic register with strongly expressionistic connotations. We can appreciate, in fact, how the representation of the scene is executed by exploiting the expressive potential of color. The drawing structure crumbles into a highly synthetic depiction. The pictorial surface transforms into an iridescent impasto of dynamic chromatism made of bright and light-filled tones. The brushstroke is extremely rapid, aimed at recording on the canvas, with immediacy, every single fragment of changing reality. For this reason, Pascal's brushstroke is extremely calligraphic, very thin, made of rapid flourishes that, while immediately reporting sensory data, also guarantee an interpretation of a strongly lyrical character.\u003c\/p\u003e\n\n\u003cp\u003eThe artist A. Pascal, as we can see from the analysis of his works, links up with a post-impressionistic pictorial trend. Indeed, in his artistic practice, the immediacy typical of a conception of painting en plein air combines with the will to go beyond the simple sensory data, to reach a representation of reality already of an expressionistic type.\u003c\/p\u003e","brand":"Marostegan Antonio","offers":[{"title":"Default Title","offer_id":56215736975746,"sku":"AMAR001","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-0865.jpg?v=1768428671"},{"product_id":"a-pascal-3","title":"A.Pascal - Untitled","description":"\u003cp\u003eLandscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a constant aspiration for painters. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.\u003c\/p\u003e\n\n\n \u003cp\u003eThe artist A. Pascal's style is highly recognizable: its main characteristic is the resolution of a figurative representation in a stylistic register with strong expressionist overtones. We can appreciate, in fact, how the scene is depicted by exploiting the expressive potential of color. The drawn structure dissolves into a highly synthetic representation. The painted surface transforms into a shifting impasto of dynamic chromaticism made up of bright, luminous hues. The brushstrokes are extremely rapid, aimed at recording every single fragment of shifting reality on the canvas with immediacy. For this reason, Pascal's brushstrokes are extremely calligraphic, very subtle, composed of rapid strokes that, while conveying sensory information with immediacy, also ensure a highly lyrical interpretation.\u003c\/p\u003e\n\n\n \u003cp\u003eThe artist A. Pascal, as we can see from an analysis of his works, adheres to a post-impressionist style of painting. Indeed, in his artistic practice, the immediacy typical of a plein air concept combines with a desire to go beyond the mere sensory experience, achieving a representation of reality already of an expressionistic nature.\u003c\/p\u003e","brand":"Marostegan Antonio","offers":[{"title":"Default Title","offer_id":56215737106818,"sku":"AMAR002","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-0868.jpg?v=1768428672"},{"product_id":"a-pascal-4","title":"A. Pascal - St. Mark's Square","description":"\u003cp\u003eThe urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject coherently reflects the inclinations of the painter A. Pascal, whose artistic career is closely linked to the post-Impressionist movements. Indeed, urban landscapes and scenes of city life are typical themes of that pictorial climate. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the aspects of modernity represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings.\u003c\/p\u003e\n\n\n \u003cp\u003eThe artist A. Pascal's style is highly recognizable: its main characteristic is the resolution of a figurative representation in a stylistic register with strong expressionist overtones. We can appreciate, in fact, how the scene is depicted by exploiting the expressive potential of color. The drawn structure dissolves into a highly synthetic representation. The painted surface transforms into a shifting impasto of dynamic chromaticism made up of bright, luminous hues. The brushstrokes are extremely rapid, aimed at recording every single fragment of shifting reality on the canvas with immediacy. For this reason, Pascal's brushstrokes are extremely calligraphic, very subtle, composed of rapid strokes that, while conveying sensory information with immediacy, also ensure a highly lyrical interpretation.\u003c\/p\u003e\n\n\n \u003cp\u003eThe artist A. Pascal, as we can see from an analysis of his works, adheres to a post-impressionist style of painting. Indeed, in his artistic practice, the immediacy typical of a plein air concept combines with a desire to go beyond the mere sensory experience, achieving a representation of reality already of an expressionistic nature.\u003c\/p\u003e","brand":"Marostegan Antonio","offers":[{"title":"Default Title","offer_id":56215737172354,"sku":"AMAR003","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-0871.jpg?v=1768428673"},{"product_id":"a-pascal","title":"A.Pascal - In the Woods","description":"\u003cp\u003eLandscape has always played a leading role in artistic research, both as a setting and a backdrop, but also as a subject in its own right. The naturalistic description of landscape has been a constant aspiration for painters. Each historical period has given its own interpretation of landscape, contributing to the evolution of its description: first with a research into space, through Brunelleschian perspective in the early Renaissance; then on atmospheric rendering, in the Cinquecento; up to the representation of every single vibration of light on objects in Impressionism.\u003cbr\u003e\n\u003cbr\u003e\nThe style of the artist A. Pascal is highly recognizable: its main characteristic consists in resolving a figurative representation in a stylistic register with strongly expressionistic connotations. We can appreciate, in fact, how the representation of the scene is executed by exploiting the expressive potential of color. The drawing structure crumbles into a highly synthetic depiction. The pictorial surface transforms into an iridescent impasto of a dynamic chromaticism made of bright and light-filled tones. The brushstroke is extremely rapid, aimed at recording on the canvas, with immediacy, every single fragment of changing reality. For this reason, Pascal's brushstroke is extremely calligraphic, very thin, made of rapid flourishes that, while immediately reporting sensory data, also guarantee an interpretation of a strongly lyrical character.\u003c\/p\u003e\n\n\u003cp\u003eThe artist A. Pascal, as we can see from the analysis of his works, links up with a post-impressionistic pictorial trend. Indeed, in his artistic practice, the immediacy typical of a conception of painting en plein air combines with the will to go beyond the simple sensory data, to reach a representation of reality already of an expressionistic type.\u003c\/p\u003e","brand":"Marostegan Antonio","offers":[{"title":"Default Title","offer_id":56215737500034,"sku":"AMAR004","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/7065\/3058\/files\/IMG-0875.jpg?v=1768428675"}],"url":"https:\/\/venderequadri.it\/en\/collections\/a-pascal.oembed","provider":"Venderequadri","version":"1.0","type":"link"}